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Self-portrait of Nicolas Régnier painting a portrait of Vincenzo Giustiniani, 1623–24, Fogg Art Museum.
Self-portrait of Nicolas Régnier painting a portrait of Vincenzo Giustiniani, 1623–24, Fogg Art Museum.
Frans Hals, later finished by Pieter Codde. De Magere Compagnie. 1637. Oil on canvas, 209 × 429 cm. Group portraits were important in Dutch Golden Age
Frans Hals, later finished by Pieter Codde. De Magere Compagnie. 1637. Oil on canvas, 209 × 429 cm. Group portraits were important in Dutch Golden Age painting
Anthony van Dyck, Charles I in Three Positions, 1635–1636, shows profile, full face and three-quarter views, to send to Bernini in Rome, who was to sc
Anthony van Dyck, Charles I in Three Positions, 1635–1636, shows profile, full face and three-quarter views, to send to Bernini in Rome, who was to sculpt a bust from this model.
Mme. Charpentier and her children, 1878, Metropolitan Museum of Art, New York
Mme. Charpentier and her children, 1878, Metropolitan Museum of Art, New York
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Annibale Carracci, An Allegory of Truth and Time (1584–85), an allegorical history painting relying very little upon realism.
Annibale Carracci, An Allegory of Truth and Time (1584–85), an allegorical history painting relying very little upon realism.
Velázquez, portrait painting of Pope Innocent X, c. 1650
Velázquez, portrait painting of Pope Innocent X, c. 1650
A genre painting. Adriaen van Ostade, Fishmonger, 1660–1670, oil on oak, 29 × 26.5 cm, Museum of Fine Arts, Budapest.
A genre painting. Adriaen van Ostade, Fishmonger, 1660–1670, oil on oak, 29 × 26.5 cm, Museum of Fine Arts, Budapest.
A landscape. Themistokles von Eckenbrecher, View of Laerdalsoren, on the Sognefjord, oil on canvas, 1901.
A landscape. Themistokles von Eckenbrecher, View of Laerdalsoren, on the Sognefjord, oil on canvas, 1901.