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A Tibetan painting with a Prajñāpāramitā sūtra at the center of the mandala
A Tibetan painting with a Prajñāpāramitā sūtra at the center of the mandala
Prajñāpāramitā Devi, a personification of Transcendent Wisdom, Folio from a Tibetan 100,000 line Prajñāpāramitā manuscript
Prajñāpāramitā Devi, a personification of Transcendent Wisdom, Folio from a Tibetan 100,000 line Prajñāpāramitā manuscript
Tibetan Painting of Mañjuśrī bodhisattva with the sword of wisdom and a sūtra manuscript, which are common symbols of Prajñāpāramitā in Buddhist art
Tibetan Painting of Mañjuśrī bodhisattva with the sword of wisdom and a sūtra manuscript, which are common symbols of Prajñāpāramitā in Buddhist art
Prajñāpāramitā illustrated manuscript cover, circa 15th century
Prajñāpāramitā illustrated manuscript cover, circa 15th century
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An illustration in a manuscript of the Aṣṭasāhasrikā Prajñāpāramitā Sūtra from Nalanda, depicting the bodhisattva Maitreya, an important figure in Mah
An illustration in a manuscript of the Aṣṭasāhasrikā Prajñāpāramitā Sūtra from Nalanda, depicting the bodhisattva Maitreya, an important figure in Mahāyāna
The Five Tathāgatas in Shishoin Temple (Tokyo). A unique feature of Mahāyāna is the belief that there are multiple Buddhas which are currently teachin
The Five Tathāgatas in Shishoin Temple (Tokyo). A unique feature of Mahāyāna is the belief that there are multiple Buddhas which are currently teaching the Dharma
Mahāyāna Buddhist triad, including Bodhisattva Maitreya, the Buddha, and Bodhisattva Avalokiteśvara. 2nd–3rd century CE, Gandhāra
Mahāyāna Buddhist triad, including Bodhisattva Maitreya, the Buddha, and Bodhisattva Avalokiteśvara. 2nd–3rd century CE, Gandhāra
Seated Avalokiteshvara bodhisattva. Gandharan, from Loriyan Tangai. Kushan period, 1st – 3rd century CE. Indian Museum, Calcutta
Seated Avalokiteshvara bodhisattva. Gandharan, from Loriyan Tangai. Kushan period, 1st – 3rd century CE. Indian Museum, Calcutta