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Diana and Actaeon by Titian has a full provenance covering its passage through several owners and four countries since it was painted for Philip II of
Diana and Actaeon by Titian has a full provenance covering its passage through several owners and four countries since it was painted for Philip II of Spain in the 1550s.
Sir William Petre, 1567: artist unknown. By the turn of the 17th century, this portrait was in the collection of John, 1st Baron Lumley, a fact indica
Sir William Petre, 1567: artist unknown. By the turn of the 17th century, this portrait was in the collection of John, 1st Baron Lumley, a fact indicated by the cartellino added to the painting at the upper right. It is now in the National Portrait Gallery, London
A stamp on a historic document, showing that it has passed through the hands of the Records Preservation Section of the British Records Association, a
A stamp on a historic document, showing that it has passed through the hands of the Records Preservation Section of the British Records Association, a rescue service for archival material: the number indicates its earlier provenance
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Various documents curated for readers at the National Archives, UK
Various documents curated for readers at the National Archives, UK
Archival boxes at the NASA archives
Archival boxes at the NASA archives
The earliest archival manuals: Jacob von Rammingen, Von der Registratur (1571), Baldassarre Bonifacio, De Archivis (1632)
The earliest archival manuals: Jacob von Rammingen, Von der Registratur (1571), Baldassarre Bonifacio, De Archivis (1632)