Post-Impressionism was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne, Paul Gauguin, Vincent van Gogh and Georges Seurat.
Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles
Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York
Poster of the 1889 Exhibition of Paintings by the Impressionist and Synthetist Group, at Café des Arts, known as The Volpini Exhibition, 1889
Henri de Toulouse-Lautrec, Portrait of Émile Bernard, 1886, Tate Gallery London
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered a new avant-garde movement. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new style which would encompass the fundamental changes taking place in technology, science and philosophy.
Jacques-Louis David, The Coronation of Napoleon, (1806), Musée du Louvre, Neoclassicism
Eugène Delacroix, Liberty Leading the People 1830, Romanticism
Thomas Cole, The Course of Empire: The Savage State, 1836, Hudson River School
Gustave Courbet, Stone-Breakers, 1849, Realist School