1.
Louis-Michel van Loo
–
Louis-Michel van Loo was a French painter. He studied under his father, the painter Jean-Baptiste van Loo, at Turin and Rome and he returned to Paris in 1753, and painted many portraits of Louis XV of France. In 1765 he succeeded Charles-André as director of the school of the French academy known as the École Royale des Élèves Protégés. In 1766 he made the portrait of the Portuguese statesman Sebastião de Melo, among his brothers were the painters François van Loo and Charles-Amédée-Philippe van Loo
Louis-Michel van Loo
–
Self-portrait of Louis-Michel van Loo.
Louis-Michel van Loo
–
Portrait of
Denis Diderot, painted 1767
Louis-Michel van Loo
–
Princess Ekaterina Dmitrievna Golitsyna
Louis-Michel van Loo
–
Nicolas Beaujon
2.
Paris
–
Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
Paris
–
In the 1860s Paris streets and monuments were illuminated by 56,000 gas lamps, making it literally "The City of Light."
Paris
Paris
–
Gold coins minted by the Parisii (1st century BC)
Paris
–
The
Palais de la Cité and
Sainte-Chapelle, viewed from the Left Bank, from the
Très Riches Heures du duc de Berry (month of June) (1410)
3.
Playwright
–
A playwright, also known as a dramatist, is a person who writes plays. The term is not a variant spelling of playwrite, but something quite distinct, hence the prefix and the suffix combine to indicate someone who has wrought words, themes, and other elements into a dramatic form - someone who crafts plays. The homophone with write is in this case entirely coincidental, the term playwright appears to have been coined by Ben Jonson in his Epigram 49, To Playwright, as an insult, to suggest a mere tradesman fashioning works for the theatre. Jonson described himself as a poet, not a playwright, since plays during that time were written in meter and this view was held as late as the early 19th century. The term playwright later lost this negative connotation, the earliest playwrights in Western literature with surviving works are the Ancient Greeks. These early plays were written for annual Athenian competitions among playwrights held around the 5th century BC, such notables as Aeschylus, Sophocles, Euripides, and Aristophanes established forms still relied on by their modern counterparts. For the ancient Greeks, playwriting involved poïesis, the act of making and this is the source of the English word poet. In the 4th century BCE, Aristotle wrote his Poetics, the first play-writing manual, in this famous text, Aristotle established the principle of action or praxis as the basis for all drama. He then included a hierarchy of elements for the beginning with plot, character, thought, diction, music. The ends of drama were plot, character, and thought, the means of drama were language and music, since the myths, upon which Greek tragedy were based, were widely known, plot had to do with the arrangement and selection of existing material. Character was equated with choice as rather than psychology, so that character was determined by action, in tragedy, the notion of ethical choice determined the character of the individual. Thought had more to do and the imitation of an action that is serious, thus, he developed his notion of hamartia, or tragic flaw, an error in judgment by the main character or protagonist. It provides the basis for the play, a term still held as the sine qua non of dramaturgy. The Poetics, while very brief and highly condensed, is studied today. Perhaps the most Aristotelian of contemporary playwrights is David Mamet, who embraces the idea of character as agent of the action, and emphasizes causality in the structure of his plays. His recently revived, Speed-the-Plow, is quintessentially Aristotelian, in that it observes the unities and builds its plot through a causal stream of discoveries and reversals. The Italian Renaissance brought about a stricter interpretation of Aristotle, as this long-lost work came to light in the late 15th century. The neoclassical ideal, which was to reach its apogee in France during the 17th century, dwelled upon the unities, of action, place, and time
Playwright
–
William Shakespeare
4.
French people
–
The French are an ethnic group and nation who are identified with the country of France. This connection may be legal, historical, or cultural, modern French society can be considered a melting pot. To be French, according to the first article of the French Constitution, is to be a citizen of France, regardless of origin, race. The debate concerning the integration of this view with the underlying the European Community remains open. A large number of foreigners have traditionally been permitted to live in France, indeed, the country has long valued its openness, tolerance and the quality of services available. Application for French citizenship is often interpreted as a renunciation of previous state allegiance unless a dual citizenship agreement exists between the two countries, the European treaties have formally permitted movement and European citizens enjoy formal rights to employment in the state sector. Seeing itself as a nation with universal values, France has always valued. However, the success of such assimilation has recently called into question. There is increasing dissatisfaction with, and within, growing ethno-cultural enclaves, the 2005 French riots in some troubled and impoverished suburbs were an example of such tensions. However they should not be interpreted as ethnic conflicts but as social conflicts born out of socioeconomic problems endangering proper integration, the name France etymologically derives from the word Francia, the territory of the Franks. The Franks were a Germanic tribe that overran Roman Gaul at the end of the Roman Empire, in the pre-Roman era, all of Gaul was inhabited by a variety of peoples who were known collectively as the Gaulish tribes. Gaul was militarily conquered in 58-51 BCE by the Roman legions under the command of General Julius Caesar, the area then became part of the Roman Empire. Over the next five centuries the two cultures intermingled, creating a hybridized Gallo-Roman culture, the Gaulish vernacular language disappeared step by step to be replaced everywhere by Vulgar Latin, which would later develop under Frankish influence into the French language in the North of France. With the decline of the Roman Empire in Western Europe, a federation of Germanic peoples entered the picture, the Franks were Germanic pagans who began to settle in northern Gaul as laeti, already during the Roman era. They continued to filter across the Rhine River from present-day Netherlands, at the beginning, they served in the Roman army and reached high commands. Their language is spoken as a kind of Dutch in northern France. Another Germanic people immigrated massively to Alsace, the Alamans, which explains the Alemannic German spoken there and they were competitors of the Franks, thats why it became at the Renaissance time the word for German in French, Allemand. By the early 6th century the Franks, led by the Merovingian king Clovis I and his sons, had consolidated their hold on much of modern-day France, the Vikings eventually intermarried with the local people, converting to Christianity in the process
French people
–
Louis XIV of France "The Sun-King"
French people
–
Row 1:
Joan of Arc
French people
–
Liberty Leading the People by Eugène Delacroix
French people
–
French people in Paris, August 1944
5.
Age of Enlightenment
–
The Enlightenment was an intellectual movement which dominated the world of ideas in Europe during the 18th century, The Century of Philosophy. In France, the doctrines of les Lumières were individual liberty and religious tolerance in opposition to an absolute monarchy. French historians traditionally place the Enlightenment between 1715, the year that Louis XIV died, and 1789, the beginning of the French Revolution, some recent historians begin the period in the 1620s, with the start of the scientific revolution. Les philosophes of the widely circulated their ideas through meetings at scientific academies, Masonic lodges, literary salons, coffee houses. The ideas of the Enlightenment undermined the authority of the monarchy and the Church, a variety of 19th-century movements, including liberalism and neo-classicism, trace their intellectual heritage back to the Enlightenment. The Age of Enlightenment was preceded by and closely associated with the scientific revolution, earlier philosophers whose work influenced the Enlightenment included Francis Bacon, René Descartes, John Locke, and Baruch Spinoza. The major figures of the Enlightenment included Cesare Beccaria, Voltaire, Denis Diderot, Jean-Jacques Rousseau, David Hume, Adam Smith, Benjamin Franklin visited Europe repeatedly and contributed actively to the scientific and political debates there and brought the newest ideas back to Philadelphia. Thomas Jefferson closely followed European ideas and later incorporated some of the ideals of the Enlightenment into the Declaration of Independence, others like James Madison incorporated them into the Constitution in 1787. The most influential publication of the Enlightenment was the Encyclopédie, the ideas of the Enlightenment played a major role in inspiring the French Revolution, which began in 1789. After the Revolution, the Enlightenment was followed by an intellectual movement known as Romanticism. René Descartes rationalist philosophy laid the foundation for enlightenment thinking and his attempt to construct the sciences on a secure metaphysical foundation was not as successful as his method of doubt applied in philosophic areas leading to a dualistic doctrine of mind and matter. His skepticism was refined by John Lockes 1690 Essay Concerning Human Understanding and his dualism was challenged by Spinozas uncompromising assertion of the unity of matter in his Tractatus and Ethics. Both lines of thought were opposed by a conservative Counter-Enlightenment. In the mid-18th century, Paris became the center of an explosion of philosophic and scientific activity challenging traditional doctrines, the political philosopher Montesquieu introduced the idea of a separation of powers in a government, a concept which was enthusiastically adopted by the authors of the United States Constitution. Francis Hutcheson, a philosopher, described the utilitarian and consequentialist principle that virtue is that which provides, in his words. Much of what is incorporated in the method and some modern attitudes towards the relationship between science and religion were developed by his protégés David Hume and Adam Smith. Hume became a figure in the skeptical philosophical and empiricist traditions of philosophy. Immanuel Kant tried to reconcile rationalism and religious belief, individual freedom and political authority, as well as map out a view of the sphere through private
Age of Enlightenment
–
German philosopher
Immanuel Kant
Age of Enlightenment
–
History of
Western philosophy
Age of Enlightenment
–
Cesare Beccaria, father of classical criminal theory (1738–1794)
Age of Enlightenment
–
Like other Enlightenment philosophers,
Rousseau was critical of the
Atlantic slave trade.
6.
Romantic comedy
–
Romantic comedy films are films with light-hearted, humorous plotlines, centered on romantic ideals such as that true love is able to surmount most obstacles. One dictionary definition is a movie, play, or television program about a love story that ends happily. Another definition states that its primary distinguishing feature is a plot in which two sympathetic and well-matched lovers are united or reconciled. Romantic comedy films are a genre of comedy films as well as of romance films. However a romantic comedy is classified as a film with two genres not a new genre. Some television series can also be classified as romantic comedies, a wedding-bells, fairy-tale-style happy ending is practically mandatory. The basic plot of a comedy is that two characters meet, part ways due to an argument or other obstacle, then ultimately reunite. Sometimes the two meet and become involved initially, then must confront challenges to their union. Sometimes they are hesitant to become involved because they believe that they do not like each other, because one of them already has a partner. However, the screenwriters leave clues that suggest that the characters are, in fact, attracted to each other, the protagonists often separate or seek time apart to sort out their feelings or deal with the external obstacles to their being together. While the two protagonists are separated, one or both of them realizes that they are ideal for each other, or that they are in love with each other. Then, after one of the two makes some effort to find the other person and declare their love, or through an astonishing coincidental encounter. Then, perhaps with some comic friction or awkwardness, they declare their love for each other, the couple does not, however, have to marry, or live together happily ever after. The ending of a comedy is meant to affirm the primary importance of the love relationship in its protagonists lives. There are many variations on this basic plotline, sometimes, instead of the two lead characters ending up in each others arms, another love match will be made between one of the principal characters and a secondary character. Alternatively, the film may be a rumination on the impossibility of love, the basic format of a romantic comedy film can be found in much earlier sources, such as Shakespeare plays like Much Ado About Nothing and A Midsummer Nights Dream. Some comedy films, such as Knocked Up, combine themes of romantic comedies and stoner comedies, often known as bromance, such films usually use sexual elements which bring the two characters together. Films in this genre include American Pie 2 and even Wedding Crashers, romantic comedies have begun to spread out of their conventional and traditional structure into other territory
Romantic comedy
–
Marilyn Monroe and
Tom Ewell in
The Seven Year Itch trailer.
Romantic comedy
–
Kathryn Grayson in Seven Sweethearts (1942), a musical romantic comedy film
Romantic comedy
–
Mary Astor and
Joel McCrea in
The Palm Beach Story, a screwball romantic comedy
7.
Novelist
–
A novelist is an author or writer of novels, though often novelists also write in other genres of both fiction and non-fiction. Some novelists are professional novelists, thus make a living writing novels and other fiction, Novelists come from a variety of backgrounds and social classes, and frequently this shapes the content of their works. Similarly, some novelists have creative identities derived from their focus on different genres of fiction, such as crime, while many novelists compose fiction to satisfy personal desires, novelists and commentators often ascribe a particular social responsibility or role to novel writers. Many authors use such moral imperatives to justify different approaches to writing, including activism or different approaches to representing reality truthfully. Novelist is a derivative from the term novel describing the writer of novels. However, the OED attributes the primary meaning of a writer of novels as first appearing in the 1633 book East-India Colation by C. The difference between professional and amateur novelists often is the ability to publish. Many people take up writing as a hobby, but the difficulties of completing large scale fictional works of quality prevent the completion of novels. Once authors have completed a novel, they often try to get it published. The publishing industry requires novels to have accessible profitable markets, thus many novelists will self-publish to circumvent the editorial control of publishers, self-publishing has long been an option for writers, with vanity presses printing bound books for a fee paid by the writer. The rise of the Internet and electronic books has made self publishing far less expensive, Novelists apply a number of different methods to writing their novels, relying on a variety of approaches to inspire creativity. Some communities actively encourage amateurs to practice writing novels to develop these unique practices, for example, the internet-based group, National Novel Writing Month, encourages people to write 50, 000-word novels in the month of November, to give novelists practice completing such works. In the 2010 event, over 200,000 people took part – writing a total of over 2.8 billion words, Novelists dont usually publish their first novels until later in life. However, many novelists begin writing at a young age, for example, Iain Banks began writing at eleven, and at sixteen completed his first novel, The Hungarian Lift-Jet, about international arms dealers, in pencil in a larger-than-foolscap log book. However, he was thirty before he published his first novel, the success of this novel enabled Banks to become a full-time novelist. Occasionally, novelists publish as early as their teens, for example, Patrick OBrian published his first novel, Caesar, The Life Story of a Panda-Leopard, at the age of 15, which brought him considerable critical attention. Occasionally, these works will achieve popular success as well, for example, though Christopher Paolinis Eragon, was not a great critical success, but its popularity among readers placed it on the New York Times Childrens Books Best Seller list for 121 weeks. First-time novelists of any age often find themselves unable to get published, because of a number of reasons reflecting the inexperience of the author
Novelist
–
William Faulkner's
Underwood Universal Portable typewriter in his office at
Rowan Oak, which is now maintained by the
University of Mississippi in
Oxford as a museum
Novelist
–
Novelist
James Patterson, one of the most monetarily successful contemporary novelists, who made $70 million in 2010
Novelist
–
The
Scott Monument on Edinburgh's
Princes Street.
8.
Dramatist
–
A playwright, also known as a dramatist, is a person who writes plays. The term is not a variant spelling of playwrite, but something quite distinct, hence the prefix and the suffix combine to indicate someone who has wrought words, themes, and other elements into a dramatic form - someone who crafts plays. The homophone with write is in this case entirely coincidental, the term playwright appears to have been coined by Ben Jonson in his Epigram 49, To Playwright, as an insult, to suggest a mere tradesman fashioning works for the theatre. Jonson described himself as a poet, not a playwright, since plays during that time were written in meter and this view was held as late as the early 19th century. The term playwright later lost this negative connotation, the earliest playwrights in Western literature with surviving works are the Ancient Greeks. These early plays were written for annual Athenian competitions among playwrights held around the 5th century BC, such notables as Aeschylus, Sophocles, Euripides, and Aristophanes established forms still relied on by their modern counterparts. For the ancient Greeks, playwriting involved poïesis, the act of making and this is the source of the English word poet. In the 4th century BCE, Aristotle wrote his Poetics, the first play-writing manual, in this famous text, Aristotle established the principle of action or praxis as the basis for all drama. He then included a hierarchy of elements for the beginning with plot, character, thought, diction, music. The ends of drama were plot, character, and thought, the means of drama were language and music, since the myths, upon which Greek tragedy were based, were widely known, plot had to do with the arrangement and selection of existing material. Character was equated with choice as rather than psychology, so that character was determined by action, in tragedy, the notion of ethical choice determined the character of the individual. Thought had more to do and the imitation of an action that is serious, thus, he developed his notion of hamartia, or tragic flaw, an error in judgment by the main character or protagonist. It provides the basis for the play, a term still held as the sine qua non of dramaturgy. The Poetics, while very brief and highly condensed, is studied today. Perhaps the most Aristotelian of contemporary playwrights is David Mamet, who embraces the idea of character as agent of the action, and emphasizes causality in the structure of his plays. His recently revived, Speed-the-Plow, is quintessentially Aristotelian, in that it observes the unities and builds its plot through a causal stream of discoveries and reversals. The Italian Renaissance brought about a stricter interpretation of Aristotle, as this long-lost work came to light in the late 15th century. The neoclassical ideal, which was to reach its apogee in France during the 17th century, dwelled upon the unities, of action, place, and time
Dramatist
–
William Shakespeare
9.
Comedy
–
In a modern sense, comedy refers to any discourse or work generally intended to be humorous or amusing by inducing laughter, especially in theatre, television, film, and stand-up comedy. The origins of the term are found in Ancient Greece, in the Athenian democracy, the public opinion of voters was influenced by the political satire performed by the comic poets at the theaters. The theatrical genre of Greek comedy can be described as a performance which pits two groups or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a Society of Youth and a Society of the Old, a revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions that pose obstacles to his hopes. Satire and political satire use comedy to portray persons or social institutions as ridiculous or corrupt, parody subverts popular genres and forms, critiquing those forms without necessarily condemning them. Similarly scatological humour, sexual humour, and race humour create comedy by violating social conventions or taboos in comic ways, a comedy of manners typically takes as its subject a particular part of society and uses humor to parody or satirize the behaviour and mannerisms of its members. Romantic comedy is a genre that depicts burgeoning romance in humorous terms. The adjective comic, which means that which relates to comedy is, in modern usage. Of this, the word came into usage through the Latin comoedia and Italian commedia and has, over time. The Greeks and Romans confined their use of the comedy to descriptions of stage-plays with happy endings. Aristotle defined comedy as an imitation of men worse than the average, however, the characters portrayed in comedies were not worse than average in every way, only insofar as they are Ridiculous, which is a species of the Ugly. The Ridiculous may be defined as a mistake or deformity not productive of pain or harm to others, the mask, for instance, in the Middle Ages, the term expanded to include narrative poems with happy endings. It is in this sense that Dante used the term in the title of his poem, as time progressed, the word came more and more to be associated with any sort of performance intended to cause laughter. During the Middle Ages, the comedy became synonymous with satire. They disassociated comedy from Greek dramatic representation and instead identified it with Arabic poetic themes and forms and they viewed comedy as simply the art of reprehension, and made no reference to light and cheerful events, or to the troubling beginnings and happy endings associated with classical Greek comedy. After the Latin translations of the 12th century, the term gained a more general meaning in medieval literature. Starting from 425 BCE, Aristophanes, a playwright and satirical author of the Ancient Greek Theater wrote 40 comedies,11 of which survive. Aristophanes developed his type of comedy from the satyr plays
Comedy
–
Thalia, muse of comedy, holding a comic mask - detail of “Muses Sarcophagus”, the
nine Muses and their attributes; marble, early second century AD, Via Ostiense - Louvre
Comedy
–
Charlie Chaplin
Comedy
–
The
Monty Python comedy group
Comedy
–
Tragic Comic Masks of
Ancient Greek Theatre represented in the
Hadrian's Villa mosaic.
10.
Les Fausses Confidences
–
Les Fausses Confidences is a three-act comedy in prose by the French playwright Pierre de Carlet de Chamberlain de Marivaux. It was first performed on the 16 March 1737 by the actors of the Comédie Italienne at the Hotel de Bourgogne, despite its well-devised plot, likeable characters and interesting comic situations, this play did not at first receive the success it merited. However, when it was taken up again, this time by the Théâtre-Français in 1793, it received a much more favourable reception. His former valet, Dubois, is now in the service of a young widow and, seeing that his former master is in love with her. He tells Dorante to use his connection to Monsieur Rémy, to introduce himself into the house, all the action is driven by Dubois, who sets in motion a foolproof strategy for making Araminte fall in love with Dorante. From the start, Araminte is attracted by his air and agreeable manners. She is involved in proceedings with Count Dorimont, who is keen to marry her in order to end the case. She herself has no desire to marry the Count and asks Dorante to examine the documents to see if she has any chance of winning, Monsieur Rémy decides that Dorante would do well to marry Marton, Araminte’s companion and protégée. She would thereby receive 1000 livres, which the Count has promised her as a gift if he marries Araminte, Marton tries to show Dorante that this sum would be beneficial to both of them. Although this is not part of Dubois’ plot, it can help his plan along since Marton’s interest in Dorante is likely to make Araminte jealous. However, Dorante refuses to take any part in this and Araminte, hearing what has happened, Dubois interrupts this conversation and pretends to be surprised to see Dorante, while Dorante feigns embarrassment at being seen. Left alone with Dubois, Araminte asks for information about her new steward. He tells her that he is the most honest man in the world, well-educated, upright, and distinguished, several highly advantageous matches have been proposed to him, all of which he has refused because of this mad infatuation. When Araminte asks Dubois if he knows the person who has inspired such passion and she is astonished, but also deeply touched. Although she tells herself that she should not keep her steward now she is aware of his feelings for her, she make up her mind to send him away immediately. Dorante advises Araminte to take the Count to court, Monsieur Rémy arrives to suggest a rich marriage for his nephew, and is irritated when he refuses. The unfortunate Marton believes that it is for her sake, at this point, a mysterious portrait is delivered to Araminte’s house, and Marton is sure that she is the subject. However, when Araminte opens the box in the presence of her mother, Araminte learns from Dubois that the idea of marrying Dorante to Marton has come from Monsieur Rémy, and that the portrait has indeed been painted by Dorante
Les Fausses Confidences
–
Marivaux: Les Fausses Confidences
11.
Unfinished work
–
An unfinished work is creative work that has not been finished. Its creator may have never to finish it or may have been prevented from doing so by circumstances outside of their control. Such pieces are often the subject of speculation as to what the piece would have been like had the original creator completed the work with their own hand. Sometimes artworks are finished by others and released posthumously, Unfinished works have had profound influences on their genres and have inspired others in their own projects. The term can refer to ongoing work which could eventually be finished and is distinguishable from incomplete work. There are many reasons for not being completed. Works are usually stopped when their creator dies, although some, aware of their failing health, if the work involves other people, such as a cast of actors or the subject of a portrait, it may be halted because of their unavailability. Projects that are too grandiose might never have finished, while others should be feasible. Unfinished works by authors and artists may still be made public. Alternatively, another artist may finish the piece, in some fields work may appear unfinished but are actually finished, such as Donatellos non finito technique in sculpture. Many acclaimed authors have left work incomplete, some such pieces have been published posthumously, either in their incomplete state or after being finished by somebody else. It is the job of literary executors to take charge of the work of a writer after their death and they must often decide what to do with incomplete work, using their own judgement if not given explicit instructions. These works have become iconic in Western literature, the posthumous publication of some of Ernest Hemingways unfinished novels was met with controversy. Novels can remain unfinished because the author continually rewrites the story, when enough material exists, someone else can compile and combine the work, creating a finished story from several different drafts. Mark Twains The Mysterious Stranger was written in three different versions over a period of 20 years, none of which were completed, twain biographer and literary executor Albert Paine combined the stories and published his version six years after Twains death. Similarly, J. R. R. Tolkien continuously rewrote The Silmarillion throughout his lifetime and his son, Christopher Tolkien, invited fantasy fiction writer Guy Gavriel Kay to reconstruct some parts of the book, and they eventually published a final version in 1977. In 1980, Christopher Tolkien published another collection of his fathers unfinished work. Between 1982 and 1996, he published volumes of The History of Middle-earth
Unfinished work
–
An unfinished
portrait miniature of
Oliver Cromwell by
Samuel Cooper.
Unfinished work
–
Franz Kafka 's unfinished writings were released after his death despite his wishes for them to be destroyed.
Unfinished work
–
Mark Twain took 20 years to write three versions of
The Mysterious Stranger but he did not finish any of them.
Unfinished work
–
St. Thomas Aquinas stopped work on his
Summa Theologiae in 1273 after a mystical experience.
12.
La Vie de Marianne
–
La Vie de Marianne is an unfinished novel by Pierre de Marivaux and illustrated by Jakob van der Schley. The novel was written in sections, eleven of which appeared between 1731 and 1745, a Continuation was produced by Madame Riccoboni, but this too is incomplete. Maria Rosaria Ansalone, Una Donna, una vita, un romanzo, saggio su “La Vie de Marianne” di Marivaux, Fasano, Schena,1985. Patrick Brady, Structuralist perspectives in criticism of fiction, essays on Manon Lescaut and La Vie de Marianne, Bern, Las Vegas, P. Lang,1978. Patrick Brady, Rococo Style versus enlightenment novel, with essays on Lettres persanes, La Vie de Marianne, Candide, La Nouvelle Héloïse, Le Neveu de Rameau, Geneva, Slatkine,1984. Peter Brooks, The Novel of worldliness, Crébillon, Marivaux, Laclos, Stendhal, Princeton, david Coward, Marivaux, La Vie de Marianne and Le paysan parvenu, London, Grant & Cutler,1982. Anne Deneys-Tunney, Écritures du corps, de Descartes à Laclos, Paris, béatrice Didier, La Voix de Marianne, essai sur Marivaux, Paris, J. Corti,1987 ISBN 978-2-7143-0229-8. Annick Jugan, Les Variations du récit dans La Vie de Marianne de Marivaux, Paris, marie-Paule Laden, Self-imitation in the eighteenth-century novel, Princeton, N. J. Princeton University Press,1987 ISBN 978-0-691-06705-6, leo Spitzer, Alban K. Forcione, Herbert Samuel Lindenberger, et al. Representative essays, Stanford, CA, Stanford University Press,1988 ISBN 978-0-8047-1367-2, theodore E. D. Braun, John A. McCarthy, Disrupted patterns, on chaos and order in the Enlightenment, Amsterdam, Atlanta, GA, Rodopi,2000 ISBN 978-90-420-0550-1. Nancy K. Miller, The Heroines text, readings in the French and English novel, 1722-1782, New York, annie Rivara, Les Sœurs de Marianne, suites, imitations, variations, 1731-1761, Voltaire Foundation, Oxford,1991 ISBN 978-0-7294-0413-6. Philip Stewart, Half-told tales, Dilemmas of meaning in three French novels, Chapel Hill, U. N. C, dept. of Romance Languages,1987 ISBN 978-0-8078-9232-9. Essai sur l’écriture de soi au XVIIIe siècle, Paris, L’Harmattan,2006, arnold L. Weinstein, Fictions of the self, 1550-1800, Princeton, N. J. Princeton University Press,1981 ISBN 978-0-691-06448-2
La Vie de Marianne
–
Fourth part of La Vie de Marianne (1736).
13.
Normandy
–
Normandy is one of the regions of France, roughly corresponding to the historical Duchy of Normandy. Administratively, Normandy is divided into five departments, Calvados, Eure, Manche, Orne and it covers 30,627 km², forming roughly 5% of the territory of France. Its population of 3.37 million accounts for around 5% of the population of France, Normans is the name given to the inhabitants of Normandy, and the region is the homeland of the Norman language. The historical region of Normandy comprised the region of Normandy, as well as small areas now part of the départements, or departments of Mayenne. For a century and a following the Norman conquest of England in 1066, Normandy and England were linked by Norman. Archaeological finds, such as paintings, prove that humans were present in the region in prehistoric times. Celts invaded Normandy in successive waves from the 4th to the 3rd century BC, when Julius Caesar invaded Gaul, there were nine different Celtic tribes living in Normandy. The Romanisation of Normandy was achieved by the methods, Roman roads. Classicists have knowledge of many Gallo-Roman villas in Normandy, in the late 3rd century, barbarian raids devastated Normandy. Coastal settlements were raided by Saxon pirates, Christianity also began to enter the area during this period. In 406, Germanic tribes began invading from the east, while the Saxons subjugated the Norman coast, the Roman Emperor withdrew from most of Normandy. As early as 487, the area between the River Somme and the River Loire came under the control of the Frankish lord Clovis, the Vikings started to raid the Seine Valley during the middle of the 9th century. As early as 841, a Viking fleet appeared at the mouth of the Seine, after attacking and destroying monasteries, including one at Jumièges, they took advantage of the power vacuum created by the disintegration of Charlemagnes empire to take northern France. The fiefdom of Normandy was created for the Norwegian Viking leader Hrólfr Ragnvaldsson, Rollo had besieged Paris but in 911 entered vassalage to the king of the West Franks, Charles the Simple, through the Treaty of Saint-Clair-sur-Epte. In exchange for his homage and fealty, Rollo legally gained the territory which he, the name Normandy reflects Rollos Viking origins. The descendants of Rollo and his followers adopted the local Gallo-Romance language and they became the Normans – a Norman-speaking mixture of Saxons and indigenous Franks and Celts. Besides the Norman conquest of England and the subsequent conquests of Wales and Ireland, Norman families, such as that of Tancred of Hauteville, Rainulf Drengot and Guimond de Moulins played important parts in the Norman conquest of southern Italy and Crusades. They also carved out a place for themselves and their descendants in the Crusader states of Asia Minor, the 14th century Norman explorer Jean de Béthencourt established a kingdom in the Canary Islands
Normandy
–
Roman theatre in
Lillebonne
Normandy
Normandy
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Allied invasion of Normandy,
D-Day, 1944
Normandy
–
A typical northeastern Norman village
14.
Limoges
–
Limoges is a city and commune, the capital of the Haute-Vienne department and the administrative capital of the Limousin in west-central France. Limoges is known for its medieval and Renaissance enamels on copper, for its 19th-century porcelain and for its oak barrels which are used for Cognac, some are even exported to wineries in California. Scarce remains of settlements have been found in the area of Limoges. The city proper was founded as Augustoritum by the Romans, around 10 BC, the foundation was part of the reorganization of the province by the emperor Augustus, hence the new name. The Roman city included an amphitheatre measuring 136 x 115 metres, a theatre, according to tradition, a temple consecrated to Venus, Diana, Minerva and Jupiter was located near the modern cathedral. The city was on the typical Roman square plan, with two main crossing in the centre. It had a Senate and a currency of its own, a sign of its importance in the imperial age, Limoges was evangelized by Saint Martial, who came to the city around 250 with two companions, Alpinianus and Austriclinienus. However, in the late 3rd century it was increasingly abandoned, the population was concentrated instead in a more easily fortifiable site, the modern Puy Saint-Étienne, which is the centre of the modern Limoges. Starting from the 11th century, thanks to the presence of the Abbey of St. Martial and its large library, Limoges became a flourishing artistic centre. It was home to an important school of music composition. In the 13th century, at the peak of its splendour, the town proper, with a new line of walls encompassing the Vienne River, inhabited mainly by clerks and workers. It has a bridge on the Vienne river named after Saint-Étienne, built by the bishops, sacked in 1370, it never recovered entirely. The castle, with 12 meter-high walls, including the abbey and controlled by the abbot, traces of the walls can still be seen in the city centre. Outside the lines of walls were the popular quarters, in 1370, Limoges was occupied by Edward, the Black Prince, who massacred some 300 residents, perhaps a sixth of the normal population, with another 60 members of the garrison of 140 dead as well. The city and castle were united in 1792 to form the city of Limoges. During the French Revolution several religious edifices, considered symbols of the Ancien Régime, were destroyed by the population, some years later the porcelain industry started to develop, favoured by the presence of kaolinite which was discovered near Limoges in 1768. Factories in Limoges and St Junien still produce luxury leather shoes, gloves, in the 19th century Limoges saw strong construction activity, which included the destruction and rebuilding of much of the city centre. The unsafe conditions of the population is highlighted by the outbreak of several riots, including that of July–November 1830
Limoges
–
The city hall
Limoges
–
Limoges enamel ciborium with
champlevé enamel, and center rim in
pseudo-Kufic script, circa 1200.
Limoges
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Yale Mobile Hospital Unit No. 39 stationed at the Limoges factory, Christmas, 1917
Limoges
–
The Cathedral of Limoges
15.
Riom
–
Riom is a commune town in the Puy-de-Dôme department in Auvergne in central France. It is a sub-prefecture of the department, until the French Revolution, Riom was the capital of the province of Auvergne, and the seat of the dukes of Auvergne. The city was of Gaulish origin, the Roman Ricomagus, in the intensely feudalized Auvergne of the 10th century, the town grew up around the collegiate Church of Saint Amabilis, the local saint, who was the object of pilgrimages. Riom was the capital of the dukes of Auvergne, in the 14th century the city benefitted from the patronage of the Jean, duc de Berry, who rebuilt the Ducal Palace and the Saint-Chapelle. In 1531, Riom and the Auvergne reverted to the Crown of France, in 1942, Riom was the site of the Vichy governments abortive war-guilt trials, called Riom Trials. In 1985 Riom received the French classification of Ville dArt et dHistoire recognizing its sixteen classified historical monuments as well as another 57 on the supplementary listings, several 17th- and 18th-century private houses are open to the public with collections of costumes and works of decorative art. Rioms two major public squares are Place Jean-Baptiste Laurent and Place du pré-Madame in which two large fountains in homage to Desaix. The Bibliothèque Municipale de Riom, is a library in Riom. Since 1968 it has located on Avenue Mgr Martrou. The library was established after the French Revolution, the library collection began after the French Revolution and it has been housed in a number of buildings including a college and at Riom city hall. In 1905 the library was moved to a Carmelite convent building, the present home of the collection was opened in 1968. The special part of the consists of 15 medieval manuscripts. The Ministry of Culture and Communication digitized three illuminated manuscripts, of the illuminated works five volumes are from the 15th - 16th centuries. Riom Tourism - Official site from the Auvergne Office de Tourisme, Joan of Arcs letter to Riom - Translation by Allen Williamson of a letter dictated by Joan of Arc to the people of Riom on November 9,1429. The Musée de Veygoux is a museum in the Manoir de Veygoux dedicated to the French Revolution, the Riom trials of 1942, from a Marxist perspective
Riom
–
Sainte chapelle
16.
Auvergne (province)
–
The history of the Auvergne dates back to the early Middle Ages, when it was a historic province in south central France. It was originally the feudal domain of the Counts of Auvergne, christianized by Saint Austremoine, Auvergne was quite prosperous during the Roman ages. After a short time under the Visigoths, it was conquered by the Franks, during the earlier medieval period, Auvergne was a county within the duchy of Aquitaine and as such part of the Angevin Empire until the 13th century. In 1225, Louis VIII of France granted Poitou and Auvergne to his third son Alfonso, on Alfonsos death in 1271, Auvergne along with the County of Toulouse, Poitou and the Comtat Venaissin reverted to the royal domain. The Middle Ages, especially the 10th to 13th centuries, were a period of development for Auvergne, with the building of famous abbeys. In the year 1095, the historic Council of Clermont was held there and its wide autonomy was ended by King Philippe-Auguste of France, who linked it to the royal possessions. The region is famed for its charcuterie, which is celebrated in La Mangona festivals in many Auvergnat villages, for its cheeses, Auvergne is also the site of several major hydroelectric projects, mainly located on the Dordogne, Cère, and Truyère rivers. The region is also quite touristic, thanks to its landscapes, Auvergnat, a variety of the Occitan language, was historically spoken in the Auvergne. Aubrac oxen, a breed, are raised in the Aubrac hills. The Auvergne emigrants, together with other Aveyron and Italian emigrants, composer Joseph Canteloube based Songs of the Auvergne, his well-known piece for voice and orchestra, on folk music and songs from the Auvergne. Singer-songwriter Georges Brassens composed Chanson pour lAuvergnat, composer Camille Saint-Saëns composed Rhapsodie dAuvergne in 1884, based upon folk songs from the Auvergne. Vercingetorix, King of the Arverni, leader of the Gallic resistance against Julius Caesar. Gilbert du Motier, marquis de La Fayette, born in Auvergne, was a hero in both France and the United States for his roles in the American Revolutionary War and the French Revolution. Pierre-Andre Coffinhal, Jacobin leader and vice-president of the Revolutionary Tribunal, was born in Auvergne, a close friend of Robespierre, he was executed following the events of the 9 Thermidor. Jean-Baptiste Carrier was a French Revolutionary born in Yolet of Auvergne and he was famous for his brutality towards his enemies. In 1794, he was guillotined upon the conviction of the National Convention, sylvester II, pope and scholar, born Gerbert of Aurillac, a significant player in the transition from the Carolingians to the Capetians. The Dalfi dAlvernha or Dauphin dAuvergne, troubadour and patron of troubadours, Count of Clermont and Montferrand Joseph Canteloube, French composer. Guy Debord, writer and leader of the Situationist International, acquired a house in the region in 1975
Auvergne (province)
–
Statue of Vercingetorix in
Clermont-Ferrand
Auvergne (province)
Auvergne (province)
–
Brooklyn Museum - Landscape in Auvergne - Auguste-François Bonheur
17.
Homer
–
Homer is the name ascribed by the ancient Greeks to the semi-legendary author of the Iliad and the Odyssey, two epic poems which are the central works of Greek literature. The Odyssey focuses on the home of Odysseus, king of Ithaca. Many accounts of Homers life circulated in classical antiquity, the most widespread being that he was a bard from Ionia. The modern scholarly consensus is that these traditions do not have any historical value, the Homeric question - by whom, when, where and under what circumstances were the Iliad and Odyssey composed - continues to be debated. Broadly speaking, modern scholarly opinion on the authorship question falls into two camps, one group holds that most of the Iliad and the Odyssey is the work of a single poet of genius. The other considers the Homeric poems to be the crystallization of a process of working and re-working by many contributors and it is generally accepted that the poems were composed at some point around the late eighth or early seventh century B. C. Most researchers believe that the poems were transmitted orally. The Homeric epics were the greatest influence on ancient Greek culture and education, to Plato, the chronological period of Homer depends on the meaning to be assigned to the word Homer. Was Homer a single person, an imaginary person representing a group of poets and this information is often called the world of Homer. The Homeric period would in that cover a number of historical periods, especially the Mycenaean Age. Considered word-for-word, the texts as we know them are the product of the scholars of the last three centuries. Each edition of the Iliad or Odyssey is a different, as the editors rely on different manuscripts and fragments. The term accuracy reveals a belief in an original uniform text. The manuscripts of the work currently available date to no earlier than the 10th century. These are at the end of a missing thousand-year chain of copies made as each generation of manuscripts disintegrated or were lost or destroyed and these numerous manuscripts are so similar that a single original can be postulated. The time gap in the chain is bridged by the scholia, or notes, on the existing manuscripts, librarian of the Library of Alexandria, he had noticed a wide divergence in the works attributed to Homer, and was trying to restore a more authentic copy. He had collected several manuscripts, which he named, the Sinopic, the one he selected for correction was the koine, which Murray translates as the Vulgate. Aristarchus was known for his selection of material
Homer
–
Idealized portrayal of Homer dating to the
Hellenistic period.
British Museum.
Homer
–
Part of an 11th-century manuscript, "the Townley Homer". The writing on the top and right side are
scholia.
Homer
–
Homer and His Guide, by
William-Adolphe Bouguereau (1825–1905), portraying Homer on
Mount Ida, beset by dogs and guided by the goatherder Glaucus (as told in
Pseudo-Herodotus)
Homer
–
Raphael 's inspired Homer on
Mount Parnassus.
18.
Antoine Houdar de La Motte
–
Antoine Houdar de la Motte was a French author. De la Motte was born and died in Paris, in 1693 his comedy, Les Originaux, was a complete failure, and so depressed the author that he contemplated joining the Trappists. Four years later he began writing texts for operas and ballets, e. g. LEurope galante and he was a champion of the moderns in the revived controversy of the ancients and moderns. His Fables nouvelles was regarded as a modernist manifesto, anne Dacier had published a translation of the Iliad, and La Motte, who knew no Greek, made a translation in verse founded on her work. He said of his own work, I have taken the liberty to change what I thought disagreeable in it and he defended the moderns in the Discours sur Homère prefixed to his translation, and in his Réflexions sur la critique. Apart from the merits of the controversy, it was conducted on La Mottes side with a wit and he was elected to the Académie française in 1710, but soon afterwards went blind. La Motte carried on a correspondence with the duchesse du Maine and he had the same freedom from prejudice and the same inquiring mind as the latter, and it is on the excellent prose in which his views are expressed that his reputation rests. His Œuvres du theâtre appeared in 1730, and his Œuvres in 1754, see Hippolyte Rigault, Histoire de la querelle des anciens et des modernes. free. édition revue et mise à jour sous la direction de François Moureau, Paris, Fayard,1995 François Moureau, « Les Fables nouvelles de La Motte ou comment sen débarrasser », Le Fablier, #2,1990 J. G. Robertson, « Sources italiennes des Paradoxes dramatiques de La Motte », Rev. article name needed
Antoine Houdar de La Motte
–
Antoine Houdar de la Motte
19.
Jean-Jacques Rousseau
–
Jean-Jacques Rousseau was a Francophone Genevan philosopher, writer, and composer of the 18th century. His political philosophy influenced the Enlightenment in France and across Europe, as well as aspects of the French Revolution, Rousseaus novel Emile, or On Education is a treatise on the education of the whole person for citizenship. His sentimental novel Julie, or the New Heloise was of importance to the development of pre-romanticism and romanticism in fiction and his Discourse on Inequality and The Social Contract are cornerstones in modern political and social thought. During the period of the French Revolution, Rousseau was the most popular of the philosophes among members of the Jacobin Club and he was interred as a national hero in the Panthéon in Paris, in 1794,16 years after his death. Rousseau was born in Geneva, which was at the time a city-state, since 1536, Geneva had been a Huguenot republic and the seat of Calvinism. Rousseau was proud that his family, of the order, had voting rights in the city. Throughout his life, he signed his books Jean-Jacques Rousseau. Geneva, in theory, was governed democratically by its male voting citizens, the citizens were a minority of the population when compared to the immigrants, referred to as inhabitants, whose descendants were called natives and continued to lack suffrage. There was much debate within Geneva, extending down to the tradespeople. Much discussion was over the idea of the sovereignty of the people, in 1707, a democratic reformer named Pierre Fatio protested this situation, saying a sovereign that never performs an act of sovereignty is an imaginary being. He was shot by order of the Little Council, Jean-Jacques Rousseaus father, Isaac, was not in the city at this time, but Jean-Jacquess grandfather supported Fatio and was penalized for it. The trade of watchmaking had become a tradition by the time of Rousseaus father. Isaac followed his grandfather, father and brothers into the business, Isaac, notwithstanding his artisan status, was well educated and a lover of music. A Genevan watchmaker, Rousseau wrote, is a man who can be introduced anywhere, in 1699, Isaac ran into political difficulty by entering a quarrel with visiting English officers, who in response drew their swords and threatened him. After local officials stepped in, it was Isaac who was punished, Rousseaus mother, Suzanne Bernard Rousseau, was from an upper-class family. She was raised by her uncle Samuel Bernard, a Calvinist preacher and he cared for Suzanne after her father Jacques died in his early thirties. In 1695, Suzanne had to answer charges that she had attended a street theater disguised as a peasant woman so she could gaze upon M. Vincent Sarrasin, after a hearing, she was ordered by the Genevan Consistory to never interact with him again. She married Rousseaus father at the age of 31, isaacs sister had married Suzannes brother eight years earlier, after she had become pregnant and they had been chastised by the Consistory
Jean-Jacques Rousseau
–
Rousseau in 1753, by
Maurice Quentin de La Tour
Jean-Jacques Rousseau
–
The house where Rousseau was born at number 40, Grand-Rue.
Jean-Jacques Rousseau
–
Les Charmettes, where Rousseau lived with
Mme. de Warens in 1735–6, now a museum dedicated to Rousseau.
Jean-Jacques Rousseau
–
Palazzo belonging to Tommaso Querini at 968 Cannaregio
Venice that served as the French Embassy during Rousseau's period as Secretary to the Ambassador
20.
Voltaire
–
Voltaire was a versatile writer, producing works in almost every literary form, including plays, poems, novels, essays, and historical and scientific works. He wrote more than 21,000 letters and over two books and pamphlets. He was an advocate of civil liberties, despite the risk this placed him in under the strict censorship laws of the time. As a satirical polemicist, he made use of his works to criticize intolerance, religious dogma. Some speculation surrounds Voltaires date of birth, because he claimed he was born on 20 February 1694 as the son of a nobleman. Two of his older brothers—Armand-François and Robert—died in infancy and his brother, Armand. Nicknamed Zozo by his family, Voltaire was baptized on 22 November 1694, with François de Castagnère, abbé de Châteauneuf, and Marie Daumard, the wife of his mothers cousin, standing as godparents. He was educated by the Jesuits at the Collège Louis-le-Grand, where he was taught Latin, theology, and rhetoric, later in life he became fluent in Italian, Spanish, and English. By the time he left school, Voltaire had decided he wanted to be a writer, against the wishes of his father, Voltaire, pretending to work in Paris as an assistant to a notary, spent much of his time writing poetry. When his father out, he sent Voltaire to study law. Nevertheless, he continued to write, producing essays and historical studies, Voltaires wit made him popular among some of the aristocratic families with whom he mixed. In 1713, his father obtained a job for him as a secretary to the new French ambassador in the Netherlands, the marquis de Châteauneuf, at The Hague, Voltaire fell in love with a French Protestant refugee named Catherine Olympe Dunoyer. Their scandalous affair was discovered by de Châteauneuf and Voltaire was forced to return to France by the end of the year, Most of Voltaires early life revolved around Paris. From early on, Voltaire had trouble with the authorities for critiques of the government and these activities were to result in two imprisonments and a temporary exile to England. One satirical verse, in which Voltaire accused the Régent of incest with his own daughter, the Comédie-Française had agreed in January 1717 to stage his debut play, Œdipe, and it opened in mid-November 1718, seven months after his release. Its immediate critical and financial success established his reputation, both the Régent and King George I of Great Britain presented Voltaire with medals as a mark of their appreciation. He mainly argued for tolerance and freedom of thought. He campaigned to eradicate priestly and aristo-monarchical authority, and supported a constitutional monarchy that protects peoples rights, the author adopted the name Voltaire in 1718, following his incarceration at the Bastille
Voltaire
–
Portrait by
Nicolas de Largillière
Voltaire
–
In the frontispiece to Voltaire's book on Newton's philosophy,
Émilie du Châtelet appears as Voltaire's muse, reflecting Newton's heavenly insights down to Voltaire.
Voltaire
–
Voltaire's
château at
Ferney, France
Voltaire
–
Voltaire's tomb in Paris's
Panthéon
21.
Bernard le Bovier de Fontenelle
–
Fontenelle was born in Rouen, France and died in Paris just one month before his 100th birthday. His mother was the sister of great French dramatists Pierre and Thomas Corneille and his father, François le Bovier de Fontenelle, was a lawyer who worked in the provincial court of Rouen and came from a family of lawyers from Alençon. He trained in the law but gave up after one case, devoting his life to writing about philosophers and scientists, especially defending the Cartesian tradition. In spite of the merit and value of his writings. He was a commentator and explicator and occasionally a passionate, though generally good-humoured and he was educated at the college of the Jesuits, the Lycée Pierre Corneille. At the Lycée he showed a preference for literature and distinguished himself and he began as a poet, writing a poem in Latin at the age of 13 and more than once competed for prizes of the Académie française, but he never won anything. He visited Paris from time to time and became friendly with the abbé de Saint-Pierre, the abbé Vertot and he witnessed, in 1680, the total failure of his tragedy Aspar. Fontenelle afterwards acknowledged the public verdict by burning his unfortunate drama and his opera of Thétis et Pélée,1689, was not much better, and it may be significant that none of his dramatic works are still performed. His Poésies pastorales are also mediocre and his Lettres galantes du chevalier dHer. Published anonymously in 1685, was a collection of letters portraying worldly society of the time. In 1686 his famous allegory of Rome and Geneva, slightly disguised as the rival princesses Mreo and Eenegu, in the Relation de lîle de Bornéo and he wrote extensively on the nature of the universe, Behold a universe so immense that I am lost in it. I no longer know where I am, I am just nothing at all. Our world is terrifying in its insignificance and it consisted of two essays, the first of which was designed to prove that oracles were not given by the supernatural agency of demons, and the second that they did not cease with the birth of Jesus. A noted gourmand, he attributed his longevity to eating strawberries, at ninety-two one woman wrote that he was as lively as a man of twenty-two. When, in his nineties he met the beautiful Madame Helvétius, he reportedly told her, Ah Madame. Perhaps the best known of his éloges, of which there are sixty-nine in all, is that of his uncle Pierre Corneille. This was first printed in the Nouvelles de la republique des lettres and, the other important works of Fontenelle are his Éléments de la géometrie de linfini and his Théorie des tourbillons. In the latter he supported the views of René Descartes concerning gravitation and he is noted for the accessibility of his work – particularly its novelistic style
Bernard le Bovier de Fontenelle
–
Bernard Le Bovier de Fontenelle
22.
Madame de Pompadour
–
She took charge of the king’s schedule and was a valued aide and advisor, despite her frail health and many political enemies. She secured titles of nobility for herself and her relatives, and built a network of clients and she was particularly careful not to alienate the Queen, Marie Leszczyńska. On February 8,1756, the Marquise de Pompadour was named as the lady in waiting to the queen, a position considered the most prestigious at the court. She was a patron of architecture and decorative arts, such as porcelain. She was a patron of the philosophes of the Enlightenment, including Voltaire, Jeanne Antoinette Poisson, otherwise known as Reinette to her friends, was born on 29 December 1721 in Paris to François Poisson and his wife Madeleine de La Motte. It is suspected that her father was either the rich financier Pâris de Montmartel or the tax collector Le Normant de Tournehem. Her younger brother was Abel-François Poisson de Vandières, who became the Marquis de Marigny. Poisson was intelligent, beautiful and refined and she spent her early childhood at the Ursuline convent in Poissy where she received a good education. At the age of 9 in 1730 she returned to Paris under the care of her mother Madame Poisson, the fortune teller told her then that she would one day be the mistress of King Louis XV. From then on Madame Poisson thought, her daughter was destined for greatness and she must provide the means and opportunities to help her achieve it. So her mother took charge of her education at home by hiring tutors who taught her to recite entire plays by heart, play the clavichord, dance, sing, paint. She became an actress and singer, and also attended Pariss Club de lEntresol. On 15 December 1740, Tournehem made his nephew his sole heir, disinheriting all his nephews and nieces. These included the estate at Étiolles, a gift from her guardian. With her husband, she had two children, a boy who died a year after his birth in 1741 and Alexandrine-Jeanne, born 10 August 1744 and died June 1754. Contemporary opinion supported by artwork from the considered the young Mme dÉtiolles to be beautiful, with her small mouth. Her young husband was soon infatuated with her and she was celebrated in the world of Paris. She founded her own salon, at Étiolles, and was joined by many philosophes, as Jeanne Antoinette became known in society, King Louis XV came to hear of her
Madame de Pompadour
–
Portrait by
François Boucher
Madame de Pompadour
–
Madame de Pompadour, portrait by
François Boucher
Madame de Pompadour
–
Madame de Pompadour (1756), portrait by
François Boucher (1703–1770)
Madame de Pompadour
–
Madame de Pompadour as
Diana the Huntress, portrait by
Jean-Marc Nattier
23.
Mississippi Company
–
The Mississippi Company of 1684 became the Company of the West in 1717, and expanded as the Company of the Indies from 1719. This corporation, which held a monopoly in French colonies in North America. In May 1716, the Banque Générale Privée, which developed the use of money, was set up by John Law. It was a bank, but three quarters of the capital consisted of government bills and government-accepted notes. In August 1717, he bought the Mississippi Company to help the French colony in Louisiana, in the same year Law conceived a joint-stock trading company called the Compagnie dOccident. Law was named the Chief Director of this new company, which was granted a monopoly of the West Indies. The bank became the Banque Royale in 1718, meaning the notes were guaranteed by the king, Louis XIVs long reign and wars had nearly bankrupted the French monarchy. Rather than reduce spending, the Regency of Louis XV of France endorsed the monetary theories of Scottish financier John Law, in 1716, Law was given a charter for the Banque Royale under which the national debt was assigned to the bank in return for extraordinary privileges. The key to the Banque Royale agreement was that the debt would be paid from revenues derived from opening the Mississippi Valley. The Bank was tied to other ventures of Law—the Company of the West, all were known as the Mississippi Company. The Mississippi Company had a monopoly on trade and mineral wealth, Law was given the title Duc dArkansas. Bernard de la Harpe and his party left New Orleans in 1719 to explore the Red River, in 1721, he explored the Arkansas River. At the Yazoo settlements in Mississippi he was joined by Jean Benjamin who became the scientist for the expedition, in 1718, there were only 700 Europeans in Louisiana. The Mississippi Company arranged ships to move 800 more, who landed in Louisiana in 1718, John Law encouraged Germans, particularly Germans of the Alsatian region who had recently fallen under French rule, and the Swiss to emigrate. Prisoners were set free in Paris in September 1719 onwards, under the condition that they marry prostitutes, the newly married couples were chained together and taken to the port of embarkation. In May 1720, after complaints from the Mississippi Company and the concessioners about this class of French immigrants, however, there was a third shipment of prisoners in 1721. Law exaggerated the wealth of Louisiana with a marketing scheme. The scheme promised success for the Mississippi Company by combining investor fervor, the popularity of company shares were such that they sparked a need for more paper bank notes, and when shares generated profits the investors were paid out in paper bank notes
Mississippi Company
–
View of the camp of
John Law at Biloxi, December 1720
Mississippi Company
–
Representation of the very famous island of Mad-head, lying in the sea of shares, discovered by Mr. Law-rens, and inhabited by a collection of all kinds of people, to whom are given the general name shareholders, 1720.
24.
The Game of Love and Chance
–
The Game of Love and Chance is a three-act romantic comedy by French playwright Marivaux. The Game of Love and Chance was first performed 23 January 1730 by the Comédie Italienne, in this play, a young woman is visited by her betrothed, whom she does not know. To get an idea of the type of person he is, she trades places with her servant. However, unbeknownst to her, her fiancé has the same idea, the game pits the two false servants against the two false masters, and in the end, the couples fall in love with their appropriate counterpart. Like many of Marivauxs other comedies, The Game of Love, in this play, Arlequin is featured. Lisette, who appears in other Marivaux plays, also takes on a personality as the feisty servant. Silvia is engaged to marry Dorante, a man she has never met and she is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorantes true personality during his visit, she asks her if she can change clothes with her servant, Lisette. Monsieur Orgon sees this as an opportunity to play the game of love and chance, Dorante arrives at Monsieur Orgons house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. Dorante and Silvia fall in love, but as neither knows the true status, they find themselves in a social dilemma. Finally, Dorante relents and reveals his identity to Silvia, relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her. The play ends with the union of the two couples, Silvia and Dorante, and Lisette and Arlequin, several scenes from the play are shown in rehearsal or in performance. The Takarazuka Revue will produce an adaptation of the play in 2011. Jeu de lamour et du hasard in French with literary commentaries of select scenes, jeu de lamour et du hasard on Cesar. org. uk A Selection from the Comedies of Marivaux at Project Gutenberg with notes in English
The Game of Love and Chance
–
Le Jeu de l'amour et du hasard
25.
Periodical publication
–
Periodical literature is a published work that appears in a new edition on a regular schedule. The most familiar example is the magazine, typically published weekly, monthly, newspapers, often published daily or weekly, are, strictly speaking, serials, not periodicals. Other examples of periodicals are newsletters, literary magazines, academic journals, science magazines and these examples are typically published and referenced by volume and issue. Volume typically refers to the number of years the publication has been circulated, for example, the April 2011 publication of a monthly magazine first published in 2002 would be listed as, Volume 10, Issue 4. Roman numerals are used in reference to the Volume number. When citing a work in a periodical, there are standardized formats such as The Chicago Manual of Style. In the latest edition of this style, a work with volume number 17 and issue number 3 may be written as follows, James M. Heilman, wikipedia and Medicine, Quantifying Readership, Editors, and the Significance of Natural Language. Journal of Medical Internet Research 17, no.3, periodicals can be classified into two types, popular and scholarly. Scholarly journals are most commonly found in libraries and databases, examples are The Journal of Psychology and the Journal of Social Work. Trade/professional magazine are also examples of periodicals and they are written for an audience of professionals in the world. As of the early 1990s, there were over 6,000 business, technical, academic, scientific and trade publications in the United States alone. These examples are related to the idea of a continuing cycle of production and publication, magazines plan to continue publishing. A novel, in contrast, might be published in monthly parts and this approach is called part-publication, particularly when each part is from a whole work, or a serial, for example in comic books. It flourished during the century, for example with Abraham John Valpys Delphin Classics. The International Standard Serial Number is to serial publications what the International Standard Book Number is to books, postal services often carry periodicals at a preferential rate, for example, Second Class Mail in the United States only applies to publications issued at least quarterly
Periodical publication
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Cover of Science in School magazine.
Periodical publication
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The cover of an issue of the
open-access journal PLOS Biology, published monthly by the
Public Library of Science.
26.
Samuel Richardson
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Samuel Richardson was an 18th-century English writer and printer. He is best known for his three novels, Pamela, Or, Virtue Rewarded, Clarissa, Or the History of a Young Lady. Richardson was a printer and publisher for most of his life and printed almost 500 different works, including journals. He was also known to collaborate closely with the London bookseller Andrew Millar on several occasions, at a very early age, Richardson was apprenticed to a printer, whose daughter he eventually married. He lost his first wife along with their five sons, although with his second wife he had four daughters who lived to become adults, they had no male heir to continue running the printing business. While his print shop slowly ran down, at the age of 51 he wrote his first novel and immediately became one of the most popular and he knew leading figures in 18th-century England, including Samuel Johnson and Sarah Fielding. In the London literary world, he was a rival of Henry Fielding, and his name was on the Index Librorum Prohibitorum, a list established by the Pope containing the names of books that Catholics were not allowed to read. Richardson, one of nine children, was born in 1689 in Mackworth, Derbyshire, to Samuel. It is unsure where in Derbyshire he was born because Richardson always concealed the location, the trade his father pursued was that of a joiner. The abilities and position of his father brought him to the attention of James Scott, however this, as Richardson claims, was to Richardson seniors great detriment because of the failure of the Monmouth Rebellion, which ended in the death of Scott in 1685. After Scotts death, the elder Richardson was forced to abandon his business in London, the Richardsons were not exiled forever from London, they eventually returned, and the young Richardson was educated at Christs Hospital grammar school. The extent that he was educated at the school is uncertain, received what education he had at Christs Hospital. However, this conflicts with Richardsons nephews account that it is certain that was never sent to a more respectable seminary than a grammar school located in Derbyshire. Little is known of Richardsons early years beyond the few things that Richardson was willing to share, one such letter, written when Richardson was almost 11, was directed to a woman in her 50s who was in the habit of constantly criticizing others. Assuming the style and address of a person in years, Richardson cautioned her about her actions, however, his handwriting was used to determine that it was his work, and the woman complained to his mother. The result was, as he explains, that my mother chid me for the freedom taken by such a boy with a woman of her years but also commended my principles, after his writing ability was known, he began to help others in the community write letters. In particular, Richardson, at the age of thirteen, helped many of the girls that he associated with to write responses to love letters they received. But this opportunity did little more for me, at so tender an age, than point, as I may say, or lead my enquiries, as I grew up, into the knowledge of female heart
Samuel Richardson
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1750 portrait by
Joseph Highmore
Samuel Richardson
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Samuel Richardson reading aloud the manuscript of
Sir Charles Grandison to a group of friends in 1751. Coloured Engraving by Miss Highmore.
National Portrait Gallery,
Westminster, England.
Samuel Richardson
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Title page of Pamela
Samuel Richardson
–
Portrait of Richardson from 1750s by
Mason Chamberlin
27.
Henry Fielding
–
Henry Fielding was an English novelist and dramatist best known for his rich, earthy humour and satirical prowess, and as the author of the novel Tom Jones. His younger sister, Sarah, also became a successful writer, Fielding was born at Sharpham, Somerset, and educated at Eton College, where he established a lifelong friendship with William Pitt the Elder. After a romantic episode with a woman that ended in his getting into trouble with the law, he went to London. In 1728, he travelled to Leiden to study classics and law at the university, however, lack of money obliged him to return to London and he began writing for the theatre. Some of his work was critical of the government of Prime Minister Sir Robert Walpole. The Theatrical Licensing Act of 1737 is alleged to be a response to his activities. The particular play that triggered the Licensing Act was the unproduced, anonymously authored, The Golden Rump, once the act was passed, political satire on the stage became virtually impossible, and playwrights whose works were staged were viewed as suspect. Fielding therefore retired from the theatre and resumed his career in law in order to support his wife Charlotte Craddock, Allen went on to provide for the education and support of Fieldings children after the writers death. Fielding never stopped writing political satire and satires of current arts, the Tragedy of Tragedies was, for example, quite successful as a printed play. He also contributed a number of works to journals of the day and he wrote for Tory periodicals, usually under the name Captain Hercules Vinegar. Fielding continued to air his liberal and anti-Jacobite views in articles and newspapers in the late 1730s. Almost by accident he took to writing novels in 1741, angered by Samuel Richardsons success with Pamela and his first big success was an anonymous parody of that, Shamela. This satire follows the model of the famous Tory satirists of the generation, Jonathan Swift and John Gay. Fielding followed this with Joseph Andrews, an original work supposedly dealing with Pamelas brother, although begun as a parody, it developed into an accomplished novel in its own right and is considered to mark Fieldings debut as a serious novelist. It is a satire of Walpole that draws a parallel between him and Jonathan Wild, the gang leader and highwayman. Though a minor item in Fieldings œuvre, the subject is consistent with his preoccupation with fraud, shamming. His greatest work was Tom Jones, a meticulously constructed picaresque novel telling the convoluted, Fielding married his first wife, Charlotte Craddock, in 1734 at the Church of St Mary in Charlcombe, Somerset. Charlotte, on whom he modelled the heroines of both Tom Jones and Amelia, died in 1744
Henry Fielding
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Henry Fielding, about 1743, etching by Jonathan Wild
Henry Fielding
–
Henry Fielding
Henry Fielding
–
Henry Fielding's grave in the cemetery of the
Church of England St. George's Church, Lisbon
28.
La Double Inconstance
–
La Double Inconstance is a three-act romantic comedy by French playwright Marivaux. Its title is translated into English as The Double Inconstancy. La Double Inconstance was first performed 6 April 1723 by the Comédie Italienne, in this play, a young woman is kidnapped from her lover by the prince of the country, who loves her and intends to marry her. Through ruse and disguises, the prince and a trusty female servant manage to break up the relationship, like many of Marivauxs other comedies, La Double Inconstance makes use of stock characters from the Commedia dellarte. In this play, Arlequin and Trivelin are featured, Silvia is a young peasant girl who loves and is loved by Arlequin. Prior to the opening of the play, the prince meets her and he pretends to be a simple officer of the prince and befriends her. He is required by law to marry a commoner, so he sends his forces to kidnap her, the play opens with Silvia in the palace, pining for her lover, Arlequin, who has also been brought to court. A female servant of the prince, Flaminia, devises a plan to separate the two lovers and she appeals to Silvias vanity, by suggesting that she needs a more worthy lover. The prince, still disguised as the officer of the palace, continues to be her friend, meanwhile, Flaminia befriends Arlequin and gradually seduces him away from Silvia. However, both Arlequin and Silvia feel endebted one to the other and are reluctant to separate, when the prince finally reveals himself, both Arlequin and Silvia are relieved to know that they have an excuse to call off their engagement. The play ends with the union of the two couples, Silvia and the prince, and Flaminia and Arlequin, * La Double Inconstance on the French site CÉSAR
La Double Inconstance
–
Title page from the first edition of La Double Inconstance
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Marivaux, Pierre Carlet de Chamblain de". Encyclopædia Britannica (11th ed.). Cambridge University Press.}
