1.
British Museum
–
The British Museum is dedicated to human history, art and culture, and is located in the Bloomsbury area of London. The British Museum was established in 1753, largely based on the collections of the physician, the museum first opened to the public on 15 January 1759, in Montagu House, on the site of the current building. Although today principally a museum of art objects and antiquities. Its foundations lie in the will of the Irish-born British physician, on 7 June 1753, King George II gave his formal assent to the Act of Parliament which established the British Museum. They were joined in 1757 by the Old Royal Library, now the Royal manuscripts, together these four foundation collections included many of the most treasured books now in the British Library including the Lindisfarne Gospels and the sole surviving copy of Beowulf. The British Museum was the first of a new kind of museum – national, belonging to neither church nor king, freely open to the public, sloanes collection, while including a vast miscellany of objects, tended to reflect his scientific interests. The addition of the Cotton and Harley manuscripts introduced a literary, the body of trustees decided on a converted 17th-century mansion, Montagu House, as a location for the museum, which it bought from the Montagu family for £20,000. The Trustees rejected Buckingham House, on the now occupied by Buckingham Palace, on the grounds of cost. With the acquisition of Montagu House the first exhibition galleries and reading room for scholars opened on 15 January 1759. During the few years after its foundation the British Museum received several gifts, including the Thomason Collection of Civil War Tracts. A list of donations to the Museum, dated 31 January 1784, in the early 19th century the foundations for the extensive collection of sculpture began to be laid and Greek, Roman and Egyptian artefacts dominated the antiquities displays. Gifts and purchases from Henry Salt, British consul general in Egypt, beginning with the Colossal bust of Ramesses II in 1818, many Greek sculptures followed, notably the first purpose-built exhibition space, the Charles Towneley collection, much of it Roman Sculpture, in 1805. In 1816 these masterpieces of art, were acquired by The British Museum by Act of Parliament. The collections were supplemented by the Bassae frieze from Phigaleia, Greece in 1815, the Ancient Near Eastern collection also had its beginnings in 1825 with the purchase of Assyrian and Babylonian antiquities from the widow of Claudius James Rich. The neoclassical architect, Sir Robert Smirke, was asked to draw up plans for an extension to the Museum. For the reception of the Royal Library, and a Picture Gallery over it, and put forward plans for todays quadrangular building, much of which can be seen today. The dilapidated Old Montagu House was demolished and work on the Kings Library Gallery began in 1823, the extension, the East Wing, was completed by 1831. The Museum became a site as Sir Robert Smirkes grand neo-classical building gradually arose
2.
History of Athens
–
Athens is one of the oldest named cities in the world, having been continuously inhabited for at least 5000 years. Following a period of decline under the rule of the Ottoman Empire. The name of Athens, connected to the name of its patron goddess Athena, the etiological myth explaining how Athens acquired this name through the legendary contest between Poseidon and Athena was described by Herodotus, Apollodorus, Ovid, Plutarch, Pausanias and others. It even became the theme of the sculpture on the West pediment of the Parthenon, both Athena and Poseidon requested to be patrons of the city and to give their name to it, so they competed with one another for the honour, offering the city one gift each. Poseidon produced a spring by striking the ground with his trident, Athena created the olive tree, symbolizing peace and prosperity. The Athenians, under their ruler Cecrops, accepted the olive tree, a sacred olive tree said to be the one created by the goddess was still kept on the Acropolis at the time of Pausanias. It was located by the temple of Pandrosus, next to the Parthenon, according to Herodotus, the tree had been burnt down during the Persian Wars, but a shoot sprung from the stump. The Greeks saw this as a symbol that Athena still had her there on the city. Plato, in his dialogue Cratylus, offers his own etymology of Athenas name connecting it to the phrase ἁ θεονόα or hē theoû nóēsis. The site on which Athens stands was first inhabited in the Neolithic period, perhaps as a settlement on top of the Acropolis. The Acropolis is a defensive position which commands the surrounding plains. The settlement was about 20 km inland from the Saronic Gulf, in the centre of the Cephisian Plain, to the east lies Mount Hymettus, to the north Mount Pentelicus. Ancient Athens, in the first millennium BC, occupied a small area compared to the sprawling metropolis of modern Greece. The Acropolis was situated just south of the centre of this walled area, the Agora, the commercial and social centre of the city, lay about 400 m north of the Acropolis, in what is now the Monastiraki district. The hill of the Pnyx, where the Athenian Assembly met, the Eridanus river flowed through the city. One of the most important religious sites in ancient Athens was the Temple of Athena, known today as the Parthenon, which stood on top of the Acropolis, where its evocative ruins still stand. Two other major sites, the Temple of Hephaestus and the Temple of Olympian Zeus or Olympeion also lay within the city walls. According to Thucydides, the Athenian citizens at the beginning of the Peloponnesian War numbered 40,000, making with their families a total of 140,000 people in all
3.
Pericles
–
Pericles was a prominent and influential Greek statesman, orator and general of Athens during the Golden Age—specifically the time between the Persian and Peloponnesian wars. He was descended, through his mother, from the powerful, Pericles had such a profound influence on Athenian society that Thucydides, a contemporary historian, acclaimed him as the first citizen of Athens. Pericles turned the Delian League into an Athenian empire, and led his countrymen during the first two years of the Peloponnesian War. Pericles promoted the arts and literature, it is principally through his efforts that Athens holds the reputation of being the educational and cultural center of the ancient Greek world and he started an ambitious project that generated most of the surviving structures on the Acropolis. This project beautified and protected the city, exhibited its glory, Pericles also fostered Athenian democracy to such an extent that critics call him a populist. Pericles was born c.495 BC, in Athens, Greece and he was the son of the politician Xanthippus, who, though ostracized in 485–484 BC, returned to Athens to command the Athenian contingent in the Greek victory at Mycale just five years later. Agariste was the great-granddaughter of the tyrant of Sicyon, Cleisthenes, according to Herodotus and Plutarch, Agariste dreamed, a few nights before Pericles birth, that she had borne a lion. Interestingly, legends say that Philip II of Macedon had a dream before the birth of his son. Pericles belonged to the tribe of Acamantis and his early years were quiet, the introverted young Pericles avoided public appearances, instead preferring to devote his time to his studies. His familys nobility and wealth allowed him to pursue his inclination toward education. He learned music from the masters of the time and he is considered to have been the first politician to attribute importance to philosophy and he enjoyed the company of the philosophers Protagoras, Zeno of Elea, and Anaxagoras. Anaxagoras, in particular, became a friend and influenced him greatly. Pericles manner of thought and rhetorical charisma may have been in part products of Anaxagoras emphasis on emotional calm in the face of trouble and his proverbial calmness and self-control are also often regarded as products of Anaxagoras influence. In the spring of 472 BC, Pericles presented The Persians of Aeschylus at the Greater Dionysia as a liturgy, Plutarch says that Pericles stood first among the Athenians for forty years. If this was so, Pericles must have taken up a position of leadership by the early 460s BC- in his early or mid-thirties, throughout these years he endeavored to protect his privacy and to present himself as a model for his fellow citizens. For example, he would often avoid banquets, trying to be frugal, in 463 BC, Pericles was the leading prosecutor of Cimon, the leader of the conservative faction who was accused of neglecting Athens vital interests in Macedon. Although Cimon was acquitted, this proved that Pericles major political opponent was vulnerable. The leader of the party and mentor of Pericles, Ephialtes, the Ecclesia adopted Ephialtes proposal without opposition
4.
Roman Empire
–
Civil wars and executions continued, culminating in the victory of Octavian, Caesars adopted son, over Mark Antony and Cleopatra at the Battle of Actium in 31 BC and the annexation of Egypt. Octavians power was then unassailable and in 27 BC the Roman Senate formally granted him overarching power, the imperial period of Rome lasted approximately 1,500 years compared to the 500 years of the Republican era. The first two centuries of the empires existence were a period of unprecedented political stability and prosperity known as the Pax Romana, following Octavians victory, the size of the empire was dramatically increased. After the assassination of Caligula in 41, the senate briefly considered restoring the republic, under Claudius, the empire invaded Britannia, its first major expansion since Augustus. Vespasian emerged triumphant in 69, establishing the Flavian dynasty, before being succeeded by his son Titus and his short reign was followed by the long reign of his brother Domitian, who was eventually assassinated. The senate then appointed the first of the Five Good Emperors, the empire reached its greatest extent under Trajan, the second in this line. A period of increasing trouble and decline began with the reign of Commodus, Commodus assassination in 192 triggered the Year of the Five Emperors, of which Septimius Severus emerged victorious. The assassination of Alexander Severus in 235 led to the Crisis of the Third Century in which 26 men were declared emperor by the Roman Senate over a time span. It was not until the reign of Diocletian that the empire was fully stabilized with the introduction of the Tetrarchy, which saw four emperors rule the empire at once. This arrangement was unsuccessful, leading to a civil war that was finally ended by Constantine I. Constantine subsequently shifted the capital to Byzantium, which was renamed Constantinople in his honour and it remained the capital of the east until its demise. Constantine also adopted Christianity which later became the state religion of the empire. However, Augustulus was never recognized by his Eastern colleague, and separate rule in the Western part of the empire ceased to exist upon the death of Julius Nepos. The Eastern Roman Empire endured for another millennium, eventually falling to the Ottoman Turks in 1453, the Roman Empire was among the most powerful economic, cultural, political and military forces in the world of its time. It was one of the largest empires in world history, at its height under Trajan, it covered 5 million square kilometres. It held sway over an estimated 70 million people, at that time 21% of the entire population. Throughout the European medieval period, attempts were made to establish successors to the Roman Empire, including the Empire of Romania, a Crusader state. Rome had begun expanding shortly after the founding of the republic in the 6th century BC, then, it was an empire long before it had an emperor
5.
Vatican Museums
–
The Vatican Museums are the museums of the Vatican City and are located within the citys boundaries. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employ 640 people who work in 40 different administrative, scholarly, Pope Julius II founded the museums in the early 16th century. The Sistine Chapel, with its ceiling decorated by Michelangelo and the Stanze di Raffaello decorated by Raphael, are on the route through the Vatican Museums. In 2013, they were visited by 6 million people, which combined makes it the 6th most visited art museum in the world, there are 54 galleries, or sale, in total, with the Sistine Chapel, notably, being the very last sala within the Museum. It is one of the largest museums in the world, in 2017, the Museums official website and social media presence was completely redone, in accord with current standards and appearances for modern websites. Pope Julius II sent Giuliano da Sangallo and Michelangelo Buonarroti, who were working at the Vatican, on their recommendation, the pope immediately purchased the sculpture from the vineyard owner. The pope put the sculpture of Laocoön and his sons on public display at the Vatican exactly one month after its discovery, the Museum Christianum was founded by Benedict XIV, and some of the Vatican collections formed the Lateran Museum, which Pius IX founded by decree in 1854. The Museums celebrated their 500th anniversary in October 2006 by permanently opening the excavations of a Vatican Hill necropolis to the public, on 1 January 2017 Barbara Jatta became the Director of the Vatican Museums, replacing Antonio Paolucci who had been director since 2007. The art gallery was housed in the Borgia Apartment until Pope Pius XI ordered construction of a proper building, the new building, designed by Luca Beltrami, was inaugurated on 27 October 1932. The museum has paintings including, Giottos Stefaneschi Triptych Olivuccio di Ciccarello, Opere di Misericordia Raphaels Madonna of Foligno, Oddi Altarpiece, the group of museums includes several sculpture museums surrounding the Cortile del Belvedere. The museum takes its name from two popes, Clement XIV and Pius VI, the pope who brought the museum to completion, Clement XIV came up with the idea of creating a new museum in Innocent VIIIs Belvedere palace and started the refurbishment work. Pope Clement XIV founded the Pio-Clementino museum in 1771, and originally it contained the Renaissance, the museum and collection were enlarged by Clements successor Pius VI. Today, the museum works of Greek and Roman sculpture. Some notable galleries are, Greek Cross Gallery, with the porphyri sarcophagi of Constance and Saint Helen, daughter and mother of Constantine the Great. Sala Rotonda, shaped like a miniature Pantheon, the room has impressive ancient mosaics on the floors, Gallery of the Statues, as its name implies, holds various important statues, including Sleeping Ariadne and the bust of Menander. It also contains the Barberini Candelabra, Gallery of the Busts, Many ancient busts are displayed. Cabinet of the Masks, The name comes from the mosaic on the floor of the gallery, found in Villa Adriana, along the walls, several famous statues are shown including the Three Graces. One wove the thread of life, second nurtured it, third cut it. The center piece is Belvedere Torso, revered by Michelangelo and other Renaissance men, sala degli Animali, So named because of the many ancient statues of animals
6.
Kresilas
–
Kresilas was a Greek sculptor in the Classical period, from Kydonia. He was trained in Argos and then worked in Athens at the time of the Peloponnesian war and he is best known for his statue Pericles with the Corinthian helmet. Kresilas hailed from the city-state of Kydonia, on the island of Crete and he was trained in Argos as a student of Dorotheos, with whom he worked at Delphi and Hermione. Between 450 and 420 BC he worked mainly in Athens, as a follower of Myrons school and in the post-Phidias period he brought elements of compactness due to the Peloponnesian period. Roman writer Pliny the Elder wrote of a competition between the four sculptors Polykleitos, Phidias, Kresilas, and Phradmon, on the best statues of Amazons for the Temple of Artemis at Ephesus. Each sculptor placed himself at first place, but Phidias, Kresilas, and Phradmon had all put Polykleitos at second place, thus, Polykleitos won, Pheidias came second, and Kresilas third. In Athens he created, for example, a statue of Pericles with the Corinthian helmet upon the head as a sign of his position as strategos. Pliny the Elder said of it, a work worthy of the title and its base was found in the Athenian Acropolis, it was doubtless the bronze that Pausanias saw there. It seems the series of Pericles portrait busts derive from it, of which there are examples at the Vatican Museums, British Museum and Altes Museum. Kresilas also created the wounded men and a dying Amazon for Ephesus in concurrence, possibly the model for many copies and he has also been identified as the originator of the Velletri type of Athena statue. He created a Diomedes statue according to Homers description, as a result, Kresilas was mistakenly included in artist Judy Chicagos symbolic history of women in Western civilization, The Dinner Party. Furtwängler, Adolf, Masterpieces of Greek Sculpture, A Series of Essays on the History of Art, Volume 2, artists and Signatures in Ancient Greece, Cambridge University Press,2015. Metropolitan Museum of Art, Philippe De Montebello, The Metropolitan Museum of Art Guide, natural History, Volume IX, Books 33-35. Cambridge, MA, Harvard University Press,1952, the Art of Ancient Greece, Sources and Documents, Cambridge University Press,1990. Enciclopedia dellarte antica classica e orientale, arte greca, Dalletà classica alletà ellenistica. The wounded Amazon of Kresilas Picture of an Amazon Busts of Pericles
7.
Acropolis of Athens
–
The word acropolis comes from the Greek words ἄκρον and πόλις. Although there are many other acropoleis in Greece, the significance of the Acropolis of Athens is such that it is known as The Acropolis without qualification. The Acropolis is located on a rock that rises 150 m above sea level in the city of Athens. It was also known as Cecropia, after the legendary serpent-man, Cecrops, while the earliest artifacts date to the Middle Neolithic era, there have been documented habitations in Attica from the Early Neolithic. There is little doubt that a Mycenaean megaron stood upon the hill during the late Bronze Age, nothing of this megaron survives except, probably, a single limestone column-base and pieces of several sandstone steps. Soon after the palace was constructed, a Cyclopean massive circuit wall was built,760 meters long, up to 10 meters high and this wall would serve as the main defense for the acropolis until the 5th century. The wall consisted of two built with large stone blocks and cemented with an earth mortar called emplekton. There were two lesser approaches up the hill on its side, consisting of steep, narrow flights of steps cut in the rock. Homer is assumed to refer to this fortification when he mentions the strong-built House of Erechtheus, at some point before the 13th century BC, an earthquake caused a fissure near the northeastern edge of the Acropolis. This fissure extended some 35 meters to a bed of marl in which a well was dug. An elaborate set of stairs was built and the served as an invaluable. There is no evidence for the existence of a Mycenean palace on top of the Athenian Acropolis. However, if there was such a palace, it seems to have been supplanted by later building activity, not a lot is known about the architectural appearance of the Acropolis until the Archaic era. In the 7th and the 6th centuries BC, the site was taken over by Kylon during the failed Kylonian revolt, nevertheless, it seems that a nine-gate wall, the Enneapylon, had been built around the biggest water spring, the Clepsydra, at the northwestern foot. A temple to Athena Polias, the deity of the city, was erected around 570–550 BC. Whether this temple replaced an older one, or just a sacred precinct or altar, is not known, probably, the Hekatompedon was built where the Parthenon now stands. Between 529–520 BC yet another temple was built by the Peisistratids and this temple of Athena Polias was built upon the Doerpfeld foundations, between the Erechtheion and the still-standing Parthenon. Arkhaios Neōs was destroyed by the Persian invasion in 480 BC, however, the temple may have been burnt down in 406/405 BC as Xenophon mentions that the old temple of Athena was set on fire
8.
Pausanias (geographer)
–
Pausanias was a Greek traveler and geographer of the 2nd century AD, who lived in the time of Roman emperors Hadrian, Antoninus Pius and Marcus Aurelius. He is famous for his Description of Greece, a work that describes ancient Greece from his first-hand observations. This work provides crucial information for making links between classical literature and modern archaeology, andrew Stewart assesses him as, A careful, pedestrian writer. interested not only in the grandiose or the exquisite but in unusual sights and obscure ritual. He is occasionally careless, or makes unwarranted inferences, and his guides or even his own notes sometimes mislead him, yet his honesty is unquestionable, before visiting Greece, he had been to Antioch, Joppa and Jerusalem, and to the banks of the River Jordan. In Egypt, he had seen the pyramids, while at the temple of Ammon, in Macedonia, he appears to have seen the alleged tomb of Orpheus in Libethra. Crossing over to Italy, he had something of the cities of Campania. He was one of the first to write of seeing the ruins of Troy, Alexandria Troas, Pausanias Description of Greece is in ten books, each dedicated to some portion of Greece. He begins his tour in Attica, where the city of Athens, subsequent books describe Corinthia, Laconia, Messenia, Elis, Achaea, Arcadia, Boetia, Phocis and Ozolian Locris. He famously leaves out key portions of Greece such as Crete, the project is more than topographical, it is a cultural geography. Pausanias digresses from description of architectural and artistic objects to review the mythological and historical underpinnings of the society that produced them and his work bears the marks of his attempt to navigate that space and establish an identity for Roman Greece. He is not a naturalist by any means, though he does from time to comment on the physical realities of the Greek landscape. He notices the pine trees on the sandy coast of Elis, the deer and the boars in the oak woods of Phelloe. Pausanias is most at home in describing the art and architecture of Olympia. Yet, even in the most secluded regions of Greece, he is fascinated by all kinds of depictions of gods, holy relics, Pausanias has the instincts of an antiquary. Some magnificent and dominating structures, such as the Stoa of King Attalus in the Athenian Agora or the Exedra of Herodes Atticus at Olympia are not even mentioned. While he never doubts the existence of the gods and heroes, he criticizes the myths. His descriptions of monuments of art are plain and unadorned and they bear the impression of reality, and their accuracy is confirmed by the extant remains. He is perfectly frank in his confessions of ignorance, when he quotes a book at second hand he takes pains to say so
9.
Propylaea
–
A propylaea, propylea or propylaia is any monumental gateway in Greek architecture. Much the best known Greek example is the propylaea that serves as the entrance to the Acropolis in Athens, the Greek Revival Brandenburg Gate of Berlin and the Propylaea in Munich both evoke the central portion of the Athens propylaea. According to Plutarch, the Propylaea was designed by the architect Mnesicles, construction began in 437 BC and was terminated in 432, when the building was still unfinished. The Propylaea was constructed of white Pentelic marble and gray Eleusinian marble or limestone, structural iron was also used, though William Bell Dinsmoor analyzed the structure and concluded that the iron weakened the building. The structure consists of a building with two adjoining wings on the west side, one to the north and one to the south. The core is the building, which presents a standard six-columned Doric façade both on the West to those entering the Acropolis and on the east to those departing. The columns echo the proportions of the columns of the Parthenon, there is no surviving evidence for sculpture in the pediments. The central building contains the gate wall, about two-thirds of the way through it, the central passageway was the culmination of the Sacred Way, which led to the Acropolis from Eleusis. Entrance into the Acropolis was controlled by the Propylaea, though it was not built as a fortified structure, it was important that people not ritually clean be denied access to the sanctuary. In addition, runaway slaves and other miscreants could not be permitted into the sanctuary where they could claim the protection of the gods, the state treasury was also kept on the Acropolis, making its security important. The gate wall and the portion of the building sit at a level five steps above the western portion. The ceiling in the part of the central building was famous in antiquity. It consisted of marble blocks carved in the shape of ceiling coffers, the outer wings to the right and left of the central building stood on the same platform as the western portion of the central building but were much smaller, not only in plan but in scale. Like the central building, the wings use Doric colonnades and Doric entablatures, the central building also has an Ionic colonnade on either side of the central passageway between the western Doric colonnade and the gate wall. This is therefore the first building known to us with Doric and Ionic colonnades visible at the same time and it is also the first monumental building in the classical period to be more complex than a simple rectangle or cylinder. The western wing on the north was famous in antiquity as the location of paintings of important Greek battles, Pausanias reports their presence, but few scholars believe the room was planned to hold them. Recent scholarship, following the lead of John Travlos, has taken the northern wing to have been a room for ritual dining, the evidence for that is the off-center doorway and the position near the entrance to the Acropolis. The wing on the south, though smaller, was clearly designed to make the whole structure appear to be symmetrical
10.
Strategos
–
Strategos or Strategus, plural strategoi, is used in Greek to mean military general. In the Hellenistic world and the Byzantine Empire the term was used to describe a military governor. In the modern Hellenic Army it is the highest officer rank, the ten were of equal status, and replaced the polemarchos, who had hitherto been the senior military commander. At Marathon in 490 BC they decided strategy by majority vote, at this date the polemarchos had a casting vote, and one view is that he was the commander-in-chief, but from 486 onwards the polemarchos, like the other archontes, was appointed by lot. The annual election of the strategoi was held in the spring, if a strategos died or was dismissed from office, a by-election might be held to replace him. This system continued at least until ca, 356/7 BC, but by the time Aristotle wrote his Constitution of the Athenians in ca.330 BC, the appointments were made without any reference to tribal affiliation. Hence, during the Hellenistic period, although the number of the tribes was increased, as political power passed to the rhetores in the later 5th century, the strategoi were limited to their military duties. Originally, the strategoi were appointed ad hoc to various assignments and this was generalized in Hellenistic times, when each strategos was given specific duties. One of them, the strategos epi ta hopla, ascended to major prominence in the Roman period, the Athenian people kept a close eye on their strategoi. If the vote went against anyone, he was deposed and as a rule tried by jury, the strategos as an office is attested at least for Syracuse from the late 5th century BC, Erythrae, and in the koinon of the Arcadians in the 360s BC. The title of strategos autokrator was also used for generals with broad powers, thus Philip II of Macedon was elected as strategos autokrator of the League of Corinth. g. In the Hellenistic empires of the Diadochi, notably Lagid Egypt, for which most details are known, in Egypt, the strategoi were originally responsible for the Greek military colonists established in the country. Quickly, they assumed a role in the administration alongside the nomarches, the governor of each of the nomes. Already by the time of Ptolemy II, the strategos was the head of the administration, while conversely his military role declines. Ptolemy V established the office of epistrategos to oversee the individual strategoi, the latter had now become solely civilian officials, combining the role of the nomarches and the oikonomos, while the epistrategos retained powers of military command. In addition, hypostrategoi could be appointed as subordinates, the office largely retained its Ptolemaic functions and continued to be staffed by the Greek population of the country. The Odrysian kingdom of Thrace was also divided into strategiai, each headed by a strategos, based on the various Thracian tribes and subtribes. At the time of the annexation into the Roman Empire in 46 AD, there were 50 such districts, which were initially retained in the new Roman province
11.
Contrapposto
–
Contrapposto is an Italian term that means counterpose. It is used in the arts to describe a human figure standing with most of its weight on one foot so that its shoulders and arms twist off-axis from the hips. This gives the figure a more dynamic, or alternatively relaxed appearance and it can also be used to refer to multiple figures which are in counter-pose to one another. It can further encompass the tension as a figure changes from resting on a leg to walking or running upon it. The leg that carries the weight of the body is known as the engaged leg, contrapposto is less emphasized than the more sinuous S Curve, and creates the illusion of past and future movement. Contrapposto was an important sculptural development, for its appearance marks the first time in Western art that the human body is used to express a psychological disposition. The balanced, harmonious pose of the Kritios Boy suggests a calm and relaxed state of mind, the first known statue to use contrapposto is Kritios Boy, c.480 BC, so called because it was once attributed to the sculptor Kritios. It is possible, even likely, that earlier bronze statues had used the technique, the statue is a Greek marble original and not a Roman copy. Prior to the introduction of contrapposto, the statues that dominated ancient Greece were the archaic kouros, contrapposto has been used since the dawn of classical western sculpture. The Polykletian statues – for example, Discophoros and Doryphoros – are idealized athletic young men with the divine sense, in these works, the pelvis is no longer axial with the vertical statue as in the archaic style of earlier Greek sculpture before Kritios Boy. Contrapposto can be seen in the Roman copies of the statues of Hermes and Heracles. A famous example is the statue of Hermes with the infant Dionysus in Olympia by Praxiteles. It can also be seen in the Roman copies of Polyclitus amazon, Greek Art emphasized humanism along with the human mind and the human body’s beauty. Greek youths trained and competed in contests in the nude. A great contribution to the pose was the concept of a canon of proportions. Classical contrapposto was revived in the Renaissance by the Italian artists Donatello and Leonardo da Vinci, followed by Michelangelo, Raphael, one of the major achievements of the Italian Renaissance was the re-discovery of contrapposto, although in Mannerism it became greatly over-used. The technique continues to be employed in sculpture
