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Shelley in 1819
Shelley in 1819
William Godwin in 1802, by James Northcote
William Godwin in 1802, by James Northcote
Posthumous Portrait of Shelley Writing Prometheus Unbound in Italy – painting by Joseph Severn, 1845
Posthumous Portrait of Shelley Writing Prometheus Unbound in Italy – painting by Joseph Severn, 1845
The Funeral of Shelley by Louis Édouard Fournier (1889). Pictured in the centre are, from left, Trelawny, Hunt, and Byron. In fact, Hunt did not obser
The Funeral of Shelley by Louis Édouard Fournier (1889). Pictured in the centre are, from left, Trelawny, Hunt, and Byron. In fact, Hunt did not observe the cremation, and Byron left early. Mary Shelley, who is pictured kneeling at left, did not attend the funeral.
Richard Rothwell's portrait of Shelley was shown at the Royal Academy in 1840, accompanied by lines from Percy Shelley's poem The Revolt of Islam call
Richard Rothwell's portrait of Shelley was shown at the Royal Academy in 1840, accompanied by lines from Percy Shelley's poem The Revolt of Islam calling her a "child of love and light".
Page from William Godwin's journal recording "Birth of Mary, 20 minutes after 11 at night" (left column, fourth row)
Page from William Godwin's journal recording "Birth of Mary, 20 minutes after 11 at night" (left column, fourth row)
The Polygon (at left) in Somers Town, London, between Camden Town and St Pancras, where Mary Godwin was born and spent her earliest years
The Polygon (at left) in Somers Town, London, between Camden Town and St Pancras, where Mary Godwin was born and spent her earliest years
Percy Bysshe Shelley was inspired by the radicalism of Godwin's Political Justice (1793). When the poet Robert Southey met Shelley, he felt as if he w
Percy Bysshe Shelley was inspired by the radicalism of Godwin's Political Justice (1793). When the poet Robert Southey met Shelley, he felt as if he were seeing himself from the 1790s. (Portrait by Amelia Curran, 1819.)