1.
Free jazz
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For the Ornette Coleman album see Free Jazz, A Collective Improvisation. Though the music of jazz composers varied widely, a common feature was dissatisfaction with the limitations of bebop, hard bop. Often described as avant-garde, free jazz has also described as an attempt to return jazz to its primitive, often religious, roots. As its name implies, free jazz cannot be defined more than loosely, as many musicians draw on free jazz concepts and idioms, and it was never completely distinct as a genre. Many free jazz musicians, notably Pharoah Sanders and John Coltrane, used harsh overblowing or other techniques to elicit unconventional sounds from their instruments, Free jazz musicians created a progressive musical language which drew on earlier styles of jazz such as Dixieland jazz and African music. Typically this kind of music is played by groups of musicians. The music often swings but without regular meter, and there are frequent accelerandi and ritardandi, Free jazz is strongly associated with the 1950s innovations of Ornette Coleman and Cecil Taylor and the later works of saxophonist John Coltrane. Other important pioneers include Charles Mingus, Eric Dolphy, Albert Ayler, Archie Shepp, Joe Maneri, some of bassist Charles Minguss work was also important in establishing free jazz. Although today free jazz is the generally used term, many terms were used to describe the loosely defined movement, including avant-garde, energy music. During its early and mid-1960s heyday, much free jazz was released by established labels such as Prestige, Blue Note, keith Johnson of AllMusic describes a Modern Creative genre, in which musicians may incorporate free playing into structured modes -- or play just about anything. Defining the essence of jazz is complicated, many musicians draw on free jazz concepts and idioms. Many individual musicians reject efforts at classification, regarding them as useless or unduly limiting, earlier jazz styles typically were built on a framework of song forms with a set framework of chord changes. In free jazz, the dependence on a fixed and pre-established form is eliminated, Free jazz, especially during its inception, contains theme of both progressive musical language and gathering inspiration from the past. The rejection of the bop aesthetic was combined with a fascination with earlier styles of jazz such as Dixieland jazz with its collective improvisation. This includes Ed Blackwells use of the West African talking drum, typically this kind of music is played by small groups of musicians, although some examples use larger numbers. For example, John Coltranes 1965 album Ascension, uses eleven musicians, other forms of jazz use clear regular meters and strongly pulsed rhythms, usually in 4/4 or 3/4. Free jazz normally retains a general pulsation and often swings but without regular meter, despite all of this, it is still very often possible to tap ones foot to a free jazz performance, meter is more freely variable but has not disappeared entirely. Previous jazz forms used harmonic structures, and even when improvisation occurred it was founded on the notes in the chords, Free jazz almost by definition is free of such structures, but also by definition it retains much of the language of earlier jazz playing
2.
Intelligent dance music
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Intelligent dance music is a genre of electronic music that emerged in the early 1990s. Its creation was influenced by developments in dance music such as Detroit techno. Stylistically, IDM tended to rely upon individualistic experimentation rather than adhering to musical characteristics associated with specific genres of dance music, the range of post-techno styles that emerged in the early 1990s were described variously as art techno, ambient techno, intelligent techno, and electronica. In the United States, the latter is used as a catchall term to describe not only downtempo or downbeat/non-dance electronic music. In 2014, music critic Sasha Frere-Jones observed that the term is widely reviled and he regards UK acts Aphex Twin and Autechre as central to the evolution of the genre. In 1992, Warp released Artificial Intelligence, the first album in the Artificial Intelligence series. Subtitled electronic listening music from Warp, the record was a collection of tracks from such as Autechre, B12, The Black Dog, Aphex Twin and The Orb. Steve Beckett, co-owner of Warp, has said the music that the label was releasing then was targeting a post-club. At the same time, the UK market was saturated with increasingly frenetic breakbeat, in 1993, a number of new intelligent techno/electronica record labels emerged, including New Electronica, Mille Plateaux, 100% Pure, and Ferox Records. In November 1991, the phrase intelligent techno appeared on Usenet in reference to Coils The Snow EP. Off the Internet, the phrase appeared in both the U. S. & UK music press in late 1992, in reference to Jam & Spoons Tales from a Danceographic Ocean. Another instance of the phrase appeared on Usenet in April 1993 in reference to The Black Dogs album Bytes, the first message, sent on 1 August 1993, was entitled Can Dumb People Enjoy IDM, Too. Kirk and The Future Sound of London, and even artists like System 7, William Orbit, Sabres of Paradise, Orbital, Plastikman and Björk. By the end of 1996, Boards of Canada and the Schematic Records label were among the topics of discussion, alongside perennial favorites like Aphex Twin. As of 2015, the mailing list is still active, warps second Artificial Intelligence compilation was released in 1994. The album featured fragments of posts from the IDM mailing list incorporated into typographic artwork by The Designers Republic, sleeve notes by David Toop acknowledged the genres multitude of musical and cultural influences and suggested none should be considered more important than any other. Lesser-known artists on the Likemind label and Kirk Degiorgios A. R. T, in the mid-1990s, North American audiences welcomed IDM, and many IDM record labels were founded, including Drop Beat, Isophlux, Suction, Schematic and Cytrax. In Miami, Florida, labels like Schematic, Merck Records, Nophi Recordings and The Beta Bodega Coalition released material by such as Phoenecia, Dino Felipe, Machinedrum
3.
Psychedelic music
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Psychedelic music may also aim to enhance the experience of using these drugs. Numerous spiritual successors followed in the decades, including progressive rock, krautrock. Since the 1970s, revivals have included psychedelic funk, neo-psychedelia, psychedelic as an adjective is often misused, with many so-called acts playing in a variety of styles. Dechronicization permits the user to move outside of conventional perceptions of time. Depersonalization allows the user to lose the self and gain an awareness of undifferentiated unity, dynamization, as Leary wrote, makes everything from floors to lamps seem to bends, as familiar forms dissolve into moving, dancing structures. Music that is truly psychedelic mimics these three effects, a number of features are quintessential to psychedelic music. Exotic instrumentation, with a fondness for the sitar and tabla are common. Songs often have disjunctive song structures, key and time signature changes, surreal, whimsical, esoterically or literary-inspired, lyrics are often used. There is often an emphasis on extended instrumental segments or jams. There is a strong presence, in the 1960s this especially using electronic organs, harpsichords, or the Mellotron. In the 1960s there was a use of electronic instruments such as early synthesizers. Later forms of electronic psychedelia also employed repetitive computer-generated beats, R. Veysey, they profoundly influenced the thinking of the new generation of youth. The psychedelic lifestyle had already developed in California, particularly in San Francisco, by the mid-1960s, with the first major underground LSD factory established by Owsley Stanley. There was already a culture of use among jazz and blues musicians. One of the first musical uses of the term psychedelic in the scene was by the New York-based folk group The Holy Modal Rounders on their version of Lead Bellys Hesitation Blues in 1964. His nineteen-minute The Great San Bernardino Birthday Party anticipated elements of psychedelia with its nervy improvisations, similarly, folk guitarist Sandy Bulls early work incorporated elements of folk, jazz, and Indian and Arabic-influenced dronish modes. His 1963 album Fantasias for Guitar and Banjo explores various styles, soon musicians began to refer to the drug and attempted to recreate or reflect the experience of taking LSD in their music, just as it was reflected in psychedelic art, literature and film. This trend ran in parallel in both America and Britain and as part of the folk, folk rock and rock scenes
4.
Progressive rock
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Progressive rock is a broad subgenre of rock music that developed in the United Kingdom and United States throughout the mid to late 1960s. Prog is based on fusions of styles, approaches and genres, Prog saw a high level of popularity in the early-to-mid 1970s, but faded soon after. Conventional wisdom holds that the rise of rock caused this. Music critics, who labelled the concepts as pretentious and the sounds as pompous and overblown. Early groups who exhibited progressive features are described as proto-prog. In 1967, progressive rock constituted a diversity of loosely associated style codes, the Canterbury scene, originating in the late 1960s, denoted a subset of prog bands who emphasised the use of wind instruments, complex chord changes and long improvisations. Rock in Opposition, from the late 1970s, was more avant-garde, in the 1980s, a new subgenre, neo-progressive rock, enjoyed some commercial success, although it was also accused of being derivative and lacking in innovation. Post-progressive draws upon newer developments in music and the avant-garde since the mid 1970s. The term progressive rock is synonymous with art rock, classical rock, historically, art rock has been used to describe at least two related, but distinct, types of rock music. Similarities between the two terms are that they describe a mostly British attempt to elevate rock music to new levels of artistic credibility. However, art rock is likely to have experimental or avant-garde influences. Prog was devised in the 1990s as a term, but later became a transferable adjective. Although a unidirectional English progressive style emerged in the late 1960s, by 1967, critics of the genre often limit its scope to a stereotype of long solos, overlong albums, fantasy lyrics, grandiose stage sets and costumes, and an obsessive dedication to technical skill. Author Kevin Holm-Hudson believes that rock is a style far more diverse than what is heard from its mainstream groups. They each do so largely unconsciously, academic John S. Cotner contests Macans view that progressive rock cannot exist without the continuous and overt assimilation of classical music into rock. Debate about the criteria and scope of the genre continues in the 2010s. In early references to the music, progressive was partly related to progressive politics, Cotner also says that progressive rock incorporates both formal and eclectic elements, It consists of a combination of factors – some of them intramusical, others extramusical or social. One way of conceptualising rock and roll in relation to music is that progressive music pushed the genre into greater complexity while retracing the roots of romantic
5.
Math rock
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Math rock is characterized by complex, atypical rhythmic structures, counterpoint, odd time signatures, angular melodies, and extended, often dissonant, chords. This rhythmic complexity, seen as mathematical in character by many listeners, the sound is usually dominated by guitars and drums as in traditional rock, and because of the complex rhythms, the drums section of math rock groups tend to be more salient than in other genres. It is commonplace to find guitarists in rock groups using the tapping method of guitar playing. Guitars are also played in clean tones more than in other upbeat rock songs. Lyrics are generally not the focus of math rock, the voice is treated as just another sound in the mix. Often, vocals are not overdubbed, and are positioned low in the mix, as in the style of Steve Albini. Many of math rocks most famous groups are entirely instrumental such as Don Caballero or Hella, the term math rock has often been passed off as a joke that has developed into what some believe is a musical style. An advocate of this is Matt Sweeney, singer with Chavez, the Canadian punk rock group Nomeansno have been cited by music critics as a secret influence on math rock, predating much of the genres development by more than a decade. An even more group of the same era, Massacre, featured the guitarist Fred Frith. With some influence from the energy of punk, Massacres influential music used complex rhythmic characteristics. Black Flags 1984 album My War also included unusual polyrhythms, bands such as Because of Ghosts, The Sinking Citizenship, and My Disco emerged in the early 2000s in Melbourne. The European math rock scene started in the late 90s to early 2000, including such as Adebisi Shank, Kobong, The Redneck Manifesto, Three Trapped Tigers and This Town Needs Guns. The most significant Japanese groups include Ruins, Zeni Geva, Boredoms, Aburadako, Tricot, yona-Kit is a collaboration between Japanese and U. S. musicians. Other Japanese groups which incorporate math rock in their music include Ling Tosite Sigure, Toe, Zazen Boys, Lite, skin Graft Records and Tzadik Records have released Japanese math rock albums in the United States. Bands from Washington, D. C. include The Dismemberment Plan, Shudder to Think, Hoover, Faraquet,1.6 Band, Autoclave, later Jawbox, the Richmond, VA-based Breadwinner inspired bands such as Fulflej and Lamb of God. Polvo of Chapel Hill, North Carolina is often considered math rock, in California, math rock groups from San Diego include Upsilon Acrux, Drive Like Jehu, Antioch Arrow, Tristeza, No Knife, Heavy Vegetable and Sleeping People. Northern California was the base of Game Theory and The Loud Family, the origin of Game Theorys name is mathematical, suggesting a nearly mathy sound cited as IQ rock. Bands in the late 90s and 2000s, such as This Town Needs Guns and American Football, began combining Math rock and Emo, in the mid-2000s, many math rock bands enjoyed renewed popularity
6.
Dub music
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Dub is a genre of music that grew out of reggae in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Other techniques include dynamically adding extensive echo, reverb, panoramic delay, Dub was pioneered by Osbourne King Tubby Ruddock, Lee Scratch Perry, Errol Thompson and others in the late 1960s. Augustus Pablo is credited with bringing the melodica to dub, and is also among the pioneers and creators of the genre, similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing console as an instrument, manipulating tracks to come up with something new and different. Dub has influenced many genres of music, including rock, pop, hip hop, disco, and later house, techno, ambient, electronic dance music, the verb dub is defined as making a copy of one recording to another. The term dub had multiple meanings in Jamaica around the time of the musics origin, in concert, the order dub this one. Meant put an emphasis on bass and drums, drummer Sly Dunbar points to a similar interpretation, relating the term dubwise to using only drums and bass. Another possible source was the term dub plate, as suggested by Augustus Pablo, the word duppy also relates to dub through Jamaicas history of intra-racial terror, violence, and murder that is often overlooked in favor of Jamaican ideologies of racial solidarity. The ghosts of these victims, or duppies, are thought to be captured best within the dub instrumentals, a version is a record with the vocals removed, the alternative cut of a song made for the DJ to toast over. These versions were used as the basis of new songs by rerecording them with new elements, the instrumental tracks are typically drenched in sound effects such as echo, reverberation, with instruments and vocals dropping in and out of the mix. Another hallmark of the dub sound is the prominent use of bass guitar, the music sometimes features other noises, such as birds singing, thunder and lightning, water flowing, and producers shouting instructions at the musicians. It can be augmented by live DJs. There is usually an organic feel to the music, even though the effects are electronically created. Often these tracks are used for toasters rapping heavily rhymed and alliterative lyrics, in forms of sound system based reggae, the performer using a microphone is referred to as the DJ or deejay, and the person choosing the music and operating the turntables is called the selector. A major reason for producing multiple versions was economic, a producer could use a recording he owned to produce numerous versions from a single studio session. A version was also an opportunity for a producer or remix engineer to experiment, Dub music and toasting introduced a new era of creativity in reggae music. From their beginning, toasting and dub music developed together and influenced each other, in 1968, Kingston, Jamaica sound system operator Rudolph Ruddy Redwood went to Duke Reids Treasure Isle studio to cut a one-off dub plate of The Paragons hit On The Beach. Engineer Byron Smith left the track out by accident, but Redwood kept the result
7.
Cool jazz
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Cool jazz is a style of modern jazz music that arose in the United States after World War II. It is characterized by relaxed tempos and lighter tone, in contrast to the tense, Cool jazz often employs formal arrangements and incorporates elements of classical music. Broadly, the genre refers to a number of jazz styles employing a more subdued approach than that found in other contemporaneous jazz idioms. The term cool started being applied to music around 1953. Musicians from either of the previous categories who were active in California from the 1940s through the 1960s, exploratory music with a subdued effect by Teddy Charles, Chico Hamilton, John LaPorta, and their colleagues during the 1950s. Ted Gioia and Lee Konitz have each identified cornetist Bix Beiderbecke, Gioia cites Beiderbeckes softening of jazzs strong rhythmic impact in favor of maintaining melodic flow, while also employing complex techniques such as unusual harmonies and whole tone scales. Trumbauer, through his smooth and seemingly effortless saxophone work, greatly affected tenor saxophonist Lester Young, Youngs saxophone playing employed a light sound, in contrast to the full-bodied approach of players such as Coleman Hawkins. Young also had a tendency to play behind the beat, instead of driving it and he more strongly emphasized melodic development in his improvisation, rather than hot phrases or chord changes. While Youngs style initially alienated some observers, the school embraced it. Tanner, Gerow, and Megill point out that cool developed gradually, Miles Daviss solo on Charlie Parkers Chasin the Bird in 1947 and John Lewiss piano solo on Dizzie Gillespies record of Round Midnight in 1948 anticipated the Cool Era. In 1947, Woody Herman formed a band that included tenor saxophonists Stan Getz, Zoot Sims, and Herbie Steward, the result was the Four Brothers sound, in which four strong improvisers could still perform well as a coordinated, blended section. The Herman bands recording of Early Autumn launched Getzs career, in 1948, Miles Davis formed a nonet including Mulligan, Konitz, and Evans from Thornhills orchestra. Capitol Records recorded the group in 1949 and 1950 and these recordings, originally issued as 78 rpm records, were later compiled as Birth of the Cool. Gerry Mulligan explained that the idea behind Daviss Nonet was not to get away from bebop, as far as the Cool Jazz part of it, all of that comes after the fact of what it was designed to be. As for Davis, his concern at the time was simply to play with a lighter sound, the Miles Davis Nonets existence was brief, consisting only of a two-week September 1948 engagement at the Manhattans Royal Roost and the three recording dates that make up Birth of the Cool. These recordings were not widely appreciated until some years later, however, they prefigured the work of nonet members John Lewis and Gerry Mulligan. John Lewis went on to co-found the Modern Jazz Quartet, who incorporated classical forms, such as the fugue, tanner, Gerow, and Megill note that the Quartet played classical forms quite precisely. For example, the fugues they played were truly baroque in form except that the parts were improvised
8.
Indie rock
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Indie rock is a genre of alternative rock that originated in the United States and the United Kingdom in the 1980s. Originally used to independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock. In the mid-1980s, the term began to be used to describe the music produced on punk and post-punk labels. Some prominent indie rock record labels were founded during the 1980s, during the 1990s, Grunge bands broke into the mainstream, and the term alternative lost its original counter-cultural meaning. The term indie rock became associated with the bands and genres that remained dedicated to their independent status, by the end of the 1990s indie rock developed subgenres and related styles including lo-fi, noise pop, emo, slowcore, post-rock and math rock. In the 2000s, changes in the industry and in music technology enabled a new wave of indie rock bands to achieve mainstream success. In the early 2000s, a new group of bands played a stripped-down. The commercial breakthrough from these scenes was led by four bands, The Strokes, The White Stripes, The Hives, emo also broke into mainstream culture in the early 2000s. By the end of the 2000s the proliferation of bands was being referred to as indie landfill. The term indie rock, which comes from independent, describes the small and relatively low-budget labels on which it is released, the influences and styles of the artists have been extremely diverse, including punk, psychedelia, post-punk and country. Allmusic identifies indie rock as including a number of varying musical approaches compatible with mainstream tastes, in fact, there is an everlasting list of genres and subgenres of indie rock. Many countries have developed a local indie scene, flourishing with bands with enough popularity to survive inside the respective country. However, there are still indie bands that start off locally, Indie rock has been identified as a reaction against the macho culture that developed in alternative rock in the aftermath of Nirvanas success. However, Cortney Harding pointed out that this sense of equality is not reflected in the number of women running indie labels. The BBC documentary Music for Misfits, The Story of Indie pinpoints the birth of indie as the 1977 self-publication of the Spiral Scratch EP by Manchester band Buzzcocks, Indie pop and indie were originally synonymous. In the mid-1980s, indie began to be used to describe the music produced on post-punk labels rather than the labels themselves. The indie rock scene in the US was prefigured by the rock that dominated college radio playlists. In the United States, the term was associated with the abrasive, distortion-heavy sounds of the Pixies, Hüsker Dü, Minutemen, Meat Puppets, Dinosaur Jr
9.
United Kingdom
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The United Kingdom of Great Britain and Northern Ireland, commonly known as the United Kingdom or Britain, is a sovereign country in western Europe. Lying off the north-western coast of the European mainland, the United Kingdom includes the island of Great Britain, Northern Ireland is the only part of the United Kingdom that shares a land border with another sovereign state—the Republic of Ireland. The Irish Sea lies between Great Britain and Ireland, with an area of 242,500 square kilometres, the United Kingdom is the 78th-largest sovereign state in the world and the 11th-largest in Europe. It is also the 21st-most populous country, with an estimated 65.1 million inhabitants, together, this makes it the fourth-most densely populated country in the European Union. The United Kingdom is a monarchy with a parliamentary system of governance. The monarch is Queen Elizabeth II, who has reigned since 6 February 1952, other major urban areas in the United Kingdom include the regions of Birmingham, Leeds, Glasgow, Liverpool and Manchester. The United Kingdom consists of four countries—England, Scotland, Wales, the last three have devolved administrations, each with varying powers, based in their capitals, Edinburgh, Cardiff and Belfast, respectively. The relationships among the countries of the UK have changed over time, Wales was annexed by the Kingdom of England under the Laws in Wales Acts 1535 and 1542. A treaty between England and Scotland resulted in 1707 in a unified Kingdom of Great Britain, which merged in 1801 with the Kingdom of Ireland to form the United Kingdom of Great Britain and Ireland. Five-sixths of Ireland seceded from the UK in 1922, leaving the present formulation of the United Kingdom of Great Britain, there are fourteen British Overseas Territories. These are the remnants of the British Empire which, at its height in the 1920s, British influence can be observed in the language, culture and legal systems of many of its former colonies. The United Kingdom is a country and has the worlds fifth-largest economy by nominal GDP. The UK is considered to have an economy and is categorised as very high in the Human Development Index. It was the worlds first industrialised country and the worlds foremost power during the 19th, the UK remains a great power with considerable economic, cultural, military, scientific and political influence internationally. It is a nuclear weapons state and its military expenditure ranks fourth or fifth in the world. The UK has been a permanent member of the United Nations Security Council since its first session in 1946 and it has been a leading member state of the EU and its predecessor, the European Economic Community, since 1973. However, on 23 June 2016, a referendum on the UKs membership of the EU resulted in a decision to leave. The Acts of Union 1800 united the Kingdom of Great Britain, Scotland, Wales and Northern Ireland have devolved self-government
10.
Canada
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Canada is a country in the northern half of North America. Canadas border with the United States is the worlds longest binational land border, the majority of the country has a cold or severely cold winter climate, but southerly areas are warm in summer. Canada is sparsely populated, the majority of its territory being dominated by forest and tundra. It is highly urbanized with 82 per cent of the 35.15 million people concentrated in large and medium-sized cities, One third of the population lives in the three largest cities, Toronto, Montreal and Vancouver. Its capital is Ottawa, and other urban areas include Calgary, Edmonton, Quebec City, Winnipeg. Various aboriginal peoples had inhabited what is now Canada for thousands of years prior to European colonization. Pursuant to the British North America Act, on July 1,1867, the colonies of Canada, New Brunswick and this began an accretion of provinces and territories to the mostly self-governing Dominion to the present ten provinces and three territories forming modern Canada. With the Constitution Act 1982, Canada took over authority, removing the last remaining ties of legal dependence on the Parliament of the United Kingdom. Canada is a parliamentary democracy and a constitutional monarchy, with Queen Elizabeth II being the head of state. The country is officially bilingual at the federal level and it is one of the worlds most ethnically diverse and multicultural nations, the product of large-scale immigration from many other countries. Its advanced economy is the eleventh largest in the world, relying chiefly upon its abundant natural resources, Canadas long and complex relationship with the United States has had a significant impact on its economy and culture. Canada is a country and has the tenth highest nominal per capita income globally as well as the ninth highest ranking in the Human Development Index. It ranks among the highest in international measurements of government transparency, civil liberties, quality of life, economic freedom, Canada is an influential nation in the world, primarily due to its inclusive values, years of prosperity and stability, stable economy, and efficient military. While a variety of theories have been postulated for the origins of Canada. In 1535, indigenous inhabitants of the present-day Quebec City region used the word to direct French explorer Jacques Cartier to the village of Stadacona, from the 16th to the early 18th century Canada referred to the part of New France that lay along the St. Lawrence River. In 1791, the area became two British colonies called Upper Canada and Lower Canada collectively named The Canadas, until their union as the British Province of Canada in 1841. Upon Confederation in 1867, Canada was adopted as the name for the new country at the London Conference. The transition away from the use of Dominion was formally reflected in 1982 with the passage of the Canada Act, later that year, the name of national holiday was changed from Dominion Day to Canada Day
11.
United States
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Forty-eight of the fifty states and the federal district are contiguous and located in North America between Canada and Mexico. The state of Alaska is in the northwest corner of North America, bordered by Canada to the east, the state of Hawaii is an archipelago in the mid-Pacific Ocean. The U. S. territories are scattered about the Pacific Ocean, the geography, climate and wildlife of the country are extremely diverse. At 3.8 million square miles and with over 324 million people, the United States is the worlds third- or fourth-largest country by area, third-largest by land area. It is one of the worlds most ethnically diverse and multicultural nations, paleo-Indians migrated from Asia to the North American mainland at least 15,000 years ago. European colonization began in the 16th century, the United States emerged from 13 British colonies along the East Coast. Numerous disputes between Great Britain and the following the Seven Years War led to the American Revolution. On July 4,1776, during the course of the American Revolutionary War, the war ended in 1783 with recognition of the independence of the United States by Great Britain, representing the first successful war of independence against a European power. The current constitution was adopted in 1788, after the Articles of Confederation, the first ten amendments, collectively named the Bill of Rights, were ratified in 1791 and designed to guarantee many fundamental civil liberties. During the second half of the 19th century, the American Civil War led to the end of slavery in the country. By the end of century, the United States extended into the Pacific Ocean. The Spanish–American War and World War I confirmed the status as a global military power. The end of the Cold War and the dissolution of the Soviet Union in 1991 left the United States as the sole superpower. The U. S. is a member of the United Nations, World Bank, International Monetary Fund, Organization of American States. The United States is a developed country, with the worlds largest economy by nominal GDP. It ranks highly in several measures of performance, including average wage, human development, per capita GDP. While the U. S. economy is considered post-industrial, characterized by the dominance of services and knowledge economy, the United States is a prominent political and cultural force internationally, and a leader in scientific research and technological innovations. In 1507, the German cartographer Martin Waldseemüller produced a map on which he named the lands of the Western Hemisphere America after the Italian explorer and cartographer Amerigo Vespucci
12.
Electric guitar
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The vibrations of the strings are sensed by a pickup, of which the most common type is the magnetic pickup, which uses the principle of direct electromagnetic induction. The signal generated by a guitar is too weak to drive a loudspeaker, so it is plugged into a guitar amplifier before being sent to a loudspeaker. The output of a guitar is an electric signal. Invented in 1931, the electric guitar was adopted by jazz guitarists. Early proponents of the guitar on record included Les Paul, Lonnie Johnson, Sister Rosetta Tharpe, T-Bone Walker. During the 1950s and 1960s, the guitar became the most important instrument in pop music. It has evolved into an instrument that is capable of a multitude of sounds and styles in genres ranging from pop and rock to country music, blues and jazz. It served as a component in the development of electric blues, rock and roll, rock music, heavy metal music. Electric guitar design and construction vary greatly in the shape of the body and the configuration of the neck, bridge, Guitars may have a fixed bridge or a spring-loaded hinged bridge that lets players bend the pitch of notes or chords up or down or perform vibrato effects. The sound of a guitar can be modified by new playing techniques such as string bending, tapping, hammering on, using audio feedback, in a small group, such as a power trio, one guitarist switches between both roles. In larger rock and metal bands, there is often a rhythm guitarist, many experiments at electrically amplifying the vibrations of a string instrument were made dating back to the early part of the 20th century. Patents from the 1910s show telephone transmitters were adapted and placed inside violins, hobbyists in the 1920s used carbon button microphones attached to the bridge, however, these detected vibration from the bridge on top of the instrument, resulting in a weak signal. With numerous people experimenting with electrical instruments in the 1920s and early 1930s, Electric guitars were originally designed by acoustic guitar makers and instrument manufacturers. Some of the earliest electric guitars adapted hollow-bodied acoustic instruments and used tungsten pickups, the first electrically amplified guitar was designed in 1931 by George Beauchamp, the general manager of the National Guitar Corporation, with Paul Barth, who was vice president. The maple body prototype for the one-piece cast aluminum frying pan was built by Harry Watson, commercial production began in late summer of 1932 by the Ro-Pat-In Corporation, in Los Angeles, a partnership of Beauchamp, Adolph Rickenbacker, and Paul Barth. In 1934, the company was renamed the Rickenbacker Electro Stringed Instrument Company, in that year Beauchamp applied for a United States patent for an Electrical Stringed Musical Instrument and the patent was issued in 1937. The Electro-Spanish Ken Roberts provided players a full 25 scale, with 17 frets free of the fretboard and it is estimated that fewer than 50 Electro-Spanish Ken Roberts were constructed between 1933 and 1937, fewer than 10 are known to survive today. The need for the guitar became apparent during the big band era as orchestras increased in size, particularly when acoustic guitars had to compete with large
13.
Bass guitar
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The bass guitar is a stringed instrument played primarily with the fingers or thumb, by plucking, slapping, popping, strumming, tapping, thumping, or picking with a plectrum, often known as a pick. The bass guitar is similar in appearance and construction to a guitar, but with a longer neck and scale length. The four-string bass, by far the most common, is tuned the same as the double bass. The bass guitar is an instrument, as it is notated in bass clef an octave higher than it sounds to avoid excessive ledger lines. Like the electric guitar, the guitar has pickups and it is plugged into an amplifier and speaker on stage, or into a larger PA system using a DI unit. Since the 1960s, the guitar has largely replaced the double bass in popular music as the bass instrument in the rhythm section. While types of basslines vary widely from one style of music to another, many styles of music utilise the bass guitar, including rock, heavy metal, pop, punk rock, country, reggae, gospel, blues, symphonic rock, and jazz. It is often a solo instrument in jazz, jazz fusion, Latin, funk, progressive rock and other rock, the adoption of a guitar form made the instrument easier to hold and transport than any of the existing stringed bass instruments. The addition of frets enabled bassists to play in more easily than on acoustic or electric upright basses. Around 100 of these instruments were made during this period, around 1947, Tutmarcs son, Bud, began marketing a similar bass under the Serenader brand name, prominently advertised in the nationally distributed L. D. Heater Music Company wholesale jobber catalogue of 1948, however, the Tutmarc family inventions did not achieve market success. In the 1950s, Leo Fender, with the help of his employee George Fullerton and his Fender Precision Bass, which began production in October 1951, became a widely copied industry standard. This split pickup, introduced in 1957, appears to have been two mandolin pickups, the pole pieces and leads of the coils were reversed with respect to each other, producing a humbucking effect. Humbucking is a design that electrically cancels the effect of any AC hum, the Fender Bass was a revolutionary new instrument, which could be easily transported, and which was less prone to feedback when amplified than acoustic bass instruments. Monk Montgomery was the first bass player to tour with the Fender bass guitar, roy Johnson, and Shifty Henry with Louis Jordan & His Tympany Five, were other early Fender bass pioneers. Bill Black, playing with Elvis Presley, switched from bass to the Fender Precision Bass around 1957. The bass guitar was intended to appeal to guitarists as well as upright bass players, following Fenders lead, in 1953, Gibson released the first short scale violin-shaped electric bass with extendable end pin, allowing it to be played upright or horizontally. In 1959 these were followed by the more conventional-looking EB-0 Bass, the EB-0 was very similar to a Gibson SG in appearance
14.
Drum kit
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A drum kit consists of a mix of drums and idiophones most significantly cymbals but also including the woodblock and cowbell. In the 2000s, some also include electronic instruments and both hybrid and entirely electronic kits are used. If some or all of them are replaced by electronic drums, the drum kit is usually played while seated on a drum stool or throne. The drum kit differs from instruments that can be used to produce pitched melodies or chords, even though drums are often placed musically alongside others that do, such as the piano or guitar. The drum kit is part of the rhythm section used in many types of popular and traditional music styles ranging from rock and pop to blues. Other standard instruments used in the section include the electric bass, electric guitar. Many drummers extend their kits from this pattern, adding more drums, more cymbals. Some performers, such as some rockabilly drummers, use small kits that omit elements from the basic setup, some drum kit players may have other roles in the band, such as providing backup vocals, or less commonly, lead vocals. Thus, in an early 1800s orchestra piece, if the called for bass drum, triangle and cymbals. In the 1840s, percussionists began to experiment with foot pedals as a way to them to play more than one instrument. In the 1860s, percussionists started combining multiple drums into a set, the bass drum, snare drum, cymbals, and other percussion instruments were all played using hand-held drum sticks. Double-drumming was developed to one person to play the bass and snare with sticks. With this approach, the drum was usually played on beats one. This resulted in a swing and dance feel. The drum set was referred to as a trap set. By the 1870s, drummers were using an overhang pedal, most drummers in the 1870s preferred to do double drumming without any pedal to play multiple drums, rather than use an overhang pedal. Companies patented their pedal systems such as Dee Dee Chandler of New Orleans 1904–05, liberating the hands for the first time, this evolution saw the bass drum played with the foot of a standing percussionist. The bass drum became the central piece around which every other percussion instrument would later revolve and it was the golden age of drum building for many famous drum companies, with Ludwig introducing
15.
Blackgaze
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Blackgaze is a fusion genre combining elements of black metal and shoegazing. Blackgaze marries the harsh, alien instrumentation of black metal with the mellower, the Guardian named Deafheaven blackgazes de facto poster boys, the most likely to open up black metal to an even wider audience, and Exclaim. Described their sophomore album Sunbather – the most critically acclaimed album of 2013 on Metacritic – as seminal to blackgaze, also credits Neige with pioneering the style, while noting that American band Deafheaven has pushed the genre to greater prominence. Deafheavens vocalist George Clarke himself cites the work of Burzum as the blueprint for the musical direction. However, this reaction was vastly overshadowed by universal acclaim for the album. Deafheaven have also managed to gather widespread appeal by way of playing music festivals. Alcest Altar of Plagues Amesoeurs Bosse-de-Nage Deafheaven Ghost Bath Vaura
16.
Music of Quebec
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Being a modern cosmopolitan society, today, all types of music can be found in the Canadian province of Quebec. The First Nations and the Inuit of Quebec also have their own traditional music, under French rule, what is now Quebec was called le Canada and was the most developed colony of New France. A similar socio-cultural phenomenon occurred in Acadia, and numerous other European colonies in America, Africa, Asia, the Canadiens are a rich tradition of songs and dances from northern France, namely the regions of Île-de-France, Picardy, Normandy, Poitou, and Brittany. Influence from these regions, and the Irish immigration to Quebec of the 19th century may explain the Celtic connection that Quebec still shares with Brittany, Ireland, Scotland and the Maritimes. Leclerc, from La Tuque, and Vigneault, from Natashquan in the north of Quebec, many artists openly endorsed it, notably Raymond Lévesque, Pauline Julien and Paul Piché. In the 1960s, the French Canadians of Quebec were beginning to self-identify as Québécois, Popular artists of the 70s included Harmonium, Offenbach, Plume Latraverse, Garolou and Beau Dommage, as well as Michel Rivard. Progressive rock and fusion jazz band Maneige was founded in Quebec in 1972 by Alain Bergeron, the band was one of the Quebec progressive rock scenes longest running and most consistent bands. In 1974, Vigneault and Leclerc played on the Plains of Abraham with Robert Charlebois, the 1970s also saw roots performers like La Bottine Souriante gain critical and commercial acclaim within Quebec. Jim Corcoran and Bertrand Gosselin released La tête en gigue, an album that helped bring Quebec roots to crossover audiences across Canada. In addition to his career, Corcoran currently hosts a weekly show on CBC Radio One. The early 1980s saw the formation of francophone synthpop/new wave groups such as Nudimension that became involved in the genesis of music video and MTV culture. 1 Billboard Hot 100 hits like My Heart Will Go On in 1998, Les Stups, La Chicane, Dan Bigras, Isabelle Boulay and more recently Cœur de pirate. Some bands, such as Les Cowboys Fringants have known success in Europe while Karkwa, Vulgaires Machins, Les Batinses and Malajube are also recognized elsewhere in Canada and internationally. A hip-hop scene is present in the Montreal area with groups like Loco Locass, Sans Pression, Dionysos, Criollo, Atach Tatuq, Manu Militari, KCLMNOP, Imposs, Muzion. The Quebec black metal scene has gotten some attention in recent years, including bands like Akitsa, Spirit of the Forest, Forteresse, Chasse-Galerie, Monarque. The tensions between Quebec and English Canada have, at times, played out on Quebecs music scene as well. In 1991, Céline Dion won the Félix award for Best Anglophone Artist for her English-language debut, Unison, after the controversy caused by this incident, Dion has been careful not to clearly declare herself as either federalist or sovereigntist. Quebec has also produced a number of significant Anglophone artists, including Arcade Fire, Patrick Watson, The Dears, Quebec artists have dominated the long and short lists of the Polaris Music Prize
17.
Music of Iceland
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The music of Iceland includes vibrant folk and pop traditions, as well as an active classical and contemporary music scene. Icelands traditional music is related to Nordic music forms, although Iceland has a very small population, it is home to many famous and praised bands and musicians. Icelandic music has a long tradition. With some songs still sung today dating from 14th century, folk songs are often about love, sailors, masculinity, hard winters, as well as elves, trolls and other mythological creatures, and tend to be quite secular and often humorous. Chain dances, known as víkivaki, have performed in Iceland since the 11th century at a variety of occasions, such as in churches. Hákveða refers to an emphasis placed on some of the words of a song. Rímur are epic tales sung as alliterative, rhyming ballads, usually a cappella, Rímur can be traced back to the Viking Age Eddic poetry of the skalds and employs complex metaphors and cryptic rhymes and forms. Some of the most famous rímur were written between the 18th and early 20th centuries, by poets like Hannes Bjarnason, Jón Sigurðsson, in the early 18th century, European dances like polka, waltz, reel and schottische begin to arrive via Denmark. These foreign dances are known as gömlu dansarnir or literally the old dances. After their arrival, native dance and song traditions fell into serious decline, for a long time, rímur were officially banned by the church. Paradoxically, many Icelandic priests were keen in making rímur, Rímur remained popular recreation until the early 20th century. In recent years, efforts have made to revive native Icelandic forms. For example, a revitalization of the Rímur tradition began in 1929 with the formation of the organization Iðunn. Protestantism has also left its mark on the music of Iceland, hallgrímur Pétursson wrote numerous Protestant hymns in the 17th century. In the 19th century, Magnús Stephensen brought pipe organs to Iceland, heyr himna smiður is probably the oldest psalm which is still sung today, it was composed by Kolbeinn Tumason in 1208. The music of Iceland includes vibrant folk and pop traditions and is expanding in its variety of styles and genres. Well-known artists from Iceland include alternative rock band The Sugarcubes, singers Björk and Emilíana Torrini, Icelands traditional music is related to Nordic music forms. Icelandic popular music includes many bands and artists, ranging from indie
18.
Louisville, Kentucky
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Louisville is the largest city in the Commonwealth of Kentucky and the 30th-most populous city in the United States. It is one of two cities in Kentucky designated as first-class, the other being the states second-largest city of Lexington, Louisville is the historical seat and, since 2003, the nominal seat of Jefferson County. Louisville was founded in 1778 by George Rogers Clark and is named after King Louis XVI of France, making Louisville one of the oldest cities west of the Appalachian Mountains. Sited beside the Falls of the Ohio, the major obstruction to river traffic between the upper Ohio River and the Gulf of Mexico, the settlement first grew as a portage site. It was the city of the Louisville and Nashville Railroad. Its main airport is also the site of United Parcel Services worldwide air hub, since 2003, Louisvilles borders have been the same as those of Jefferson County because of a city-county merger. The official name of this consolidated city-county government is the Louisville/Jefferson County Metro Government, the citys total consolidated population as of the 2014 census estimate was 760,026. However, the total of 612,780 excludes other incorporated places and semiautonomous towns within the county and is the population listed in most sources. As of 2014, the MSA had a population of 1,269,702, the history of Louisville spans hundreds of years, and has been influenced by the areas geography and location. The rapids at the Falls of the Ohio created a barrier to river travel, the first European settlement in the vicinity of modern-day Louisville was on Corn Island in 1778 by Col. George Rogers Clark, credited as the founder of Louisville. Several landmarks in the community are named after him, two years later, in 1780, the Virginia General Assembly approved the town charter of Louisville. The city was named in honor of King Louis XVI of France, early residents lived in forts to protect themselves from Indian raids, but moved out by the late 1780s. In 1803, explorers Meriwether Lewis and William Clark organized their expedition across America in the town of Clarksville, Indiana at the present-day Falls of the Ohio opposite Louisville, Kentucky. The citys early growth was influenced by the fact river boats had to be unloaded and moved downriver before reaching the falls. By 1828, the population had swelled to 7,000, the city grew rapidly in its formative years. Louisville was a shipping port and slaves worked in a variety of associated trades. The city was often a point of escape for slaves to the north, during the Civil War, Louisville was a major stronghold of Union forces, which kept Kentucky firmly in the Union. It was the center of planning, supplies, recruiting, and transportation for numerous campaigns, by the end of the war, Louisville had not been attacked, although skirmishes and battles, including the battles of Perryville and Corydon, took place nearby
19.
Glasgow
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Glasgow is the largest city in Scotland, and third largest in the United Kingdom. Historically part of Lanarkshire, it is now one of the 32 council areas of Scotland and it is situated on the River Clyde in the countrys West Central Lowlands. Inhabitants of the city are referred to as Glaswegians, Glasgow grew from a small rural settlement on the River Clyde to become the largest seaport in Britain. From the 18th century the city grew as one of Great Britains main hubs of transatlantic trade with North America. Glasgow was the Second City of the British Empire for much of the Victorian era and Edwardian period, in the late 19th and early 20th centuries Glasgow grew in population, reaching a peak of 1,128,473 in 1939. The entire region surrounding the conurbation covers about 2.3 million people, at the 2011 census, Glasgow had a population density of 8, 790/sq mi, the highest of any Scottish city. Glasgow hosted the 2014 Commonwealth Games and is well known in the sporting world for the football rivalry of the Old Firm between Celtic and Rangers. Glasgow is also known for Glasgow patter, a dialect that is noted for being difficult to understand by those from outside the city. Glasgow is the form of the ancient Cumbric name Glas Cau. Possibly referring to the area of Molendinar Burn where Glasgow Cathedral now stands, the later Gaelic name Baile Glas Chu, town of the grey dog, is purely a folk-etymology. The present site of Glasgow has been settled since prehistoric times, it is for settlement, being the furthest downstream fording point of the River Clyde, the origins of Glasgow as an established city derive ultimately from its medieval position as Scotlands second largest bishopric. Glasgow increased in importance during the 10th and 11th centuries as the site of this bishopric, reorganised by King David I of Scotland and John, there had been an earlier religious site established by Saint Mungo in the 6th century. The bishopric became one of the largest and wealthiest in the Kingdom of Scotland, bringing wealth, sometime between 1189 and 1195 this status was supplemented by an annual fair, which survives as the Glasgow Fair. Glasgow grew over the following centuries, the first bridge over the River Clyde at Glasgow was recorded from around 1285, giving its name to the Briggait area of the city, forming the main North-South route over the river via Glasgow Cross. The founding of the University of Glasgow in 1451 and elevation of the bishopric to become the Archdiocese of Glasgow in 1492 increased the towns religious and educational status and landed wealth. Its early trade was in agriculture, brewing and fishing, with cured salmon and herring being exported to Europe, Glasgow was subsequently raised to the status of Royal Burgh in 1611. The citys Tobacco Lords created a water port at Port Glasgow on the Firth of Clyde. By the late 18th century more than half of the British tobacco trade was concentrated on Glasgows River Clyde, at the time, Glasgow held a commercial importance as the city participated in the trade of sugar, tobacco and later cotton
20.
Leicester
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Leicester is a city and unitary authority area in the East Midlands of England, and the county town of Leicestershire. The city lies on the River Soar and at the edge of the National Forest, in the 2011 census the population of the City of Leicester unitary authority was 329,839 making it the most populous municipality in the East Midlands region. The associated urban area is also the 11th most populous in England, the name of Leicester is recorded in the 9th-century History of the Britons as Cair Lerion, and in the Anglo-Saxon Chronicle as Ligora-ceastre. In the Domesday Book of 1086, it is recorded as Ledecestre, the second element of the name comes from the Latin castrum which is reflected in both Welsh cair and Anglo-Saxon ceastre. Based on the Welsh name, Geoffrey of Monmouth proposes a king Leir of Britain as a founder in his Historia Regum Britanniae. Leicester is one of the oldest cities in England, with a going back at least two millennia. The native Iron Age settlement encountered by the Romans at the seems to have developed in the 2nd or 1st centuries BC. This area of the Soar was split into two channels, a stream to the east and a narrower channel on the west. The settlement seems to have controlled a ford across the larger channel, the later Roman name was a latinate form of the Brittonic word for ramparts, suggesting the site was an oppidum. The plural form of the name suggests it was composed of several villages. The Celtic tribe holding the area was recorded as the Coritanians. The Corieltauvians are believed to have ruled over roughly the area of the East Midlands and it is believed that the Romans arrived in the Leicester area around AD47, during their conquest of southern Britain. The Corieltauvian settlement lay near a bridge on the Fosse Way, in the 2nd century, it received a forum and bathhouse. In 2013, the discovery of a Roman cemetery found just outside the old city walls, the remains of the baths of Roman Leicester can be seen at the Jewry Wall, recovered artifacts are displayed at the adjacent museum. Knowledge of the following the Roman withdrawal from Britain is limited. Certainly there is continuation of occupation of the town, though on a much reduced scale in the 5th and 6th centuries. Its memory was preserved as the Cair Lerion of the History of the Britons, following the Saxon invasion of Britain, Leicester was occupied by the Middle Angles and subsequently administered by the kingdom of Mercia. It was elevated to a bishopric in either 679 or 680, this see survived until the 9th century and their settlement became one of the Five Burghs of the Danelaw, although this position was short-lived
21.
New Zealand
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New Zealand /njuːˈziːlənd/ is an island nation in the southwestern Pacific Ocean. The country geographically comprises two main landmasses—the North Island, or Te Ika-a-Māui, and the South Island, or Te Waipounamu—and around 600 smaller islands. New Zealand is situated some 1,500 kilometres east of Australia across the Tasman Sea and roughly 1,000 kilometres south of the Pacific island areas of New Caledonia, Fiji, because of its remoteness, it was one of the last lands to be settled by humans. During its long period of isolation, New Zealand developed a distinct biodiversity of animal, fungal, the countrys varied topography and its sharp mountain peaks, such as the Southern Alps, owe much to the tectonic uplift of land and volcanic eruptions. New Zealands capital city is Wellington, while its most populous city is Auckland, sometime between 1250 and 1300 CE, Polynesians settled in the islands that later were named New Zealand and developed a distinctive Māori culture. In 1642, Dutch explorer Abel Tasman became the first European to sight New Zealand, in 1840, representatives of Britain and Māori chiefs signed the Treaty of Waitangi, which declared British sovereignty over the islands. In 1841, New Zealand became a colony within the British Empire, today, the majority of New Zealands population of 4.7 million is of European descent, the indigenous Māori are the largest minority, followed by Asians and Pacific Islanders. Reflecting this, New Zealands culture is derived from Māori and early British settlers. The official languages are English, Māori and New Zealand Sign Language, New Zealand is a developed country and ranks highly in international comparisons of national performance, such as health, education, economic freedom and quality of life. Since the 1980s, New Zealand has transformed from an agrarian, Queen Elizabeth II is the countrys head of state and is represented by a governor-general. In addition, New Zealand is organised into 11 regional councils and 67 territorial authorities for local government purposes, the Realm of New Zealand also includes Tokelau, the Cook Islands and Niue, and the Ross Dependency, which is New Zealands territorial claim in Antarctica. New Zealand is a member of the United Nations, Commonwealth of Nations, ANZUS, Organisation for Economic Co-operation and Development, Pacific Islands Forum, and Asia-Pacific Economic Cooperation. Dutch explorer Abel Tasman sighted New Zealand in 1642 and called it Staten Landt, in 1645, Dutch cartographers renamed the land Nova Zeelandia after the Dutch province of Zeeland. British explorer James Cook subsequently anglicised the name to New Zealand, Aotearoa is the current Māori name for New Zealand. It is unknown whether Māori had a name for the country before the arrival of Europeans. Māori had several names for the two main islands, including Te Ika-a-Māui for the North Island and Te Waipounamu or Te Waka o Aoraki for the South Island. Early European maps labelled the islands North, Middle and South, in 1830, maps began to use North and South to distinguish the two largest islands and by 1907, this was the accepted norm. The New Zealand Geographic Board discovered in 2009 that the names of the North Island and South Island had never been formalised and this set the names as North Island or Te Ika-a-Māui, and South Island or Te Waipounamu
22.
Alternative rock
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Alternative rock is a genre of rock music that emerged from the independent music underground of the 1980s and became widely popular in the 1990s and 2000s. In this instance, the word refers to the genres distinction from mainstream rock music. The terms original meaning was broader, referring to a generation of musicians unified by their debt to either the musical style or simply the independent. Ethos of punk rock, which in the late 1970s laid the groundwork for alternative music, Alternative rock is a broad umbrella term consisting of music that differs greatly in terms of its sound, its social context, and its regional roots. Most of these subgenres had achieved minor mainstream notice and a few bands representing them, such as Hüsker Dü, with the breakthrough of Nirvana and the popularity of the grunge and Britpop movements in the 1990s, alternative rock entered the musical mainstream and many alternative bands became successful. By the end of the decade, alternative rocks mainstream prominence declined due to a number of events that caused grunge and Britpop to fade, emo attracted attention in the larger alternative rock world, and the term was applied to a variety of artists, including multi-platinum acts. Post-punk revival artists such as Modest Mouse and The Killers had commercial success in the early, before the term alternative rock came into common usage around 1990, the sort of music to which it refers was known by a variety of terms. In 1979, Terry Tolkin used the term Alternative Music to describe the groups he was writing about, in 1979 Dallas radio station KZEW had a late night new wave show entitled Rock and Roll Alternative. College rock was used in the United States to describe the music during the 1980s due to its links to the radio circuit. In the United Kingdom, dozens of small do it yourself record labels emerged as a result of the punk subculture, according to the founder of one of these labels, Cherry Red, NME and Sounds magazines published charts based on small record stores called Alternative Charts. The first national chart based on distribution called the Indie Chart was published in January 1980, at the time, the term indie was used literally to describe independently distributed records. By 1985, indie had come to mean a particular genre, or group of subgenres, at first the term referred to intentionally non–mainstream rock acts that were not influenced by heavy metal ballads, rarefied new wave and high-energy dance anthems. The use of alternative gained further exposure due to the success of Lollapalooza, for which festival founder, in the late 1990s, the definition again became more specific. Defining music as alternative is often difficult because of two conflicting applications of the word, the name alternative rock essentially serves as an umbrella term for underground music that has emerged in the wake of punk rock since the mid-1980s. Alternative bands during the 1980s generally played in clubs, recorded for indie labels. Sounds range from the gloomy soundscapes of gothic rock to the guitars of indie pop to the dirty guitars of grunge to the 1960s/1970s revivalism of Britpop. This approach to lyrics developed as a reflection of the social and economic strains in the United States and United Kingdom of the 1980s, by 1984, a majority of groups signed to independent record labels mined from a variety of rock and particularly 1960s rock influences. This represented a break from the futuristic, hyper-rational post-punk years
23.
Art rock
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Art rock is a subgenre of rock music that generally reflects a challenging or avant-garde approach to rock, or which makes use of modernist, experimental, or unconventional elements. Art rock aspires to elevate rock from teen entertainment to an artistic statement, influences may be drawn from genres such as experimental rock, avant-garde music, classical music, and jazz. The genres greatest level of popularity was in the early 1970s through British artists, art rock is most associated with a certain period of rock music, beginning in 1966–67 and ending with the arrival of punk in the mid 1970s. After, the genre would be infused within later popular music genres of the 1970s–90s, in the rock music of the 1970s, the art descriptor was generally understood to mean aggressively avant-garde or pretentiously progressive. Art rock is used synonymously with progressive rock. Historically, the term has been used to describe at least two related, but distinct, types of rock music, art rock emphasizes Romantic and autonomous traditions, in distinction to the aesthetic of the everyday and the disposable embodied by art pop. Common characteristics include album-oriented music divided into compositions rather than songs, with complicated and long instrumental sections. Its music was used within the context of concept records. Compared to progressive rock, art rock is more challenging, noisy and unconventional and less classically influenced, art rock can also to refer to either classically driven rock, or a progressive rock-folk fusion. S. Eliot than to Carl Perkins or Willie Dixon, the boundaries between art and pop music became increasingly blurred throughout the second half of the 20th century. The first usage of the art rock, according to Merriam-Webster Online Dictionary, was in 1968. As pop musics dominant format transitioned from singles to albums, many rock bands created works that aspired to make grand artistic statements, as it progressed in the late 1960s – in tandem with the development of progressive rock – art rock acquired notoriety alongside experimental rock. According to biographer Richard Williams, created a new concept, the producer as overall director of the creative process, Spector transformed rock music as a performing art to an art which could only exist in the recording studio, which paved the way for art rock. The Beach Boys leader Brian Wilson is also cited as one of the first examples of the music producer. Like Spector, Wilson was known as an eremitic studio obsessive who laboriously produced fantastical soundscapes through his mastery of recording technology. Biographer Peter Ames Carlin wrote that Wilson was the forerunner of a new kind of art-rock that would combine the transcendent possibilities of art with the accessibility of pop music. According to journalist Richard Goldstein, many musicians from California desired to be acknowledged as artists. They yearned for fame, as only needy people can, but they wanted to make art
24.
Industrial music
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Industrial music is a genre of experimental/electronic music that draws on transgressive or provocative sounds and themes. In general, the style is harsh and challenging, allMusic defines industrial as the most abrasive and aggressive fusion of rock and electronic music, initially a blend of avant-garde electronics experiments and punk provocation. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, serial killers and their production was not limited to music, but included mail art, performance art, installation pieces and other art forms. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, Musicians also cite writers such as William S. Burroughs, and philosophers such as Friedrich Nietzsche as influences. These artists expanded the genre by pushing it into noisier and more electronic directions, over time, its influence spread into and blended with styles including ambient and rock, all of which now fall under the post-industrial music label. Electro-industrial music is a subgenre that developed in the 1980s. These three distinct genres are often referred to as simply industrial, Industrial music drew from a broad range of predecessors. Industrial music was created originally by using mechanical and electric machinery, monroe also argues for Suicide as an influential contemporary of the industrial musicians. Groups cited as inspirational by the founders of industrial music include The Velvet Underground, Joy Division, genesis P-Orridge of Throbbing Gristle had a cassette library including recordings by the Master Musicians of Jajouka, Kraftwerk, Charles Manson, and William S. Burroughs. P-Orridge also credited 1960s rock such as The Doors, Pearls Before Swine, The Fugs, Captain Beefheart, chris Carter also enjoyed and found inspiration in Pink Floyd and Tangerine Dream. Boyd Rice was influenced by the music of 60s girl groups, Cabaret Voltaire cited Roxy Music as their initial forerunners, as well as Kraftwerks Trans-Europe Express. Cabaret Voltaire also recorded pieces reminiscent of musique concrète and composers such as Morton Subotnick, Nurse with Wound cited a long list of obscure free improvisation and Krautrock as recommended listening. 23 Skidoo borrowed from Fela Kuti and Miles Daviss On the Corner, many industrial groups, including Einstürzende Neubauten, took inspiration from world music. Many of the industrial musicians preferred to cite artists or thinkers, rather than musicians. Simon Reynolds declares that Being a Throbbing Gristle fan was like enrolling in a university course of cultural extremism, John Cage was an initial inspiration for Throbbing Gristle. SPK appreciated Jean Dubuffet, Marcel Duchamp, Jean Baudrillard, Michel Foucault, Walter Benjamin, Marshall McLuhan, Friedrich Nietzsche, Cabaret Voltaire took conceptual cues from Burroughs, J. G. Ballard, and Tristan Tzara. Whitehouse and Nurse with Wound dedicated some of their work to the Marquis de Sade, another influence on the industrial aesthetic was Lou Reeds Metal Machine Music. Pitchfork Music cites this album as inspiring, in part, much of the contemporary avant-garde music scene—noise, the album consists entirely of guitar feedback, anticipating industrials use of non-musical sounds
25.
Jazz fusion
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Jazz fusion is a musical genre that developed in the late 1960s when musicians combined aspects of jazz harmony and improvisation with styles such as funk, rock, rhythm and blues, and Latin jazz. During this time many jazz musicians began experimenting with electric instruments and amplified sound for the first time, as well as electronic effects, many of the developments during the late 1960s and early 1970s have since become established elements of jazz fusion musical practice. Fusion arrangements vary in complexity—some employ groove-based vamps fixed to a key, or even a single chord. Others can feature odd or shifting time signatures with elaborate chord progressions, melodies, typically, these arrangements, whether simple or complex, will feature extended improvised sections that can vary in length. As with jazz, fusion often employs brass and woodwind instruments such as trumpet and saxophone as melody and soloing instruments, the rhythm section typically consists of electric bass, electric guitar, electric piano/synthesizer and drums. As with traditional jazz improvisation, fusion instrumentalists generally require a level of technical proficiency. The term jazz-rock is often used as a synonym for jazz fusion as well as for music performed by late 1960s, experimentation continued in the 1990s and 2000s. Fusion albums, even those that are made by the group or artist. Rather than being a musical style, fusion can be viewed as a musical tradition or approach. Afro-Cuban jazz, one the earliest form of Latin jazz, is a fusion of Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban jazz first emerged in the early 1940s with the Cuban musicians Mario Bauza and Frank Grillo Machito in the band Machito and his Afro-Cubans, based in New York City. Early combinations of jazz with Cuban music, such as Dizzys and Pozos Manteca and Charlie Parkers and Machitos Mangó Mangüé, were referred to as Cubop. During its first decades, the Afro-Cuban jazz movement was stronger in the United States than in Cuba itself, allmusic Guide states that until around 1967, the worlds of jazz and rock were nearly completely separate. One of the earliest releases from Pink Floyd, London 66–67 incorporated jazz-influenced improvisation to their psychedelic compositions, nevertheless, these developments made little impact in the United States. Jazz vibraphonist Gary Burton was an innovator in the 1960s, in 1967, Burton worked with electric guitarist Larry Coryell and recorded Duster, which is considered one of the first fusion records. Texas-born guitarist Coryell was also a pioneer of jazz in the same era. Trumpeter and composer Miles Davis had a influence on the development of jazz fusion with his 1968 album Miles in the Sky. It is the first of Davis albums to incorporate electric instruments, with Herbie Hancock and Ron Carter playing electric piano and bass guitar, respectively
26.
Noise rock
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Noise rock is a diverse style of experimental rock that spun off from punk rock in the 1980s. Some groups are tied to song structures, such as Sonic Youth, while the music had been around for some time, the term noise rock was coined in the 1980s to describe an offshoot of punk groups with an increasingly abrasive approach. An archetypal album is the Velvet Undergrounds White Light/White Heat, treblezines Joe Gross credits the cult classic with being the first noise rock album, accordingly, perhaps it’s an obvious starting point, but it’s also the starting point. Sonic Youths Thurston Moore explained, Noise has taken the place of punk rock, people who play noise have no real aspirations to being part of the mainstream culture. Punk has been co-opted, and this subterranean noise music and the folk scene have replaced it. Starting in the 1990s, noise punk developed mostly as a form of party music, with the band Lightning Bolt serving as key players in the 2000s noise punk scene in Providence, Rhode Island
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Post-hardcore
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Like post-punk, the term has been applied to a broad constellation of groups. Hardcore punk typically features very fast tempos, loud volume, and heavy bass levels, additionally, many of these bands vocalists were just as likely to deliver their lyrics with a whispered croon as they were a maniacal yelp. Allmusic also claims that post-hardcore bands find creative ways to build and release tension rather than airing their dirty laundry in short, sharp, british post-punk of the late 1970s and early 1980s has been seen as influential on the musical development of post-hardcore bands. As the genre progressed some of these groups also experimented with an array of influences, including soul, dub, funk, jazz. Groups such as Saccharine Trust, Naked Raygun, and The Effigies, during the early to mid-1980s, the desire to experiment with hardcores basic template expanded to many musicians that had been associated with the genre or had strong roots in it. Many of these also took inspiration from the 1980s noise rock scene pioneered by Sonic Youth. Some bands signed to the independent label Homestead Records, including Squirrel Bait, a reviewer noted that the groups 1989s release Wrong was one of the most aggressive and powerful opuses in post-hardcore ever made. During the years 1984 and 1985 in the scene, a new movement had swept over. When The Faith put out the EP Subject to Change in 1983 it marked an evolution in the sound of D. C. hardcore. This movement has been widely known as the Revolution Summer. Other bands have been perceived as taking inspiration from such as funk. According to Eric Grubbs, a nickname was developed for the new sound, with some considering it post-harDCore, the latter, mentioned in skateboarding magazine Thrasher, would come up in discussions around the D. C. area. In the nearby state of Maryland, similar bands that are categorized now as post-hardcore would also emerge and this group has also been considered as one of the earliest emo acts. The second half of the 1980s saw the formation of bands in D. C. which included Shudder to Think, Jawbox, The Nation of Ulysses. MacKaye described this period as the busiest that the Dischord Records label had ever seen. Most of these acts, along with ones, would contribute to the 1989 compilation State of the Union. It has also noted that the groups ever-evolving sound would signal a more experimental turn in hardcore that paved the way for later Dischord releases. Similarly, the debut studio album, 1990s Repeater, has also been generally regarded as a classic
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Post-progressive
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Post-progressive is a type of rock music distinguished from vintage progressive rock styles, specifically 1970s prog. Post-progressive draws upon newer developments in music and the avant-garde since the mid 1970s. It especially draws from ethnic musics and minimalism, elements which were new to rock music and it is different from neo-progressive rock in that neo-prog pastiches 1970s prog, while post-progressive identifies progressive rock music that stems from sources other than prog. In the opinion of King Crimsons Robert Fripp, progressive music was an attitude, Post-progressive is rock music which distinguishes itself from the persistent style of 1970s prog, seeking a return to the genres original principles. The post is meant to acknowledge the development of forms of avant-garde and popular music since the mid 1970s. Academic Kevin Holm-Hudson argues that progressive rock is a far more diverse than what is heard from its mainstream groups. Wonder where progressive rock ends and becomes psychedelia, free jazz, experimental art music and he categorizes post-progressive as a subgenre of progressive rock, whereas post-rock is a subgenre of alternative rock. Nosounds Giancarlo Erra believes that post-prog—deployed by the label Kscope—denotes a mixture of rock and post-rock. Hegarty and Halliwell note, Post-progressive identifies progressive rock that stems from other than progressive rock. This does not spread the net to include all avant-rock from the 1980s and 1990s, Post-progressive rock feeds a more explicit return to prog, in other words, a return that is not one. This trend is best exemplified by two British avant-rock acts of the 1980s and early 1990s, David Sylvian and Talk Talk, purveyors explicitly embrace new computer technologies and sounds. Some post-progressive bands still draw upon selective aspects of vintage prog, particular influences on latter-20th century post-progressive artists include Jimi Hendrix, Frank Zappa, the Beatles, and King Crimson. Post-progressives beginning may be located after 1978, after the 1980s, the post-progressive style followed in the traditions of King Crimsons 1981 album Discipline, with its introduction of minimalism and ethnic musics, elements which were new to rock. Hegarty and Halliwell credit Radiohead for creating a new wave of progressiveness and they did not need to refer back to the sounds or styles of 1970s prog rock in order to make authentic progressive rock
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Shoegazing
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Shoegazing is a subgenre of indie rock, alternative rock, and neo-psychedelia that emerged in the United Kingdom in the late 1980s. The style is typified by the blurring of component musical parts—typically significant guitar distortion, feedback, the term was often used contemporaneously with dream pop. A loose label given to the scene and other affiliated bands in London in the early 1990s was The Scene That Celebrates Itself. In the 2000s, there was renewed interest in the genre among nu gaze bands, Shoegaze combines ethereal, swirling vocals with layers of distorted, bent, flanged guitars, creating a wash of sound where no instrument is distinguishable from another. Most bands drew from the music of My Bloody Valentine as a template for the genre, although co-founder Kevin Shields stated that the band had never used any chorus, Shoegazing was coined to describe dream pop bands. It originated in a review in Sounds for the newly formed band Moose in which singer Russell Yates read lyrics taped to the floor throughout the gig. The term was picked up by NME, who used it as a reference to the tendency of the guitarists to stare at their feet—or their effects pedals—while playing. According to AllMusic, The shatteringly loud, droning neo-psychedelia the band performed was dubbed shoegazing by the British press because the bandmembers stared at the stage while they performed. The term was considered pejorative, especially by the English weekly music press who considered the movement as ineffectual, miki Berenyi explained, Shoegazing was originally a slag-off term. My partner, who was the guitarist in Moose, claims that it was levelled at his band. Apparently the journo was referring to the bank of pedals he had strewn across the stage that he had to keep staring at in order to operate. And then it just became a term for all those bands that had a big, sweeping, effects-laden sound. The most commonly cited precursors to shoegazing are the Cocteau Twins, the Jesus and Mary Chain, each bands music bridged the styles of garage rock, 1960s psychedelia and American indie bands like Dinosaur Jr. and Sonic Youth. Other artists that have identified as direct influences on shoegazing include the Velvet Underground, Sonic Youth, Hüsker Dü. Siouxsie and the Banshees was also an influence, initially on Cocteau Twins. Slowdive named themselves after a Siouxsie and the Banshees song of the same name, lush, a shoegaze contemporary, were originally called The Baby Machines, a line from a Siouxsie lyric. My Bloody Valentine emerged in the wake of that bands 1988 breakthrough, the Trouser Press Guide to 90s Rock mentions that A. R. Kane, the London duo. exerted a profound influence on the legion of trippy shoegazer guitar bands that would emerge a few years later in the UK
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Experimental rock
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Experimental rock is a subgenre of rock music which pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. From its inception, rock music was experimental, but it wasnt until the late 1960s that rock artists began creating extended, in 1967, the genre was as commercially viable as pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with avant-garde, later in the 1970s, significant musical crossbreeding took place in tandem with the developments of punk and new wave, DIY experimentation, and electronic music. Funk, jazz-rock, and fusion rhythms became integrated into experimental rock music. The first wave of 1980s experimental rock groups had few precedents for their sound. Later in the decade, avant-rock pursued a psychedelic aesthetic that differed from the self-consciousness, during the 1990s, a loose movement known as post-rock became the dominant form of experimental rock. As of the 2010s, the experimental rock has fallen to indiscriminate use, with virtually every modern rock band being categorized under prefixes such as post-, kraut-, psych-. Although experimentation had always existed in music, it wasnt until the late 1960s that new openings were created from the aesthetic intersecting with the social. In 1966, the boundaries between pop music and the avant-garde began to blur as rock albums were conceived and executed as distinct, self-taught rock musicians in the middle and late 1960s drew from the work of composers such as John Cage, Karlheinz Stockhausen, and Luciano Berio. In addition, The Quietus Ben Graham described duos the Silver Apples, calling attention to the very recordedness of the album. This would also be reflected in contemporary experimental rock LPs, such as the Beach Boys Pet Sounds and Smile, the Whos The Who Sell Out and Tommy. The Velvet Underground were a group in experimental rock, according to Rosenberg. Peppers inspired a new consideration for experimental rock as commercially viable music, as progressive rock developed, experimental rock acquired notoriety alongside art rock. By 1970, most of the musicians which had been at the forefront of rock had incapacitated themselves. Groups such as Can, Faust, Neu, the ideas of minimalism and composers such as Stockhausen would be particularly influential. During this era, funk, jazz-rock, and fusion rhythms became integrated into experimental rock music, some groups who were categorized as post-punk considered themselves part of an experimental rock trajectory, with This Heat as one of the prominent players. Anderson claims that the no wave scene represented New York’s last stylistically cohesive avant-rock movement, steve Redhead noted the resuscitation of New Yorks avant-rock scene, including artists such as Sonic Youth and John Zorn, in the 1980s. In the late 1980s, avant-rock pursued a frazzled, psychedelia-tinged, blissed out aesthetic that differed from the self-consciousness, the UK shoegaze scene was seen by some as a continuation of an experimental rock tradition
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Rock music
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It has its roots in 1940s and 1950s rock and roll, itself heavily influenced by blues, rhythm and blues and country music. Rock music also drew strongly on a number of genres such as electric blues and folk. Musically, rock has centered on the guitar, usually as part of a rock group with electric bass guitar. Typically, rock is song-based music usually with a 4/4 time signature using a verse-chorus form, like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political in emphasis. Punk was an influence into the 1980s on the subsequent development of subgenres, including new wave, post-punk. From the 1990s alternative rock began to rock music and break through into the mainstream in the form of grunge, Britpop. Similarly, 1970s punk culture spawned the visually distinctive goth and emo subcultures and this trio of instruments has often been complemented by the inclusion of other instruments, particularly keyboards such as the piano, Hammond organ and synthesizers. The basic rock instrumentation was adapted from the blues band instrumentation. A group of musicians performing rock music is termed a rock band or rock group, Rock music is traditionally built on a foundation of simple unsyncopated rhythms in a 4/4 meter, with a repetitive snare drum back beat on beats two and four. Melodies are often derived from older musical modes, including the Dorian and Mixolydian, harmonies range from the common triad to parallel fourths and fifths and dissonant harmonic progressions. Critics have stressed the eclecticism and stylistic diversity of rock, because of its complex history and tendency to borrow from other musical and cultural forms, it has been argued that it is impossible to bind rock music to a rigidly delineated musical definition. These themes were inherited from a variety of sources, including the Tin Pan Alley pop tradition, folk music and rhythm, as a result, it has been seen as articulating the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, rock and roll usually implies an identification of male sexuality, according to Simon Frith rock was something more than pop, something more than rock and roll. Rock musicians combined an emphasis on skill and technique with the concept of art as artistic expression, original. The foundations of music are in rock and roll, which originated in the United States during the late 1940s and early 1950s. Its immediate origins lay in a melding of various musical genres of the time, including rhythm and blues and gospel music, with country. In 1951, Cleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music for a multi-racial audience, debate surrounds which record should be considered the first rock and roll record. Other artists with rock and roll hits included Chuck Berry, Bo Diddley, Fats Domino, Little Richard, Jerry Lee Lewis
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Musical instrument
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A musical instrument is an instrument created or adapted to make musical sounds. In principle, any object that produces sound can be a musical instrument—it is through purpose that the object becomes a musical instrument, the history of musical instruments dates to the beginnings of human culture. Early musical instruments may have used for ritual, such as a trumpet to signal success on the hunt. Cultures eventually developed composition and performance of melodies for entertainment, Musical instruments evolved in step with changing applications. The date and origin of the first device considered an instrument is disputed. The oldest object that some refer to as a musical instrument. Some consensus dates early flutes to about 37,000 years ago, many early musical instruments were made from animal skins, bone, wood, and other non-durable materials. Musical instruments developed independently in many populated regions of the world, however, contact among civilizations caused rapid spread and adaptation of most instruments in places far from their origin. By the Middle Ages, instruments from Mesopotamia were in maritime Southeast Asia, development in the Americas occurred at a slower pace, but cultures of North, Central, and South America shared musical instruments. By 1400, musical instrument development slowed in areas and was dominated by the Occident. Musical instrument classification is a discipline in its own right, Instruments can be classified by their effective range, their material composition, their size, etc. However, the most common method, Hornbostel-Sachs, uses the means by which they produce sound. The academic study of instruments is called organology. Once humans moved from making sounds with their bodies—for example, by using objects to create music from sounds. Primitive instruments were designed to emulate natural sounds, and their purpose was ritual rather than entertainment. The concept of melody and the pursuit of musical composition were unknown to early players of musical instruments. A player sounding a flute to signal the start of a hunt does so without thought of the notion of making music. Musical instruments are constructed in an array of styles and shapes
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Texture (music)
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In music, texture is how the melodic, rhythmic, and harmonic materials are combined in a composition, thus determining the overall quality of the sound in a piece. For example, a thick texture contains many layers of instruments, one of these layers could be a string section, or another brass. The thickness also is changed by the amount and the richness of the playing the piece. The thickness varies from light to thick, a pieces texture may be changed by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tempo, and rhythms used. An example is the Scherzo from Schubert’s piano sonata in B major, the first four bars are monophonic, with both hands performing the same melody an octave apart, Bars 5-9 are homophonic, with all voices coinciding rhythmically, Bars 11-20 are polyphonic. There are three parts, the top two moving in parallel, the lowest part imitates the rhythm of the upper two at the distance of three beats. The passage climaxes abruptly with a silence, After the silence. Many composers use more than one type of texture in the piece of music. A simultaneity is more than one complete musical texture occurring at the same time, a more recent type of texture first used by György Ligeti is micropolyphony. Other textures include polythematic, polyrhythmic, onomatopoeic, compound, style brisé Benward, Bruce, and Marilyn Nadine Saker. Music, In Theory and Practice, seventh edition, vol, arranging Music for the Real World, Classical and Commercial Aspects. Hanning, Barbara Russano, Concise History of Western Music, based on Donald Jay Grout & Claudia V. Paliscas A History of Western Music, published by W. W. Norton & Company, New York, Copyright 1998. Melody, Linear Aspects of Twentieth-Century Music, in Aspects of Twentieth-Century Music, edited by Gary Wittlich, pp. 270–301. In Proceedings of the ICMC2005 – International Computer Music Conference, monophony, Grove Music Online, edited bymDeane Root. What to Listen for in Music, revised edition, New York, McGraw-Hill Book Company, Inc. Frobenius, Wolf, Peter Cooke, Caroline Bithell, and Izaly Zemtsovsky, Polyphony, hyer, Brian, Homophony, Grove Music Online, edited by Deane Root. Trajectory, Material, Process, and Flow in Robert Morris’s String Quartet Arc, perspectives of New Music 52, no. A Guide to Musical Texture with multimedia
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Timbre
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The physical characteristics of sound that determine the perception of timbre include spectrum and envelope. Singers and instrumental musicians can change the timbre of the music they are singing/playing by using different singing or playing techniques, for example, a violinist can use different bowing styles or play on different parts of the string to obtain different timbres. On electric guitar and electric piano, performers can change the timbre using effects units, in simple terms, timbre is what makes a particular musical sound have a different sound from another, even when they have the same pitch and loudness. For instance, it is the difference in sound between a guitar and a playing the same note at the same volume. Experienced musicians are able to distinguish between different instruments of the type based on their varied timbres, even if those instruments are playing notes at the same pitch. Tone quality and tone color are synonyms for timbre, as well as the attributed to a single instrument. However, the texture can also refer to the type of music, such as multiple. The sound of an instrument may be described with words such as bright, dark, warm, harsh. There are also colors of noise, such as pink and white, in visual representations of sound, timbre corresponds to the shape of the image. The Acoustical Society of America Acoustical Terminology definition 12, Timbre has been called. the psychoacousticians multidimensional waste-basket category for everything that cannot be labeled pitch or loudness. Many commentators have attempted to decompose timbre into component attributes, the richness of a sound or note a musical instrument produces is sometimes described in terms of a sum of a number of distinct frequencies. The lowest frequency is called the frequency, and the pitch it produces is used to name the note. The dominant frequency is the frequency that is most heard, for example, the dominant frequency for the transverse flute is double the fundamental frequency. Other significant frequencies are called overtones of the frequency, which may include harmonics. Harmonics are whole number multiples of the frequency, such as ×2, ×3, ×4. There are also sometimes subharmonics at whole number divisions of the fundamental frequency, most instruments produce harmonic sounds, but many instruments produce partials and inharmonic tones, such as cymbals and other indefinite-pitched instruments. When the tuning note in an orchestra or concert band is played, each instrument in the orchestra or concert band produces a different combination of these frequencies, as well as harmonics and overtones. The sound waves of the different frequencies overlap and combine, the timbre of a sound is also greatly affected by the following aspects of its envelope, attack time and characteristics, decay, sustain, release and transients
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Electronic musical instrument
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An electronic musical instrument is a musical instrument that produces sound using electronics. Such an instrument sounds by outputting an electrical signal that ultimately drives a loudspeaker. An electronic instrument might include a user interface for controlling its sound, often by adjusting the pitch, frequency, all electronic musical instruments can be viewed as a subset of audio signal processing applications. Simple electronic musical instruments are called sound effects, the border between sound effects and actual musical instruments is often hazy. Electronic musical instruments are now used in most styles of music. Development of new musical instruments, controllers, and synthesizers continues to be a highly active. In the 18th-century, musicians and composers adapted a number of instruments to exploit the novelty of electricity. The former instrument consisted of an instrument of over 700 strings. The latter was an instrument with plectra activated electrically. However, neither instrument used electricity as a sound-source, the first electric synthesizer was invented in 1876 by Elisha Gray. The Musical Telegraph used steel reeds oscillated by electromagnets and transmitted over a telephone line, Gray also built a simple loudspeaker device into later models, which consisted of a diaphragm vibrating in a magnetic field. A significant invention, which later had an effect on electronic music, was the audion in 1906. This was the first thermionic valve, or vacuum tube and which led to the generation and amplification of signals, radio broadcasting. Other early synthesizers included the Telharmonium, the Theremin, Jörg Magers Spharophon and Partiturophone, Taubmanns similar Electronde, Maurice Martenots ondes Martenot, only two models of this latter were built and the only surviving example is currently stored at the Lomonosov University in Moscow. It has been used in many Russian movies—like Solaris—to produce unusual, Hugh Le Caine, John Hanert, Raymond Scott, composer Percy Grainger, and others built a variety of automated electronic-music controllers during the late 1940s and 1950s. In 1959 Daphne Oram produced a method of synthesis, her Oramics technique, driven by drawings on a 35 mm film strip. In 1897 Thaddeus Cahill patented an instrument called the Telharmonium, using tonewheels to generate musical sounds as electrical signals by additive synthesis, it was capable of producing any combination of notes and overtones, at any dynamic level. This technology was used to design the Hammond organ
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Instrumental
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An instrumental is a musical composition or recording without lyrics, or singing, although it might include some inarticulate vocals, such as shouted backup vocals in a Big Band setting. The music is primarily or exclusively produced by musical instruments, if the instrumental section highlights the skill, musicality, and often the virtuosity of a particular performer, the section may be called a solo. If the instruments are percussion instruments, the interlude can be called a percussion interlude or percussion break and these interludes are a form of break in the song. One example of a genre in which both vocal/instrumental and solely instrumental songs are produced is blues, another example of a genre in popular culture is Hip Hop, Pop, and R&B. Many upcoming or rising artists in Hip Hop, Pop, and R&B will find an instrumental online on a website, like www. beatsbytoon. com, an instrumental version of a song which otherwise features vocals is also known as a -1. The opposite of instrumental music, that is, music for voices alone, without any accompaniment instruments, is a cappella, an Italian phrase that means in the chapel. In early music, instruments such as trumpet and drums were considered outdoor instruments, a capella music exists in both Classical music choir pieces and in popular music styles such as doo wop groups and Barbershop quartets. Some recordings which include brief examples of the voice are typically considered instrumentals. An ominous statement at the end Inclusion of field recordings which may or may not contain non-lyrical words, a few songs categorized as instrumentals may even include actual vocals, if they appear only as a short part of an extended piece. Falling just outside that definition is Theme From Shaft by Isaac Hayes. com with a sample of each
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Underground music
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Underground music comprises musical genres beyond mainstream culture. Any song that is not being legally commercialized is considered underground, some underground rock bands never got non-mainstream roots. They are radical, aggressive 60s bands such as Velvet Underground, The Stooges, MC5, 70s bands like The Sex Pistols, The Damned, The Clash, and 80s hardcore punk bands like Discharge. Some underground styles eventually became mainstream, commercialized pop styles, as did for example, in the 2000s, the increasing availability of the Internet and digital music technologies has made underground music easier to distribute using streaming audio and podcasts. Some experts in cultural studies now argue that there is no underground because the Internet has made what was underground music accessible to everyone at the click of a mouse. One expert, Martin Raymond, of London-based company The Future Laboratory, commented in an article in The Independent, saying trends in music, art, now transmitted laterally and collaboratively via the internet. You once had a series of gatekeepers in the adoption of a trend, the innovator, the early adopter, the late adopter, the mainstream, the late mainstream. But now it goes straight from the innovator to the mainstream, frank Zappa attempted to define underground by noting that the mainstream comes to you, but you have to go to the underground. Black metal is also a form of music and its Norwegian scene are notorious for their association with church burnings. All of extreme metal is considered underground music for its extreme nature, in a Counterpunch magazine article, Twiin argues that Underground music is free media, because by working independently, you can say anything in your music and be free of corporate censorship. Underground music of this type is often promoted through word-of-mouth or by community radio DJs. In the early scenes, such as the Grateful Dead jam band fan scenes or the 1970s punk scenes. In the 2000s, underground music easier to distribute, using streaming audio. A music underground can also refer to the culture of music in a city. The Kitchen is an example of what was an important New York City underground music venue in the 1960s and 1970s, CBGB is another famous New York City underground music venue claiming to be Home of Underground Rock since 1973. Independent music Underground hip hop Underground art
