Prima ballerina assoluta is a title awarded to the most notable of female ballet dancers. To be recognised as a prima ballerina assoluta is a rare honour, traditionally reserved only for the most exceptional dancers of their generation. Originally inspired by the Italian ballet masters of the early Romantic ballet, and literally meaning absolute first ballerina, the title was bestowed on a prima ballerina who was considered to be exceptionally talented, above the standard of other leading ballerinas. The title is very rarely used today and recent uses have typically been symbolic, either in recognition of a prestigious international career, or for exceptional service to a particular ballet company. There is no universal procedure for designating who may receive the title, which has led to dispute in the ballet community over who can legitimately claim it. It is usually a ballet company that bestows the title, however some dancers have had the title officially sanctioned by a government or head of state, sometimes for political rather than artistic reasons. Less common is for a dancer to become identified as a prima ballerina assoluta as a result of public and critical opinion.
Pierina Legnani – the first ballerina ever to be titled prima ballerina assoluta – photographed during her tour of London, 1891. Written on the photo is Signorina Pierina Legnani, Première danseuse assoluta. 15-9-91 – London.
A ballet dancer is a person who practices the art of classical ballet. Both females and males can practice ballet. They rely on years of extensive training and proper technique to become a part of a professional ballet company. Ballet dancers are at a high risk of injury due to the demanding technique of ballet.
Pierina Legnani (left) as Medora and Olga Preobrajenska (right) as Gulnare in the scene Le jardin animé from Marius Petipa's final revival of Le Corsaire, St. Petersburg, 1899. Legnani was named première danseuse assoluta of the Teatro alla Scala in Milan, and would later be named prima ballerina assoluta of the St. Petersburg Imperial Theatres. Preobrajenska became prima ballerina of the St. Petersburg Imperial Theatres and went on to become one of the most influential teachers in the history of classical ballet.
Three ballet dancers performing a grand jeté jump
Ángel Corella as Aminta in Frederick Ashton's version of the ballet Sylvia, 2005
Many ballet dancers end up with injured feet due to the size of the shoes or the use of their feet in choreography