1.
Nancy, France
–
Nancy is the capital of the north-eastern French department of Meurthe-et-Moselle, and formerly the capital of the Duchy of Lorraine, and then the French province of the same name. The metropolitan area of Nancy had a population of 410,509 inhabitants at the 1999 census,103,602 of whom lived in the city of Nancy proper. The motto of the city is Non inultus premor, Latin for Im not touched with impunity—a reference to the thistle, the earliest signs of human settlement in the area date back to 800 BC. Early settlers were attracted by easily mined iron ore and a ford in the Meurthe River. A small fortified town named Nanciacum was built by Gérard, Duke of Lorraine around 1050, Duke Charles the Bold of Burgundy, was defeated and killed in the Battle of Nancy in 1477, René II, Duke of Lorraine became the ruler. In 1736 Emperor Charles arranged her marriage to Duke François of Lorraine, exiled Polish king Stanisław Leszczyński, father-in-law of French king Louis XV, was given the vacant duchy instead. Under his nominal rule, Nancy experienced growth and a flowering of Baroque culture and architecture, with his death in 1766, the duchy became a regular French province and Nancy lost its position as a residential capital city with its own princely court and patronage. As unrest surfaced within the French armed forces during the French Revolution, a few reliable units laid siege to the town and shot or imprisoned the mutineers. In 1871, Nancy remained French when Prussia annexed Alsace-Lorraine, the flow of refugees reaching Nancy doubled its population in three decades. Artistic, academic, financial and industrial excellence flourished, establishing what is still the Capital of Lorraines trademark to this day, Nancy was freed from Nazi Germany by the U. S. Third Army in September 1944, during the Lorraine Campaign of World War II at the Battle of Nancy ), in 1988, Pope John Paul II visited Nancy. In 2005, French President Jacques Chirac, German Chancellor Gerhard Schröder, Nancy is situated on the left bank of the river Meurthe, about 10 km upstream from its confluence with the Moselle. The Marne–Rhine Canal runs through the city, parallel to the Meurthe, Nancy is surrounded by hills that are about 150 m higher than the city center, which is situated at 200 m amsl. The area of Nancy proper is small,15 km2. Its built-up area is continuous with those of its adjacent suburbs, the neighboring communes of Nancy are, Jarville-la-Malgrange, Laxou, Malzéville, Maxéville, Saint-Max, Tomblaine, Vandœuvre-lès-Nancy and Villers-lès-Nancy. Adjacent to its south is the quarter Charles III – Centre Ville and this quarter contains the famous Place Stanislas, the Nancy Cathedral, the Opéra national de Lorraine and the main railway station. The old city centers heritage dates from the Middle Ages to the 18th century, the cathedral of Nancy, the Triumphal Arch and the Place de la Carriere are a fine examples of 18th-century architecture. The Palace of the Dukes of Lorraine is the princely residence of the rulers
Nancy, France
–
Place Stanislas – Fountain of Amphitrite
Nancy, France
–
A panoramic view of
Place Stanislas
Nancy, France
–
The emblem of the
Polish-Lithuanian Commonwealth on Notre-Dame de Bon Secours
Nancy, France
–
Cours-Léopold
2.
Aix-en-Provence
–
Aix-en-Provence, or simply Aix, is a city-commune in the south of France, about 30 km north of Marseille. It is in the region of Provence-Alpes-Côte dAzur, in the department of Bouches-du-Rhône, the population of Aix numbers approximately 143,000. Its inhabitants are called Aixois or, less commonly, Aquisextains, Aix was founded in 123 BC by the Roman consul Sextius Calvinus, who gave his name to its springs, following the destruction of the nearby Gallic oppidum at Entremont. In the 4th century AD it became the metropolis of Narbonensis Secunda and it was occupied by the Visigoths in 477. In the succeeding century, the town was plundered by the Franks and Lombards. Aix passed to the crown of France with the rest of Provence in 1487, and in 1501 Louis XII established there the parliament of Provence, in the 17th and 18th centuries, the town was the seat of the Intendance of Provence. Current archeological excavations in the Ville des Tours, a suburb of Aix, have unearthed the remains of a Roman amphitheatre. The city slopes gently north to south and the Montagne Sainte-Victoire can easily be seen to the east. Aixs position in the south of France gives it a warm climate and it has an average January temperature of 5 °C and a July average of 23 °C. It has an average of 300 days of sunshine and only 91 days of rain, while it is partially protected from the Mistral, Aix still occasionally experiences the cooler and gusty conditions it brings. Unlike most of France which has a climate, Aix-en-Provence has a Mediterranean climate. The Cours Mirabeau is a thoroughfare, planted with double rows of plane-trees, bordered by fine houses. It follows the line of the old city wall and divides the town into two sections. The new town extends to the south and west, the old town, with its narrow, along this avenue, which is lined on one side with banks and on the other with cafés, is the Deux Garçons, the most famous brasserie in Aix. Built in 1792, it has been frequented by the likes of Paul Cézanne, Émile Zola, the Cathedral of the Holy Saviour is situated to the north in the medieval part of Aix. The archbishops palace and a Romanesque cloister adjoin the cathedral on its south side, the Archbishopric of Aix is now shared with Arles. Among its other public institutions, Aix also has the second most important Appeal Court outside of Paris, the Hôtel de Ville, a building in the classical style of the middle of the 17th century, looks onto a picturesque square. It contains some fine woodwork and tapestries, at its side rises a handsome clock-tower erected in 1510
Aix-en-Provence
–
The Round Fountain, or Three Graces, built in 1860
Aix-en-Provence
–
Rue Espariat in Aix-en-Provence.
Aix-en-Provence
–
Les Deux Garçons
Aix-en-Provence
–
Place de l'Hotel de Ville
3.
Musicologist
–
Musicology is the scholarly analysis and research-based study of music. Musicology is part of the humanities, a scholar who participates in musical research is a musicologist. Traditionally, historical musicology has been the most prominent sub-discipline of musicology, in the 2010s, historical musicology is one of several large musicology sub-disciplines. Historical musicology, ethnomusicology, and systematic musicology are approximately equal in size, Ethnomusicology is the study of music in its cultural context. Cognitive musicology is the set of surrounding the computational modeling of music. Musical knowledge is applied in medicine, education, and music therapy—which, Music history or historical musicology is concerned with the composition, performance, reception, and criticism of music over time. Like the comparable field of art history, different branches and schools of historical musicology emphasize different types of musical works, there are also national differences in various definitions of historical musicology. In theory, music history could refer to the study of the history of any type or genre of music, in practice, these research topics are more often considered within ethnomusicology and historical musicology is typically assumed to imply Western Art music of the European tradition. The methods of historical musicology include source studies, paleography, philology, style criticism, historiography, musical analysis, Music historians may examine issues in a close focus, as in the case of scholars who examine the relationship between words and music for a given composers art songs. New musicology is a term applied since the late 1980s to a body of work emphasizing cultural study, analysis. Such work may be based on feminist, gender studies, queer theory, or postcolonial theory, or the work of Theodor Adorno. Charles Rosen, however, retorts that McClary, sets up, like so many of the new musicologists, a man to knock down, the dogma that music has no meaning. Ethnomusicology, formerly comparative musicology, is the study of music in its cultural context and it is often considered the anthropology or ethnography of music. Jeff Todd Titon has called it the study of making music. Some ethnomusicologists primarily conduct historical studies, but the majority are involved in long-term participant observation, or combine ethnographic, therefore, ethnomusiological scholarship can be characterized as featuring a substantial, intensive fieldwork component, often involving long-term residence within the community studied. Closely related to ethnomusiology is the branch of sociomusicology. For instance, Ko proposed the hypothesis of Biliterate and Trimusical in Hong Kong sociomusicology, the first journal focusing on popular music studies was Popular Music, which began publication in 1981. The same year an academic society devoted to the topic was formed
Musicologist
–
Late 18th- century painting of instruments from the school of Zlatá Koruna. On the wall are several
lutes and brass instruments. On the left is a
cello -type instrument. In the middle are several drums. On the right is a small
pipe organ.
Musicologist
–
Historical musicology, which was traditionally the most prominent subdiscipline of musicology, studies the history of music. Central to this study is the examination of historical
scores, such as this original manuscript sketch by
Ludwig van Beethoven for
Piano Sonata No. 28, Movement IV, Geschwind, doch nicht zu sehr und mit Entschlossenheit (
Allegro), in his own handwriting. The piece was completed in 1816.
Musicologist
–
Music historian Jack Stewart lectures at a conference.
4.
Acoustician
–
Acoustics is the interdisciplinary science that deals with the study of all mechanical waves in gases, liquids, and solids including topics such as vibration, sound, ultrasound and infrasound. A scientist who works in the field of acoustics is an acoustician while someone working in the field of technology may be called an acoustical engineer. The application of acoustics is present in almost all aspects of society with the most obvious being the audio. Hearing is one of the most crucial means of survival in the animal world, accordingly, the science of acoustics spreads across many facets of human society—music, medicine, architecture, industrial production, warfare and more. Likewise, animal species such as songbirds and frogs use sound, art, craft, science and technology have provoked one another to advance the whole, as in many other fields of knowledge. Robert Bruce Lindsays Wheel of Acoustics is a well accepted overview of the fields in acoustics. The word acoustic is derived from the Greek word ἀκουστικός, meaning of or for hearing, ready to hear and that from ἀκουστός, heard, audible, which in turn derives from the verb ἀκούω, I hear. The Latin synonym is sonic, after which the term used to be a synonym for acoustics. Frequencies above and below the range are called ultrasonic and infrasonic. If, for example, a string of a length would sound particularly harmonious with a string of twice the length. In modern parlance, if a string sounds the note C when plucked, a string twice as long will sound a C an octave lower. In one system of tuning, the tones in between are then given by 16,9 for D,8,5 for E,3,2 for F,4,3 for G,6,5 for A. Aristotle understood that sound consisted of compressions and rarefactions of air which falls upon, a very good expression of the nature of wave motion. The physical understanding of acoustical processes advanced rapidly during and after the Scientific Revolution, mainly Galileo Galilei but also Marin Mersenne, independently, discovered the complete laws of vibrating strings. Experimental measurements of the speed of sound in air were carried out successfully between 1630 and 1680 by a number of investigators, prominently Mersenne, meanwhile, Newton derived the relationship for wave velocity in solids, a cornerstone of physical acoustics. The eighteenth century saw advances in acoustics as mathematicians applied the new techniques of calculus to elaborate theories of sound wave propagation. Also in the 19th century, Wheatstone, Ohm, and Henry developed the analogy between electricity and acoustics, the twentieth century saw a burgeoning of technological applications of the large body of scientific knowledge that was by then in place. The first such application was Sabine’s groundbreaking work in architectural acoustics, Underwater acoustics was used for detecting submarines in the first World War
Acoustician
–
Principles of acoustics were applied since ancient times:
Roman theatre in the city of
Amman.
Acoustician
–
Artificial omni-directional sound source in an
anechoic chamber
Acoustician
–
Jay Pritzker Pavilion
Acoustician
5.
Communications
–
Communication is the act of conveying intended meanings from one entity or group to another through the use of mutually understood signs and semiotic rules. The main steps inherent to all communication are, The forming of communicative motivation or reason, transmission of the encoded message as a sequence of signals using a specific channel or medium. Noise sources such as forces and in some cases human activity begin influencing the quality of signals propagating from the sender to one or more receivers. Reception of signals and reassemblying of the message from a sequence of received signals. Decoding of the encoded message. Interpretation and making sense of the original message. The channel of communication can be visual, auditory, tactile and haptic, olfactory, electromagnetic, human communication is unique for its extensive use of abstract language. Development of civilization has been linked with progress in telecommunication. Nonverbal communication describes the process of conveying information in the form of non-linguistic representations, examples of nonverbal communication include haptic communication, chronemic communication, gestures, body language, facial expressions, eye contact, and how one dresses. Nonverbal communication also relates to intent of a message, examples of intent are voluntary, intentional movements like shaking a hand or winking, as well as involuntary, such as sweating. Speech also contains nonverbal elements known as paralanguage, e. g. rhythm, intonation, tempo and it affects communication most at the subconscious level and establishes trust. Likewise, written texts include nonverbal elements such as handwriting style, spatial arrangement of words, Nonverbal communication demonstrates one of Wazlawicks laws, you cannot not communicate. Once proximity has formed awareness, living creatures begin interpreting any signals received, Nonverbal cues are heavily relied on to express communication and to interpret others’ communication and can replace or substitute verbal messages. There are several reasons as to why non-verbal communication plays a role in communication. Written communication can also have non-verbal attributes, e-mails and web chats allow individual’s the option to change text font colours, stationary, emoticons, and capitalization in order to capture non-verbal cues into a verbal medium. Many different non-verbal channels are engaged at the time in communication acts. “Non-verbal behaviours may form a language system. ”Smiling, crying, pointing, caressing. Such non-verbal signals allow the most basic form of communication when verbal communication is not effective due to language barriers, Verbal communication is the spoken or written conveyance of a message
Communications
–
Communication major dimensions scheme
Communications
–
Shannon and Weaver Model of Communication
Communications
–
Berlo's Sender-Message-Channel-Receiver Model of Communication
Communications
–
Transactional model of communication
6.
Acoustics
–
Acoustics is the interdisciplinary science that deals with the study of all mechanical waves in gases, liquids, and solids including topics such as vibration, sound, ultrasound and infrasound. A scientist who works in the field of acoustics is an acoustician while someone working in the field of technology may be called an acoustical engineer. The application of acoustics is present in almost all aspects of society with the most obvious being the audio. Hearing is one of the most crucial means of survival in the animal world, accordingly, the science of acoustics spreads across many facets of human society—music, medicine, architecture, industrial production, warfare and more. Likewise, animal species such as songbirds and frogs use sound, art, craft, science and technology have provoked one another to advance the whole, as in many other fields of knowledge. Robert Bruce Lindsays Wheel of Acoustics is a well accepted overview of the fields in acoustics. The word acoustic is derived from the Greek word ἀκουστικός, meaning of or for hearing, ready to hear and that from ἀκουστός, heard, audible, which in turn derives from the verb ἀκούω, I hear. The Latin synonym is sonic, after which the term used to be a synonym for acoustics. Frequencies above and below the range are called ultrasonic and infrasonic. If, for example, a string of a length would sound particularly harmonious with a string of twice the length. In modern parlance, if a string sounds the note C when plucked, a string twice as long will sound a C an octave lower. In one system of tuning, the tones in between are then given by 16,9 for D,8,5 for E,3,2 for F,4,3 for G,6,5 for A. Aristotle understood that sound consisted of compressions and rarefactions of air which falls upon, a very good expression of the nature of wave motion. The physical understanding of acoustical processes advanced rapidly during and after the Scientific Revolution, mainly Galileo Galilei but also Marin Mersenne, independently, discovered the complete laws of vibrating strings. Experimental measurements of the speed of sound in air were carried out successfully between 1630 and 1680 by a number of investigators, prominently Mersenne, meanwhile, Newton derived the relationship for wave velocity in solids, a cornerstone of physical acoustics. The eighteenth century saw advances in acoustics as mathematicians applied the new techniques of calculus to elaborate theories of sound wave propagation. Also in the 19th century, Wheatstone, Ohm, and Henry developed the analogy between electricity and acoustics, the twentieth century saw a burgeoning of technological applications of the large body of scientific knowledge that was by then in place. The first such application was Sabine’s groundbreaking work in architectural acoustics, Underwater acoustics was used for detecting submarines in the first World War
Acoustics
–
Principles of acoustics were applied since ancient times:
Roman theatre in the city of
Amman.
Acoustics
–
Artificial omni-directional sound source in an
anechoic chamber
Acoustics
–
Jay Pritzker Pavilion
Acoustics
7.
Anti-nuclear movement
–
The anti-nuclear movement is a social movement that opposes various nuclear technologies. Some direct action groups, environmental groups, and professional organisations have identified themselves with the movement at the local, national, the initial objective of the movement was nuclear disarmament, though since the late 1960s opposition has included the use of nuclear power. Many anti-nuclear groups oppose nuclear power and nuclear weapons. The formation of parties in the 1970s and 1980s was often a direct result of anti-nuclear politics. Scientists and diplomats have debated nuclear weapons policy since before the bombings of Hiroshima. The public became concerned about nuclear testing from about 1954. In 1963, many countries ratified the Partial Test Ban Treaty which prohibited atmospheric nuclear testing, some local opposition to nuclear power emerged in the early 1960s, and in the late 1960s some members of the scientific community began to express their concerns. In the early 1970s, there were protests about a proposed nuclear power plant in Wyhl. The project was cancelled in 1975 and anti-nuclear success at Wyhl inspired opposition to power in other parts of Europe. Nuclear power became an issue of public protest in the 1970s. A protest against nuclear power occurred in July 1977 in Bilbao, Spain, following the Three Mile Island accident in 1979, an anti-nuclear protest was held in New York City, involving 200,000 people. The largest protest was held on June 12,1982, when one million people demonstrated in New York City against nuclear weapons, a 1983 nuclear weapons protest in West Berlin had about 600,000 participants. In May 1986, following the Chernobyl disaster, an estimated 150,000 to 200,000 people marched in Rome to protest against the Italian nuclear program. In the US, public opposition preceded the shutdown of the Shoreham, Yankee Rowe, Millstone 1, Rancho Seco, Maine Yankee, and many other nuclear power plants. For many years after the 1986 Chernobyl disaster nuclear power was off the agenda in most countries. The 2011 Japanese nuclear accidents undermined the nuclear power industrys proposed renaissance and revived nuclear opposition worldwide. As of 2016, countries such as Australia, Austria, Denmark, Greece, Malaysia, New Zealand, Germany, Italy, Spain, Sweden and Switzerland are phasing-out nuclear power. Globally, more nuclear reactors have closed than opened in recent years
Anti-nuclear movement
–
120,000 people attended an anti-nuclear protest in
Bonn,
West Germany, on October 14, 1979, following the
Three Mile Island accident.
Anti-nuclear movement
–
Anti-nuclear demonstration in
Colmar, north-eastern France, on October 3, 2009.
Anti-nuclear movement
–
Anti-Nuclear Power Plant Rally on 19 September 2011 at
Meiji Shrine complex in Tokyo.
Anti-nuclear movement
–
Women Strike for Peace during the
Cuban Missile Crisis
8.
Electronic music
–
In general, a distinction can be made between sound produced using electromechanical means and that produced using electronic technology. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, purely electronic sound production can be achieved using devices such as the theremin, sound synthesizer, and computer. During the 1920s and 1930s, electronic instruments were introduced and the first compositions for instruments were composed. Musique concrète, created in Paris in 1948, was based on editing together recorded fragments of natural and industrial sounds, Music produced solely from electronic generators was first produced in Germany in 1953. Electronic music was created in Japan and the United States beginning in the 1950s. An important new development was the advent of computers for the purpose of composing music, algorithmic composition was first demonstrated in Australia in 1951. In America and Europe, live electronics were pioneered in the early 1960s, during the 1970s to early 1980s, the monophonic Minimoog became once the most widely used synthesizer at that time in both popular and electronic art music. In the 1980s, electronic music became dominant in popular music, with a greater reliance on synthesizers, and the adoption of programmable drum machines. Electronically produced music became prevalent in the domain by the 1990s. Contemporary electronic music includes many varieties and ranges from art music to popular forms such as electronic dance music. Today, pop music is most recognizable in its 4/4 form. At the turn of the 20th century, experimentation with emerging electronics led to the first electronic musical instruments and these initial inventions were not sold, but were instead used in demonstrations and public performances. The audiences were presented with reproductions of existing music instead of new compositions for the instruments, while some were considered novelties and produced simple tones, the Telharmonium accurately synthesized the sound of orchestral instruments. It achieved viable public interest and made progress into streaming music through telephone networks. Critics of musical conventions at the time saw promise in these developments, ferruccio Busoni encouraged the composition of microtonal music allowed for by electronic instruments. He predicted the use of machines in future music, writing the influential Sketch of a New Esthetic of Music, futurists such as Francesco Balilla Pratella and Luigi Russolo began composing music with acoustic noise to evoke the sound of machinery. They predicted expansions in timbre allowed for by electronics in the influential manifesto The Art of Noises, developments of the vacuum tube led to electronic instruments that were smaller, amplified, and more practical for performance. In particular, the theremin, ondes Martenot and trautonium were commercially produced by the early 1930s, from the late 1920s, the increased practicality of electronic instruments influenced composers such as Joseph Schillinger to adopt them
Electronic music
–
Telharmonium,
Thaddeus Cahill, 1897
Electronic music
–
Halim El-Dabh at a
Cleveland festival in 2009
Electronic music
–
Karlheinz Stockhausen in the Electronic Music Studio of WDR, Cologne, in 1991
Electronic music
–
Israeli composer
Josef Tal at the Electronic Music Studio in Jerusalem (c. 1965). On the right,
Hugh Le Caine 's sound
synthesizer the Special Purpose Tape Recorder.
9.
Experimental music
–
The practice became prominent in the mid-20th century, particularly in North America. John Cage was one of the earliest composers to use the term and one of experimental musics primary innovators, utilizing indeterminacy techniques and seeking unknown outcomes. Also, in America, a distinct sense of the term was used in the late 1950s to describe computer-controlled composition associated with composers such as Lejaren Hiller. Harry Partch as well as Ivor Darreg worked with other tuning scales based on the laws for harmonic music. For this music they developed a group of experimental musical instruments. Musique concrète, is a form of music that utilises acousmatic sound as a compositional resource. Elements of experimental music include indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. The Groupe de Recherches de Musique Concrète, under the leadership of Pierre Schaeffer, publication of Schaeffers manifesto was delayed by four years, by which time Schaeffer was favoring the term recherche musicale, though he never wholly abandoned musique expérimentale. John Cage was also using the term as early as 1955, according to Cages definition, an experimental action is one the outcome of which is not foreseen, and he was specifically interested in completed works that performed an unpredictable action. Rebners lecture extended the concept back in time to include Charles Ives, Edgard Varèse, nyman opposes experimental music to the European avant-garde of the time, for whom The identity of a composition is of paramount importance. David Cope also distinguishes between experimental and avant garde, describing music as that which represents a refusal to accept the status quo. That is, for the most part, experimental music studies describes a category without really explaining it and this was an attempt to marginalize, and thereby dismiss various kinds of music that did not conform to established conventions. In 1955, Pierre Boulez identified it as a new definition makes it possible to restrict to a laboratory. He concludes, There is no such thing as experimental music … and it is therefore not a genre, but an open category, because any attempt to classify a phenomenon as unclassifiable and elusive as experimental music must be partial. Furthermore, the indeterminacy in performance guarantees that two versions of the same piece will have virtually no perceptible musical facts in common. The term experimental music was used contemporaneously for electronic music, particularly in the early musique concrète work of Schaeffer, a number of early 20th-century American composers, seen as precedents to and influences on John Cage, are sometimes referred to as the American Experimental School. These include Charles Ives, Charles and Ruth Crawford Seeger, Henry Cowell, Carl Ruggles, for this music they both developed custom-built musical instruments often characterized as experimental instruments. La Monte Young is known for using this technique when he began working on his minimal drone pieces which consisted of layers of sounds in different pitches
Experimental music
–
Moodswinger,
Yuri Landman
10.
Nazi Germany
–
Nazi Germany is the common English name for the period in German history from 1933 to 1945, when Germany was governed by a dictatorship under the control of Adolf Hitler and the Nazi Party. Under Hitlers rule, Germany was transformed into a fascist state in which the Nazi Party took totalitarian control over all aspects of life. The official name of the state was Deutsches Reich from 1933 to 1943, the period is also known under the names the Third Reich and the National Socialist Period. The Nazi regime came to an end after the Allied Powers defeated Germany in May 1945, Hitler was appointed Chancellor of Germany by the President of the Weimar Republic Paul von Hindenburg on 30 January 1933. The Nazi Party then began to eliminate all opposition and consolidate its power. Hindenburg died on 2 August 1934, and Hitler became dictator of Germany by merging the powers and offices of the Chancellery, a national referendum held 19 August 1934 confirmed Hitler as sole Führer of Germany. All power was centralised in Hitlers person, and his word became above all laws, the government was not a coordinated, co-operating body, but a collection of factions struggling for power and Hitlers favour. In the midst of the Great Depression, the Nazis restored economic stability and ended mass unemployment using heavy military spending, extensive public works were undertaken, including the construction of Autobahnen. The return to economic stability boosted the regimes popularity, racism, especially antisemitism, was a central feature of the regime. The Germanic peoples were considered by the Nazis to be the purest branch of the Aryan race, millions of Jews and other peoples deemed undesirable by the state were murdered in the Holocaust. Opposition to Hitlers rule was ruthlessly suppressed, members of the liberal, socialist, and communist opposition were killed, imprisoned, or exiled. The Christian churches were also oppressed, with many leaders imprisoned, education focused on racial biology, population policy, and fitness for military service. Career and educational opportunities for women were curtailed, recreation and tourism were organised via the Strength Through Joy program, and the 1936 Summer Olympics showcased the Third Reich on the international stage. Propaganda minister Joseph Goebbels made effective use of film, mass rallies, the government controlled artistic expression, promoting specific art forms and banning or discouraging others. Beginning in the late 1930s, Nazi Germany made increasingly aggressive territorial demands and it seized Austria and Czechoslovakia in 1938 and 1939. Hitler made a pact with Joseph Stalin and invaded Poland in September 1939. In alliance with Italy and smaller Axis powers, Germany conquered most of Europe by 1940, reichskommissariats took control of conquered areas, and a German administration was established in what was left of Poland. Jews and others deemed undesirable were imprisoned, murdered in Nazi concentration camps and extermination camps, following the German invasion of the Soviet Union in 1941, the tide gradually turned against the Nazis, who suffered major military defeats in 1943
Nazi Germany
–
Hitler became Germany's head of state, with the title of
Führer und Reichskanzler, in 1934.
Nazi Germany
–
Flag
Nazi Germany
–
Joseph Goebbels,
Reich Minister of Propaganda
Nazi Germany
–
Ethnic Germans in
Saaz, Czechoslovakia, greet German soldiers with the
Nazi salute, 1938
11.
Music theory
–
Music theory is the study of the practices and possibilities of music. The term is used in three ways in music, though all three are interrelated. The first is what is otherwise called rudiments, currently taught as the elements of notation, of key signatures, of time signatures, of rhythmic notation, Theory in this sense is treated as the necessary preliminary to the study of harmony, counterpoint, and form. The second is the study of writings about music from ancient times onwards, Music theory is frequently concerned with describing how musicians and composers make music, including tuning systems and composition methods among other topics. However, this medieval discipline became the basis for tuning systems in later centuries, Music theory as a practical discipline encompasses the methods and concepts composers and other musicians use in creating music. The development, preservation, and transmission of music theory in this sense may be found in oral and written music-making traditions, musical instruments, and other artifacts. In ancient and living cultures around the world, the deep and long roots of music theory are clearly visible in instruments, oral traditions, and current music making. Many cultures, at least as far back as ancient Mesopotamia and ancient China, have also considered music theory in more formal ways such as written treatises, in modern academia, music theory is a subfield of musicology, the wider study of musical cultures and history. Etymologically, music theory is an act of contemplation of music, from the Greek θεωρία, a looking at, viewing, contemplation, speculation, theory, also a sight, a person who researches, teaches, or writes articles about music theory is a music theorist. University study, typically to the M. A. or Ph. D level, is required to teach as a music theorist in a US or Canadian university. Methods of analysis include mathematics, graphic analysis, and especially analysis enabled by Western music notation, comparative, descriptive, statistical, and other methods are also used. See for instance Paleolithic flutes, Gǔdí, and Anasazi flute, several surviving Sumerian and Akkadian clay tablets include musical information of a theoretical nature, mainly lists of intervals and tunings. The scholar Sam Mirelman reports that the earliest of these dates from before 1500 BCE. Further, All the Mesopotamian texts are united by the use of a terminology for music that, much of Chinese music history and theory remains unclear. The earliest texts about Chinese music theory are inscribed on the stone and they include more than 2800 words describing theories and practices of music pitches of the time. The bells produce two intertwined pentatonic scales three tones apart with additional pitches completing the chromatic scale, Chinese theory starts from numbers, the main musical numbers being twelve, five and eight. Twelve refers to the number of pitches on which the scales can be constructed, the Lüshi chunqiu from about 239 BCE recalls the legend of Ling Lun. On order of the Yellow Emperor, Ling Lun collected twelve bamboo lengths with thick, blowing on one of these like a pipe, he found its sound agreeable and named it huangzhong, the Yellow Bell
Music theory
–
Ancient Egyptian musicians playing lutes in an ensemble.
Music theory
–
Pythagoras and
Philolaus engaged in theoretical investigations, in a woodcut from
Franchinus Gaffurius, Theorica musicæ (1492)
Music theory
–
A set of bells from China, 5th Century BCE.
Music theory
–
Barbershop quartets, such as this US Navy group, sing 4-part pieces, made up of a melody line (normally the second-highest voice, called the "lead") and 3 harmony parts.
12.
Philosophy of music
–
Philosophy of music is the study of. fundamental questions about the nature of music and our experience of it. The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics, some basic questions in the philosophy of music are, What is the definition of music. What is the relationship between music and mind, what is the relationship between music and language. What does musical history reveal to us about the world, what is the connection between music and emotions. What is meaning in relation to music, explications of the concept of music usually begin with the idea that music is organized sound. There are many different ways of denoting the fundamental aspects of music which are more specific than sound, popular aspects include melody, harmony, rhythm, meter, however, noise music may consist mainly of noise. Musique concrète often consists only of sound samples of non-musical nature, ambient music may consist of recordings of wildlife or nature. There was intense debate over absolute music versus program music during the late Romantic Era, advocates of the absolute music perspective argued that instrumental music does not convey emotions or images to the listener. They claimed that music is not explicitly about anything and that it is non-representational. The idea of music developed at the end of the 18th century in the writings of authors of early German Romanticism, such as Wilhelm Heinrich Wackenroder, Ludwig Tieck. Adherents of the program music perspective believed that music could convey emotions, one example of program music is Berliozs Symphonie fantastique, in which the fourth movement is the composers depiction of a story about an artist who poisons himself with opium and then is executed. The majority of opposition to absolute instrumental-based music came from composer Richard Wagner, wagners works were chiefly programmatic and often used vocalization, and he said that Where music can go no further, there comes the word… the word stands higher than the tone. Nietzsche wrote many commentaries applauding the music of Wagner and was in fact a composer himself. Some expressed a spiritual connection with music, in Part IV of his chief work, The World as Will and Representation, Arthur Schopenhauer said that music is the answer to the mystery of life. The most profound of all the arts, it expresses the deepest thoughts of life, in The Immediate Stages of the Erotic, or Musical Erotic, a chapter of Either/Or, Søren Kierkegaard examines the profundity of music of Wolfgang Amadeus Mozart and the sensual nature of Don Giovanni. In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization, in the eighteenth century, focus shifted to the experience of hearing music, and thus to questions about its beauty and human enjoyment of music. The origin of this shift is sometimes attributed to Baumgarten in the 18th century. Through their writing, the ancient term aesthetics, meaning sensory perception, in recent decades philosophers have tended to emphasize issues besides beauty and enjoyment
Philosophy of music
–
Napalm Death play an extreme genre of
hardcore punk called
grindcore that uses heavily
distorted guitars, grinding
overdrive bass and incomprehensible
growls and high-pitched shrieks for vocals. While the band has been dismissed as "mindless noise", the respected BBC journalist
John Peel was an "ardent supporter" of the band and appreciated their music.
Philosophy of music
–
The
symphony orchestra is not only the main large ensemble used in
classical music; one work for orchestra,
Beethoven 's
Ninth Symphony has been called the supreme masterpiece of the
Western canon.
13.
Electronic musician
–
Electronic Musician is a monthly magazine published by NewBay Media featuring articles on synthesizers, music production and electronic musicians. Electronic Musician began as Polyphony magazine in 1975, published by PAiA Electronics as a synthesizer hobbyist magazine, in 1976 it was spun off as a separate company, Polyphony Publishing Company. It was sold to Mix Publications in 1985, Mix Publications was bought by Act III Communications around 1989, which in the 1990s was bought by Primedia. Primedias business magazines were spun off as Prism Business Media in 2005, NewBay Media bought the magazine in 2011. The headquarters is in San Bruno, California
Electronic musician
Electronic musician
Electronic musician
Electronic musician
14.
Sound recording and reproduction
–
Sound recording and reproduction is an electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording, prior to the development of analog recording, there were mechanical systems for reproducing instrumental music, such as wind-up music boxes and later, in the late 19th century, player pianos. Analog sound reproduction is the process, with a bigger loudspeaker diaphragm causing changes to atmospheric pressure to form acoustic sound waves. Digital recording and reproduction converts the sound signal picked up by the microphone to a digital form by the process of digitization. This lets the audio data be stored and transmitted by a variety of media. Whereas successive copies of an analog recording tend to degrade in quality, as noise is added. A digital audio signal must be reconverted to analog form during playback before it is amplified and connected to a loudspeaker to produce sound, long before sound was first recorded on cylinders or records, music was recorded—first by written music notation, then also by mechanical devices. Fowler, this. cylinder with raised pins on the surface remained the device to produce and reproduce music mechanically until the second half of the nineteenth century. The Banu Musa brothers also invented an automatic flute player, which appears to have been the first programmable machine, according to Fowler, the automata were a robot band that performed. more than fifty facial and body actions during each musical selection. In the 14th century, Flanders introduced a mechanical bell-ringer controlled by a rotating cylinder, similar designs appeared in barrel organs, musical clocks, barrel pianos, and musical boxes. A music box is a musical instrument that produces sounds by the use of a set of pins placed on a revolving cylinder or disc so as to pluck the tuned teeth of a steel comb. They were developed from musical snuff boxes of the 18th century, some of the more complex boxes also have a tiny drum and/or bells, in addition to the metal comb. The fairground organ, developed in 1892, used a system of accordion-folded punched cardboard books, the player piano, first demonstrated in 1876, used a punched paper scroll that could store an long piece of music. The most sophisticated of the rolls were hand-played, meaning that the roll represented the actual performance of an individual. This technology to record a live performance onto a piano roll was not developed until 1904, piano rolls were in continuous mass production from 1896 to 2008. A1908 U. S. Supreme Court copyright case noted that, in 1902 alone, the use of piano rolls began to decline in the 1920s although one type is still being made today. The first device that could record actual sounds as they passed through the air was the phonautograph, the earliest known recordings of the human voice are phonautograph recordings, called phonautograms, made in 1857. They consist of sheets of paper with sound-wave-modulated white lines created by a stylus that cut through a coating of soot as the paper was passed under it
Sound recording and reproduction
–
Frances Densmore recording
Blackfoot chief Mountain Chief on a cylinder phonograph for the
Bureau of American Ethnology (1916)
Sound recording and reproduction
–
Emile Berliner with disc record gramophone
Sound recording and reproduction
–
Magnetic audio tapes: acetate base (left) and polyester base (right)
Sound recording and reproduction
–
A typical Compact Cassette
15.
Sampling (music)
–
In music, sampling is the act of taking a portion, or sample, of one sound recording and reusing it as an instrument or a sound recording in a different song or piece. Sampling was originally developed by experimental musicians working with musique concrète and electroacoustic music, by the late 1960s, the use of tape loop sampling influenced the development of minimalist music and the production of psychedelic rock and jazz fusion. Hip hop music was the first popular music based on the art of sampling – being born from 1970s DJs who experimented with manipulating vinyl on two turntables and an audio mixer. Historically, sampling was most often done with a sampler — a specialized piece of hardware — but today, however, vinyl emulation software may also be used, and turntablists continue to sample using traditional methods. Often samples consist of one part of a song, such as a rhythm break, for instance, hip hop music developed from DJs looping the breaks from songs to enable continuous dancing. Samples can also consist of words and phrases, including those in non-musical media such as movies, TV shows. Sampling does not necessarily mean using pre-existing recordings, a number of composers and musicians have constructed pieces or songs by sampling field recordings they made themselves, and others have sampled their own original recordings. The use of sampling is controversial legally and musically, in the 1970s, when hip hop was confined to local dance parties, it was unnecessary to obtain copyright clearance in order to sample recorded music at these parties. Aside from legal issues, sampling has been championed and criticized. Hip-hop DJs today take different approaches to sampling, with critical of its obvious use. Some critics, particularly those with a rockist outlook, have expressed the belief all sampling is lacking in creativity, while others say sampling has been innovative and revolutionary. Those whose own work has been sampled have also voiced a variety of opinions about the practice. Once recorded, samples can be edited, played back, or looped, types of samples include, The drums and percussion parts of many modern recordings are really a variety of short samples of beats strung together. Many libraries of such beats exist and are licensed so that the user incorporating the samples can distribute their recording without paying royalties, such libraries can be loaded into samplers. Though percussion is an application of looping, many kinds of samples can be looped. A piece of music may have an ostinato which is created by sampling a phrase played on any kind of instrument, there is software which specializes in creating loops. Whereas loops are usually a phrase played on a musical instrument, Music workstations and samplers use samples of musical instruments as the basis of their own sounds, and are capable of playing a sample back at any pitch. Many modern synthesizers and drum machines also use samples as the basis of their sounds, most such samples are created in professional recording studios using world-class instruments played by accomplished musicians
Sampling (music)
–
DJ Premier looking for samples he can use
Sampling (music)
–
Girl Talk Producing Sample-Based Music Live
16.
Telecommunications
–
Telecommunication is the transmission of signs, signals, messages, writings, images and sounds or intelligence of any nature by wire, radio, optical or other electromagnetic systems. Telecommunication occurs when the exchange of information between communication participants includes the use of technology and it is transmitted either electrically over physical media, such as cables, or via electromagnetic radiation. Such transmission paths are divided into communication channels which afford the advantages of multiplexing. The term is used in its plural form, telecommunications. Early means of communicating over a distance included visual signals, such as beacons, smoke signals, semaphore telegraphs, signal flags, other examples of pre-modern long-distance communication included audio messages such as coded drumbeats, lung-blown horns, and loud whistles. Zworykin, John Logie Baird and Philo Farnsworth, the word telecommunication is a compound of the Greek prefix tele, meaning distant, far off, or afar, and the Latin communicare, meaning to share. Its modern use is adapted from the French, because its use was recorded in 1904 by the French engineer. Communication was first used as an English word in the late 14th century, in the Middle Ages, chains of beacons were commonly used on hilltops as a means of relaying a signal. Beacon chains suffered the drawback that they could pass a single bit of information. One notable instance of their use was during the Spanish Armada, in 1792, Claude Chappe, a French engineer, built the first fixed visual telegraphy system between Lille and Paris. However semaphore suffered from the need for skilled operators and expensive towers at intervals of ten to thirty kilometres, as a result of competition from the electrical telegraph, the last commercial line was abandoned in 1880. Homing pigeons have occasionally used throughout history by different cultures. Pigeon post is thought to have Persians roots and was used by the Romans to aid their military, frontinus said that Julius Caesar used pigeons as messengers in his conquest of Gaul. The Greeks also conveyed the names of the victors at the Olympic Games to various cities using homing pigeons, in the early 19th century, the Dutch government used the system in Java and Sumatra. And in 1849, Paul Julius Reuter started a service to fly stock prices between Aachen and Brussels, a service that operated for a year until the gap in the telegraph link was closed. Sir Charles Wheatstone and Sir William Fothergill Cooke invented the telegraph in 1837. Also, the first commercial electrical telegraph is purported to have constructed by Wheatstone and Cooke. Both inventors viewed their device as an improvement to the electromagnetic telegraph not as a new device, samuel Morse independently developed a version of the electrical telegraph that he unsuccessfully demonstrated on 2 September 1837
Telecommunications
–
A satellite communication antenna at the biggest facility for satellite communication in Raisting, Bavaria, Germany
Telecommunications
–
Visualization from the
Opte Project of the various routes through a portion of the Internet.
Telecommunications
–
A replica of one of
Chappe's semaphore towers.
Telecommunications
–
Optical fiber provides cheaper bandwidth for long distance communication.
17.
Strasbourg
–
Strasbourg is the capital and largest city of the Grand Est region of France and is the official seat of the European Parliament. Located close to the border with Germany in the region of Alsace. In 2014, the city proper had 276,170 inhabitants, Strasbourgs metropolitan area had a population of 773,347 in 2013, making it the ninth largest metro area in France and home to 13% of the Grand Est regions inhabitants. The transnational Eurodistrict Strasbourg-Ortenau had a population of 915,000 inhabitants in 2014, Strasbourg is the seat of several European institutions, such as the Council of Europe and the Eurocorps, as well as the European Parliament and the European Ombudsman of the European Union. The city is also the seat of the Central Commission for Navigation on the Rhine, Strasbourgs historic city centre, the Grande Île, was classified a World Heritage site by UNESCO in 1988, the first time such an honour was placed on an entire city centre. The largest Islamic place of worship in France, the Strasbourg Grand Mosque, was inaugurated by French Interior Minister Manuel Valls on 27 September 2012. Economically, Strasbourg is an important centre of manufacturing and engineering, as well as a hub of road, rail, the port of Strasbourg is the second largest on the Rhine after Duisburg, Germany. Before the 5th century, the city was known as Argantorati, a Celtic Gaulish name Latinized first as Argentorate, after the 5h century, the city became known by a completely different name Gallicized as Strasbourg. That name is of Germanic origin and means Town of roads, Strasbourg is situated on the eastern border of France with Germany. This border is formed by the River Rhine, which forms the eastern border of the modern city. The historic core of Strasbourg however lies on the Grande Île in the River Ill, which flows parallel to, and roughly 4 kilometres from. The natural courses of the two eventually join some distance downstream of Strasbourg, although several artificial waterways now connect them within the city. This section of the Rhine valley is an axis of north-south travel, with river traffic on the Rhine itself. The city is some 400 kilometres east of Paris, in spite of its position far inland, Strasbourgs climate is classified as Oceanic, with warm, relatively sunny summers and cold, overcast winters. Precipitation is elevated from mid-spring to the end of summer, but remains largely constant throughout the year, on average, snow falls 30 days per year. The highest temperature recorded was 38.5 °C in August 2003. The lowest temperature recorded was −23.4 °C in December 1938. Nonetheless, the disappearance of heavy industry on both banks of the Rhine, as well as effective measures of traffic regulation in and around the city have reduced air pollution
Strasbourg
Strasbourg
Strasbourg
Strasbourg
18.
Avant-garde
–
The avant-garde are people or works that are experimental, radical, or unorthodox, with respect to art, culture, and society. It may be characterized by nontraditional, aesthetic innovation and initial unacceptability, the avant-garde pushes the boundaries of what is accepted as the norm or the status quo, primarily in the cultural realm. The avant-garde is considered by some to be a hallmark of modernism, the avant-garde also promotes radical social reforms. Several writers have attempted, with limited success, to map the parameters of avant-garde activity, the Italian essayist Renato Poggioli provides one of the best-known analyses of vanguardism as a cultural phenomenon in his 1962 book Teoria dellarte davanguardia. Other authors have attempted both to clarify and to extend Poggiolis study, bürgers essay also greatly influenced the work of contemporary American art-historians such as the German Benjamin H. D. Buchloh. Buchloh, in the collection of essays Neo-avantgarde and Culture Industry critically argues for an approach to these positions. Subsequent criticism theorized the limitations of these approaches, noting their circumscribed areas of analysis, including Eurocentric, chauvinist, and genre-specific definitions. The concept of avant-garde refers primarily to artists, writers, composers and thinkers whose work is opposed to cultural values. For Greenberg, these forms were therefore kitsch, phony, faked or mechanical culture, for instance, during the 1930s the advertising industry was quick to take visual mannerisms from surrealism, but this does not mean that 1930s advertising photographs are truly surreal. In this way the autonomous artistic merit so dear to the vanguardist was abandoned and sales became the measure. It has become common to describe successful rock musicians and celebrated film-makers as avant-garde, nevertheless, an incisive critique of vanguardism as against the views of mainstream society was offered by the New York critic Harold Rosenberg in the late 1960s. Since then it has been flanked by what he called avant-garde ghosts to the one side, and this has seen culture become, in his words, a profession one of whose aspects is the pretense of overthrowing it. Avant-garde in music can refer to any form of working within traditional structures while seeking to breach boundaries in some manner. The term is used loosely to describe the work of any musicians who radically depart from tradition altogether, although most avant-garde composers have been men, this is not exclusively the case. Women avant-gardists include Pauline Oliveros, Diamanda Galás, Meredith Monk, there are movements in theatre history that are characterized by their contributions to the avant-garde traditions in both the United States and Europe. Among these are Fluxus, Happenings, and Neo-Dada, Avant-garde – Wikipedia book Barron, Stephanie, and Maurice Tuchman. The Avant-garde in Russia, 1910–1930, New Perspectives, Los Angeles County Museum of Art Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D. C. Los Angeles, CA, Los Angeles County Museum of Art ISBN 0-87587-095-3, Cambridge, MA, ISBN 0-671-20422-X Berg, Hubert van den, and Walter Fähnders
Avant-garde
–
The Love of Zero, a 1927 film by
Robert Florey
Avant-garde
–
Marcel Duchamp,
Fountain, 1917. Photograph by
Alfred Stieglitz
19.
Chromatic phonogene
–
Musique concrète is a form of musique expérimentale that exploits acousmatic listening, meaning sound identities can often be intentionally obscured or appear unconnected to their source cause. Compositions in this idiom are not restricted to the musical rules of melody, harmony, rhythm, metre. Originally contrasted with pure elektronische Musik, the basis of musique concrète as a compositional practice was developed by Pierre Schaeffer. The following year,1931, Boris de Schloezer also expressed the opinion that one could write for the gramophone or for the wireless just as one can for the piano or the violin. Shortly after, German art theorist Rudolf Arnheim discussed the effects of microphonic recording in an essay entitled Radio, the studio originally functioned as a center for the Resistance movement in French radio, which in August 1944 was responsible for the first broadcasts in liberated Paris. It was here that Schaeffer began to experiment with creative radiophonic techniques using the technologies of the time. Marc Battier notes that, prior to Schaeffer, Jean Epstein drew attention to the manner in which sound recording revealed what was hidden in the act of basic acoustic listening. Epsteins reference to this phenomenon of an epiphanic being, which appears through the transduction of sound, Schaeffer would explicitly cite Jean Epstein with reference to his use of extra-musical sound material. Possibly even earlier than Schaeffer conducting his experiments into sound manipulation was the activity of Egyptian composer Halim El-Dabh. As a student in Cairo in the early to mid-1940s he began experimenting with tape music using a wire recorder. He recorded the sounds of an ancient zaar ceremony and at the Middle East Radio studios processed the material using reverberation, echo, voltage controls, the resulting tape-based composition, entitled The Expression of Zaar, was presented in 1944 at an art gallery event in Cairo. El-Dabh has described his activities as an attempt to unlock the inner sound of the recordings. Following Schaeffers work with Studio dEssai at Radiodiffusion Nationale during the early 1940s he was credited with originating the theory, the essay evidenced knowledge of sound manipulation techniques he would further exploit compositionally. In 1948 Schaeffer formally initiated research in to noises at the Club dEssai, five works for phonograph including Etude violette and Etude aux chemins de fer, were presented. By 1949 Schaeffers compositional work was known publicly as musique concrète, Schaeffer stated, when I proposed the term musique concrète, I intended … to point out an opposition with the way musical work usually goes. According to Pierre Henry, musique concrète was not a study of timbre, it is focused on envelopes, Schaeffer had developed an aesthetic that was centred upon the use of sound as a primary compositional resource. The aesthetic also emphasised the importance of play in the practice of sound based composition, at RTF the GRMC established the first purpose-built electroacoustic music studio. In 1954 Varèse and Honegger visited to work on the parts of Déserts
Chromatic phonogene
–
Schaeffer with the phonogène
Chromatic phonogene
–
The chromatic phonogène.
Chromatic phonogene
–
The Morphophone
Chromatic phonogene
–
Pierre Henry using induction coils to control sound spatially.
20.
Gramaphones
–
The phonograph is a device invented in 1877 for the mechanical recording and reproduction of sound. In its later forms it is called a gramophone. To recreate the sound, the surface is rotated while a playback stylus traces the groove and is therefore vibrated by it. In later electric phonographs, the motions of the stylus are converted into an electrical signal by a transducer. The phonograph was invented in 1877 by Thomas Edison, while other inventors had produced devices that could record sounds, Edisons phonograph was the first to be able to reproduce the recorded sound. His phonograph originally recorded sound onto a sheet wrapped around a rotating cylinder. A stylus responding to sound vibrations produced an up and down or hill-and-dale groove in the foil, in the 1890s, Emile Berliner initiated the transition from phonograph cylinders to flat discs with a spiral groove running from the periphery to near the center. Later improvements through the years included modifications to the turntable and its system, the stylus or needle. The disc phonograph record was the dominant audio recording format throughout most of the 20th century, from the mid-1980s on, phonograph use on a standard record player declined sharply because of the rise of the cassette tape, compact disc and other digital recording formats. Records are still a favorite format for some audiophiles and DJs, vinyl records are still used by some DJs and musicians in their concert performances. Musicians continue to release their recordings on vinyl records, the original recordings of musicians are sometimes re-issued on vinyl. Usage of terminology is not uniform across the English-speaking world, in more modern usage, the playback device is often called a turntable, record player, or record changer. When used in conjunction with a mixer as part of a DJ setup, the term phonograph was derived from the Greek words φωνή and γραφή. The similar related terms gramophone and graphophone have similar root meanings, the roots were already familiar from existing 19th-century words such as photograph, telegraph, and telephone. In British English, gramophone may refer to any sound-reproducing machine using disc records, the term phonograph was usually restricted to machines that used cylinder records. Gramophone generally referred to a wind-up machine, after the introduction of the softer vinyl records, 33 1⁄3-rpm LPs and 45-rpm single or two-song records, and EPs, the common name became record player or turntable. Often the home record player was part of a system that included a radio and, later, from about 1960, such a system began to be described as a hi-fi or a stereo. In American English, phonograph, properly specific to machines made by Edison, was used in a generic sense as early as the 1890s to include cylinder-playing machines made by others
Gramaphones
–
Edison cylinder phonograph, circa 1899
Gramaphones
–
Thomas Edison with his second phonograph, photographed by
Mathew Brady in Washington, April 1878
Gramaphones
–
Close up of the mechanism of an Edison Amberola, manufactured circa 1915
Gramaphones
–
A late 20th-century turntable and record
21.
Tape recorders
–
In its present-day form, it records a fluctuating signal by moving the tape across a tape head that polarizes the magnetic domains in the tape in proportion to the audio signal. Tape-recording devices include reel-to-reel tape deck and the cassette deck, the use of magnetic tape for sound recording originated around 1930. Magnetizable tape revolutionized both the radio broadcast and music recording industries and it gave artists and producers the power to record and re-record audio with minimal loss in quality as well as edit and rearrange recordings with ease. The alternative recording technologies of the era, transcription discs and wire recorders, since some early refinements improved the fidelity of the reproduced sound, magnetic tape has been the highest quality analog sound recording medium available. As of the first decade of the 21st century, analog magnetic tape has been replaced by digital recording technologies for consumer purposes. Some individuals and organizations developed innovative uses for magnetic wire recorders while others investigated variations of the technology, one particularly important variation was the application of an oxide powder to a long strip of paper. This German invention was the start of a string of innovations that have led to present day magnetic tape recordings. The earliest known audio tape recorder was a non-magnetic, non-electric version invented by Alexander Graham Bells Volta Laboratory and patented in 1886. It employed a 3⁄16-inch-wide strip of wax-covered paper that was coated by dipping it in a solution of beeswax and paraffin and then had one side scraped clean, the machine was of sturdy wood and metal construction, and hand-powered by means of a knob fastened to the flywheel. The tape was taken up on the other reel. The sharp recording stylus, actuated by a vibrating mica diaphragm, in playback mode, a dull, loosely mounted stylus, attached to a rubber diaphragm, carried the reproduced sounds through an ear tube to its listener. Both recording and playback heads, mounted alternately on the two posts, could be adjusted vertically so that several recordings could be cut on the same 3⁄16-inch-wide strip. While the machine was never developed commercially, it was an ancestor to the modern magnetic tape recorder which it resembled somewhat in design. The tapes and machine created by Bells associates, examined at one of the Smithsonian Institutions museums, became brittle, the machines playback head was also missing. Otherwise, with some reconditioning, they could be placed into working condition, during the recording process, the tape moved through a pair of electrodes which immediately imprinted the modulated sound signals as visible black stripes into the paper tapes surface. On 13 August 1931, Duston filed USPTO Patent Application #556,743 for Method Of And Apparatus For Electrically Recording And Reproducing Sound And Other Vibrations, and which was renewed in 1934. Magnetic recording was conceived as early as 1877 by the American engineer Oberlin Smith, Analog magnetic wire recording, and its successor, magnetic tape recording, involve the use of a magnetizable medium which moves with a constant speed past a recording head. An electrical signal, which is analogous to the sound that is to be recorded, is fed to the recording head, inducing a pattern of magnetization similar to the signal
Tape recorders
–
A
reel-to-reel tape recorder
Tape recorders
–
An early experimental non-magnetic tape recorder patented in 1886 by Alexander Graham Bell's Volta Laboratory.
Tape recorders
–
Magnetic wire recorder, invented by
Valdemar Poulsen, 1898. It is exhibited at
Brede works Industrial Museum, Lyngby, Denmark.
Tape recorders
–
Blattnerphone steel tape recorder at BBC studios, London, 1937
22.
Catholic
–
The use of terms catholicism and catholicity is closely related to the use of term Catholic Church. The earliest evidence of the use of term is the Letter to the Smyrnaeans that Ignatius of Antioch wrote in about 108 to Christians in Smyrna. In 380, Emperor Theodosius I limited use of the term Catholic Christian exclusively to those who followed the faith as Pope Damasus I of Rome. Numerous other early writers including Cyril of Jerusalem, Augustine of Hippo further developed the use of the term catholic in relation to Christianity. In Christian theology, and specially in ecclesiology, terms Catholicism, when used with small c, terms catholicism and catholicity generally designate theological doctrine of the catholicity of the Church without denominational connotations. A common belief in Catholicism is institutional continuity with the early Christian church founded by Jesus Christ, many churches or communions of churches identify singularly or collectively as the authentic church. The Bishop of Rome was also considered to have the right to convene ecumenical councils, when the Imperial capital moved to Constantinople, Romes influence was sometimes challenged. The first great rupture in the Church followed this Council and they are often called Ancient Oriental Churches. The next major break was after the Council of Chalcedon and this Council repudiated Eutychian Monophysitism which stated that the divine nature completely subsumed the human nature in Christ. This Council declared that Christ, though one person, exhibited two natures without confusion, without change, without division, without separation and thus is both fully God and fully human, the next great rift within Christianity was in the 11th century. This division between the Western Church and the Eastern Church is called the East–West Schism, several eastern churches reunited, constituting some of the Eastern Catholic Churches. Liturgical and canonical practices vary between all these particular Churches constituting the Roman and Eastern Catholic Churches, in all these cases the beliefs and practices of Catholicism would be identical with the beliefs and practices of the Church in question. However, in Roman Catholicism, the term catholic is understood as to cover those who recognize and are in standing with the Magisterium. The sense given to the word by those who use it to distinguish their position from a Calvinistic or Puritan form of Protestantism. It is then meaningful to attempt to draw up a list of common characteristic beliefs, the Roman Catholic Church includes the 23 rites who recognize the Magisterium. Belief in the Real Presence of Christ in the Eucharist, the belief that Christ is made manifest in the elements of Holy Communion, possession of the threefold ordained ministry of Bishops, Priests and Deacons. Belief that the Church is the vessel and deposit of the fullness of the teachings of Jesus and this teaching is preserved in both written scripture and in unwritten tradition, neither being independent of the other. A belief in the necessity and efficacy of sacraments, liturgical and personal use of the Sign of the Cross The use of sacred images, candles, vestments and music, and often incense and water, in worship
Catholic
–
Ruins of gothic Catholic church in
Liptovská Mara (
Slovakia).
Catholic
–
Ancient statue of
Saint Peter in the Basilica dedicated to him in the
Vatican.
Catholic
–
An
Italian priest during the sacrament of
Baptism
23.
Christian novel
–
A Christian novel is any novel that expounds and illustrates a Christian world view in its plot, its characters, or both, also seen in the Bible. Or which deals with Christian themes in a positive way, twentieth century proponents of the Christian novel in English include J. R. R. Tolkien, G. K. Chesterton, C. S. Lewis, many novels with Christian themes also fall into specific mainstream fiction genres. In North America, the Christian novel has evolved into a genre of its own, written explicitly by. Such a Christian novel does not have to involve an event or character in Bible history. Popular authors of Christian novels include Francine Rivers in the romance subgenre, other authors of Christian novels include Karen Kingsbury, Judith McCoy Miller, Tracie Peterson, Bethany Kennedy Scanlon, Tosca Lee and Robert Whitlow. Some authors of Christian novels have received a mixed reception within the conservative Christian community, William P. Youngs best-selling theological novel The Shack, for example, was strongly criticised by some reviewers. Cook, HarperCollins Christian and Zondervan, Harvest House, Howard Publishing, Kregel Publications, Tyndale House, such novels are today marketed world-wide through Christian bookstores and online distributors, such as ChristianBook. com and Amazon. com, respectively. Urban Christian fiction is a genre in which conflicting stories of emotion and vividness mixes God, the urban church, violence and sex is not purposely excluded, but are included whenever necessary for the story line. God is the center of the lives in Urban Christian Fiction. Urban Christian publishing company publishes urban Christian books along with other subdivisions of urban Christian which includes urban renaissance, some best-selling authors in this genre for 2012 are Kimberla Lawson Roby, Victoria Christopher Murray, Tony Dungy, Lutishia Lovely, Neta Jackson, Keyon C. Polite, Serita Jakes, and ReShonda Tate Billingsley, some best-selling authors in this genre for 2015 are Jonathan Cahn, William Paul Young, and Francine Rivers. A Christian urban title that ventures into the Young Adult/SuperHero genre is In the Shadows of Myrmidons by B, lloyd Reese and Nicholas J. Rzepczynski. Urban Christian fiction is classified as part of the African-American Christian Market, where the topics are fiction, books for dating, dramatic testimony. Prominent pastors of megachurches and leaders of powerful ministries contributes largely to AACM, baker Publishing Group is one publisher to make an authentic impact in publishing African-American authors of Christian fiction and religious materials. Amish romance List of Christian fiction authors List of Christian novels Home of the Christy Awards
Christian novel
–
J.R.R. Tolkien 's
The Fellowship of the Ring is by a Christian author, and contains Christian themes, though its wide popularity means that many would not consider it a specifically Christian novel.
Christian novel
–
Ted Dekker 's 2003 novel
Thr3e is an example of the genre of modern American Christian novel, specifically of the
thriller/suspense subgenre.
Christian novel
–
Francine Rivers 's 1993
A Voice in the Wind is a Christian
historical romance.
24.
World War II
–
World War II, also known as the Second World War, was a global war that lasted from 1939 to 1945, although related conflicts began earlier. It involved the vast majority of the worlds countries—including all of the great powers—eventually forming two opposing alliances, the Allies and the Axis. It was the most widespread war in history, and directly involved more than 100 million people from over 30 countries. Marked by mass deaths of civilians, including the Holocaust and the bombing of industrial and population centres. These made World War II the deadliest conflict in human history, from late 1939 to early 1941, in a series of campaigns and treaties, Germany conquered or controlled much of continental Europe, and formed the Axis alliance with Italy and Japan. Under the Molotov–Ribbentrop Pact of August 1939, Germany and the Soviet Union partitioned and annexed territories of their European neighbours, Poland, Finland, Romania and the Baltic states. In December 1941, Japan attacked the United States and European colonies in the Pacific Ocean, and quickly conquered much of the Western Pacific. The Axis advance halted in 1942 when Japan lost the critical Battle of Midway, near Hawaii, in 1944, the Western Allies invaded German-occupied France, while the Soviet Union regained all of its territorial losses and invaded Germany and its allies. During 1944 and 1945 the Japanese suffered major reverses in mainland Asia in South Central China and Burma, while the Allies crippled the Japanese Navy, thus ended the war in Asia, cementing the total victory of the Allies. World War II altered the political alignment and social structure of the world, the United Nations was established to foster international co-operation and prevent future conflicts. The victorious great powers—the United States, the Soviet Union, China, the United Kingdom, the Soviet Union and the United States emerged as rival superpowers, setting the stage for the Cold War, which lasted for the next 46 years. Meanwhile, the influence of European great powers waned, while the decolonisation of Asia, most countries whose industries had been damaged moved towards economic recovery. Political integration, especially in Europe, emerged as an effort to end pre-war enmities, the start of the war in Europe is generally held to be 1 September 1939, beginning with the German invasion of Poland, Britain and France declared war on Germany two days later. The dates for the beginning of war in the Pacific include the start of the Second Sino-Japanese War on 7 July 1937, or even the Japanese invasion of Manchuria on 19 September 1931. Others follow the British historian A. J. P. Taylor, who held that the Sino-Japanese War and war in Europe and its colonies occurred simultaneously and this article uses the conventional dating. Other starting dates sometimes used for World War II include the Italian invasion of Abyssinia on 3 October 1935. The British historian Antony Beevor views the beginning of World War II as the Battles of Khalkhin Gol fought between Japan and the forces of Mongolia and the Soviet Union from May to September 1939, the exact date of the wars end is also not universally agreed upon. It was generally accepted at the time that the war ended with the armistice of 14 August 1945, rather than the formal surrender of Japan
World War II
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Clockwise from top left: Chinese forces in the
Battle of Wanjialing, Australian
25-pounder guns during the
First Battle of El Alamein, German
Stuka dive bombers on the
Eastern Front in December 1943, a U.S. naval force in the
Lingayen Gulf,
Wilhelm Keitel signing the
German Instrument of Surrender, Soviet troops in the
Battle of Stalingrad
World War II
–
The
League of Nations assembly, held in
Geneva,
Switzerland, 1930
World War II
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Adolf Hitler at a German
National Socialist political rally in
Weimar, October 1930
World War II
–
Italian soldiers recruited in 1935, on their way to fight the
Second Italo-Abyssinian War
listen), French pronunciation: [ʃɛfɛʁ]; 14 August 1910 – 19 August 1995)[1] was a French composer, writer, broadcaster, engineer, musicologist and acoustician. His innovative work in both the sciences—particularly communications and acoustics—and the various arts of music, literature and radio presentation after the end of World War II, as well as his anti-nuclear activism and cultural criticism garnered him widespread recognition in his lifetime.
