1.
Operetta
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Operetta is a genre of light opera, light in terms both of music and subject matter. By this time, the part of the genre name had become misleading. With this new connotation, opéra comique had dominated the French operatic stage since the decline of tragédie lyrique, most researchers acknowledge that the credit for creating the operetta form should go to Hervé, a singer, composer, librettist, conductor, and scene painter. In 1842 he wrote the little opérette, LOurs et le pacha, based on the vaudeville show by Scribe. In 1848, Hervé made his first notable appearance on the Parisian stage, with Don Quichotte et Sancho Pança, hervés most famous works are the Gounod-parody Le Petit Faust and Mamzelle Nitouche. Jacques Offenbach further developed and popularized operetta, giving it its enormous vogue during the Second Empire, Offenbachs earliest one-act pieces included Les deux aveugles, Le violoneux and Ba-ta-clan, and his first full-length operetta success was Orphée aux enfers. Offenbachs tradition was carried on by Robert Planquette, André Messager. What characterizes Offenbachs operettas is both the way they portray life, and the extremely frivolous way this is done. The character was modeled after Offenbachs female star Hortense Schneider. Considering how Zolas Nana describes an Offenbach-style operetta performance in Paris, it is not surprising that the mostly male, upper-class audiences in other cities like Vienna and Berlin longed to see these shows in their home towns as well, which inspired worldwide performance of Offenbachs works. The highly erotic way Offenbachs operettas were originally played, with stars like Hortense Schneider created a reaction from certain parts of the general public. Operetta was considered an art form. Indeed, together with its grotesque qualities, frivolity is one of the elements of authentic operetta à la Offenbach. It was only later, when audiences widened and became more middle and lower class, the most significant composer of operetta in the German language was the Austrian Johann Strauss II. His first operetta was Indigo und die vierzig Räuber and his third operetta, Die Fledermaus, became the most performed operetta in the world, and remains his most popular stage work. Its libretto was based on a written by Offenbachs librettists. In all, Strauss wrote 16 operettas and one opera, most with great success when first premiered, many of his lesser operettas are now largely forgotten, since his later librettists were less talented and he often composed independently of the plot. Strausss operettas, waltzes, polkas, and marches often have a strongly Viennese style, the Theater an der Wien never failed to draw huge crowds when his stage works were first performed
2.
Jacques Offenbach
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Jacques Offenbach was a German-born French composer, cellist and impresario of the romantic period. He is remembered for his nearly 100 operettas of the 1850s–1870s and he was a powerful influence on later composers of the operetta genre, particularly Johann Strauss, Jr. and Arthur Sullivan. His best-known works were revived during the 20th century. The Tales of Hoffman remains part of the opera repertory. Born in Cologne, the son of a cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling, from 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose pieces for the musical theatre. Finding the management of Paris Opéra-Comique company uninterested in staging his works, there he presented a series of his own small-scale pieces, many of which became popular. In 1858, Offenbach produced his first full-length operetta, Orphée aux enfers, during the 1860s, he produced at least 18 full-length operettas, as well as more one-act pieces. His works from this period included La belle Hélène, La Vie parisienne, La Grande-Duchesse de Gérolstein, Offenbach became associated with the Second French Empire of Napoleon III, the emperor and his court were genially satirised in many of Offenbachs operettas. Napoleon III personally granted him French citizenship and the Légion dHonneur, with the outbreak of the Franco-Prussian War in 1870, Offenbach found himself out of favour in Paris because of his imperial connections and his German birth. He remained successful in Vienna and London, however and he re-established himself in Paris during the 1870s, with revivals of some of his earlier favourites and a series of new works, and undertook a popular U. S. tour. In his last years he strove to finish The Tales of Hoffmann, but died before the premiere of the opera, Offenbach was born Jacob or Jakob Offenbach to a Jewish family, in the German city of Cologne, which was then a part of Prussia. His birthplace in the Großen Griechenmarkt was a distance from the square that is now named after him. He was the son and the seventh of ten children of Isaac Juda Offenbach né Eberst and his wife Marianne. Isaac, who came from a family, had abandoned his original trade as a bookbinder and earned an itinerant living as a cantor in synagogues. He was generally known as der Offenbacher, after his native town, Offenbach am Main, in 1816 he settled in Cologne, where he became established as a teacher, giving lessons in singing, violin, flute and guitar, and composing both religious and secular music. When Jacob was six years old, his father taught him to play the violin, within two years the boy was composing songs and dances, and at the age of nine he took up the cello
3.
Berlin
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Berlin is the capital and the largest city of Germany as well as one of its constituent 16 states. With a population of approximately 3.5 million, Berlin is the second most populous city proper, due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. Around one-third of the area is composed of forests, parks, gardens, rivers. Berlin in the 1920s was the third largest municipality in the world, following German reunification in 1990, Berlin once again became the capital of all-Germany. Berlin is a city of culture, politics, media. Its economy is based on high-tech firms and the sector, encompassing a diverse range of creative industries, research facilities, media corporations. Berlin serves as a hub for air and rail traffic and has a highly complex public transportation network. The metropolis is a popular tourist destination, significant industries also include IT, pharmaceuticals, biomedical engineering, clean tech, biotechnology, construction and electronics. Modern Berlin is home to world renowned universities, orchestras, museums and its urban setting has made it a sought-after location for international film productions. The city is known for its festivals, diverse architecture, nightlife, contemporary arts. Since 2000 Berlin has seen the emergence of a cosmopolitan entrepreneurial scene, the name Berlin has its roots in the language of West Slavic inhabitants of the area of todays Berlin, and may be related to the Old Polabian stem berl-/birl-. All German place names ending on -ow, -itz and -in, since the Ber- at the beginning sounds like the German word Bär, a bear appears in the coat of arms of the city. It is therefore a canting arm, the first written records of towns in the area of present-day Berlin date from the late 12th century. Spandau is first mentioned in 1197 and Köpenick in 1209, although these areas did not join Berlin until 1920, the central part of Berlin can be traced back to two towns. Cölln on the Fischerinsel is first mentioned in a 1237 document,1237 is considered the founding date of the city. The two towns over time formed close economic and social ties, and profited from the right on the two important trade routes Via Imperii and from Bruges to Novgorod. In 1307, they formed an alliance with a common external policy, in 1415 Frederick I became the elector of the Margraviate of Brandenburg, which he ruled until 1440. In 1443 Frederick II Irontooth started the construction of a new palace in the twin city Berlin-Cölln
4.
Wittenberge
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Wittenberge is a town of eighteen thousand people on the middle Elbe in the district of Prignitz, Brandenburg, Germany. Wittenberge is situated at the bank of the middle Elbe at its confluence with the Stepenitz. Within the same district, the borders the Ämter Lenzen-Elbtalaue. The Verbandsgemeinde Seehausen in the district of Stendal, Saxony-Anhalt, lies on the side of the Elbe. The site was marked out in 1239 at Wendischwalde and in 1300 the Saxon king, Otto I, the town castle survives as the town museum but it suffered fires in 1686 and 1757, and floods from the Elbe in 1709 and 1761. Nevertheless, because of its position, it prospered from the opening of the Berlin–Hamburg steamship traffic, by 1823 milling, processing and refining of foodstuffs were important industries. In 1846 the railway came and a factory was built. The Reichsbahn railway workshops were established in 1875 and the world-famous Singer Sewing Machine Company set up there in 1903, by 1914 the Rathaus was built. From August 15,1942 until February 17,1945 a concentration camp was established in Wittenberge, the camp was a subcamp to the Neuengamme concentration camp. Between the wars much architecture characteristic of the period was built in the form of housing for the rapidly increased population. It suffered as most German towns did during WW II, only the railway workshops remain as significant employers of the old industries but the large, skilled workforce remains for the newer industries of precision engineering and applied chemistry. 1993–2008, Klaus Petry since 2008, Oliver Hermann Oliver Hermann was reelected in 2016 with 94,8 % of the vote, Wittenberge is twinned with, Châlons-en-Champagne, France Elmshorn, Germany Razgrad, Bulgaria Carl Lindenberg, jurist and philatelist Herman C. Kruspe, musician, guitarist of the band Stefanie Thurmann, sports shooter Media related to Wittenberge at Wikimedia Commons
5.
Bassoon
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The bassoon is a woodwind instrument in the double reed family that typically plays music written in the bass and tenor clefs, and occasionally the treble. Appearing in its form in the 19th century, the bassoon figures prominently in orchestral, concert band. The bassoon is an instrument known for its distinctive tone color, wide range, variety of character. Listeners often compare its warm, dark, reedy timbre to that of a baritone voice. Someone who plays the bassoon is called a bassoonist, the word bassoon comes from French basson and from Italian bassone. However, the Italian name for the instrument is fagotto. B♭1–C5 The range of the bassoon begins at B♭1 and extends upward over three octaves, roughly to the G above the treble staff, higher notes are possible but difficult to produce, and rarely called for, orchestral and concert band parts rarely go higher than C5 or D5. Even Stravinskys famously difficult opening solo in The Rite of Spring only ascends to D5, a1 is possible with a special extension to the instrument—see Extended techniques below. The bassoon disassembles into six pieces, including the reed. Bassoons are double reed instruments like the oboe and the English horn, a modern beginners bassoon is generally made of maple, with medium-hardness types such as sycamore maple and sugar maple preferred. Both bore and tone holes are precision-machined, and each instrument is finished by hand for proper tuning and this ensures coverage by the fingers of the average adult hand. Wooden instruments are lined with hard rubber along the interior of the wing and boot joints to prevent damage from moisture, the end of the bell is usually fitted with a ring, either of metal, plastic or ivory. The joints between sections consist of a tenon fitting into a socket, the tenons are wrapped in either cork or string as a seal against air leaks. The bocal connects the reed to the rest of the instrument and is inserted into a socket at the top of the wing joint, bocals come in many different lengths and styles, depending on the desired tuning and playing characteristics. Folded upon itself, the bassoon stands 1.34 m tall, there are also short-reach bassoons made for the benefit of young or petite players. The origins of the dulcian are obscure, but by the century it was available in as many as eight different sizes. Otherwise, dulcian technique was rather primitive, with eight finger holes, the dulcian came to be known as fagotto in Italy. However, the etymology that equates fagotto with bundle of sticks is somewhat misleading
6.
Indra
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Indra is a Vedic deity in Hinduism, a guardian deity in Buddhism, and the king of first heaven called Saudharmakalpa in Jainism. His mythologies and powers are similar, though not identical to those of the Indo-European deities such as Zeus, Jupiter, Perun, Thor, in the Vedas, Indra is the king of Svarga and the Devas. He is the god of lightning, thunder, storms, rains, Indra is the most referred to deity in the Rigveda. He is celebrated for his powers, and the one who kills the great symbolic evil named Vritra who obstructs human prosperity, Indra destroys Vritra and his deceiving forces, and thereby brings rains and the sunshine as the friend of mankind. In Buddhism, Indra has been a popular deity, referred by many names and he is featured in Buddhism somewhat differently than Hinduism, such as being shown as less war oriented and one paying homage to the Buddha. Indra rules over the much sought Devas realm of rebirth within the Samsara doctrine of Buddhist traditions, however, like the Hindu texts, Indra also is a subject of ridicule and reduced to a figurehead status in Buddhist texts, shown as a god that suffers rebirth and redeath. In the Jainism traditions, like Buddhism and Hinduism, Indra is the king of gods, Indras iconography shows him wielding a lightning thunderbolt known as Vajra, riding on a white elephant known as Airavata. In Buddhist iconography the elephant sometimes features three heads, while Jaina icons sometimes show the elephant with five heads, sometimes a single elephant is shown with four symbolic tusks. Indras heavenly home is on or near Mount Meru, the etymological roots of Indra are unclear, has been a contested topic among scholars since the 19th-century, one with many proposals. The significant proposals have been, root ind-u, or rain drop, based on the Vedic mythology that he conquered rain, root ind, or equipped with great power. Root idh or kindle, and ina or strong, root indha, or igniter, for his ability to bring light and power that ignites the vital forces of life. This is based on Shatapatha Brahmana, root idam-dra, or It seeing which is a reference to the one who first perceived the self-sufficient metaphysical Brahman. This is based on Aitareya Upanishad, roots in ancient Indo-European, Indo-Aryan deities. Later scholarship has linked Vedic Indra to the European Aynar, Abaza, Ubykh, colarusso suggests a Pontic origin and that both the phonology and the context of Indra in Indian religions is best explained from Indo-Aryan roots and a Circassian etymology. Indra is also called Śakra frequently in the Vedas and in Buddhism, Indra has many epithets in the Indian religions, notably Śakra, Vṛṣan, Vṛtrahan, Meghavāhana, Devarāja, Devendra, Surendra, Svargapati, Vajrapāṇī and Vāsava. Indra is of ancient but unclear origin, the similarities between Indra of Hindu mythologies and of Thor of Nordic and Germanic mythologies are significant states Max Muller. Michael Janda suggests that Indra has origins in the Indo-European *trigw-welumos smasher of the enclosure, brave and heroic Innara or Inra, which sounds like Indra, is mentioned among the gods of the Mitanni, a Hurrian-speaking people of Hittite region. Indra as a deity had a presence in northeastern Asia minor and this tablet mentions a treaty, but its significance is in four names it includes reverentially as Mi-it-ra, U-ru-w-na, In-da-ra and Na-sa-at-ti-ia
7.
Conducting
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Conducting is the art of directing a musical performance, such as an orchestral or choral concert. A conductors directions will almost invariably be supplemented or reinforced by verbal instructions or suggestions to their musicians in rehearsal prior to a performance. The conductor typically stands on a podium with a large music stand for the full score. Conducting while playing a piano or synthesizer may also be done with musical theatre pit orchestras, communication is typically non-verbal during a performance. However, in rehearsals, frequent interruptions allow the conductor to give verbal directions as to how the music should be played or sung, Conductors act as guides to the orchestras or choirs they conduct. They choose the works to be performed and study their scores, to which they may make adjustments, work out their interpretation. They may also attend to matters, such as scheduling rehearsals, planning a concert season, hearing auditions and selecting members. Orchestras, choirs, concert bands and other musical ensembles such as big bands are usually led by conductors. The principal conductor of an orchestra or opera company is referred to as a music director or chief conductor, or by the German words Kapellmeister or Dirigent. Conductors of choirs or choruses are sometimes referred to as director, chorus master, or choirmaster. Conductors of concert bands, military bands, marching bands and other bands may hold the title of director, bandmaster. Respected senior conductors are sometimes referred to by the Italian word, an early form of conducting is cheironomy, the use of hand gestures to indicate melodic shape. This has been practiced at least as far back as the Middle Ages, in the 17th century, other devices to indicate the passing of time came into use. Rolled up sheets of paper, smaller sticks and unadorned hands are all shown in pictures from this period, the large staff was responsible for the death of Jean-Baptiste Lully, who injured his foot with one while conducting a Te Deum for the Kings recovery from illness. The wound became gangrenous and Lully refused amputation, whereupon the gangrene spread to his leg, in instrumental music throughout the 18th century, a member of the ensemble usually acted as the conductor. This was sometimes the concertmaster, who could use his bow as a baton and it was common to conduct from the harpsichord in pieces that had a basso continuo part. In opera performances, there were sometimes two conductors – the keyboard player was in charge of the singers, and the principal violinist or leader was in charge of the orchestra. By the early 19th century, it became the norm to have a dedicated conductor, the size of the usual orchestra expanded during this period, and the use of a baton became more common, as it was easier to see than bare hands or rolled-up paper
8.
The Mills Brothers
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The Mills Brothers were inducted into The Vocal Group Hall of Fame in 1998. Their parents were John Hutchinson and Eathel Mills, John Sr. owned a barber shop and founded a barbershop quartet, called the Four Kings of Harmony. John Hutchinson Mills Sr. was the son of William Hutchinson Mills and Cecilia Simms who lived in Bellefonte, as the boys grew older, they began singing in the choir of the Cyrene African Methodist Episcopal Church and in the Park Avenue Baptist Church in Piqua. They entered an amateur contest at Piquas Mays Opera House, but while on stage and he cupped his hands to his mouth and imitated a trumpet. The success of his led to all the brothers taking on instruments to imitate. John Jr. accompanied the four-part harmony first with a ukulele and they practiced imitating orchestras they heard on the radio. John, as the bass, would imitate the tuba, Harry, a baritone, imitated the trumpet, Herbert became the second trumpet and Donald the trombone. In 1928, after playing Mays Opera House in Piqua between Rin Tin Tin features, the brothers accompanied the Harold Greenameyer Band to Cincinnati for an audition with radio station WLW, the band was not hired, but the Mills brothers were. When the youngsters sang for Duke, he called Tommy Rockwell at Okeh Records, in September 1930, Ralph Wonders urged broadcasting executive William S. Paley, at CBS Radio in New York, to turn on his office speaker and listen to an audition of four young men. For the audition they were The Mills Brothers, but they had been known by other names. They were billed as The Steamboat Four when they sang for Sohio and they had been called the Four Boys and a Guitar on their Sunday shows. When Paley heard their performance, he went downstairs and put them on the air. The next day, the Mills Brothers signed a three-year contract and it sold over one million copies, and was awarded a gold disc by the RIAA. Other hits followed – Goodbye Blues, their song, Nobodys Sweetheart, Ole Rockin Chair, Lazy River, Howm I Doin. They remained on Brunswick until late 1934, when signed with Decca. They had their own radio series in 1932–1933, one of the earliest built around a black act, billed as the Four Boys. The Mills Brothers were sponsored by some of the largest advertisers in early radio, Standard Oil, Procter & Gamble, Crisco and their first, The Big Broadcast was an all-star radio revue that included Bing Crosby, Cab Calloway, and the Boswell Sisters. They also made three bouncing ball cartoon shorts for the Fleischer Brothers, between 1933 and 1935, the Brothers starred with Crosby for Woodbury Soap in Bing Crosby Entertains, making 27 appearances in all on the CBS radio show
9.
Titanic (1997 film)
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Titanic is a 1997 American epic romance-disaster film directed, written, co-produced, and co-edited by James Cameron. Camerons inspiration for the film came from his fascination with shipwrecks, production began in 1995, when Cameron shot footage of the actual Titanic wreck. The modern scenes on the vessel were shot on board the Akademik Mstislav Keldysh. Scale models, computer-generated imagery, and a reconstruction of the Titanic built at Playas de Rosarito in Baja California were used to re-create the sinking, the film was partially funded by Paramount Pictures and 20th Century Fox. It was the most expensive film made at time, with an estimated budget of $200 million. Upon its release on December 19,1997, Titanic achieved critical and commercial success, with an initial worldwide gross of over $1.84 billion, Titanic was the first film to reach the billion-dollar mark. It remained the highest-grossing film of all time until Camerons 2009 film Avatar surpassed it in 2010. A 3D version of Titanic, released on April 4,2012 to commemorate the centennial of the sinking, earned it an additional $343.6 million worldwide and it became the second film to gross more than $2 billion worldwide. In 2015, Titanic Live, an orchestra version of the film. In 1996, treasure hunter Brock Lovett and his team aboard the research vessel Akademik Mstislav Keldysh search the wreck of RMS Titanic for a necklace with a rare diamond, the Heart of the Ocean. They recover a safe containing a drawing of a woman wearing only the necklace dated April 14,1912. Rose Dawson Calvert, the woman in the drawing, is brought aboard Keldysh, in 1912 Southampton, 17-year-old first-class passenger Rose DeWitt Bukater, her fiancé Cal Hockley, and her mother Ruth board the luxurious Titanic. Ruth emphasizes that Roses marriage will resolve their familys financial problems, distraught over the engagement, Rose considers suicide by jumping from the stern, Jack Dawson, a penniless artist, intervenes and discourages her. Discovered with Jack, Rose tells a concerned Cal that she was peering over the edge, when Cal becomes indifferent, she suggests to him that Jack deserves a reward. He invites Jack to dine with them in first class the following night, Jack and Rose develop a tentative friendship, despite Cal and Ruth being wary of him. Following dinner, Rose secretly joins Jack at a party in third class, aware of Cal and Ruths disapproval, Rose rebuffs Jacks advances, but realizes she prefers him over Cal. After rendezvousing on the bow at sunset, Rose takes Jack to her room, at her request, Jack sketches Rose posing nude wearing Cals engagement present. They evade Cals bodyguard and have sex in an automobile inside the cargo hold, on the forward deck, they witness a collision with an iceberg and overhear the officers and designer discussing its seriousness
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