1.
Lorenzo Lotto
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Lorenzo Lotto was an Italian painter, draughtsman and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other North Italian cities. He painted mainly altarpieces, religious subjects and portraits, while he was active during the High Renaissance, his nervous and eccentric posings and distortions represent a transitional stage to the first Florentine and Roman Mannerists of the 16th century. During his lifetime, Lorenzo Lotto was a painter and certainly popular in Northern Italy. He is traditionally included in the Venetian School, but his independent career actually places him outside the Venetian art scene and he was certainly not as highly regarded in Venice as in the other towns where he worked. He had a stylistic individuality, even an idiosyncratic style, after his death, he gradually became neglected and then almost forgotten. This could be attributed to the fact that his oeuvre now remains in lesser known churches or in provincial museums. Born in Venice, he worked in Treviso, in the Marches, in Rome, in Bergamo, in Venice, in Ancona and finally, as a Franciscan lay brother, little is known of his training. As a Venetian he was influenced by Giovanni Bellini as he had a knowledge of contemporary Venetian painting. Though Bellini was doubtless not his teacher, the influence is clear in his early painting Virgin, however, in his portraits and in his early painting Allegory of Virtue and Vice he shows the influence of Giorgiones Naturalism. As he grew older his style changed, perhaps evolving, from a detached Giorgionesque classicism, to a more vibrant dramatic setpiece, more reminiscent of his contemporary from Parma, Correggio. The competition for a painter would have been too great with established names such as Giorgione, Palma the Elder. Nevertheless, Giorgio Vasari mentions in the part of his book Vite that Lotto was a friend of Palma the Elder. In Treviso, a town within the domain of the republic of Venice. The already mentioned painting Allegory of Virtue and Vice was intended as an cover of his portrait of the bishop. The painting St. Jerome in the Desert shows his youthful inexperience as a draughtsman, at the same time he gives an early impression of his skill as a miniaturist. He painted his first altarpieces for the parish church San Cristina al Tiverone, in 1508 he began the Recanati Polyptych altarpiece for the church of San Domenico. This two-tiered, rather conventional painted polyptych consists of six panels, as he became a respected painter, he came to the attention of Bramante, the papal architect, who was passing through Loreto. Lorenzo Lotto was invited to Rome to decorate the papal apartments, nothing survives of this work, as it was destroyed a few years later
2.
Gallerie dell'Accademia
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The Gallerie dellAccademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the bank of the Grand Canal. The two institutions remained in the building until 2004, when the art school moved to the Ospedale degli Incurabili. The Accademia di Belle Arti di Venezia was founded on 24 September 1750, the first director was Giovanni Battista Piazzetta, Gianbattista Tiepolo became the first president after his return from Würzburg. It was one of the first institutions to study art restoration starting in 1777 with Pietro Edwards, in 1807 the academy was re-founded by Napoleonic decree. The collections of the Accademia were first opened to the public on 10 August 1817, the Gallerie dellAccademia became independent from the Accademia di Belle Arti di Venezia in 1879. Like other state museums in Italy, it falls under the Ministero per i Beni e le Attività Culturali, the Napoleonic administration had disbanded many institutions in Venice including some churches, convents and Scuole. The Scuola della Carità, the Convento dei Canonici Lateranensi and the church of Santa Maria della Carità thus became the home of the Accademia. The Scuola della Carità was the oldest of the six Scuole Grandi, the Convento dei Canonici Lateranensi was started in 1561 by Andrea Palladio, though it was never fully completed. The facade of Santa Maria della Carità was completed in 1441 by Bartolomeo Bon, the Gallerie dell’Accademia contains masterpieces of Venetian painting up to the 18th century, generally arranged chronologically though some thematic displays are evident. Media related to Gallerie dellAccademia at Wikimedia Commons
3.
Venice
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Venice is a city in northeastern Italy and the capital of the Veneto region. It is situated across a group of 118 small islands that are separated by canals and these are located in the shallow Venetian Lagoon, an enclosed bay that lies between the mouths of the Po and the Piave Rivers. Parts of Venice are renowned for the beauty of their settings, their architecture, the lagoon and a part of the city are listed as a World Heritage Site. In 2014,264,579 people resided in Comune di Venezia, together with Padua and Treviso, the city is included in the Padua-Treviso-Venice Metropolitan Area, with a total population of 2.6 million. PATREVE is a metropolitan area without any degree of autonomy. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC, the city was historically the capital of the Republic of Venice. Venice has been known as the La Dominante, Serenissima, Queen of the Adriatic, City of Water, City of Masks, City of Bridges, The Floating City, and City of Canals. The City State of Venice is considered to have been the first real international financial center which gradually emerged from the 9th century to its peak in the 14th century and this made Venice a wealthy city throughout most of its history. It is also known for its several important artistic movements, especially the Renaissance period, Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi. Venice has been ranked the most beautiful city in the world as of 2016, the name Venetia, however, derives from the Roman name for the people known as the Veneti, and called by the Greeks Eneti. The meaning of the word is uncertain, although there are other Indo-European tribes with similar-sounding names, such as the Celtic Veneti, Baltic Veneti, and the Slavic Wends. Linguists suggest that the name is based on an Indo-European root *wen, so that *wenetoi would mean beloved, lovable, a connection with the Latin word venetus, meaning the color sea-blue, is also possible. The alternative obsolete form is Vinegia, some late Roman sources reveal the existence of fishermen on the islands in the original marshy lagoons. They were referred to as incolae lacunae, the traditional founding is identified with the dedication of the first church, that of San Giacomo on the islet of Rialto — said to have taken place at the stroke of noon on 25 March 421. Beginning as early as AD166 to 168, the Quadi and Marcomanni destroyed the center in the area. The Roman defences were again overthrown in the early 5th century by the Visigoths and, some 50 years later, New ports were built, including those at Malamocco and Torcello in the Venetian lagoon. The tribuni maiores, the earliest central standing governing committee of the islands in the Lagoon, the traditional first doge of Venice, Paolo Lucio Anafesto, was actually Exarch Paul, and his successor, Marcello Tegalliano, was Pauls magister militum. In 726 the soldiers and citizens of the Exarchate rose in a rebellion over the controversy at the urging of Pope Gregory II
4.
Condottieri
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Condottieri were the leaders of the professional military free companies contracted by the Italian city-states and the Papacy from the late Middle Ages and throughout the Renaissance. In Renaissance Italian, condottiero meant contractor, in contemporary Italian, condottiero acquired the broader meaning of military leader, not restricted to mercenaries. In Italian historiography, Renaissance mercenary captains are usually called capitani di ventura, thus, the word Condottiere in the English language has come to denote, in the modern sense, any hired soldier. In the thirteenth and fourteenth centuries, the Italian city-states of Venice, Florence, in the event that foreign powers and envious neighbors attacked, the ruling nobles hired foreign mercenaries to fight for them. From the eleventh to the century, European soldiers led by professional officers fought against the Muslims in the Crusades. These crusading officers provided large-scale warfare combat experience in the Holy Land, on the Crusades’ conclusion, the first masnada appeared in Italy. Given the profession, some masnade were less mercenaries than bandits and these masnada were not Italian, but German, from the Duchy of Brabant, and from Catalonia and Aragon. The latter were Spanish soldiers who had followed King Peter III of Aragon in the War of the Sicilian Vespers in Italy in October 1282, by 1333 other mercenaries had arrived in Italy to fight with John of Bohemia as the Compagnia della Colomba in Perugia’s war against Arezzo. The first well organised mercenaries in Italy were the Ventura Companies of Duke Werner von Urslingen, werner’s company differed from other mercenary companies because its code of military justice imposed discipline and an equal division of the contract’s income. The Ventura Company increased in number until becoming the fearsome “Great Company” of some 3,000 barbute, the first mercenary company with an Italian condottiero as its chief was the Company of St. George formed in 1339 and led by Lodrisio Visconti. This company was defeated and destroyed by Luchino Visconti of Milan in April 1339, later, in 1377, a second Company of St. Once aware of their military power monopoly in Italy, the bands became notorious for their capriciousness. In turn, many condottieri, such as Braccio da Montone and Muzio Sforza, consequently, the condottieri fought by outmanoeuvring the opponent and fighting his ability to wage war, rather than risk uncertain fortune —defeat, capture, death— in battlefield combat. Niccolò Machiavelli even said that condottieri fought each other in grandiose, in 1347, Cola di Rienzo had Werner von Urslingen executed in Rome, and Konrad von Landau assumed command of the Great Company. Towards the end of the century the Italians began to organize armies of the same description and this ended the reign of the purely mercenary company, and began that of the semi-national mercenary army which endured in Europe till replaced by the national standing army system. In 1363, Count von Landau was betrayed by his Hungarian soldiers, strategically, the barbuta was replaced with the three-soldier, mounted lancia, five lance composed a posta, five poste composed a bandiera. If the condotta expired definitively, the condottiere could not declare war against the contracting city-state for two years. In fifteenth-century Italy, the condottieri were masterful lords of war, during the wars in Lombardy, Machiavelli observed, the others being bred to arms from their infancy, were acquainted with no other art, and pursued war for emolument, or to confer honor upon themselves
5.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
6.
Mannerism
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Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, lasting until about 1580 in Italy, when the Baroque style began to replace it. Northern Mannerism continued into the early 17th century, stylistically, Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, Mannerism is notable for its intellectual sophistication as well as its artificial qualities. Mannerism favors compositional tension and instability rather than the balance and clarity of earlier Renaissance painting, Mannerism in literature and music is notable for its highly florid style and intellectual sophistication. The definition of Mannerism and the phases within it continue to be a subject of debate among art historians, for example, some scholars have applied the label to certain early modern forms of literature and music of the 16th and 17th centuries. The term is used to refer to some late Gothic painters working in northern Europe from about 1500 to 1530. Mannerism also has been applied by analogy to the Silver Age of Latin literature, the word mannerism derives from the Italian maniera, meaning style or manner. Like the English word style, maniera can either indicate a type of style or indicate an absolute that needs no qualification. Vasari was also a Mannerist artist, and he described the period in which he worked as la maniera moderna, james V. Mirollo describes how bella maniera poets attempted to surpass in virtuosity the sonnets of Petrarch. This notion of bella maniera suggests that artists thus inspired looked to copying and bettering their predecessors, in essence, bella maniera utilized the best from a number of source materials, synthesizing it into something new. As a stylistic label, Mannerism is not easily defined, “High Renaissance” connoted a period distinguished by harmony, grandeur and the revival of classical antiquity. The term Mannerist was redefined in 1967 by John Shearman following the exhibition of Mannerist paintings organised by Fritz Grossmann at Manchester City Art Gallery in 1965. The label “Mannerism” was used during the 16th century to comment on social behaviour, however, for later writers, such as the 17th-century Gian Pietro Bellori, la maniera was a derogatory term for the perceived decline of art after Raphael, especially in the 1530s and 1540s. From the late 19th century on, art historians have used the term to describe art that follows Renaissance classicism. By the end of the High Renaissance, young artists experienced a crisis, no more difficulties, technical or otherwise, remained to be solved. The young artists needed to find a new goal, and they sought new approaches, at this point Mannerism started to emerge. The new style developed between 1510 and 1520 either in Florence, or in Rome, or in both cities simultaneously and this period has been described as a natural extension of the art of Andrea del Sarto, Michelangelo, and Raphael. Michelangelo from an early age had developed a style of his own, one of the qualities most admired by his contemporaries was his terribilità, a sense of awe-inspiring grandeur, and subsequent artists attempted to imitate it
7.
Gardens of Bomarzo
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The Sacro Bosco, colloquially called Park of the Monsters, also named Garden of Bomarzo, is a Manieristic monumental complex located in Bomarzo, in the province of Viterbo, in northern Lazio, Italy. The garden was created during the 16th century, the garden is situated in a woods, located in a valley bottom, beneath the castle of Orsini, and populated by sculptures, and small buildings, located among the natural vegetation. The parks name stems from the many sculptures, some sculpted in the bedrock. It is the work of Pier Francesco Orsini, called Vicino, a 16th-century condottiero, when Orsinis wife died, he created the gardens to cope with his grief. The design is attributed to Pirro Ligorio, and the sculptures to Simone Moschino, allusive verses in Italian by Annibal Caro, Bitussi, and Cristoforo Madruzzo, some of them now eroded, were inscribed beside the sculptures. The reason for the layout and design of the garden is largely unknown, perhaps they were meant as a foil to the perfect symmetry and layout of the great Renaissance gardens nearby at Villa Farnese, and Villa Lante. Next to an exit gate is a tilting watchtower-like casina. The Temple of Eternity, memorial to Giulia Farnese, located at the top of the garden, it is a building with a mixture of classical, Renaissance. It currently houses the tombs of Giovanni Bettini and Tina Severi, the surreal nature of the Parco dei Mostri appealed to Jean Cocteau and the great surrealist Salvador Dalí, who discussed it at great length. The poet André Pieyre de Mandiargues wrote an essay devoted to Bomarzo, niki de Saint Phalle was inspired by Bomarzo for her Tarot Garden, Giardino dei Tarocchi. The story behind Bomarzo and the life of Pier Francesco Orsini are the subject of a novel by the Argentinian writer Manuel Mujica Láinez, Mujica Láinez himself wrote a libretto based on his novel, which was set to music by Alberto Ginastera. The opera Bomarzo premièred in Washington in 1967, since the Argentine government had condemned it as sexually offensive, a reimagined version of the garden is the centerpiece of the novel A Green and Ancient Light, written by Frederic S. Durbin. Some scenes from the 1985 Frankenstein film The Bride starring Sting, a fight scene in the 1985 film The Adventures of Hercules takes place here and the Orcus mouth acts as an entrance to a cave. The Dutch magic-surrealist painter Carel Willink used several of the statue groups in his paintings. The Eternal Cry and Balance of Forces, a replica of the Orcus mouth appears as a major setpiece in the 1997 film The Relic. Orcus mouth appears in the 1964 Italian horror film Il castello dei morti vivi, der Heilige Wald von Bomarzo und sein Höllenmaul. Arbeiten von Werner Engelmann und ethnographische Objekte im Vergleich, herausgegeben von Werner Engelmann und Bruno J. Richtsfeld. München 1989, S.18 -36, jessie Sheeler, Le Jardin de Bomarzo - Une énigme de la Renaissance, Actes Sud, Arles 2007 Calvesi M. Gli incantesimi di Bomarzo
8.
Pope Paul III
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Pope Paul III, born Alessandro Farnese, was Pope from 13 October 1534 to his death in 1549. He came to the throne in an era following the sack of Rome in 1527. He convened the Council of Trent in 1545 and he was a significant patron of the arts and employed nepotism to advance the power and fortunes of his family. It is to Pope Paul III that Nicolaus Copernicus dedicated De revolutionibus orbium coelestium, alessandro’s humanist education was at the University of Pisa and the court of Lorenzo de Medici. Initially trained as a notary, he joined the Roman Curia in 1491. Farnese’s sister, Giulia was reputedly a mistress of Alexander VI, for this reason, he was sometimes mockingly referred to as the Borgia brother-in-law, just as Giulia was mocked as the Bride of Christ. More disparagingly he was referred to as Cardinal Fregnese, as Bishop of Parma, he came under the influence of his vicar general, Bartolomeo Guidiccioni. This led to the future pope breaking off the relationship with his mistress, under Pope Clement VII he became Cardinal Bishop of Ostia and dean of the College of Cardinals, and on the death of Clement VII in 1534, was elected as Pope Paul III. As a young cleric, Alessandro lived a dissolute life, taking for himself a mistress. By Silvia Ruffini, he fathered Pier Luigi Farnese, whom he created Duke of Parma, others included Ranuccio Farnese, the fourth pope during the period of the Protestant Reformation, Paul III became the first to take active reform measures in response to Protestantism. Paul III first deferred for a year and then discarded the whole project, in 1536, Paul III invited nine eminent prelates, distinguished by learning and piety alike, to act in committee and to report on the reformation and rebuilding of the Church. This report was printed not only at Rome, but at Strasburg, yet the Pope was in earnest when he took up the problem of reform. Yet it is clear that the Concilium bore no fruit in the situation. On the other hand, serious political complications resulted, in order to vest his grandson Ottavio Farnese with the dukedom of Camerino, Paul forcibly wrested the same from the duke of Urbino. He also incurred virtual war with his own subjects and vassals by the imposition of burdensome taxes, perugia, renouncing its obedience, was besieged by Pauls son, Pier Luigi, and forfeited its freedom entirely on its surrender. The burghers of Colonna were duly vanquished, and Ascanio was banished, after this the time seemed ripe for annihilating heresy. In 1540, the Church officially recognized the young society forming about Ignatius of Loyola, the second visible stage in the process becomes marked by the institution, or reorganization, in 1542, of the Congregation of the Holy Office of the Inquisition. On another side, the Emperor was insisting that Rome should forward his designs toward a recovery of the German Protestants
9.
Rome
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Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
Rome, Italy