1.
Utrecht Psalter
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The Utrecht Psalter is a ninth-century illuminated psalter which is a key masterpiece of Carolingian art, it is probably the most valuable manuscript in the Netherlands. It is famous for its 166 lively pen illustrations, with one accompanying each psalm, the precise purpose of these illustrations, and the extent of their dependence on earlier models, have been matters of art historical controversy. The psalter spent the period between about 1000 to 1640 in England, where it had a influence on Anglo-Saxon art. It was copied at least three times in the Middle Ages, a complete facsimile edition of the psalter was made in 1875, and another in 1984. The other texts in the book include some canticles and hymns used in the office of the hours, including various canticles, the latter text was the subject of intense study by Thomas Duffus Hardy and others after scholarly interest in the psalter grew in the 19th century. The entire volume contains 108 vellum leaves, approximately 13 by 10 inches in size, the pages are formed by quires of 8 pages folded. There was probably at least an author portrait of David at the start, the psalter was at one time thought to be a 6th-century work largely because of the use of archaic conventions in the script. The Psalter is written in capitals, a script which by the 9th century had fallen out of favour in Carolingian manuscripts. These are now viewed as imitation rustic capitals, and the manuscript is dated no earlier than the 9th century. The psalter is believed to have made near Reims, as its style is similar to that of the Ebbo Gospels. It may have been sponsored by Ebbo, Archbishop of Reims, others have argued for a date c. 850, saying that the psalm illustrations draw from the travels of Gottschalk of Orbais, the manuscript had reached Canterbury Cathedral by c. 1000, at time a copy began to be made of it, this. The Psalter was copied in full three times in the Middle Ages, the copy being the Eadwine Psalter of 1155–60, with additions 1160–70. The last copy is a version in full colour with gold backgrounds that is known as the Anglo-Catalan Psalter or MS Lat.8846 in the BnF. This was half-illustrated by an English artist in about 1180-1200, and completed by a Catalan artist in 1340-50, the images are necessarily somewhat simplified, and the number of figures reduced. It reached Utrecht University in 1716, at which point it was incorporated into the University Library and it was rediscovered in the library in 1858. The Utrecht Psalter is lavishly illustrated with pen and ink drawings for each psalm
2.
Psalms
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The Book of Psalms, commonly referred to simply as Psalms or the Psalms, is the first book of the Ketuvim, the third section of the Hebrew Bible, and a book of the Christian Old Testament. The title is derived from the Greek translation, ψαλμοί psalmoi, meaning instrumental music and, by extension, the book is an anthology of individual psalms, with 150 in the Jewish and Western Christian tradition and more in the Eastern Christian churches. Many of the psalms are linked to the name of David, over a third appear to be musical directions, addressed to the leader or choirmaster, including such statements as with stringed instruments and according to lilies. Others appear to be references to types of composition, such as A psalm and Song. Many superscriptions carry the names of individuals, the most common being of David, others named include Moses, Asaph, the Sons of Korah and Solomon. A natural way of understanding these attributions is as a claim to authorship, Psalms are usually identified by a sequence number, often preceded by the abbreviation Ps. Numbering of the Psalms differs—mostly by one digit, see table—between the Hebrew and it is generally admitted that Pss.9 and 10 were originally a single acrostic poem, they have been wrongly separated by Massorah, rightly united by the Septuagint and Vulgate. On the other hand, Ps.144 is made up of two songs — verses 1–11 and 12–15, Pss.42 and 43 are shown by identity of subject, of metrical structure and of refrain, to be three strophes of one and the same poem. The Hebrew text is correct in counting as one Ps.146, later liturgical usage would seem to have split up these and not a few other psalms. Zenner combines into what he deems were the original choral odes,1,2,3,4,6 +13,9 +10,19,20,21,56 +57,69 +70,114 +115,148,149,150. A choral ode would seem to have been the form of Pss.14 +70. The two strophes and the epode are Ps,14, the two antistrophes are Ps.70. It is noteworthy that, on the breaking up of the ode, each portion crept twice into the Psalter, Ps.14 =53, Ps.70 =40. Other such duplicated psalms are Ps and this loss of the original form of some of the psalms is allowed by the Biblical Commission to have been due to liturgical uses, neglect of copyists, or other causes. The Septuagint bible, present in Eastern Orthodox churches, includes a Psalm 151, Some versions of the Peshitta include Psalms 152–155. There are also the Psalms of Solomon, which are a further 18 psalms of Jewish origin, likely written in Hebrew. These and other indications suggest that the current Western Christian and Jewish collection of 150 psalms were selected from a wider set, gunkel divided the psalms into five primary types, Hymns, songs of praise for Gods work in creation or in history. They typically open with a call to praise, describe the motivation for praise, two sub-categories are enthronement psalms, celebrating the enthronement of Yahweh as king, and Zion psalms, glorifying Mount Zion, Gods dwelling-place in Jerusalem
3.
Book of hours
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The book of hours is a Christian devotional book popular in the Middle Ages. It is the most common type of surviving medieval illuminated manuscript, Books of hours were usually written in Latin, although there are many entirely or partially written in vernacular European languages, especially Dutch. The English term primer is usually now reserved for books written in English. Tens of thousands of books of hours have survived to the present day, in libraries, the typical book of hours is an abbreviated form of the breviary which contained the Divine Office recited in monasteries. It was developed for lay people who wished to incorporate elements of monasticism into their devotional life, reciting the hours typically centered upon the reading of a number of psalms and other prayers. The Marian prayers Obsecro te and O Intemerata were frequently added, as were devotions for use at Mass, the book of hours has its ultimate origin in the Psalter, which monks and nuns were required to recite. By the 12th century this had developed into the breviary, with cycles of psalms, prayers, hymns, antiphons. Eventually a selection of texts was produced in much shorter volumes, many books of hours were made for women. There is some evidence that they were given as a wedding present from a husband to his bride. Frequently they were passed down through the family, as recorded in wills, the earliest surviving English example was apparently written for a laywoman living in or near Oxford in about 1240. It is smaller than a modern paperback but heavily illuminated with major initials, by the 15th century, there are also examples of servants owning their own Books of Hours. In a court case from 1500, a woman is accused of stealing a domestic servants prayerbook. Very rarely the books included prayers specifically composed for their owners, some include images depicting their owners, and some their coats of arms. These, together with the choice of saints commemorated in the calendar, eamon Duffy explains how these books reflected the person who commissioned them. He claims that the character of these books was often signaled by the inclusion of prayers specially composed or adapted for their owners. Furthermore, he states that as many as half the surviving manuscript Books of Hours have annotations, such additions might amount to no more than the insertion of some regional or personal patron saint in the standardized calendar, but they often include devotional material added by the owner. By at least the 15th century, the Netherlands and Paris workshops were producing books of hours for stock or distribution and these were sometimes with spaces left for the addition of personalized elements such as local feasts or heraldry. The book’s goal was to help his devout patroness to structure her daily life in accordance with the eight canonical hours, Matins to Compline
4.
Old English
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Old English or Anglo-Saxon is the earliest historical form of the English language, spoken in England and southern and eastern Scotland in the early Middle Ages. It was brought to Great Britain by Anglo-Saxon settlers probably in the mid 5th century, Old English developed from a set of Anglo-Frisian or North Sea Germanic dialects originally spoken by Germanic tribes traditionally known as the Angles, Saxons, and Jutes. As the Anglo-Saxons became dominant in England, their language replaced the languages of Roman Britain, Common Brittonic, a Celtic language, Old English had four main dialects, associated with particular Anglo-Saxon kingdoms, Mercian, Northumbrian, Kentish and West Saxon. It was West Saxon that formed the basis for the standard of the later Old English period, although the dominant forms of Middle. The speech of eastern and northern parts of England was subject to strong Old Norse influence due to Scandinavian rule, Old English is one of the West Germanic languages, and its closest relatives are Old Frisian and Old Saxon. Like other old Germanic languages, it is different from Modern English. Old English grammar is similar to that of modern German, nouns, adjectives, pronouns, and verbs have many inflectional endings and forms. The oldest Old English inscriptions were using a runic system. Old English was not static, and its usage covered a period of 700 years, from the Anglo-Saxon settlement of Britain in the 5th century to the late 11th century, some time after the Norman invasion. While indicating that the establishment of dates is a process, Albert Baugh dates Old English from 450 to 1150, a period of full inflections. Perhaps around 85 per cent of Old English words are no longer in use, Old English is a West Germanic language, developing out of Ingvaeonic dialects from the 5th century. It came to be spoken over most of the territory of the Anglo-Saxon kingdoms which became the Kingdom of England and this included most of present-day England, as well as part of what is now southeastern Scotland, which for several centuries belonged to the Anglo-Saxon kingdom of Northumbria. Other parts of the island – Wales and most of Scotland – continued to use Celtic languages, Norse was also widely spoken in the parts of England which fell under Danish law. Anglo-Saxon literacy developed after Christianisation in the late 7th century, the oldest surviving text of Old English literature is Cædmons Hymn, composed between 658 and 680. There is a corpus of runic inscriptions from the 5th to 7th centuries. The Old English Latin alphabet was introduced around the 9th century, with the unification of the Anglo-Saxon kingdoms by Alfred the Great in the later 9th century, the language of government and literature became standardised around the West Saxon dialect. In Old English, typical of the development of literature, poetry arose before prose, a later literary standard, dating from the later 10th century, arose under the influence of Bishop Æthelwold of Winchester, and was followed by such writers as the prolific Ælfric of Eynsham. This form of the language is known as the Winchester standard and it is considered to represent the classical form of Old English
5.
Lectionary
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A lectionary is a book or listing that contains a collection of scripture readings appointed for Christian or Judaic worship on a given day or occasion. There are sub-types such as a gospel lectionary or evangeliary, in addition to these Torah readings, the later Gemara portion of the Talmud also knows of assigned annual readings from the prophets. By the Medieval era the Jewish community had a schedule of scripture readings both from the Torah and the prophets to be read in the synagogue. A sequential selection was read from the Torah, followed by the haftarah – a selection from the books or historical narratives closely linked to the selection from the Torah. Jesus may have read a providentially random reading when he read from Isaiah 61, 1-2, as recorded in Luke 4, 16-21, the early Christians adopted the Jewish custom of reading extracts from the Old Testament on the Sabbath. They soon added extracts from the writings of the Apostles and Evangelists, both Hebrew and Christian lectionaries developed over the centuries. The existence of both one-year and three-year cycles occurs in both Christianity and Judaism, within Christianity, the use of pre-assigned, scheduled readings from the scriptures can be traced back to the early church, and seems to have been inherited from Judaism. Not all of the Christian Church used the same lectionary, and throughout history, until the Second Vatican Council, most Western Christians used a lectionary that repeated on a one-year basis. This annual lectionary provided readings for Sundays and, in those Churches that celebrated the festivals of saints, the Eastern Orthodox Church and many of the Oriental Churches continue to use an annual lectionary. Within Lutheranism there remains a minority of pastors and congregations who use the old one-year lectionary. The Reformed churches divided the Heidelberg Catechism into 52 weekly sections, lectionaries from before the invention of the printing press contribute to understanding the textual history of the Bible. See also List of New Testament lectionaries, the lectionaries are organized into three-year cycles of readings. The years are designated A, B, or C, each yearly cycle begins on the first Sunday of Advent. Year B follows year A, year C follows year B, the Roman Catholic lectionary includes a two-year cycle for the weekday mass readings. Odd-numbered years are Cycle I, even-numbered ones are Cycle II, the weekday lectionary includes a reading from the Old Testament, Acts, Revelation, or the Epistles, a responsorial Psalm, and a reading from one of the Gospels. These readings are generally shorter than those appointed for use on Sundays, the pericopes for the first reading along with the psalms are arranged in a two-year cycle. The Gospels are arranged so that portions of all four are read every year and this weekday lectionary has also been adapted by some denominations with congregations that celebrate daily Eucharistic services. It has been published in the Episcopal Churchs Lesser Feasts and Fasts and this eucharistic lectionary should not be confused with the various Daily Office lectionaries in use in various denominations
6.
Antiphonary
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In current usage Antiphoner refers more narrowly to books containing the chants for the Divine Office in distinction to the Gradual, which contains the antiphons used for the Mass. The discussion below is almost entirely drawn from the 1908 article in the Catholic Encyclopedia, other English equivalents for antiphonary are antiphonar and antiphoner. In the Prioress Tale of Chaucer it occurs in the form antiphonere, the word Antiphonary had in the earlier Middle Ages sometimes a more general, sometimes a more restricted meaning. The so-called Ratisbon edition of the Roman antiphonary, entitled Antiphonarium et Psalterium juxta ordinem Breviarii Romani cum cantu sub auspicis Pii IX et Leonis XIII Pontif, the first of these volumes to be issued, entitled, Tomus II. Continens Horus Diurnus Breviarii Romani, contained the antiphons, psalms, hymns and versicles of the Canonical Hours styled Horæ Diurnæ, lauds, Prime, Terce, Sext, None, Vespers and Compline. It comprised in one volume what in some editions had been distributed in several, such as the Antiphonarium, the Psalterium, the Hymnarium, the Responsoriale. It is suggested by some that this Ratisbon edition has lost its authentic and official character by virtue of the Motu proprio, the omitted chants, which are to be sung by the choir, are contained in a supplementary volume called the Graduale or Liber Gradualis. Into those of the Graduale we need not enter, the Antiphonarium has been issued in a compendious form for the large number of churches in which the Canonical Hours of the Divine Office are sung only on Sundays and Festivals. Another separate volume is the Vesperal, which also the Office of Compline. All the above volumes are in the Ratisbon edition, the text of all the psalms, the full melody of the hymns, and the new feasts were added to the official edition of the Directorium in 1888. It may be said, then, that these two books receive the names Antiphonarium and Graduale from the name of the most important chants included in them. Fundamentally all the chants, whether of the Mass or of the Divine Office, are sung antiphonally, the importance of the Gregorian Antiphonary is found in the enduring stamp it impressed on the Roman liturgy. Other popes gave, a medieval writer assures us, attention to the chants and it is true, also, that the chants used at Milan were styled, in honour of St. Ambrose, the Ambrosian Chant. The authentic antiphonary mentioned by the biographer has not as yet been found, the work, then, of St. Gregory was a musical cento, a compilation of pre-existing material into a coherent and well-ordered whole. But is it clear that the cento was one of melodies as well as of texts, and yet many say that it is scarcely credible that the developed melodies of St. Gregorys time had never possessed a musical notation, had never been committed to writing. We know that St. Augustine, sent to England by the great Pope, carried him a copy of the precious antiphonary. Gregory, whose labour comprised not merely the sacramentary, and the Antiphonarium Missæ, from the year 754 may be dated the change in favour of the Roman liturgy. St. Chrodegang, Bishop of Metz, on his return from an embassy to Rome, introduced the Roman liturgy into his diocese, subsequently, under Charlemagne, French monks went to Rome to study the Gregorian tradition there, and some Roman teachers visited France
7.
Western Christianity
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Western Christianity consists of the Latin Church of the Catholic Church, and a variety of Protestant denominations. The name has applied in order to distinguish these from Eastern Christianity. Today, the distinction between Western and Eastern Christianity is not nearly as absolute, due to the spread of missionary activities, migrations. The adjectives Western Christianity and Eastern Christianity are thus used to refer to historical origins rather than present geographical locations. For most of its history the church in Europe has been divided between the Latin-speaking west, whose centre was Rome, and the Greek-speaking east, whose centre was Constantinople. Cultural differences and political rivalry created tensions between the two churches, leading to disagreement over doctrine and ecclesiology and ultimately to schism, like Eastern Christianity, Western Christianity traces its roots, directly or indirectly, to the apostles and other early preachers of the religion. In Western Christianitys original area Latin was the principal language, Christian writers in Latin had more influence there than those who wrote in Greek, Syriac, or other Eastern languages. With the last-named form of Eastern Christianity, reunion agreements were signed at the Second Council of Lyon and the Council of Florence, but these proved ineffective. The rise of Protestantism led to divisions within Western Christianity, which still persist, and wars—for example. In and after the Age of Discovery, Europeans spread Western Christianity to the New World, Roman Catholicism came to the Americas, Africa, Asia, Australia and the Pacific. Protestantism, including Anglicanism, came to North America, Australia-Pacific and this Western version also has the additional phrase God from God, which was in the Creed as adopted by the First Council of Nicaea, but which was dropped by the First Council of Constantinople. The date of Easter usually differs between Eastern and Western Christianity, because the calculations are based on the Julian calendar and Gregorian calendar respectively, for example, the Church of England continued to observe Easter on the same date as the Eastern Church until 1753. Even the dates of other Christian holidays differ between Eastern and Western Christianity, Western Christianity makes up about 90% of Christians worldwide, with the Roman Catholic Church accounting for over half and various Protestant denominations making up another 40%. Hussite movements of 15th century Bohemia preceded the main Protestant uprising by 100 years and evolved into several small Protestant churches, waldensians survived also, but blended into the Reformed tradition
8.
Celtic Christianity
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Celtic Christianity or Insular Christianity refers broadly to certain features of Christianity that were common, or held to be common, across the Celtic-speaking world during the Early Middle Ages. Scholars now reject the notion, but note that there were certain traditions. These include a system for determining the dating of Easter, a style of monastic tonsure, a unique system of penance. Additionally, there were other practices that developed in parts of Britain or Ireland. The term therefore denotes regional practices among the churches and their associates. The term Celtic Church is deprecated by many historians as it implies a unified, others prefer the term Insular Christianity. As Patrick Wormald explained, One of the common misconceptions is that there was a Roman Church to which the Celtic was nationally opposed, in German, the term Iroschottisch is used, with Lutz von Padberg placing the same caveat about a supposed dichotomy between Irish-Scottish and Roman Christianity. Nonetheless, some distinctive traditions developed and spread to both Ireland and Great Britain, especially in the sixth and seventh centuries. Some elements may have introduced to Ireland by the Briton St. Patrick. The histories of the Irish, Welsh, Scots, Breton, Cornish, later interest in the subject has led to a series of Celtic Christian revival movements, which have shaped popular perceptions of the Celts and their religious practices. Celtic Christianity has been conceived of in different ways at different times, One particularly prominent feature ascribed to Celtic Christianity is that it is supposedly inherently distinct from – and generally opposed to – the Catholic Church. Others have been content to speak of Celtic Christianity as consisting of certain traditions, however, modern scholars have identified problems with all of these claims, and find the term Celtic Christianity problematic in and of itself. The idea of a Celtic Church is roundly rejected by modern scholars due to the lack of substantiating evidence, indeed, there were distinct Irish and British church traditions, each with their own practices, and there was significant local variation even within the individual Irish and British spheres. While there were some known to have been common to both the Irish and British churches, these were relatively few. Even these commonalities did not exist due to the Celticity of the regions, additionally, the Christians of Ireland and Britain were not anti-Roman, the authority of Rome and the papacy were venerated as strongly in Celtic areas as they were in any other region of Europe. Caitlin Corning further notes that the Irish and British were no more pro-women, pro-environment, Corning notes that scholars have identified three major strands of thought that have influenced the popular conceptions of Celtic Christianity. The first arose in the English Reformation, when the Church of England declared itself separate from papal authority, Protestant writers of this time popularised the idea of an indigenous British Christianity that opposed the foreign Roman church and was purer in thought. The English church, they claimed, was not forming a new institution, ideas of Celtic Christianity were further influenced by the Romantic movement of the 18th century, in particular Romantic notions of the noble savage and the intrinsic qualities of the Celtic race
9.
Francia
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The kingdom was founded by Clovis I, crowned first King of the Franks in 496. The tradition of dividing patrimonies among brothers meant that the Frankish realm was ruled, nominally, even so, sometimes the term was used as well to encompass Neustria north of the Loire and west of the Seine. Most Frankish Kings were buried in the Basilica of Saint Denis, modern France is still named Francia in Spanish and Italian. The Franks emerged in the 3rd century as a confederation of smaller Germanic tribes, such as the Sicambri, Bructeri, Ampsivarii, Chamavi and Chattuarii, in the area north and east of the Rhine. Some of these peoples, such as the Sicambri and Salians, already had lands in the Roman Empire, in 357 the Salian king entered the Roman Empire and made a permanent foothold there by a treaty granted by Julian the Apostate, who forced back the Chamavi to Hamaland. As Frankish territory expanded, the meaning of Francia expanded with it, after the fall of Arbogastes, his son Arigius succeeded in establishing a hereditary countship at Trier and after the fall of the usurper Constantine III some Franks supported the usurper Jovinus. Jovinus was dead by 413, but the Romans found it difficult to manage the Franks within their borders. The Frankish king Theudemer was executed by the sword, in c, around 428 the Salian king Chlodio, whose kingdom included Toxandria and the civitatus Tungrorum, launched an attack on Roman territory and extended his realm as far as Camaracum and the Somme. The kingdom of Chlodio changed the borders and the meaning of the word Francia permanently, Francia was no longer barbaricum trans Rhenum, but a landed political power on both sides of the river, deeply involved in Roman politics. Chlodios family, the Merovingians, extended Francia even further south, the core territory of the Frankish kingdom later came to be known as Austrasia. Chlodios successors are obscure figures, but what can be certain is that Childeric I, possibly his grandson, Clovis converted to Christianity and put himself on good terms with the powerful Church and with his Gallo-Roman subjects. In a thirty-year reign Clovis defeated the Roman general Syagrius and conquered the Roman exclave of Soissons, defeated the Alemanni, Clovis defeated the Visigoths and conquered their entire kingdom with its capital at Toulouse, and conquered the Bretons and made them vassals of Francia. He conquered most or all of the neighbouring Frankish tribes along the Rhine, by the end of his life, Clovis ruled all of Gaul save the Gothic province of Septimania and the Burgundian kingdom in the southeast. The Merovingians were a hereditary monarchy, the Frankish kings adhered to the practice of partible inheritance, dividing their lands among their sons. Cloviss sons made their capitals near the Frankish heartland in northeastern Gaul, Theuderic I made his capital at Reims, Chlodomer at Orléans, Childebert I at Paris, and Chlothar I at Soissons. During their reigns, the Thuringii, Burgundes, and Saxons and Frisians were incorporated into the Frankish kingdom, the fraternal kings showed only intermittent signs of friendship and were often in rivalry. Theuderic died in 534, but his adult son Theudebert I was capable of defending his inheritance, which formed the largest of the Frankish subkingdoms and the kernel of the later kingdom of Austrasia. Theudebert interfered in the Gothic War on the side of the Gepids and Lombards against the Ostrogoths, receiving the provinces of Rhaetia, Noricum, and part of Venetia
10.
Anglo-Saxon art
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By the time of the Conquest the move to the Romanesque style is nearly complete. Anglo-Saxon art survives mostly in illuminated manuscripts, Anglo-Saxon architecture, a number of very fine ivory carvings, Anglo-Saxon taste favoured brightness and colour, and an effort of the imagination is often needed to see the excavated and worn remains that survive as they once were. Perhaps the best known piece of Anglo-Saxon art is the Bayeux Tapestry which was commissioned by a Norman patron from English artists working in the traditional Anglo-Saxon style and these two styles mixed and developed together and by the following century the resulting Anglo-Saxon style had reached maturity. The final phase of Anglo-Saxon art is known as the Winchester School or style, though it was produced in many centres in the south of England, elements of this begin to be seen from around 900, but the first major manuscripts only appear around the 930s. The following lines revert to a style more typical of Frankish manuscripts of the period. It is, in the chronology, the last English manuscript in which developed trumpet spiral patterns are found. The Anglo-Saxon metalwork produced in the Salzburg area of modern Austria has a counterpart in the Cutbercht Gospels in Vienna. By the 10th century Insular elements were relegated to decorative embellishments in England, the first plant ornament, with leaves and grapes, was already seen in an initial in the Leningrad Bede, which can probably be dated to 746. The other large initial in the manuscript is the first historiated initial in the whole of Europe, for some long time scrolls, especially in metal, bone or ivory, are prone to have an animal head at one end and a plant element at the other. Several ambitious projects of illumination are unfinished, such as the Old English Hexateuch, the illustrations give Old Testament scenes an entirely contemporary setting and are valuable images of Anglo-Saxon life. Æthelstan promoted Dunstan, an illuminator, eventually to Archbishop of Canterbury, and also Æthelwold. Illumination in a new style appears in a manuscript of the biographies by Bede of St Cuthbert given by Æthelstan to the monastery in Chester-le-Street about 937. There is a portrait of the king presenting his book to the saint. This is the first real portrait of an English king, and heavily influenced by Carolingian style, however the initials in the text combine Carolingian elements with animal forms in inventive fashion. Anglo-Saxon culture was coming into increasing contact with, and exchanging influences with, decoration included cloisonné, in gold and garnet for high-status pieces. It was probably his work which brought into contact with the royal family. Even the imprecise details given, mostly by Goscelin, are valuable evidence of what Anglo-Saxon metalwork was like. One 11th century lay goldsmith was even a thegn, like Spearhafoc, Mannigs biography, with some precise details, is given in the chronicle maintained by his abbey
Herbermann, Charles, ed. (1913). "Psalterium". Catholic Encyclopedia. New York: Robert Appleton Company.
Herbermann, Charles, ed. (1913). "
