1.
Pisa Cathedral
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Pisa Cathedral is a medieval Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary, in the Piazza dei Miracoli in Pisa, Italy. It is an example of Romanesque architecture, in particular the style known as Pisan Romanesque. It is the seat of the Archbishop of Pisa, construction on the cathedral began in 1063 by the architect Buscheto, and expenses were paid using the spoils received fighting against the Muslims in Sicily in 1063. It includes various elements, classical, Lombard-Emilian, Byzantine. Marks Basilica began its reconstruction in Venice, evidence of a rivalry between the two maritime republics to see which could create the most beautiful and luxurious place of worship. The church was erected outside Pisas high middle age-era walls, to show that Pisa that was so powerful, it had no fear of being attacked. The chosen area had already used in the Lombard era as a necropolis and at the beginning of the 11th century a church had been erected here, but never finished. Buschetos grand new church, was initially called Santa Maria Maggiore until it was officially named Santa Maria Assunta, in 1092 the cathedral was declared a primatial church, archbishop Dagobert having been given the title of Primate by Pope Urban II. The cathedral was consecrated in 1118 by Pope Gelasius II, who belonged to the Caetani family which was both in Pisa and in Rome. The exact date of the work is unclear, according to some the work was done right after the death of Buscheto about the year 1100, though others say it was done closer to 1140. In any case, work was finished in 1180, as documented by the date written on the bronze knockers made by Bonanno Pisano found on the main door, the structures present appearance is the result of numerous restoration campaigns that were carried out in different eras. In the early 18th century began the redecoration of the walls of the cathedral with large paintings. These works were made by the artists of the era. The presence of two raised matronea in the nave, with their solid, monolithic columns of granite, is a sign of Byzantine influence. Buscheto welcomed Islamic and Armenian influence, in the early 19th century the original sculpture, which can now be seen in the cathedral museum, was removed from the roof and replaced with a copy. The high arches show Islamic and southern Italian influence, the blind arches with lozenge shapes recall similar structures in Armenia. The facade of grey and white marble, decorated with colored marble inserts, was built by Master Rainaldo, above the three doorways are four levels of loggia divided by cornices with marble intarsia, behind which open single, double, and triple windows. The heavy bronze doors of the facade were made by different Florentine artists in the 17th century
2.
World Heritage Site
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A World Heritage Site is a landmark which has been officially recognized by the United Nations, specifically by the United Nations Educational, Scientific and Cultural Organization. Sites are selected on the basis of having cultural, historical, scientific or some form of significance. UNESCO regards these sites as being important to the interests of humanity. The programme catalogues, names, and conserves sites of outstanding cultural or natural importance to the common culture, under certain conditions, listed sites can obtain funds from the World Heritage Fund. The program was founded with the Convention Concerning the Protection of the Worlds Cultural and Natural Heritage, since then,192 state parties have ratified the convention, making it one of the most adhered to international instruments. As of July 2016,1052 sites are listed,814 cultural,203 natural, in 1959, the governments of Egypt and Sudan requested UNESCO to assist their countries to protect and rescue the endangered monuments and sites. In 1960, the Director-General of UNESCO launched an appeal to the Member States for an International Campaign to Save the Monuments of Nubia, the campaign, which ended in 1980, was considered a success. The project cost $80 million, about $40 million of which was collected from 50 countries, the projects success led to other safeguarding campaigns, saving Venice and its lagoon in Italy, the ruins of Mohenjo-daro in Pakistan, and the Borobodur Temple Compounds in Indonesia. UNESCO then initiated, with the International Council on Monuments and Sites, the United States initiated the idea of cultural conservation with nature conservation. The International Union for Conservation of Nature developed similar proposals in 1968, the Convention came into force on 17 December 1975. As of June 2016, it has been ratified by 192 states, including 188 UN member states plus the Cook Islands, the Holy See, Niue, a country must first list its significant cultural and natural sites, the result is called the Tentative List. A country may not nominate sites that have not been first included on the Tentative List, next, it can place sites selected from that list into a Nomination File. The Nomination File is evaluated by the International Council on Monuments and Sites and these bodies then make their recommendations to the World Heritage Committee. There are ten selection criteria – a site must meet at least one of them to be included on the list, up to 2004, there were six criteria for cultural heritage and four criteria for natural heritage. In 2005, this was modified so there is now only one set of ten criteria. Nominated sites must be of outstanding value and meet at least one of the ten criteria. Thus, the Geneva Convention treaty promulgates, Article 53, PROTECTION OF CULTURAL OBJECTS AND OF PLACES OF WORSHIP. There are 1,052 World Heritage Sites located in 165 States Party, of these,814 are cultural,203 are natural and 35 are mixed properties
3.
Pisa
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Pisa is a city in Tuscany, Central Italy, straddling the Arno just before it empties into the Tyrrhenian Sea. It is the city of the Province of Pisa. Although Pisa is known worldwide for its tower, the city of over 90,834 residents contains more than 20 other historic churches, several medieval palaces. Much of the architecture was financed from its history as one of the Italian maritime republics. The origin of the name, Pisa, is a mystery, while the origin of the city had remained unknown for centuries, the Pelasgi, the Greeks, the Etruscans, and the Ligurians had variously been proposed as founders of the city. Archaeological remains from the 5th century BC confirmed the existence of a city at the sea, trading with Greeks, the presence of an Etruscan necropolis, discovered during excavations in the Arena Garibaldi in 1991, confirmed its Etruscan origins. Ancient Roman authors referred to Pisa as an old city, strabo referred Pisas origins to the mythical Nestor, king of Pylos, after the fall of Troy. Virgil, in his Aeneid, states that Pisa was already a center by the times described. The Virgilian commentator Servius wrote that the Teuti, or Pelops, the maritime role of Pisa should have been already prominent if the ancient authorities ascribed to it the invention of the naval ram. Pisa took advantage of being the port along the western coast from Genoa to Ostia. Pisa served as a base for Roman naval expeditions against Ligurians, Gauls, in 180 BC, it became a Roman colony under Roman law, as Portus Pisanus. In 89 BC, Portus Pisanus became a municipium, Emperor Augustus fortified the colony into an important port and changed the name in Colonia Iulia obsequens. It is supposed that Pisa was founded on the shore, however, due to the alluvial sediments from the Arno and the Serchio, whose mouth lies about 11 kilometres north of the Arnos, the shore moved west. Strabo states that the city was 4.0 kilometres away from the coast, currently, it is located 9.7 kilometres from the coast. However it was a city, with ships sailing up the Arno. In the 90s AD, a complex was built in the city. During the later years of the Roman Empire, Pisa did not decline as much as the cities of Italy, probably thanks to the complexity of its river system. After Charlemagne had defeated the Lombards under the command of Desiderius in 774, Pisa went through a crisis, politically it became part of the duchy of Lucca
4.
Tuscany
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Tuscany is a region in central Italy with an area of about 23,000 square kilometres and a population of about 3.8 million inhabitants. Tuscany is known for its landscapes, traditions, history, artistic legacy, Tuscany produces wines, including Chianti, Vino Nobile di Montepulciano, Morellino di Scansano and Brunello di Montalcino. Having a strong linguistic and cultural identity, it is considered a nation within a nation. Tuscany is traditionally a popular destination in Italy, and the main tourist destinations by number of tourist arrivals are Florence, Pisa, Montecatini Terme, Castiglione della Pescaia and Grosseto. The village of Castiglione della Pescaia is also the most visited destination in the region. Additionally, Siena, Lucca, the Chianti region, Versilia and Val dOrcia are also internationally renowned, Tuscany has over 120 protected nature reserves, making Tuscany and its capital Florence popular tourist destinations that attract millions of tourists every year. In 2012, the city of Florence was the worlds 89th most visited city, roughly triangular in shape, Tuscany borders the regions of Liguria to the northwest, Emilia-Romagna to the north and east, Umbria to the east and Lazio to the southeast. The comune of Badia Tedalda, in the Tuscan Province of Arezzo, has an exclave named Ca Raffaello within Emilia-Romagna, Tuscany has a western coastline on the Tyrrhenian Sea, containing the Tuscan Archipelago, of which the largest island is Elba. Tuscany has an area of approximately 22,993 square kilometres, surrounded and crossed by major mountain chains, and with few plains, the region has a relief that is dominated by hilly country used for agriculture. Hills make up nearly two-thirds of the total area, covering 15,292 square kilometres, and mountains. Plains occupy 8. 4% of the total area—1,930 square kilometres —mostly around the valley of the River Arno, many of Tuscanys largest cities lie on the banks of the Arno, including the capital Florence, Empoli and Pisa. The pre-Etruscan history of the area in the late Bronze and Iron Ages parallels that of the early Greeks, following this, the Villanovan culture saw Tuscany, and the rest of Etruria, taken over by chiefdoms. City-states developed in the late Villanovan before Orientalization occurred and the Etruscan civilization rose, the Etruscans created the first major civilization in this region, large enough to establish a transport infrastructure, to implement agriculture and mining and to produce vibrant art. The Etruscans lived in Etruria well into prehistory, throughout their existence, they lost territory to Magna Graecia, Carthage and Celts. Despite being seen as distinct in its manners and customs by contemporary Greeks, the cultures of Greece, one reason for its eventual demise was this increasing absorption by surrounding cultures, including the adoption of the Etruscan upper class by the Romans. Soon after absorbing Etruria, Rome established the cities of Lucca, Pisa, Siena, and Florence, endowed the area with new technologies and development, and ensured peace. These developments included extensions of existing roads, introduction of aqueducts and sewers, however, many of these structures have been destroyed by erosion due to weather. The Roman civilization in the West collapsed in the 5th century AD, in the years following 572, the Longobards arrived and designated Lucca the capital of their Duchy of Tuscia
5.
Pisa Baptistery
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The Pisa Baptistery of St. John is a Roman Catholic ecclesiastical building in Pisa, Italy. The baptistery was designed by Diotisalvi, whose signature can be read on two pillars inside the building, with the date 1153, the largest baptistery in Italy, it is 54.86 m high, with a diameter of 34.13 m. The Baptistery is constructed of marble, as is common in Italian architecture, the portal, facing the facade of the cathedral, is flanked by two classical columns, while the inner jambs are executed in Byzantine style. The lintel is divided in two tiers, the lower one depicts several episodes in the life of St. John the Baptist, while the upper one shows Christ between the Madonna and St John the Baptist, flanked by angels and the evangelists. The interior is overwhelming and lacks decoration, the octagonal font at the centre dates from 1246 and was made by Guido Bigarelli da Como. The bronze sculpture of St. John the Baptist at the centre of the font, is a work by Italo Griselli, the pulpit was sculpted between 1255-1260 by Nicola Pisano, father of Giovanni, the artist who produced the pulpit in the Duomo. Constructed on the unstable sand as the tower and cathedral. Originally the shape of the Baptistery, according to the project by Diotisalvi, was different and it was perhaps similar to the church of Holy Sepulchre in Pisa, with its pyramidal roof. After the death of the architect, Nicola Pisano continued the work, also an external roof was added giving the shape of a cupola. As a side effect of the two roofs, the inner one and the domed external one, the interior is acoustically perfect. History of Medieval Arabic and Western European domes Rory Carroll, Pisa Baptistery is giant musical instrument, computers show
6.
Leaning Tower of Pisa
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The Leaning Tower of Pisa or simply the Tower of Pisa is the campanile, or freestanding bell tower, of the cathedral of the Italian city of Pisa, known worldwide for its unintended tilt. It is situated behind Pisas cathedral and is the third oldest structure in the citys Cathedral Square, after the cathedral, the towers tilt began during construction, caused by an inadequate foundation on ground too soft on one side to properly support the structures weight. The tilt increased in the decades before the structure was completed and gradually increased until the structure was stabilized by efforts in the late 20th and early 21st centuries. The height of the tower is 55.86 metres from the ground on the low side and 56.67 metres on the high side, the width of the walls at the base is 2.44 m. Its weight is estimated at 14,500 metric tons, the tower has 296 or 294 steps, the seventh floor has two fewer steps on the north-facing staircase. Prior to restoration work performed between 1990 and 2001, the tower leaned at an angle of 5.5 degrees and this means the top of the tower is displaced horizontally 3.9 metres from the centre. There has been controversy about the identity of the architect of the Leaning Tower of Pisa. For many years, the design was attributed to Guglielmo and Bonanno Pisano, Pisano left Pisa in 1185 for Monreale, Sicily, only to come back and die in his home town. A piece of cast bearing his name was discovered at the foot of the tower in 1820, construction of the tower occurred in three stages over 199 years. Work on the floor of the white marble campanile began on August 14,1173 during a period of military success. This ground floor is a blind arcade articulated by engaged columns with classical Corinthian capitals, the tower began to sink after construction had progressed to the second floor in 1178. This was due to a mere three-metre foundation, set in weak, unstable subsoil, construction was subsequently halted for almost a century, because the Republic of Pisa was almost continually engaged in battles with Genoa, Lucca, and Florence. This allowed time for the soil to settle. Otherwise, the tower would almost certainly have toppled, in 1198, clocks were temporarily installed on the third floor of the unfinished construction. In 1272, construction resumed under Giovanni di Simone, architect of the Camposanto, in an effort to compensate for the tilt, the engineers built upper floors with one side taller than the other. Because of this, the tower is actually curved, construction was halted again in 1284 when the Pisans were defeated by the Genoans in the Battle of Meloria. The seventh floor was completed in 1319, the bell-chamber was finally added in 1372. It was built by Tommaso di Andrea Pisano, who succeeded in harmonizing the Gothic elements of the bell-chamber with the Romanesque style of the tower, there are seven bells, one for each note of the musical major scale
7.
Camposanto Monumentale
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The Campo Santo, also known as Camposanto Monumentale or Camposanto Vecchio, is a historical edifice at the northern edge of the Cathedral Square in Pisa, Italy. A legend claims that bodies buried in that ground will rot in just 24 hours, the burial ground lies over the ruins of the old baptistery of the church of Santa Reparata, the church that once stood where the cathedral now stands. The term monumental serves to differentiate it from the urban cemetery in Pisa. The building was the fourth and last one to be raised in the Cathedral Square and it dates from a century after the bringing of the soil from Golgotha, and was erected over the earlier burial ground. The construction of huge, oblong Gothic cloister was begun in 1278 by the architect Giovanni di Simone. He died in 1284 when Pisa suffered a defeat in the battle of Meloria against the Genoans. The cemetery was completed in 1464. It seems that the building was not meant to be a cemetery, but a church called Santissima Trinità. However we know that the part was the western one. The outer wall is composed of 43 blind arches, the one on the right is crowned by a gracious Gothic tabernacle. It contains the Virgin Mary with Child, surrounded by four saints and it is the work from the second half of the 14th century by a follower of Giovanni Pisano. This was the entrance door. Most of the tombs are under the arcades, although a few are on the central lawn, the inner court is surrounded by elaborate round arches with slender mullions and plurilobed tracery. In the Aulla chapel we can see also the original incense lamp that Galileo Galilei used for calculation of pendular movements and this lamp is the one Galileo saw inside the cathedral, now replaced by a larger more elaborate one. The last chapel was Dal Pozzo, commissioned by archbishop of Pisa Carlo Antonio Dal Pozzo in 1594, it has a dedicated to St. Jerome. Also in the Dal Pozzo chapel sometimes a Mass is celebrated, the sarcophagi were initially all around the cathedral, often attached to the building itself. That until the cemetery was built, then they were collected in the all over the meadow. Carlo Lasinio, in the years he was the curator of the Campo Santo, nowadays the sarcophagi are inside the galleries, near the walls
8.
Geographic coordinate system
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A geographic coordinate system is a coordinate system used in geography that enables every location on Earth to be specified by a set of numbers, letters or symbols. The coordinates are chosen such that one of the numbers represents a vertical position. A common choice of coordinates is latitude, longitude and elevation, to specify a location on a two-dimensional map requires a map projection. The invention of a coordinate system is generally credited to Eratosthenes of Cyrene. Ptolemy credited him with the adoption of longitude and latitude. Ptolemys 2nd-century Geography used the prime meridian but measured latitude from the equator instead. Mathematical cartography resumed in Europe following Maximus Planudes recovery of Ptolemys text a little before 1300, in 1884, the United States hosted the International Meridian Conference, attended by representatives from twenty-five nations. Twenty-two of them agreed to adopt the longitude of the Royal Observatory in Greenwich, the Dominican Republic voted against the motion, while France and Brazil abstained. France adopted Greenwich Mean Time in place of local determinations by the Paris Observatory in 1911, the latitude of a point on Earths surface is the angle between the equatorial plane and the straight line that passes through that point and through the center of the Earth. Lines joining points of the same latitude trace circles on the surface of Earth called parallels, as they are parallel to the equator, the north pole is 90° N, the south pole is 90° S. The 0° parallel of latitude is designated the equator, the plane of all geographic coordinate systems. The equator divides the globe into Northern and Southern Hemispheres, the longitude of a point on Earths surface is the angle east or west of a reference meridian to another meridian that passes through that point. All meridians are halves of great ellipses, which converge at the north and south poles, the prime meridian determines the proper Eastern and Western Hemispheres, although maps often divide these hemispheres further west in order to keep the Old World on a single side. The antipodal meridian of Greenwich is both 180°W and 180°E, the combination of these two components specifies the position of any location on the surface of Earth, without consideration of altitude or depth. The grid formed by lines of latitude and longitude is known as a graticule, the origin/zero point of this system is located in the Gulf of Guinea about 625 km south of Tema, Ghana. To completely specify a location of a feature on, in, or above Earth. Earth is not a sphere, but a shape approximating a biaxial ellipsoid. It is nearly spherical, but has an equatorial bulge making the radius at the equator about 0. 3% larger than the radius measured through the poles, the shorter axis approximately coincides with the axis of rotation
9.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
10.
Italian language
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By most measures, Italian, together with Sardinian, is the closest to Latin of the Romance languages. Italian is a language in Italy, Switzerland, San Marino, Vatican City. Italian is spoken by minorities in places such as France, Montenegro, Bosnia & Herzegovina, Crimea and Tunisia and by large expatriate communities in the Americas. Many speakers are native bilinguals of both standardized Italian and other regional languages, Italian is the fourth most studied language in the world. Italian is a major European language, being one of the languages of the Organisation for Security and Cooperation in Europe. It is the third most widely spoken first language in the European Union with 65 million native speakers, including Italian speakers in non-EU European countries and on other continents, the total number of speakers is around 85 million. Italian is the working language of the Holy See, serving as the lingua franca in the Roman Catholic hierarchy as well as the official language of the Sovereign Military Order of Malta. Italian is known as the language of music because of its use in musical terminology and its influence is also widespread in the arts and in the luxury goods market. Italian has been reported as the fourth or fifth most frequently taught foreign language in the world, Italian was adopted by the state after the Unification of Italy, having previously been a literary language based on Tuscan as spoken mostly by the upper class of Florentine society. Its development was influenced by other Italian languages and to some minor extent. Its vowels are the second-closest to Latin after Sardinian, unlike most other Romance languages, Italian retains Latins contrast between short and long consonants. As in most Romance languages, stress is distinctive, however, Italian as a language used in Italy and some surrounding regions has a longer history. What would come to be thought of as Italian was first formalized in the early 14th century through the works of Tuscan writer Dante Alighieri, written in his native Florentine. Dante is still credited with standardizing the Italian language, and thus the dialect of Florence became the basis for what would become the language of Italy. Italian was also one of the recognised languages in the Austro-Hungarian Empire. Italy has always had a dialect for each city, because the cities. Those dialects now have considerable variety, as Tuscan-derived Italian came to be used throughout Italy, features of local speech were naturally adopted, producing various versions of Regional Italian. Even in the case of Northern Italian languages, however, scholars are not to overstate the effects of outsiders on the natural indigenous developments of the languages
11.
Gabriele D'Annunzio
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General Gabriele DAnnunzio, Prince of Montenevoso, Duke of Gallese OMS CMG MVM, sometimes spelled dAnnunzio, was an Italian writer, poet, journalist, playwright and soldier during World War I. He occupied a prominent place in Italian literature from 1889 to 1910 and he was often referred to under the epithets Il Vate or Il Profeta. DAnnunzio was associated with the Decadent movement in his literary works, such works represented a turn against the naturalism of the preceding romantics and was both sensuous and mystical. He came under the influence of Friedrich Nietzsche which would find outlets in his literary and his affairs with several women, including Eleonora Duse and Luisa Casati, received public attention. During the First World War, perception of DAnnunzio in Italy transformed from literary figure into a war hero. He was associated with the elite Arditi storm troops of the Italian Army, as part of an Italian nationalist reaction against the Paris Peace Conference, he set up the short-lived Italian Regency of Carnaro in Fiume with himself as Duce. The constitution made music the fundamental principle of the state and was corporatist in nature, some of the ideas and aesthetics influenced Italian fascism and the style of Benito Mussolini. He was born in Pescara, Abruzzo, the son of a wealthy landowner and his father had originally been born plain Rapagnetta, but at the age of 13 had been adopted by a childless rich uncle Antonio dAnnunzio. Legend has it that he was initially baptized Gaetano and given the name of Gabriele later in childhood, however, there is wide documentation to disprove this story. His precocious talent was recognised early in life, and he was sent to school at the Liceo Cicognini in Prato, Tuscany. In 1881 DAnnunzio entered the University of Rome La Sapienza, where he became a member of literary groups, including Cronaca Bizantina and wrote articles. In those university years he started to promote Italian irredentism and he published Canto novo, Terra vergine, Lintermezzo di rime, Il libro delle vergini and the greater part of the short stories that were afterwards collected under the general title of San Pantaleone. Intermezzo di rime is the beginning of DAnnunzios second and characteristic manner and his conception of style was new, and he chose to express all the most subtle vibrations of voluptuous life. Meanwhile, the review of Angelo Sommaruga perished in the midst of scandal, some entered the teaching career and were lost to literature, others threw themselves into journalism. Gabriele DAnnunzio took this course, and joined the staff of the Tribuna. For this paper, under the pseudonym of Duca Minimo, he did some of his most brilliant work, DAnnunzios first novel Il piacere was followed in 1891 by Giovanni Episcopo, and in 1892 by Linnocente. These three novels made a profound impression, Linnocente, admirably translated into French by Georges Herelle, brought its author the notice and applause of foreign critics. DAnnunzios poetic work of period, in most respects his finest, is represented by Il Poema Paradisiaco, the Odi navali, a superb attempt at civic poetry
12.
UNESCO
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The United Nations Educational, Scientific and Cultural Organization is a specialized agency of the United Nations based in Paris. It is the heir of the League of Nations International Committee on Intellectual Cooperation, UNESCO has 195 member states and nine associate members. Most of its offices are cluster offices covering three or more countries, national and regional offices also exist. UNESCO pursues its objectives through five major programs, education, natural sciences, social/human sciences, culture and it is also a member of the United Nations Development Group. UNESCO and its mandate for international cooperation can be traced back to a League of Nations resolution on 21 September 1921, on 18 December 1925, the International Bureau of Education began work as a non-governmental organization in the service of international educational development. However, the work of predecessor organizations was largely interrupted by the onset of World War II. On 30 October 1943, the necessity for an organization was expressed in the Moscow Declaration, agreed upon by China, the United Kingdom, the United States. This was followed by the Dumbarton Oaks Conference proposals of 9 October 1944, a prominent figure in the initiative for UNESCO was Rab Butler, the Minister of Education for the United Kingdom. At the ECO/CONF, the Constitution of UNESCO was introduced and signed by 37 countries, the Preparatory Commission operated between 16 November 1945, and 4 November 1946—the date when UNESCOs Constitution came into force with the deposit of the twentieth ratification by a member state. The first General Conference took place between 19 November to 10 December 1946, and elected Dr. Julian Huxley to Director-General and this change in governance distinguished UNESCO from its predecessor, the CICI, in how member states would work together in the organizations fields of competence. In 1956, the Republic of South Africa withdrew from UNESCO claiming that some of the organizations publications amounted to interference in the racial problems. South Africa rejoined the organization in 1994 under the leadership of Nelson Mandela, UNESCOs early work in the field of education included the pilot project on fundamental education in the Marbial Valley, Haiti, started in 1947. This project was followed by missions to other countries, including, for example. In 1948, UNESCO recommended that Member States should make free primary education compulsory, in 1990, the World Conference on Education for All, in Jomtien, Thailand, launched a global movement to provide basic education for all children, youths and adults. Ten years later, the 2000 World Education Forum held in Dakar, Senegal, UNESCOs early activities in culture included, for example, the Nubia Campaign, launched in 1960. The purpose of the campaign was to move the Great Temple of Abu Simbel to keep it from being swamped by the Nile after construction of the Aswan Dam, during the 20-year campaign,22 monuments and architectural complexes were relocated. This was the first and largest in a series of campaigns including Mohenjo-daro, Fes, Kathmandu, Borobudur, the organizations work on heritage led to the adoption, in 1972, of the Convention concerning the Protection of the World Cultural and Natural Heritage. The World Heritage Committee was established in 1976 and the first sites inscribed on the World Heritage List in 1978, since then important legal instruments on cultural heritage and diversity have been adopted by UNESCO member states in 2003 and 2005
13.
Middle Ages
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In the history of Europe, the Middle Ages or Medieval Period lasted from the 5th to the 15th century. It began with the fall of the Western Roman Empire and merged into the Renaissance, the Middle Ages is the middle period of the three traditional divisions of Western history, classical antiquity, the medieval period, and the modern period. The medieval period is subdivided into the Early, High. Population decline, counterurbanisation, invasion, and movement of peoples, the large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the seventh century, North Africa and the Middle East—once part of the Byzantine Empire—came under the rule of the Umayyad Caliphate, although there were substantial changes in society and political structures, the break with classical antiquity was not complete. The still-sizeable Byzantine Empire survived in the east and remained a major power, the empires law code, the Corpus Juris Civilis or Code of Justinian, was rediscovered in Northern Italy in 1070 and became widely admired later in the Middle Ages. In the West, most kingdoms incorporated the few extant Roman institutions, monasteries were founded as campaigns to Christianise pagan Europe continued. The Franks, under the Carolingian dynasty, briefly established the Carolingian Empire during the later 8th, the Crusades, first preached in 1095, were military attempts by Western European Christians to regain control of the Holy Land from Muslims. Kings became the heads of centralised nation states, reducing crime and violence, intellectual life was marked by scholasticism, a philosophy that emphasised joining faith to reason, and by the founding of universities. Controversy, heresy, and the Western Schism within the Catholic Church paralleled the conflict, civil strife. Cultural and technological developments transformed European society, concluding the Late Middle Ages, the Middle Ages is one of the three major periods in the most enduring scheme for analysing European history, classical civilisation, or Antiquity, the Middle Ages, and the Modern Period. Medieval writers divided history into periods such as the Six Ages or the Four Empires, when referring to their own times, they spoke of them as being modern. In the 1330s, the humanist and poet Petrarch referred to pre-Christian times as antiqua, leonardo Bruni was the first historian to use tripartite periodisation in his History of the Florentine People. Bruni and later argued that Italy had recovered since Petrarchs time. The Middle Ages first appears in Latin in 1469 as media tempestas or middle season, in early usage, there were many variants, including medium aevum, or middle age, first recorded in 1604, and media saecula, or middle ages, first recorded in 1625. The alternative term medieval derives from medium aevum, tripartite periodisation became standard after the German 17th-century historian Christoph Cellarius divided history into three periods, Ancient, Medieval, and Modern. The most commonly given starting point for the Middle Ages is 476, for Europe as a whole,1500 is often considered to be the end of the Middle Ages, but there is no universally agreed upon end date. English historians often use the Battle of Bosworth Field in 1485 to mark the end of the period
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Cathedral
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A cathedral is a Christian church which contains the seat of a bishop, thus serving as the central church of a diocese, conference, or episcopate. The counterpart term for such a church in German is Dom from Latin domus ecclesiae or domus episcopalis, also Italian Duomo, Dutch Domkerk, when the church at which an archbishop or metropolitan presides is specifically intended, the term kathedrikos naos is used. In addition, both the Catholic Church and Orthodox churches have formed new dioceses within formerly Protestant lands for converts, consequently, it is not uncommon to find Christians in a single city being served by three or more cathedrals of differing denominations. In the Catholic tradition, the term cathedral correctly applies only to a church houses the seat of the bishop of a diocese. The abbey church of a territorial abbacy serves the same function, the Catholic Church also uses the following terms. A pro-cathedral is a parish or other church used temporarily as a cathedral, usually while the cathedral of a diocese is under construction, renovation and this designation applies only as long as the temporary use continues. A co-cathedral is a cathedral in a diocese that has two sees. A proto-cathedral is the cathedral of a transferred see. The cathedral church of a bishop is called the metropolitan cathedral. The term cathedral actually carries no implication as to the size or ornateness of the building, nevertheless, most cathedrals are particularly impressive edifices. The building is now under renovation and restoration for solemn dedication under the title Christ Cathedral in 2018, in the ancient world the chair, on a raised dais, was the distinctive mark of a teacher or rhetor and thus symbolises the bishops role as teacher. A raised throne within a hall was also definitive for a Late Antique presiding magistrate. The history of cathedrals starts in the year 313, when the emperor Constantine the Great personally adopted Christianity, in the third century, the phrase ascending the platform, ad pulpitum venire, becomes the standard term for Christian ordination. During the siege of Dura Europos in 256, a complete Christian house church, or domus ecclesiae was entombed in a bank, surviving when excavated. Otherwise the large room had no decoration or distinctive features at all, in 269, soon after Dura fell to the Persian army, a body of clerics assembled a charge sheet against the bishop of Antioch, Paul of Samosata, in the form of an open letter. Characteristically a Roman magistrate presided from a throne in a large, richly decorated and aisled rectangular hall called a basilica. The earliest of these new basilican cathedrals of which remains are still visible is below the Cathedral of Aquileia on the northern tip of the Adriatic sea. The three halls create a courtyard, in which was originally located a separate baptistery
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Roman Catholic Archdiocese of Pisa
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The Archdiocese of Pisa is a metropolitan see of the Catholic Church in Italy. It was founded in the 4th century and elevated to the dignity of an archdiocese on 21 April 1092 and its mother church is the cathedral in the Piazza del Duomo. Since 2008 the Archbishop of Pisa has been Giovanni Paolo Benotto, from the late 12th to the early 13th century, the Pisan archdiocese was the feudal suzerain of the four giudicati of Sardinia. In 1092 Pope Urban II gave the archbishop of Pisa the title of Primate of Corsica, the title is nowadays honorary for historical reasons. Gaudentius, present at the Council of Rome St. Senior, Catholic Hierarchy page This article incorporates text from a publication now in the public domain, Herbermann, Charles, ed. Pisa
16.
Primate (bishop)
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Primate is a title or rank bestowed on some archbishops in certain Christian churches. Depending on the tradition, it can denote either jurisdictional authority or ceremonial precedence. The office is found only in older Catholic countries, and is now purely honorific. The Holy See has also granted Polish primates the privilege of wearing cardinals crimson attire, except for the skullcap and biretta, the city may no longer have the prominence it had when the title was granted. Other former functions of primates, such as hearing appeals from metropolitan tribunals, were reserved to the Holy See by the early 20th century, the closest equivalent position in the Eastern Churches in 1911 was an exarch. The Holy See has continued in modern times to grant the title of primate, with the decree Sollicitae Romanis Pontificibus of 24 January 1956 it granted the title of Primate of Canada to the Archbishop of Quebec. As stated above, this is merely an honorary title involving no additional power, a right of precedence over other bishops and similar privileges can be granted even to a bishop who is not a primate. Thus, in 1858, the Holy See granted the Archbishop of Baltimore precedence in meetings of the United States bishops. The title of primate is sometimes applied loosely to the archbishop of a capital, as in the case of the archbishops of Seoul in South Korea. The pre-reformation archbishop of Nidaros was sometimes referred to as Primate of Norway, the loose structure of the Benedictine Confederation is claimed to have made Pope Leo XIII exclaim that the Benedictines were ordo sine ordine. The powers of the Abbot Primate are specified, and his position defined, in a decree of the Sacred Congregation of Bishops, the primacy is attached to the global Benedictine Confederation whose Primate resides at SantAnselmo in Rome. The Primatial powers are vested in the Abbot Primate to act by virtue of the proper law of its autonomous Benedictine congregation. However, certain branches of the Benedictine Order seem to have lost their autonomy to some extent. In a similar way the Confederation of Canons Regular of St. Augustine, elects an Abbot Primate as figurehead of the Confederation and indeed the whole Canonical Order. The Abbots and Superiors General of the nine congregations of confederated congregations of Canons Regular elect a new Abbot Primate for a term of office lasting six years, the Current Abbot General is Rt. Rev. Fr Maurice Bitz, Abbot of St. Pierre, Anglican usage styles the bishop who heads an independent church as its primate, though commonly they hold some other title. In both the Church of England and the Church of Ireland, two bishops have the title of primate, the archbishops of Canterbury and York in England and of Armagh, only the bishop of the senior primatial see of each of these two churches participates in the meetings. The Archbishop of Canterbury, who is considered primus inter pares of all the participants, convokes the meetings, primates and archbishops are styled The Most Reverend
17.
Romanesque architecture
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Romanesque Architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the date of the Romanesque style, with proposals ranging from the 6th to the late 10th century. It developed in the 12th century into the Gothic style, marked by pointed arches, examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman Architecture. The Romanesque style in England is traditionally referred to as Norman architecture, each building has clearly defined forms, frequently of very regular, symmetrical plan, the overall appearance is one of simplicity when compared with the Gothic buildings that were to follow. The style can be identified right across Europe, despite regional characteristics, Many castles were built during this period, but they are greatly outnumbered by churches. The most significant are the great churches, many of which are still standing, more or less complete. The largest groups of Romanesque survivors are in areas that were less prosperous in subsequent periods, including parts of southern France, northern Spain and rural Italy. According to the Oxford English Dictionary, the word Romanesque means descended from Roman and was first used in English to designate what are now called Romance languages, Romance language is not degenerated Latin language. Latin language is degenerated Romance language, Romanesque architecture is not debased Roman architecture. Roman architecture is debased Romanesque architecture, the first use in a published work is in William Gunns An Inquiry into the Origin and Influence of Gothic Architecture. The term is now used for the more restricted period from the late 10th to 12th centuries, Many castles exist, the foundations of which date from the Romanesque period. Most have been altered, and many are in ruins. By far the greatest number of surviving Romanesque buildings are churches, the scope of Romanesque architecture Romanesque architecture was the first distinctive style to spread across Europe since the Roman Empire. In the more northern countries Roman building styles and techniques had never been adopted except for official buildings, although the round arch continued in use, the engineering skills required to vault large spaces and build large domes were lost. There was a loss of continuity, particularly apparent in the decline of the formal vocabulary of the Classical Orders. In Rome several great Constantinian basilicas continued in use as an inspiration to later builders, the largest building is the church, the plan of which is distinctly Germanic, having an apse at both ends, an arrangement not generally seen elsewhere. Another feature of the church is its regular proportion, the plan of the crossing tower providing a module for the rest of the plan. These features can both be seen at the Proto-Romanesque St. Michaels Church, Hildesheim, 1001–1030, the style, sometimes called First Romanesque or Lombard Romanesque, is characterised by thick walls, lack of sculpture and the presence of rhythmic ornamental arches known as a Lombard band
18.
Byzantine Empire
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It survived the fragmentation and fall of the Western Roman Empire in the 5th century AD and continued to exist for an additional thousand years until it fell to the Ottoman Turks in 1453. During most of its existence, the empire was the most powerful economic, cultural, several signal events from the 4th to 6th centuries mark the period of transition during which the Roman Empires Greek East and Latin West divided. Constantine I reorganised the empire, made Constantinople the new capital, under Theodosius I, Christianity became the Empires official state religion and other religious practices were proscribed. Finally, under the reign of Heraclius, the Empires military, the borders of the Empire evolved significantly over its existence, as it went through several cycles of decline and recovery. During the reign of Maurice, the Empires eastern frontier was expanded, in a matter of years the Empire lost its richest provinces, Egypt and Syria, to the Arabs. This battle opened the way for the Turks to settle in Anatolia, the Empire recovered again during the Komnenian restoration, such that by the 12th century Constantinople was the largest and wealthiest European city. Despite the eventual recovery of Constantinople in 1261, the Byzantine Empire remained only one of several small states in the area for the final two centuries of its existence. Its remaining territories were annexed by the Ottomans over the 15th century. The Fall of Constantinople to the Ottoman Empire in 1453 finally ended the Byzantine Empire, the term comes from Byzantium, the name of the city of Constantinople before it became Constantines capital. This older name of the city would rarely be used from this point onward except in historical or poetic contexts. The publication in 1648 of the Byzantine du Louvre, and in 1680 of Du Canges Historia Byzantina further popularised the use of Byzantine among French authors, however, it was not until the mid-19th century that the term came into general use in the Western world. The Byzantine Empire was known to its inhabitants as the Roman Empire, the Empire of the Romans, Romania, the Roman Republic, Graikia, and also as Rhōmais. The inhabitants called themselves Romaioi and Graikoi, and even as late as the 19th century Greeks typically referred to modern Greek as Romaika and Graikika. The authority of the Byzantine emperor as the legitimate Roman emperor was challenged by the coronation of Charlemagne as Imperator Augustus by Pope Leo III in the year 800. No such distinction existed in the Islamic and Slavic worlds, where the Empire was more seen as the continuation of the Roman Empire. In the Islamic world, the Roman Empire was known primarily as Rûm, the Roman army succeeded in conquering many territories covering the entire Mediterranean region and coastal regions in southwestern Europe and north Africa. These territories were home to different cultural groups, both urban populations and rural populations. The West also suffered heavily from the instability of the 3rd century AD
19.
Marble
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Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Geologists use the marble to refer to metamorphosed limestone, however. Marble is commonly used for sculpture and as a building material and this stem is also the basis for the English word marmoreal, meaning marble-like. In Hungarian it is called márvány, Marble is a rock resulting from metamorphism of sedimentary carbonate rocks, most commonly limestone or dolomite rock. Metamorphism causes variable recrystallization of the carbonate mineral grains. The resulting marble rock is composed of an interlocking mosaic of carbonate crystals. Primary sedimentary textures and structures of the carbonate rock have typically been modified or destroyed. Pure white marble is the result of metamorphism of a very pure limestone or dolomite protolith, green coloration is often due to serpentine resulting from originally magnesium-rich limestone or dolostone with silica impurities. These various impurities have been mobilized and recrystallized by the intense pressure, examples of historically notable marble varieties and locations, White marble has been prized for its use in sculptures since classical times. This preference has to do with its softness, which made it easier to carve, relative isotropy and homogeneity, construction marble is a stone which is composed of calcite, dolomite or serpentine which is capable of taking a polish. More generally in construction, specifically the dimension stone trade, the marble is used for any crystalline calcitic rock useful as building stone. For example, Tennessee marble is really a dense granular fossiliferous gray to pink to maroon Ordovician limestone that geologists call the Holston Formation. Ashgabat, the city of Turkmenistan, was recorded in the 2013 Guinness Book of Records as having the worlds highest concentration of white marble buildings. According to the United States Geological Survey, U. S. domestic marble production in 2006 was 46,400 tons valued at about $18.1 million, compared to 72,300 tons valued at $18.9 million in 2005. Crushed marble production in 2006 was 11.8 million tons valued at $116 million, of which 6.5 million tons was finely ground calcium carbonate and the rest was construction aggregate. For comparison,2005 crushed marble production was 7.76 million tons valued at $58.7 million, of which 4.8 million tons was finely ground calcium carbonate, U. S. dimension marble demand is about 1.3 million tons. The DSAN World Demand for Marble Index has shown a growth of 12% annually for the 2000–2006 period, the largest dimension marble application is tile. In 1998, marble production was dominated by 4 countries that accounted for almost half of production of marble
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Bronze
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These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as stiffness, ductility, or machinability. The archeological period where bronze was the hardest metal in use is known as the Bronze Age. In the ancient Near East this began with the rise of Sumer in the 4th millennium BC, with India and China starting to use bronze around the same time, everywhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BC and reaching most of Eurasia by about 500 BC, the discovery of bronze enabled people to create metal objects which were harder and more durable than previously possible. Bronze tools, weapons, armor, and building such as decorative tiles were harder and more durable than their stone. It was only later that tin was used, becoming the major ingredient of bronze in the late 3rd millennium BC. Tin bronze was superior to arsenic bronze in that the process could be more easily controlled. Also, unlike arsenic, metallic tin and fumes from tin refining are not toxic, the earliest tin-alloy bronze dates to 4500 BCE in a Vinča culture site in Pločnik. Other early examples date to the late 4th millennium BC in Africa, Susa and some ancient sites in China, Luristan, ores of copper and the far rarer tin are not often found together, so serious bronze work has always involved trade. Tin sources and trade in ancient times had a influence on the development of cultures. In Europe, a source of tin was the British deposits of ore in Cornwall. In many parts of the world, large hoards of bronze artefacts are found, suggesting that bronze also represented a store of value, in Europe, large hoards of bronze tools, typically socketed axes, are found, which mostly show no signs of wear. With Chinese ritual bronzes, which are documented in the inscriptions they carry and from other sources and these were made in enormous quantities for elite burials, and also used by the living for ritual offerings. Pure iron is soft, and the process of beating and folding sponge iron to wrought iron removes from the metal carbon. Careful control of the alloying and tempering eventually allowed for wrought iron with properties comparable to modern steel, Bronze was still used during the Iron Age, and has continued in use for many purposes to the modern day. Among other advantages, it does not rust, the weaker wrought iron was found to be sufficiently strong for many uses. Archaeologists suspect that a disruption of the tin trade precipitated the transition. The population migrations around 1200–1100 BC reduced the shipping of tin around the Mediterranean, limiting supplies, there are many different bronze alloys, but typically modern bronze is 88% copper and 12% tin
21.
Giambologna
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Giambologna — born Jean Boulogne — was a Flemish sculptor based in Italy, celebrated for his marble and bronze statuary in a late Renaissance or Mannerist style. Giambologna was born in Douai, Flanders, in 1529, after youthful studies in Antwerp with the architect-sculptor Jacques du Broeucq, he moved to Italy in 1550, and studied in Rome. Giambologna made detailed study of the sculpture of classical antiquity and he was also much influenced by Michelangelo, but developed his own Mannerist style, with perhaps less emphasis on emotion and more emphasis on refined surfaces, cool elegance and beauty. Pope Pius IV gave Giambologna his first major commission, the colossal bronze Neptune, Giambologna spent his most productive years in Florence, where he had settled in 1553. He was interred in a chapel he designed himself in the Santissima Annunziata, Giambologna became well known for a fine sense of action and movement, and a refined, differentiated surface finish. Among his most famous works are the Mercury, poised on one foot, the god raises one arm to point heavenwards, in a gesture borrowed from the repertory of classical rhetoric that is characteristic of Giambolognas maniera. His other most famous work is the Rape of the Sabine Women a marble sculpture which is featured prominently in the Loggia dei Lanzi in Florences Piazza della Signoria and this impressive sculpture which includes three full figures was carved from a single piece of marble. Giambologna carved it without a subject in mind, and the name Rape of the Sabine Women was given after it was in place in the Loggia, the sculpture was produced for Francesco Medici, Grand Duke of Tuscany. Another of his marbles, Hercules Slaying a Centaur was also placed in the Loggia dei Lanzi in 1599 and he created allegories strongly promoting Medicean political propaganda, such as Florence defeating Pisa and, less overtly, Samson Slaying a Philistine, for Francesco de Medici. The equestrian statue of Cosimo I de Medici also in Florence, was completed by his studio assistant Pietro Tacca. Giambologna provided as well as sculptures for garden grottos and fountains in the Boboli Gardens of Florence and at Pratolino. For the grotto of the Villa Medicea of Castello he sculpted a series of studies of animals, from life. Small bronze reductions of many of his sculptures were prized by connoisseurs at the time and ever since, italian Art, Florence, Giunti Gruppo Editoriale,2000, ISBN 88-09-01771-4. Giambologna, 1529-1608, sculptor to the Medici, an exhibition organised by the Arts Council of Great Britain etc. catalogue edited by Charles Avery, london, Arts Council of Great Britain,1978, ISBN 0-7287-0180-4. Biography with a portrait on kfki. hu Giambologna on mega. it Model of a River God, archived from the original on 2009-07-09. Archived from the original on 2011-03-12, a Tour of the location of Giambolognas major works in Florence
22.
Bonanno Pisano
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Bonanno Pisano, active in the 1170s and 1180s, was an Italian sculptor, mixing Byzantine and classical elements. Giorgio Vasari wrongly attributed the realization of the Leaning Tower of Pisa to him in his Vite, Pisano was born in Pisa and worked there most of his life. In the 1180s, he departed for Monreale, in Sicily, where he completed the doors to the cathedral before returning to Pisa, Pisano was buried at the foot of the leaning tower, where his sarcophagus was discovered in 1820. Between March 1179 and March 1180, he created the bronze Porta Reale of the cathedral of Pisa, from 1186 on, he constructed the San Ranieri La, at the right transept of the Duomo, depicting the main episodes of the Life of Christ. Constructed between 1185 and 1186, the gate is signed Bonanno civis pisanus. It depicts five scenes of the Old Testament at the bottom, starting with Adam and Eve, antonio Milone, Bonanno Pisano, in Artifex bonus, page 82-89, Roma-Bari 2004
23.
Saracen
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Saracen was a term widely used among Christian writers in Europe during the Middle Ages. The terms meaning evolved during its history, in Europe during the Early Medieval era, the term came to be associated with Arab tribes as well. By the 12th century, Saracen had become synonymous with Muslim in Medieval Latin literature, such expansion in the meaning of the term had begun centuries earlier among the Byzantine Romans, as evidenced in documents from the 8th century. In the Western languages before the 16th century, Saracen was commonly used to refer to Muslim Arabs, the term Saraceni might be derived from the Semitic triliteral root srq signifies to steal, rob, plunder. The noun sāriq - sariqīn means, ptolemys 2nd century work, Geography, describes Sarakēnē as a region in the northern Sinai Peninsula. Ptolemy also mentions a people called the Sarakēnoi living in the northwestern Arabian Peninsula, the Augustan History also refers to an attack by Saraceni on Pescennius Nigers army in Egypt in 193, but provides little information as to identifying them. Both Hippolytus of Rome and Uranius mention three distinct peoples in Arabia during the first half of the century, the Saraceni, the Taeni. The Taeni, later identified with the Arabic-speaking people called Tayy, were located around Khaybar, the Saraceni were placed north of them. These Saracens, located in the northern Hejaz, were described as people with a certain military ability who were opponents of the Roman Empire, the Saracens are described as forming the equites from Phoenicia and Thamud. In one document the defeated enemies of Diocletians campaign in the Syrian Desert are described as Saracens. Other 4th century military reports make no mention of Arabs but refer to as Saracens groups ranging as far east as Mesopotamia that were involved in battles on both the Sasanian and Roman sides. The Saracens were named in the Roman administrative document Notitia Dignitatum—dating from the time of Theodosius I in the 4th century—as comprising distinctive units in the Roman army and they were distinguished in the document from Arabs. Beginning no later than the fifth century, Christian writers began to equate Saracens with Arabs. Saracens were associated with Ishmaelites in some strands of Jewish, Christian and this claim was popular during the Middle Ages, but derives more from Paul’s allegory in the New Testament letter to the Galatians than from historical data. The name Saracen was not indigenous among the populations so described but was applied to them by Greco-Roman historians based on Greek place names. As the Middle Ages progressed, usage of the term in the Latin West changed, but its connotation remained negative, associated with opponents of Christianity, in an 8th-century polemical work, John of Damascus criticized the Saracens as followers of a false prophet and forerunner to the Antichrist. By the 12th century, Medieval Europeans had more specific conceptions of Islam and used the term Saracen as an ethnic, in some Medieval literature, Saracens—that is, Muslims—were described as black-skinned, while Christians were lighter-skinned. An example is in The King of Tars, a medieval romance, the Song of Roland, an Old French 11th-century heroic poem, refers to the black skin of Saracens as their only exotic feature
24.
Gable
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A gable is the generally triangular portion of a wall between the edges of intersecting roof pitches. The shape of the gable and how it is detailed depends on the system used, which reflects climate, material availability. A gable wall or gable end more commonly refers to the wall, including the gable. A variation of the gable is a gable, which has a stairstep design to accomplish the sloping portion. Gable ends of more recent buildings are often treated in the way as the Classic pediment form. But unlike Classical structures, which operate through trabeation, the ends of many buildings are actually bearing-wall structures. Thus, the detailing can be ambiguous or misleading, gable style is also used in the design of fabric structures, with varying degree sloped roofs, dependent on how much snowfall is expected. Sharp gable roofs are a characteristic of the Gothic and classical Greek styles of architecture, the opposite or inverted form of a gable roof is a V-roof or butterfly roof. While a front-gabled building faces the street with its gable, a building faces it with its cullis. The terms are used in architecture and city planning to determine a building in its urban situation, front-gabled buildings are considered typical for German city streets in the medieval gothic period, while later Renaissance buildings, influenced by Italian architecture are often side-gabled. In America, front-gabled houses, such as the Gablefront house, were primarily between the early 19th century and 1920. A wimperg is a German and Dutch word for a Gothic ornamental gable with tracery over windows or portals and it was a typical element in Gothic Architecture especially in cathedral architecture. Wimpergs often had crockets or other elements in the Gothic style. The intention behind the wimperg was the perception of increased height, the gable end roof is a poor design for hurricane regions, as it easily peels off in strong winds. The part of the roof overhangs the triangular wall very often creates a trap that can catch wind like an umbrella. A series of ornamental timber gables, from existing examples in England and France of the 16th Century
25.
Pisa Griffin
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The Pisa Griffin is a large bronze sculpture of a griffin, a mythical beast, which has been in Pisa in Italy since the Middle Ages, though it is of Islamic origin. It is the largest medieval Islamic metal sculpture known, at three feet tall, and was probably created in the 11th century in Al-Andaluz. It has been described as the most famous as well as the most beautiful and it is now in the Museo dellOpera del Duomo, Pisa. The griffin has the head of an eagle, but it has ears like those of a horse as well as the wattles of a rooster, wings, and its dimensions are, height 107 cm, length 87 cm, width 43 cm. It is made of cast bronze with the wings cast separately and held in place by rivets, the wings are decorated with stylized feathers, the chest with overlapping semi-circular scales, and the back with a pattern of plain circles enclosed in two rings, on a textured background. There are three openings to the interior of the statue, which contains fittings given various interpretations, described below, there are openings at the mouth, rear – perhaps for a missing tail – and a larger one under the belly. Inside is a globular “cup” made of bronze, open towards the belly and it is in the Museo Arqueológico Provincial de Cordoba, and was found in the ruins of the large palace-city Madinat Al-Zahra outside Cordoba. One of these was surrounded by twelve gold animal sculptures which spewed water from their mouths, smaller pieces are the Kassel Lion signed by Abd Allah Mattial from the 10th or 11th century, and the Monzon lion in the Louvre. Locating the area where the griffin was made has been the subject of considerable dedate, with Al-Andaluz, Egypt, Sicily, North Africa, debate focuses on a group of bronzes of one sort or another that are often thought to have been made in the same area. Al-Andaluz remains the most popular choice, but South Italy or Sicily are possible, though Egypt seems to have largely fallen out of contention. An aquamanile in the Hermitage Museum of a cow and calf attacked by a lion has later had the throats of the cut with a sharp groove. Oleg Grabar suggests that the decoration may be translations into cheaper bronze of inlays and enamelling found on gold. The circular patterns on the back and several of the other works mentioned above derive from textile designs. The successful attack in 1087 on Mahdia in modern Tunisia, capital of the local Zirid dynasty is one candidate. The griffin was placed on a platform on top of a column rising from the gable above the apse at the east end of Pisa Cathedral, probably as part of the original construction, which was begun in 1064. This was a prominent position, but one that meant that it could not be seen close up. Large-scale European bronze casting at this period specialized in fonts and pairs of doors, in 1828 the griffin was removed and placed in the Cathedral Museum, with a replica later placed in the original position. Debate about the place and date of its creation continues to the present day, in Pisa it forms a part of probably the most famous ensemble of Romanesque architecture in Italy in the Piazza dei Miracoli, looking at the Leaning Tower of Pisa, with the Bapistry behind it
26.
Islamic art
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Islamic art encompasses the visual arts produced from the 7th century onward by people who lived within the territory that was inhabited by or ruled by culturally Islamic populations. The huge field of Islamic architecture is the subject of an article, leaving fields as varied as calligraphy, painting, glass, pottery. Islamic art is not at all restricted to art, but includes all the art of the rich. It frequently includes secular elements and elements that are frowned upon, if not forbidden, figurative painting may cover religious scenes, but normally in essentially secular contexts such as the walls of palaces or illuminated books of poetry. There are repeating elements in Islamic art, such as the use of floral or vegetal designs in a repetition known as the arabesque. The arabesque in Islamic art is used to symbolize the transcendent, indivisible. Mistakes in repetitions may be introduced as a show of humility by artists who believe only God can produce perfection. Human portrayals can be found in all eras of Islamic art, above all in the private form of miniatures. Human representation for the purpose of worship is considered idolatry and is forbidden in some interpretations of Islamic law. There are also depictions of Muhammad, Islams chief prophet. Small decorative figures of animals and humans, especially if they are hunting the animals, are found on pieces in many media from many periods. Other inscriptions include verses of poetry, and inscriptions recording ownership or donation, Islamic calligraphy in the form of painting or sculptures are sometimes referred to as quranic art. Large inscriptions made from tiles, sometimes with the letters raised in relief, complex carved calligraphy also decorates buildings. For most of the Islamic period the majority of coins only showed lettering, the tughra or monogram of an Ottoman sultan was used extensively on official documents, with very elaborate decoration for important ones. Other single sheets of calligraphy, designed for albums, might contain short poems, Quranic verses, or other texts. The main languages, all using Arabic script, are Arabic, always used for Quranic verses, Persian in the Persianate world, especially for poetry, calligraphers usually had a higher status than other artists. The tradition of the Persian miniature has been dominant since about the 13th century, strongly influencing the Ottoman miniature of Turkey, portraits of rulers developed in the 16th century, and later in Persia, then becoming very popular. Mughal portraits, normally in profile, are very finely drawn in a realist style, while the best Ottoman ones are vigorously stylized, album miniatures typically featured picnic scenes, portraits of individuals or animals, or idealized youthful beauties of either sex
27.
Gilding
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The term gilding covers a number of decorative techniques for applying fine gold leaf or powder to solid surfaces such as wood, stone, or metal to give a thin coating of gold. A gilded object is described as gilt. Where metal is gilded, it was silver in the West, to make silver-gilt objects, but gilt-bronze is commonly used in China. Methods of gilding include hand application and glueing, chemical gilding, and electroplating, parcel-gilt objects are only gilded over part of their surfaces. This may mean that all of the inside, and none of the outside, of a chalice or similar vessel is gilded, herodotus mentions that the Egyptians gilded wood and metals, and many such objects have been excavated. Certain Ancient Greek statues of great prestige were chryselephantine, i. e. made of gold and ivory, extensive ornamental gilding was also used in the ceiling coffers of the Propylaea. But he adds that luxury advanced on them so rapidly that in very little time you see all, even private and poor people, gild the walls, vaults. Owing to the thickness of the gold leaf used in ancient gilding. Fire-gilding of metal goes back at least to the 4th century BC, in Europe, silver-gilt has always been more common than gilt-bronze, but in China the opposite has been the case. The ancient Chinese also developed the gilding of porcelain, which was taken up by the French. Modern gilding is applied to numerous and diverse surfaces and by various processes, mechanical gilding includes all the operations in which gold leaf is prepared, and the processes to mechanically attach the gold onto surfaces. The process is completed by cold burnishing, overlaying or folding or hammering on gold foil or gold leaf is the simplest and most ancient method, and is mentioned in Homers Odyssey and the Old Testament. The Ram in a Thicket of about 2600–2400 BCE from Ur uses this technique on wood, the next advances involved two simple processes. The first involves gold leaf, which is gold that is hammered or cut very thin sheets. If gilding on canvas or on wood, the surface was often first coated with gesso, gesso is a substance made of finely ground gypsum or chalk mixed with glue. Other gilding processes involved using the gold as pigment in paint, then the gold was applied in the same way as with any paint. Sometimes, after either gold-leafing or gold-painting, the artist would heat the piece enough to melt the gold slightly and these techniques remained the only alternatives for materials like wood, leather, and the vellum pages of illuminated manuscripts. Chemical gilding embraces those processes in which the gold is at some stage of chemical combination and these include, In this process the gold is obtained in a state of extremely fine division, and applied by mechanical means
28.
Fresco
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Fresco is a technique of mural painting executed upon freshly-laid, or wet lime plaster. Water is used as the vehicle for the pigment to merge with the plaster, and with the setting of the plaster, the fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. Buon fresco pigment mixed with water of temperature on a thin layer of wet, fresh plaster, for which the Italian word for plaster. Because of the makeup of the plaster, a binder is not required, as the pigment mixed solely with the water will sink into the intonaco. The pigment is absorbed by the wet plaster, after a number of hours, many artists sketched their compositions on this underlayer, which would never be seen, in a red pigment called sinopia, a name also used to refer to these under-paintings. Later, new techniques for transferring paper drawings to the wall were developed. The main lines of a drawing made on paper were pricked over with a point, the paper held against the wall, if the painting was to be done over an existing fresco, the surface would be roughened to provide better adhesion. This area is called the giornata, and the different day stages can usually be seen in a large fresco, buon frescoes are difficult to create because of the deadline associated with the drying plaster. Once a giornata is dried, no more buon fresco can be done, if mistakes have been made, it may also be necessary to remove the whole intonaco for that area—or to change them later, a secco. An indispensable component of this process is the carbonatation of the lime, the eyes of the people of the School of Athens are sunken-in using this technique which causes the eyes to seem deeper and more pensive. Michelangelo used this technique as part of his trademark outlining of his central figures within his frescoes, in a wall-sized fresco, there may be ten to twenty or even more giornate, or separate areas of plaster. After five centuries, the giornate, which were nearly invisible, have sometimes become visible, and in many large-scale frescoes. Additionally, the border between giornate was often covered by an a secco painting, which has fallen off. One of the first painters in the period to use this technique was the Isaac Master in the Upper Basilica of Saint Francis in Assisi. A person who creates fresco is called a frescoist, a secco or fresco-secco painting is done on dry plaster. The pigments thus require a medium, such as egg. Blue was a problem, and skies and blue robes were often added a secco, because neither azurite blue nor lapis lazuli. By the end of the century this had largely displaced buon fresco
29.
Dome
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A dome is an architectural element that resembles the hollow upper half of a sphere. The precise definition has been a matter of controversy, there are also a wide variety of forms and specialized terms to describe them. A dome can rest upon a rotunda or drum, and can be supported by columns or piers that transition to the dome through squinches or pendentives, a lantern may cover an oculus and may itself have another dome. Domes have a long architectural lineage that extends back into prehistory and they have been constructed from mud, snow, stone, wood, brick, concrete, metal, glass, and plastic over the centuries. The symbolism associated with domes includes mortuary, celestial, and governmental traditions that have developed over time. Domes have been found from early Mesopotamia, which may explain the forms spread and they are found in Persian, Hellenistic, Roman, and Chinese architecture in the Ancient world, as well as among a number of contemporary indigenous building traditions. They were popular in Byzantine and medieval Islamic architecture, and there are examples from Western Europe in the Middle Ages. The Renaissance style spread from Italy in the Early modern period, advancements in mathematics, materials, and production techniques since that time resulted in new dome types. The domes of the world can be found over religious buildings, legislative chambers, sports stadiums. The English word dome ultimately derives from the Latin domus —which, up through the Renaissance, labeled a revered house, such as a Domus Dei, or House of God, the French word dosme came to acquire the meaning of a cupola vault, specifically, by 1660. A dome is a rounded vault made of either curved segments or a shell of revolution, sometimes called false domes, corbel domes achieve their shape by extending each horizontal layer of stones inward slightly farther than the lower one until they meet at the top. A false dome may also refer to a wooden dome, true domes are said to be those whose structure is in a state of compression, with constituent elements of wedge-shaped voussoirs, the joints of which align with a central point. The validity of this is unclear, as domes built underground with corbelled stone layers are also in compression from the surrounding earth, as with arches, the springing of a dome is the level from which the dome rises. The top of a dome is the crown, the inner side of a dome is called the intrados and the outer side is called the extrados. The haunch is the part of an arch that lies halfway between the base and the top. The word cupola is another word for dome, and is used for a small dome upon a roof or turret. Cupola has also used to describe the inner side of a dome. Drums, also called tholobates, are cylindrical or polygonal walls with or without windows that support a dome, a tambour or lantern is the equivalent structure over a domes oculus, supporting a cupola
30.
Mosaic
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A mosaic is a piece of art or image made from the assemblage of small pieces of colored glass, stone, or other materials. It is often used in art or as interior decoration. Most mosaics are made of small, flat, roughly square, pieces of stone or glass of different colors, some, especially floor mosaics, are made of small rounded pieces of stone, and called pebble mosaics. Others are made of other materials, mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece, mosaics with patterns and pictures became widespread in classical times, Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique, Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics. Mosaic was widely used on buildings and palaces in early Islamic art, including Islams first great religious building, the Dome of the Rock in Jerusalem. Mosaic went out of fashion in the Islamic world after the 8th century, modern mosaics are made by professional artists, street artists, and as a popular craft. Many materials other than stone and ceramic tesserae may be employed, including shells, glass. The earliest known examples of made of different materials were found at a temple building in Abra, Mesopotamia. They consist of pieces of colored stones, shells and ivory, excavations at Susa and Chogha Zanbil show evidence of the first glazed tiles, dating from around 1500 BC. However, mosaic patterns were not used until the times of Sassanid Empire, mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the left on a floor after a feast. Both of these themes were widely copied, most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire, no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across North Africa, in such as Carthage. The tiny tesserae allowed very fine detail, and an approach to the illusionism of painting, often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. The normal technique was opus tessellatum, using larger tesserae, which was laid on site, there was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work. In Rome, Nero and his architects used mosaics to cover surfaces of walls and ceilings in the Domus Aurea, built 64 AD
31.
Apse
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In architecture, an apse is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an Exedra. Smaller apses may also be in other locations, especially shrines, an apse is a semicircular recess covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, in relation to church architecture it is generally the name given to where the altar is placed or where the clergy are seated. An apse is occasionally found in a synagogue, e. g. Maoz Haim Synagogue, the apse is separated from the main part of the church by the transept. Smaller apses are sometimes built in other than the east end. The domed apse became a part of the church plan in the early Christian era. In the Eastern Orthodox tradition, the apse is known as diaconicon. Various ecclesiastical features of which the apse may form part are drawn here, The chancel, directly to the east beyond the choir contains the High Altar. This area is reserved for the clergy, and was formerly called the presbytery. Hemi-cyclic choirs, first developed in the East, came to use in France in 470, famous northern French examples of chevets are in the Gothic cathedrals of Amiens, Beauvais and Reims. The word ambulatory refers to an aisle in the apse that passes behind the altar and choir. An ambulatory may refer to the passages that enclose a cloister in a monastery, or to other types of aisles round the edge of a church building
32.
Monreale
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Monreale is a town and comune in the province of Palermo, in Sicily, Italy. It sits on the slope of Monte Caputo, overlooking the fertile valley called La Conca doro, famed for its orange, olive and almond trees. The town, which has a population of approximately 30,000, is about 15 kilometres inland of Palermo, after the occupation of Palermo by the Arabs, the Bishop of Palermo was forced to move his seat outside the capital. The role of the new cathedral was assigned to a modest little church, Aghia Kiriaki, after the Norman conquest in 1072, Christians got back the old city cathedral. Probably the villages role as temporary ecclesiastical centre played a part in King William IIs decision to build his famous cathedral. Monreale was for a time a mere village, and started its expansion when the Norman Kings of Sicily chose the area as their hunting resort. Under King William II, the monastery of Benedictines coming from Cava de Tirreni. It is noteworthy that the new construction had also an important defensive function, Monreale was the seat of the metropolitan archbishop of Sicily, which from then on exerted a significant influence over Sicily. In the nineteenth century, underage marriages, or those performed without the blessing of the parents, were known as the marriages of Monreale. The cathedral of Monreale is one of the greatest extant examples of Norman architecture anywhere. It was begun in 1174 by William II, and in 1182 the church, dedicated to the Nativity of the Virgin Mary, was, by a bull of Pope Lucius III, the church is a national monument of Italy and one of the most important attractions of Sicily. This has been rebuilt, and but little now remains except ruins of some of the towers, a great part of the monks dormitory and frater. The latter is preserved, and is one of the finest Italian cloisters both for size and beauty of detail now extant. The marble capitals are carved with foliage, biblical scenes and allegories. At one angle, a square pillared projection contains the fountain or monks lavatorium. The churchs plan is a mixture of Eastern Rite and Roman Catholic arrangement and it is, in fact, like two quite different churches put together endwise. The basilican nave is wide, with narrow aisles, monolithic columns of grey oriental granite on each side support eight pointed arches much stilted. The capitals of these are also of the classical period, there is no triforium, but a high clerestory with wide two-light windows, with simple tracery like those in the nave-aisles and throughout the church, which give sufficient light
33.
Sicily
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Sicily is the largest island in the Mediterranean Sea. It is an autonomous Region of Italy, along with surrounding minor islands, Sicily is located in the central Mediterranean Sea, south of the Italian Peninsula, from which it is separated by the narrow Strait of Messina. Its most prominent landmark is Mount Etna, the tallest active volcano in Europe, the island has a typical Mediterranean climate. The earliest archaeological evidence of activity on the island dates from as early as 12,000 BC. It became part of Italy in 1860 following the Expedition of the Thousand, a revolt led by Giuseppe Garibaldi during the Italian unification, Sicily was given special status as an autonomous region after the Italian constitutional referendum of 1946. Sicily has a rich and unique culture, especially regard to the arts, music, literature, cuisine. It is also home to important archaeological and ancient sites, such as the Necropolis of Pantalica, the Valley of the Temples, Sicily has a roughly triangular shape, earning it the name Trinacria. To the east, it is separated from the Italian mainland by the Strait of Messina, about 3 km wide in the north, and about 16 km wide in the southern part. The northern and southern coasts are each about 280 km long measured as a line, while the eastern coast measures around 180 km. The total area of the island is 25,711 km2, the terrain of inland Sicily is mostly hilly and is intensively cultivated wherever possible. Along the northern coast, the ranges of Madonie,2,000 m, Nebrodi,1,800 m. The cone of Mount Etna dominates the eastern coast, in the southeast lie the lower Hyblaean Mountains,1,000 m. The mines of the Enna and Caltanissetta districts were part of a leading sulphur-producing area throughout the 19th century, Sicily and its surrounding small islands have some highly active volcanoes. Mount Etna is the largest active volcano in Europe and still casts black ash over the island with its ever-present eruptions and it currently stands 3,329 metres high, though this varies with summit eruptions, the mountain is 21 m lower now than it was in 1981. It is the highest mountain in Italy south of the Alps, Etna covers an area of 1,190 km2 with a basal circumference of 140 km. This makes it by far the largest of the three volcanoes in Italy, being about two and a half times the height of the next largest, Mount Vesuvius. In Greek Mythology, the deadly monster Typhon was trapped under the mountain by Zeus, Mount Etna is widely regarded as a cultural symbol and icon of Sicily. The Aeolian Islands in the Tyrrhenian Sea, to the northeast of mainland Sicily form a volcanic complex, the three volcanoes of Vulcano, Vulcanello and Lipari are also currently active, although the latter is usually dormant
34.
Cimabue
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Cimabue, also known as Cenni di Pepo or Cenni di Pepi, was a Florentine painter and designer of mosaics. Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo-Byzantine style, according to Italian painter and historian Giorgio Vasari, Cimabue was the teacher of Giotto, the first great artist of the Italian Proto-Renaissance. However, many scholars today tend to discount Vasaris claim, citing earlier sources which suggest this was not the case, little is known about Cimabues early life. One source that recounts his career is Giorgio Vasaris Lives of the Most Excellent Painters, Sculptors and he was born in Florence and died in Pisa. Hayden Maginnis speculates he could have trained in Florence under masters culturally connected to Byzantine art, many scholars today discount Vasaris claim that he later had Giotto as his pupil, citing earlier sources which suggest this was not the case. Cimabues Christ is bent and the clothes have the golden striations introduced by Coppo di Marcovaldo, around 1272 Cimabue is documented as being present in Rome, and a little later he made another Crucifix for the Florentine church of Santa Croce. In the same period, Cimabue painted the Maestà, originally displayed in the church of San Francesco at Pisa and this work established a style which was followed subsequently by numerous artists, including Duccio di Buoninsegna in his Rucellai Madonna, as well as Giotto. A workshop painting, perhaps assignable to a later period, is the Maestà with Saints Francis. During the pontificate of Pope Nicholas IV, the first Franciscan pope, at Assisi, in the transept of the Lower Basilica of San Francesco, he created a fresco named Madonna with Child Enthroned, Four Angels and St Francis. The left portion of this fresco is lost, but it may have shown St Anthony of Padua, Cimabue was subsequently commissioned to decorate the apse and the transept of the Upper Basilica of Assisi, in the same period of time that Roman artists were decorating the nave. The cycle he created there comprises scenes from the Gospels, the lives of the Virgin Mary, St Peter and these paintings are now in poor condition due to the oxidation of the brighter colors which the artist used. The Maestà of Santa Trinità, dated to c, 1290–1300, which was originally painted for the church of Santa Trinità in Florence, is now in the Uffizi Gallery. The softer expression of the characters suggests that it was influenced by Giotto, Cimabue spent the last period of his life,1301 to 1302, in Pisa. There he was commissioned to finish a mosaic of Christ Enthroned, originally begun by Maestro Francesco, Cimabue was to create the part of the mosaic depicting St John the Evangelist, which remains the sole surviving work documented as being by the artist. Cimabue died around the year 1302. he would destroy the work. His nickname, Cenni di Pepo, translates as ‘bull-head’, but also possibly as ‘one who crushes the views of others’, from the Latin word cimare, meaning top, shear, and blunt. The conclusion for the meaning is drawn from similar commentaries on Dante. History has long regarded Cimabue as the last of an era that was overshadowed by the Italian Renaissance, in painting Cimabue thought he held the field but now its Giotto has the cry, so that the others fame is dimmed
35.
Nave
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The nave /ˈneɪv/ is the central aisle of a basilica church, or the main body of a church between its western wall and its chancel. It is the zone of a church accessible by the laity, the nave extends from the entry — which may have a separate vestibule — to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave and it provides the central approach to the high altar. The term nave is from medieval Latin navis, a ship was an early Christian symbol. The term may also have suggested by the keel shape of the vaulting of a church. The earliest churches were built when builders were familiar with the form of the Roman basilica and it had a wide central area, with aisles separated by columns, and with windows near the ceiling. Old St. Peters Basilica in Rome is a church which had this form. It was built in the 4th century on the orders of Roman emperor Constantine I, the nave, the main body of the building, is the section set apart for the laity, while the chancel is reserved for the clergy. In medieval churches the nave was separated from the chancel by the rood screen, medieval naves were divided into bays, the repetition of form giving an effect of great length, and the vertical element of the nave was emphasized. During the Renaissance, in place of dramatic effects there were more balanced proportions, longest nave in Denmark, Aarhus Cathedral,93 metres. Longest nave in England, St Albans Cathedral, St Albans,84 metres, longest nave in Ireland, St Patricks Cathedral, Dublin,91 metres. Longest nave in France, Bourges Cathedral,91 metres, including choir where a crossing would be if there were transepts, longest nave in Germany, Cologne cathedral,58 metres, including two bays between the towers. Longest nave in Italy, St Peters Basilica in Rome,91 metres, longest nave in Spain, Seville,60 metres, in five bays. Longest nave in the United States, Cathedral of Saint John the Divine, New York City, highest vaulted nave, Beauvais Cathedral, France,48 metres high but only one bay of the nave was actually built but choir and transepts were completed to the same height. Highest completed nave, Rome, St. Peters, Italy,46 metres high, abbey, with architectural discussion and groundplans Cathedral architecture Cathedral diagram List of highest church naves
36.
Transept
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A transept is a transverse part of any building, which lies across the main body of the edifice. In churches, a transept is an area set crosswise to the nave in a building within the Romanesque. Each half of a transept is known as a semitransept, the transept of a church separates the nave from the sanctuary, apse, choir, chevet, presbytery or chancel. The transepts cross the nave at the crossing, which belongs equally to the main nave axis, upon its four piers, the crossing may support a spire, a central tower or a crossing dome. Since the altar is located at the east end of a church. The north and south end walls often hold decorated windows of stained glass, such as rose windows, occasionally, the basilicas and the church and cathedral planning that descended from them were built without transepts, sometimes the transepts were reduced to matched chapels. More often, the transepts extended well beyond the sides of the rest of the building, forming the shape of a cross and this design is called a Latin cross ground plan, and these extensions are known as the arms of the transept. A Greek cross ground plan, with all four extensions the same length, when churches have only one transept, as at Pershore Abbey, there is generally a historical disaster, fire, war or funding problem, to explain the anomaly. At Beauvais only the chevet and transepts stand, the nave of the cathedral was never completed after a collapse of the daring high vaulting in 1284. At St. Vitus Cathedral, Prague, only the choir, in a metro station or similar construction, a transept is a space over the platforms and tracks of a station with side platforms, containing the bridge between the platforms. Placing the bridge in a rather than an enclosed tunnel allows passengers to see the platforms. Aisle Apse Cathedral architecture Cathedral diagram Glossary of the Catholic Church Transom
37.
Assumption of Mary
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The Catholic Church teaches as dogma that the Virgin Mary having completed the course of her earthly life, was assumed body and soul into heavenly glory. This doctrine was defined by Pope Pius XII on 1 November 1950. In the churches that observe it, the Assumption is a major feast day, in many countries, the feast is also marked as a Holy Day of Obligation in the Roman Catholic Church and as a festival in the Anglican Communion. The Catholic Church itself interprets chapter 12 of the Book of Revelation as referring to it, the earliest known narrative is the so-called Liber Requiei Mariae, which survives intact only in an Ethiopic translation. Probably composed by the 4th century, this Christian apocryphal narrative may be as early as the 3rd century, also quite early are the very different traditions of the Six Books Dormition narratives. The earliest versions of this apocryphon are preserved by several Syriac manuscripts of the 5th and 6th centuries, although the text itself probably belongs to the 4th century. The story also appears in De Transitu Virginis, a late 5th century work ascribed to St. Melito of Sardis that presents a theologically redacted summary of the traditions in the Liber Requiei Mariae. The Transitus Mariae tells the story of the apostles being transported by white clouds to the deathbed of Mary, the Decretum Gelasianum in the 490s declared some transitus Mariae literature apocryphal. An Armenian letter attributed to Dionysus the Areopagite also mentioned the supposed event, john of Damascus, from this period, is the first church authority to advocate the doctrine under his own name. His contemporaries, Gregory of Tours and Modestus of Jerusalem, helped promote the concept to the wider church. In some versions of the story, the event is said to have taken place in Ephesus, in the House of the Virgin Mary, although this is a more recent. The earliest traditions locate the end of Marys life in Jerusalem, in a later tradition, Mary drops her girdle down to the apostle from heaven as testament to the event. This incident is depicted in later paintings of the Assumption. It was celebrated in the West under Pope Sergius I in the 8th century, theological debate about the Assumption continued, following the Reformation, climaxing in 1950 when Pope Pius XII defined it as dogma for the Catholic Church. Catholic theologian Ludwig Ott stated, The idea of the assumption of Mary is first expressed in certain transitus-narratives of the fifth and sixth centuries. The first Church author to speak of the assumption of Mary. The Catholic writer Eamon Duffy states that there is, clearly, however, the Catholic Church has never asserted nor denied that its teaching is based on the apocryphal accounts. The Church documents are silent on this matter and instead rely upon other sources, Pope Pius XII deliberately left open the question of whether Mary died before her Assumption
38.
Galileo Galilei
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Galileo Galilei was an Italian polymath, astronomer, physicist, engineer, philosopher, and mathematician. He played a role in the scientific revolution of the seventeenth century. Galileo also worked in applied science and technology, inventing an improved military compass, Galileos championing of heliocentrism and Copernicanism was controversial during his lifetime, when most subscribed to either geocentrism or the Tychonic system. He met with opposition from astronomers, who doubted heliocentrism because of the absence of a stellar parallax. He was tried by the Inquisition, found vehemently suspect of heresy and he spent the rest of his life under house arrest. He has been called the father of observational astronomy, the father of modern physics, the father of scientific method, and the father of science. Galileo was born in Pisa, Italy, on 15 February 1564, the first of six children of Vincenzo Galilei, a famous lutenist, composer, and music theorist, and Giulia, three of Galileos five siblings survived infancy. The youngest, Michelangelo, also became a noted lutenist and composer although he contributed to financial burdens during Galileos young adulthood, Michelangelo was unable to contribute his fair share of their fathers promised dowries to their brothers-in-law, who would later attempt to seek legal remedies for payments due. Michelangelo would also occasionally have to borrow funds from Galileo to support his musical endeavours and these financial burdens may have contributed to Galileos early fire to develop inventions that would bring him additional income. When Galileo Galilei was eight, his family moved to Florence and he then was educated in the Vallombrosa Abbey, about 30 km southeast of Florence. Galileo Bonaiuti was buried in the church, the Basilica of Santa Croce in Florence. It was common for mid-sixteenth century Tuscan families to name the eldest son after the parents surname, hence, Galileo Galilei was not necessarily named after his ancestor Galileo Bonaiuti. The Italian male given name Galileo derives from the Latin Galilaeus, meaning of Galilee, the biblical roots of Galileos name and surname were to become the subject of a famous pun. In 1614, during the Galileo affair, one of Galileos opponents, in it he made a point of quoting Acts 1,11, Ye men of Galilee, why stand ye gazing up into heaven. Despite being a genuinely pious Roman Catholic, Galileo fathered three children out of wedlock with Marina Gamba and they had two daughters, Virginia and Livia, and a son, Vincenzo. Their only worthy alternative was the religious life, both girls were accepted by the convent of San Matteo in Arcetri and remained there for the rest of their lives. Virginia took the name Maria Celeste upon entering the convent and she died on 2 April 1634, and is buried with Galileo at the Basilica of Santa Croce, Florence. Livia took the name Sister Arcangela and was ill for most of her life, Vincenzo was later legitimised as the legal heir of Galileo and married Sestilia Bocchineri
39.
Pendulum
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A pendulum is a weight suspended from a pivot so that it can swing freely. When a pendulum is displaced sideways from its resting, equilibrium position, when released, the restoring force combined with the pendulums mass causes it to oscillate about the equilibrium position, swinging back and forth. The time for one cycle, a left swing and a right swing, is called the period. The period depends on the length of the pendulum and also to a degree on the amplitude. Pendulums are also used in instruments such as accelerometers and seismometers. Historically they were used as gravimeters to measure the acceleration of gravity in geophysical surveys, the word pendulum is new Latin, from the Latin pendulus, meaning hanging. The simple gravity pendulum is a mathematical model of a pendulum. This is a weight on the end of a massless cord suspended from a pivot, when given an initial push, it will swing back and forth at a constant amplitude. Real pendulums are subject to friction and air drag, so the amplitude of their swings declines and it is independent of the mass of the bob. For small swings the period of swing is approximately the same for different size swings, that is and this property, called isochronism, is the reason pendulums are so useful for timekeeping. Successive swings of the pendulum, even if changing in amplitude, for larger amplitudes, the period increases gradually with amplitude so it is longer than given by equation. For example, at an amplitude of θ0 = 23° it is 1% larger than given by, the period increases asymptotically as θ0 approaches 180°, because the value θ0 = 180° is an unstable equilibrium point for the pendulum. The length L used to calculate the period of the simple pendulum in eq. above is the distance from the pivot point to the center of mass of the bob. Any swinging rigid body free to rotate about a horizontal axis is called a compound pendulum or physical pendulum. The appropriate equivalent length L for calculating the period of any such pendulum is the distance from the pivot to the center of oscillation. This point is located under the center of mass at a distance from the pivot traditionally called the radius of oscillation, if most of the mass is concentrated in a relatively small bob compared to the pendulum length, the center of oscillation is close to the center of mass. Substituting this expression in above, the period T of a pendulum is given by T =2 π I m g R for sufficiently small oscillations. For example, a rigid rod of length L pivoted about one end has moment of inertia I = m L2 /3
40.
Incense
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Incense is aromatic biotic material which releases fragrant smoke when burned. The term refers to the material itself, rather than to the aroma that it produces, Incense is used for aesthetic reasons, and in therapy, meditation, and ceremony. It may also be used as a simple deodorant or insectifuge, Incense is composed of aromatic plant materials, often combined with essential oils. The forms taken by incense differ with the culture, and have changed with advances in technology. Incense can generally be separated into two types, indirect-burning and direct-burning. Indirect-burning incense is not capable of burning on its own, direct-burning incense is lit directly by a flame and then fanned or blown out, leaving a glowing ember that smoulders and releases fragrance. Direct-burning incense is either a paste formed around a bamboo stick, the word incense comes from Latin for incendere meaning to burn. Combustible bouquets were used by the ancient Egyptians, who employed incense within both pragmatic and mystical capacities, Incense was burnt to counteract or obscure malodorous products of human habitation, but was widely perceived to also deter malevolent demons and appease the gods with its pleasant aroma. One of the oldest extant incense burners originates from the 5th dynasty, the Temple of Deir-el-Bahari in Egypt contains a series of carvings that depict an expedition for incense. The Babylonians used incense while offering prayers to divining oracles, Incense spread from there to Greece and Rome. Incense burners have been found in the Indus Civilization, evidence suggests oils were used mainly for their aroma. India also adopted techniques from East Asia, adapting the inherited formulation to encompass aromatic roots and this comprised the initial usage of subterranean plant parts within the fabrication of incense. New herbs like Sarsaparilla seeds, frankincense, and cypress were used by Indians for incense, at around 2000 BCE, Ancient China began the use of incense in the religious sense, namely for worship. Incense was used by Chinese cultures from Neolithic times and became widespread in the Xia, Shang. Incense usage reached its peak during the Song Dynasty with numerous buildings erected specifically for incense ceremonies, during the 14th century Shogunate, a samurai warrior might perfume his helmet and armor with incense to achieve an aura of invincibility. It wasnt until the Muromachi Era during the 15th and 16th century that incense appreciation spread to the upper, a variety of materials have been used in making incense. Historically there has been a preference for using locally available ingredients, for example, sage and cedar were used by the indigenous peoples of North America. Trading in incense materials comprised a part of commerce along the Silk Road and other trade routes
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Mosque
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A mosque is a place of worship for followers of Islam. There are strict and detailed requirements in Sunni jurisprudence for a place of worship to be considered a mosque, many mosques have elaborate domes, minarets, and prayer halls, in varying styles of architecture. Mosques originated on the Arabian Peninsula, but are now found in all inhabited continents, the mosque serves as a place where Muslims can come together for salat as well as a center for information, education, social welfare, and dispute settlement. The imam leads the congregation in prayer, the first mosque in the world is often considered to be the area around the Kaaba in Mecca now known as the Masjid al-Haram. Others regard the first mosque in history to be the Quba Mosque in present-day Medina since it was the first structure built by Muhammad upon his emigration from Mecca in 622. The Islamic Prophet Muhammad went on to another mosque in Medina. Built on the site of his home, Muhammad participated in the construction of the mosque himself and helped pioneer the concept of the mosque as the focal point of the Islamic city. The Masjid al-Nabawi introduced some of the still common in todays mosques, including the niche at the front of the prayer space known as the mihrab. The Masjid al-Nabawi was also constructed with a courtyard, a motif common among mosques built since then. Mosques had been built in Iraq and North Africa by the end of the 7th century, the Imam Husayn Shrine in Karbala is reportedly one of the oldest mosques in Iraq, although its present form – typical of Persian architecture – only goes back to the 11th century. The shrine, while operating as a mosque, remains one of the holiest sites for Shia Muslims, as it honors the death of the third Shia imam. The Mosque of Amr ibn al-As was reportedly the first mosque in Egypt, serving as a religious, like the Imam Husayn Shrine, though, nothing of its original structure remains. With the later Shia Fatimid Caliphate, mosques throughout Egypt evolved to include schools, hospitals and it was the first to incorporate a square minaret and includes naves akin to a basilica. Those features can also be found in Andalusian mosques, including the Grand Mosque of Cordoba, still, some elements of Visigothic architecture, like horseshoe arches, were infused into the mosque architecture of Spain and the Maghreb. The first mosque in East Asia was reportedly established in the 8th century in Xian, however, the Great Mosque of Xian, whose current building dates from the 18th century, does not replicate the features often associated with mosques elsewhere. Indeed, minarets were initially prohibited by the state, mosques in western China were more likely to incorporate elements, like domes and minarets, traditionally seen in mosques elsewhere. In turn, the Javanese style influenced the styles of mosques in Indonesias Austronesian neighbors—Malaysia, Brunei, Muslim empires were instrumental in the evolution and spread of mosques. Although mosques were first established in India during the 7th century, reflecting their Timurid origins, Mughal-style mosques included onion domes, pointed arches, and elaborate circular minarets, features common in the Persian and Central Asian styles
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Palermo
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Palermo is a city of Southern Italy, the capital of both the autonomous region of Sicily and the Metropolitan City of Palermo. The city is noted for its history, culture, architecture and gastronomy, playing an important role throughout much of its existence, Palermo is located in the northwest of the island of Sicily, right by the Gulf of Palermo in the Tyrrhenian Sea. The city was founded in 734 BC by the Phoenicians as Ziz, Palermo then became a possession of Carthage, before becoming part of the Roman Republic, the Roman Empire and eventually part of the Byzantine Empire, for over a thousand years. The Greeks named the city Panormus meaning complete port, from 831 to 1072 the city was under Arab rule during the Emirate of Sicily when the city first became a capital. The Arabs shifted the Greek name into Balarme, the root for Palermos present-day name, eventually Sicily would be united with the Kingdom of Naples to form the Kingdom of the Two Sicilies until the Italian unification of 1860. The population of Palermo urban area is estimated by Eurostat to be 855,285, in the central area, the city has a population of around 676,000 people. The inhabitants are known as Palermitani or, poetically, panormiti, the languages spoken by its inhabitants are the Italian language, Sicilian language and the Palermitano dialect. Palermo is Sicilys cultural, economic and touristic capital and it is a city rich in history, culture, art, music and food. Palermo is the main Sicilian industrial and commercial center, the industrial sectors include tourism, services, commerce. Palermo currently has an airport, and a significant underground economy. In fact, for cultural, artistic and economic reasons, Palermo was one of the largest cities in the Mediterranean and is now among the top tourist destinations in both Italy and Europe. It is the seat of the UNESCO World Heritage Site of Arab-Norman Palermo. The city is going through careful redevelopment, preparing to become one of the major cities of the Euro-Mediterranean area. Roman Catholicism is highly important in Palermitano culture, the Patron Saint of Palermo is Santa Rosalia whose Feast Day is celebrated on 15 July. The area attracts significant numbers of each year and is widely known for its colourful fruit, vegetable and fish markets at the heart of Palermo, known as Vucciria, Ballarò. Palermo lies in a basin, formed by the Papireto, Kemonia, the basin was named the Conca dOro by the Arabs in the 9th century. The city is surrounded by a range which is named after the city itself. These mountains face the Tyrrhenian Sea, Palermo is home to a natural port and offers excellent views to the sea, especially from Monte Pellegrino
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Coffer
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A coffer in architecture is a series of sunken panels in the shape of a square, rectangle, or octagon in a ceiling, soffit or vault. For centuries, it was thought that wooden coffers were first made by crossing the wooden beams of a ceiling in the Loire Valley châteaux of the early Renaissance. In 2012, however, archaeologists working under Andrew Wallace-Hadrill at the House of the Telephus in Herculaneum discovered that wooden coffered ceilings were constructed in Roman times. Experimentation with the shapes in coffering, which solve problems of mathematical tiling. The more complicated problems of diminishing the scale of the coffers were presented by the requirements of curved surfaces of vaults. A prominent example of Roman coffering, employed to lighten the weight of the dome, can be found in the ceiling of the dome in the Pantheon. In ancient Chinese wooden architecture, coffering is known as zaojing, dome Dropped ceiling Cove ceiling Beam ceiling U. S. National Capitol
44.
House of Medici
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The family originated in the Mugello region of the Tuscan countryside, gradually rising until they were able to fund the Medici Bank. The bank was the largest in Europe during the 15th century, the Medici produced three Popes of the Catholic Church—Pope Leo X, Pope Clement VII, and Pope Leo XI, two regent queens of France—Catherine de Medici and Marie de Medici. In 1531, the family became hereditary Dukes of Florence, in 1569, the duchy was elevated to a grand duchy after territorial expansion. They ruled the Grand Duchy of Tuscany from its inception until 1737, the grand duchy witnessed degrees of economic growth under the earlier grand dukes, but by the time of Cosimo III de Medici, Tuscany was fiscally bankrupt. Their wealth and influence initially derived from the textile trade guided by the guild of the Arte della Lana. They, along with families of Italy—such as the Visconti and Sforza of Milan, the Este of Ferrara. The Medici Bank was one of the most prosperous and most respected institutions in Europe, there are some estimates that the Medici family were the wealthiest family in Europe for a time. From this base, they acquired political power initially in Florence and later in wider Italy, a notable contribution to the profession of accounting was the improvement of the general ledger system through the development of the double-entry bookkeeping system for tracking credits and debits. The Medici family were among the earliest businesses to use the system, the Medici family came from the agricultural Mugello region, north of Florence, being mentioned for the first time in a document of 1230. The origin of the name is uncertain, Medici is the plural of medico, also written del medico or delmedigo, meaning, medical doctor. It has been suggested that the derived from one Medico di Potrone, a castellan of Potrone in the late 11th century. The dynasty began with the founding of the Medici Bank, until the late 14th century, prior to the Medici, the leading family of Florence was the House of Albizzi. In 1293 the Ordinances of Justice were enacted, which became the constitution of the republic of Florence throughout the Italian Renaissance. The citys numerous luxurious palazzi were becoming surrounded by townhouses, built by the ever prospering merchant class. In 1298, one of the leading banking families of Europe, the main challengers to the Albizzi family were the Medicis, first under Giovanni de Medici, later under his son Cosimo di Giovanni de Medici and great-grandson, Lorenzo de Medici. The Medici controlled the Medici bank—then Europes largest bank—and an array of other enterprises in Florence, in 1433, the Albizzi managed to have Cosimo exiled. The next year, however, a pro-Medici Signoria was elected, the Medici became the citys leading family, a position they would hold for the next three centuries. Cosimo and Lorenzo rarely held official posts but were the unquestioned leaders, some examples of these families include the Bardi, Salviati, Cavalcanti, and the Tornabuoni
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Pulpit
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Pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin pulpitum, the traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late medieval period onwards, pulpits have often had a known as the sounding board or abat-voix above and sometimes also behind the speaker. Though sometimes highly decorated, this is not purely decorative, most pulpits have one or more book-stands for the preacher to rest his or her bible, notes or texts upon. The pulpit is generally reserved for clergy and this is mandated in the regulations of the Roman Catholic church, and several others. Even in Welsh Nonconformism, this was appropriate, and in some chapels a second pulpit was built opposite the main one for lay exhortations, testimonials. Many churches have a second, smaller stand called the lectern, which can be used by lay persons, equivalent platforms for speakers are the bema of Ancient Greece and Jewish synagogues, and the minbar of Islamic mosques. From the pulpit is often used metaphorically for something which is said with official church authority, in many Christian churches, there are two speakers stands at the front of the church. Often, the one on the left is called the pulpit, since the Gospel lesson is often read from the pulpit, the pulpit side of the church is sometimes called the gospel side. In both Catholic and Protestant churches the pulpit may be located closer to the congregation in the nave, either on the nave side of the crossing. This is especially the case in churches, to ensure the preacher can be heard by all the congregation. Fixed seating for the congregation came relatively late in the history of church architecture, fixed seating facing forward in the nave and modern electric amplification has tended to reduce the use of pulpits in the middle of the nave. Outdoor pulpits, usually attached to the exterior of the church, if attached to the outside wall of a church, these may be entered from a doorway in the wall, or by steps outside. The other speakers stand, usually on the right, is known as the lectern, the word lectern comes from the Latin word lectus, past participle of legere, meaning to read, because the lectern primarily functions as a reading stand. It is typically used by lay people to read the lessons, to lead the congregation in prayer. Because the epistle lesson is read from the lectern, the lectern side of the church is sometimes called the epistle side. In other churches, the lectern, from which the Epistle is read, is located to the congregations left, though unusual, movable pulpits with wheels were also found in English churches. A portable outside pulpit of wood and canvas was used by John Wesley, modern synagougue bemas are often similar in form to centrally-placed pulpits in Evangelical churches
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Giovanni Pisano
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Giovanni Pisano was an Italian sculptor, painter and architect, who worked in the cities of Pisa, Siena and Pistoia. He is best known for his sculpture shows the influence of both the French Gothic and the Ancient Roman art. Henry Moore, referring to his statues for the facade of Siena Cathedral, Giovanni Pisano was the son of the famous sculptor Nicola Pisano. He received his training in the workshop of his father and in 1265–1268 he worked with his father on the pulpit in Siena Cathedral and his next major work with his father was the fountain Fontana Maggiore in Perugia. Nicola Pisano is thought to have died either around 1278 or in 1284 when Giovanni took up residence in Siena and these first works were made in Nicolas style and it is difficult to separate the contributions of the two artists. However the Madonna with Child can be attributed with certainty to Giovanni, giovannis next work was at Pisa Cathedral, sculpting the statues in the two rows of traceried gables at the exterior of the Baptistry. The vivacity of these statues is a new confirmation that he had left the style of his father behind. Between 1287 and 1296 he was appointed architect of Siena Cathedral. The architectural design and elegant sculptures for the facade of the cathedral in Siena show his tendencies to blend Gothic art with reminders of Roman art, the work was continued after his death, with still greater Gothic elaboration, by Memmo di Filippuccio. In 1296 he returned to Pisa to begin work on the Church of San Giovanni, in 1301 he continued his work on the Pulpit of Sant Andrea, Pistoia which he had already started in 1297. The pulpit has five reliefs, the Annunciation and Nativity, the Adoration, the Dream of the Magi and the Angel warning Joseph, the Massacre of the Innocents, the Crucifixion, and the Last Judgement. Giovannis work between 1302 and 1310 at the new pulpit for the Cathedral of Pisa shows his preference for animation in his characters. This pulpit with its dramatic scenes has become his masterwork and it shows nine scenes from the New Testament, carved in white marble with a chiaroscuro effect. It contains even a bold, naturalistic depiction of a naked Hercules and his figure Prudence in the pulpit may have been an inspiration for the Eve in the painting The Expulsion from the Garden of Eden by Masaccio. After the fire of 1595 it was packed away during the redecoration and was not rediscovered and re-erected until 1926, the church of San Nicola in Pisa was enlarged between 1297 and 1313 by the Augustinians, perhaps by the design of Giovanni Pisano. He was also responsible of the façade of San Paolo a Ripa dArno and his last major work dates probably from 1313 when he made a monument in memory of Margaret of Brabant at the request of her husband emperor Henry VII. One of his pupils was Giovanni di Balduccio, who became a famous sculptor. He also had an influence on the painter Pietro Lorenzetti, giorgio Vasari included a biography of Pisano in his book Le vite dei più eccellenti pittori, scultori, e architetti The asteroid 7313 Pisano was named to honour Nicola and Giovanni Pisano
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