1.
Italian language
–
By most measures, Italian, together with Sardinian, is the closest to Latin of the Romance languages. Italian is a language in Italy, Switzerland, San Marino, Vatican City. Italian is spoken by minorities in places such as France, Montenegro, Bosnia & Herzegovina, Crimea and Tunisia and by large expatriate communities in the Americas. Many speakers are native bilinguals of both standardized Italian and other regional languages, Italian is the fourth most studied language in the world. Italian is a major European language, being one of the languages of the Organisation for Security and Cooperation in Europe. It is the third most widely spoken first language in the European Union with 65 million native speakers, including Italian speakers in non-EU European countries and on other continents, the total number of speakers is around 85 million. Italian is the working language of the Holy See, serving as the lingua franca in the Roman Catholic hierarchy as well as the official language of the Sovereign Military Order of Malta. Italian is known as the language of music because of its use in musical terminology and its influence is also widespread in the arts and in the luxury goods market. Italian has been reported as the fourth or fifth most frequently taught foreign language in the world, Italian was adopted by the state after the Unification of Italy, having previously been a literary language based on Tuscan as spoken mostly by the upper class of Florentine society. Its development was influenced by other Italian languages and to some minor extent. Its vowels are the second-closest to Latin after Sardinian, unlike most other Romance languages, Italian retains Latins contrast between short and long consonants. As in most Romance languages, stress is distinctive, however, Italian as a language used in Italy and some surrounding regions has a longer history. What would come to be thought of as Italian was first formalized in the early 14th century through the works of Tuscan writer Dante Alighieri, written in his native Florentine. Dante is still credited with standardizing the Italian language, and thus the dialect of Florence became the basis for what would become the language of Italy. Italian was also one of the recognised languages in the Austro-Hungarian Empire. Italy has always had a dialect for each city, because the cities. Those dialects now have considerable variety, as Tuscan-derived Italian came to be used throughout Italy, features of local speech were naturally adopted, producing various versions of Regional Italian. Even in the case of Northern Italian languages, however, scholars are not to overstate the effects of outsiders on the natural indigenous developments of the languages
Italian language
–
Dante Alighieri (above) and
Petrarch (below) were influential in establishing their
Tuscan dialect as the most prominent literary language in all of
Italy in the
Late Middle Ages
Italian language
–
The geographic distribution of the Italian language in the world: large Italian-speaking communities are shown in green; light blue indicates areas where the Italian language was used officially during the Italian colonial period.
Italian language
Italian language
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Pietro Bembo was an influential figure in the development of the Italian language from the Tuscan dialect, as a literary medium, codifying the language for standard modern usage
2.
French language
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French is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages, French has evolved from Gallo-Romance, the spoken Latin in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues doïl—languages historically spoken in northern France and in southern Belgium, French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the Frankish language of the post-Roman Frankish invaders. Today, owing to Frances past overseas expansion, there are numerous French-based creole languages, a French-speaking person or nation may be referred to as Francophone in both English and French. French is a language in 29 countries, most of which are members of la francophonie. As of 2015, 40% of the population is in Europe, 35% in sub-Saharan Africa, 15% in North Africa and the Middle East, 8% in the Americas. French is the fourth-most widely spoken mother tongue in the European Union, 1/5 of Europeans who do not have French as a mother tongue speak French as a second language. As a result of French and Belgian colonialism from the 17th and 18th century onward, French was introduced to new territories in the Americas, Africa, most second-language speakers reside in Francophone Africa, in particular Gabon, Algeria, Mauritius, Senegal and Ivory Coast. In 2015, French was estimated to have 77 to 110 million native speakers, approximately 274 million people are able to speak the language. The Organisation internationale de la Francophonie estimates 700 million by 2050, in 2011, Bloomberg Businessweek ranked French the third most useful language for business, after English and Standard Mandarin Chinese. Under the Constitution of France, French has been the language of the Republic since 1992. France mandates the use of French in official government publications, public education except in specific cases, French is one of the four official languages of Switzerland and is spoken in the western part of Switzerland called Romandie, of which Geneva is the largest city. French is the language of about 23% of the Swiss population. French is also a language of Luxembourg, Monaco, and Aosta Valley, while French dialects remain spoken by minorities on the Channel Islands. A plurality of the worlds French-speaking population lives in Africa and this number does not include the people living in non-Francophone African countries who have learned French as a foreign language. Due to the rise of French in Africa, the total French-speaking population worldwide is expected to reach 700 million people in 2050, French is the fastest growing language on the continent. French is mostly a language in Africa, but it has become a first language in some urban areas, such as the region of Abidjan, Ivory Coast and in Libreville. There is not a single African French, but multiple forms that diverged through contact with various indigenous African languages, sub-Saharan Africa is the region where the French language is most likely to expand, because of the expansion of education and rapid population growth
French language
–
The
"arrêt" signs (French for "stop") are used in
Canada while the international stop, which is also a valid French word, is used in France as well as other French-speaking countries and regions.
French language
–
Regions where French is the main language
French language
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Town sign in
Standard Arabic and French at the entrance of
Rechmaya in
Lebanon.
French language
–
An obsolete 100
Lebanese pound note with the French language inscriptions "Banque du Liban" and "Cent livres".
3.
Antonio Canova
–
Antonio Canova was an Italian neoclassical sculptor, famous for his marble sculptures. In 1757, Antonio Canova was born in Possagno to Pietro Canova, a year later, his mother remarried. He led Antonio into the art of sculpting, before the age of ten, Canova began making models in clay, and carving marble. Indeed, at the age of nine, he executed two small shrines of Carrara marble, which are still extant, after these works, he appears to have been constantly employed under his grandfather. In 1770, he was an apprentice for two years to Giuseppe Bernardi, who was known as Torretto. Afterwards, he was under the tutelage of Giovanni Ferrari until he began his studies at the Accademia di Belle Arti di Venezia, at the Academy, he won several prizes. During this time, he was given his first workshop within a monastery by some local monks, the Senator Giovanni Falier commissioned Canova to produce statues of Orpheus and Eurydice for his garden – the Villa Falier at Asolo. The statues were begun in 1775, and both were completed by 1777, the pieces explify the late Rococo style. On the year of its completion, both works were exhibited for the Feast of the Ascension in Piazza S. Marco, widely praised, the works won Canova his first renown among the Venetian elite. In 1779, he opened his own studio at Calle Del Traghetto at S. Maurizio, at this time, Procurator Pietro Vettor Pisani commissioned Canovas first marble statue, a depiction of Daedalus and Icarus. The statue inspired great admiration for his work at the art fair. At the base of the statue, Daedalus tools are scattered about, with such an intention, there is suggestion that Daedalus is a portrait of Canovas grandfather Pasino. Canova arrived in Rome, on 28 December 1780, prior to his departure, his friends had applied to the Venetian senate for a pension. Successful in the application, the stipend allotted amounted to three hundred ducats, limited to three years, while in Rome, Canova spent time studying and sketching the works of Michelangelo. In 1781, Girolamo Zulian – the Venetian ambassador to Rome – hired Canova to sculpt Theseus, the statue depicts the victorious Theseus seated on the lifeless body of a Minotaur. The initial spectators were certain that the work was a copy of a Greek original, the highly regarded work is now in the collection of the Victoria & Albert Museum, in London. Between 1783 –1785, Canova arranged, composed, and designed a monument dedicated to Clement XIV for the Church of Santi Apostoli. After another two years, the work met completion in 1787, the monument secured Canovas reputation as the pre-eminent living artist
Antonio Canova
–
Self-portrait, 1792
Antonio Canova
–
Orpheus, (1777)
Antonio Canova
–
Theseus and the Minotaur,
V&A, London
Antonio Canova
–
Washington on display at the
North Carolina Museum of History
4.
Marble
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Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Geologists use the marble to refer to metamorphosed limestone, however. Marble is commonly used for sculpture and as a building material and this stem is also the basis for the English word marmoreal, meaning marble-like. In Hungarian it is called márvány, Marble is a rock resulting from metamorphism of sedimentary carbonate rocks, most commonly limestone or dolomite rock. Metamorphism causes variable recrystallization of the carbonate mineral grains. The resulting marble rock is composed of an interlocking mosaic of carbonate crystals. Primary sedimentary textures and structures of the carbonate rock have typically been modified or destroyed. Pure white marble is the result of metamorphism of a very pure limestone or dolomite protolith, green coloration is often due to serpentine resulting from originally magnesium-rich limestone or dolostone with silica impurities. These various impurities have been mobilized and recrystallized by the intense pressure, examples of historically notable marble varieties and locations, White marble has been prized for its use in sculptures since classical times. This preference has to do with its softness, which made it easier to carve, relative isotropy and homogeneity, construction marble is a stone which is composed of calcite, dolomite or serpentine which is capable of taking a polish. More generally in construction, specifically the dimension stone trade, the marble is used for any crystalline calcitic rock useful as building stone. For example, Tennessee marble is really a dense granular fossiliferous gray to pink to maroon Ordovician limestone that geologists call the Holston Formation. Ashgabat, the city of Turkmenistan, was recorded in the 2013 Guinness Book of Records as having the worlds highest concentration of white marble buildings. According to the United States Geological Survey, U. S. domestic marble production in 2006 was 46,400 tons valued at about $18.1 million, compared to 72,300 tons valued at $18.9 million in 2005. Crushed marble production in 2006 was 11.8 million tons valued at $116 million, of which 6.5 million tons was finely ground calcium carbonate and the rest was construction aggregate. For comparison,2005 crushed marble production was 7.76 million tons valued at $58.7 million, of which 4.8 million tons was finely ground calcium carbonate, U. S. dimension marble demand is about 1.3 million tons. The DSAN World Demand for Marble Index has shown a growth of 12% annually for the 2000–2006 period, the largest dimension marble application is tile. In 1998, marble production was dominated by 4 countries that accounted for almost half of production of marble
Marble
–
Marble in Carrrara marble quarry, Italy
Marble
Marble
–
The
Taj Mahal is entirely clad in marble.
Marble
–
Carlo Franzoni's sculptural marble
chariot clock depicting
Clio, the Greek
muse of history.
5.
Louvre
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The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
Louvre
–
the Richelieu wing (2005)
Louvre
–
The only portion of the medieval Louvre still visible
Louvre
–
Antonio Canova 's
Psyche Revived by Cupid's Kiss was commissioned in 1787, donated in 1824.
Louvre
–
The
Venus de Milo was added to the Louvre's collection during the reign of
Louis XVIII.
6.
Paris
–
Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
Paris
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In the 1860s Paris streets and monuments were illuminated by 56,000 gas lamps, making it literally "The City of Light."
Paris
Paris
–
Gold coins minted by the Parisii (1st century BC)
Paris
–
The
Palais de la Cité and
Sainte-Chapelle, viewed from the Left Bank, from the
Très Riches Heures du duc de Berry (month of June) (1410)
7.
Hermitage Museum
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The State Hermitage Museum is a museum of art and culture in Saint Petersburg, Russia. One of the largest and oldest museums in the world, it was founded in 1754 by Catherine the Great and has open to the public since 1852. Its collections, of only a small part is on permanent display. The collections occupy a complex of six historic buildings along Palace Embankment, including the Winter Palace. Apart from them, the Menshikov Palace, Museum of Porcelain, Storage Facility at Staraya Derevnya, the museum has several exhibition centers abroad. The Hermitage is a state property. Since July 1992, the director of the museum has been Mikhail Piotrovsky, of the six buildings in the main museum complex, five, namely the Winter Palace, Small Hermitage, Old Hermitage, New Hermitage and Hermitage Theatre, are open to the public. The entrance ticket for foreign tourists more than the fee paid by citizens of Russia. However, entrance is free of charge the first Thursday of every month for all visitors, the museum is closed on Mondays. The entrance for visitors is located in the Winter Palace. A hermitage is the dwelling of a hermit or recluse, the word derives from Old French hermit, ermit hermit, recluse, from Late Latin eremita, from Greek eremites, literally people who live alone, which is in turn derived from ἐρημός, desert. Originally, the building housing the collection was the Small Hermitage. Today, the Hermitage Museum encompasses many buildings on the Palace Embankment, apart from the Small Hermitage, the museum now also includes the Old Hermitage, the New Hermitage, the Hermitage Theatre, and the Winter Palace, the former main residence of the Russian tsars. In recent years, the Hermitage has expanded to the General Staff Building on the Palace Square facing the Winter Palace, the Western European Art collection includes European paintings, sculpture, and applied art from the 13th to the 20th centuries. It is displayed, in about 120 rooms, on the first, drawings and prints are displayed in temporary exhibitions. Since 1940, the Egyptian collection, dating back to 1852 and it serves as a passage to the exhibition of Classical Antiquities. A modest collection of the culture of Ancient Mesopotamia, including a number of Assyrian reliefs from Babylon, Dur-Sharrukin, the collection of Classical Antiquities occupies most of the ground floor of the Old and New Hermitage buildings. Its floor is made of a marble mosaic imitating ancient tradition, while the stucco walls
Hermitage Museum
–
Winter Palace
Hermitage Museum
–
The Hermitage Museum complex. From left to right: Hermitage Theatre – Old Hermitage – Small Hermitage – Winter Palace (the "New Hermitage" is situated behind the Old Hermitage).
Hermitage Museum
–
Egyptian Hall
Hermitage Museum
–
The Pavilion Hall
8.
Saint Petersburg
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Saint Petersburg is Russias second-largest city after Moscow, with five million inhabitants in 2012, and an important Russian port on the Baltic Sea. It is politically incorporated as a federal subject, situated on the Neva River, at the head of the Gulf of Finland on the Baltic Sea, it was founded by Tsar Peter the Great on May 271703. In 1914, the name was changed from Saint Petersburg to Petrograd, in 1924 to Leningrad, between 1713 and 1728 and 1732–1918, Saint Petersburg was the capital of imperial Russia. In 1918, the government bodies moved to Moscow. Saint Petersburg is one of the cities of Russia, as well as its cultural capital. The Historic Centre of Saint Petersburg and Related Groups of Monuments constitute a UNESCO World Heritage Site, Saint Petersburg is home to The Hermitage, one of the largest art museums in the world. A large number of consulates, international corporations, banks. Swedish colonists built Nyenskans, a fortress, at the mouth of the Neva River in 1611, in a then called Ingermanland. A small town called Nyen grew up around it, Peter the Great was interested in seafaring and maritime affairs, and he intended to have Russia gain a seaport in order to be able to trade with other maritime nations. He needed a better seaport than Arkhangelsk, which was on the White Sea to the north, on May 1703121703, during the Great Northern War, Peter the Great captured Nyenskans, and soon replaced the fortress. On May 271703, closer to the estuary 5 km inland from the gulf), on Zayachy Island, he laid down the Peter and Paul Fortress, which became the first brick and stone building of the new city. The city was built by conscripted peasants from all over Russia, tens of thousands of serfs died building the city. Later, the city became the centre of the Saint Petersburg Governorate, Peter moved the capital from Moscow to Saint Petersburg in 1712,9 years before the Treaty of Nystad of 1721 ended the war, he referred to Saint Petersburg as the capital as early as 1704. During its first few years, the city developed around Trinity Square on the bank of the Neva, near the Peter. However, Saint Petersburg soon started to be built out according to a plan, by 1716 the Swiss Italian Domenico Trezzini had elaborated a project whereby the city centre would be located on Vasilyevsky Island and shaped by a rectangular grid of canals. The project was not completed, but is evident in the layout of the streets, in 1716, Peter the Great appointed French Jean-Baptiste Alexandre Le Blond as the chief architect of Saint Petersburg. In 1724 the Academy of Sciences, University and Academic Gymnasium were established in Saint Petersburg by Peter the Great, in 1725, Peter died at the age of fifty-two. His endeavours to modernize Russia had met opposition from the Russian nobility—resulting in several attempts on his life
Saint Petersburg
–
Top left to bottom right:
Peter and Paul Fortress on
Zayachy Island,
Smolny Cathedral,
Moyka river with the
General Staff Building,
Trinity Cathedral,
Bronze Horseman on
Senate Square, and the
Winter Palace.
Saint Petersburg
–
The
Bronze Horseman, monument to Peter the Great
Saint Petersburg
–
Palace Square backed by the General Staff arch and building, as the main square of the Russian Empire it was the setting of many events of historic significance
Saint Petersburg
–
Map of Saint Petersburg, 1903
9.
Russian language
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Russian is an East Slavic language and an official language in Russia, Belarus, Kazakhstan, Kyrgyzstan and many minor or unrecognised territories. Russian belongs to the family of Indo-European languages and is one of the four living members of the East Slavic languages, written examples of Old East Slavonic are attested from the 10th century and beyond. It is the most geographically widespread language of Eurasia and the most widely spoken of the Slavic languages and it is also the largest native language in Europe, with 144 million native speakers in Russia, Ukraine and Belarus. Russian is the eighth most spoken language in the world by number of native speakers, the language is one of the six official languages of the United Nations. Russian is also the second most widespread language on the Internet after English, Russian distinguishes between consonant phonemes with palatal secondary articulation and those without, the so-called soft and hard sounds. This distinction is found between pairs of almost all consonants and is one of the most distinguishing features of the language, another important aspect is the reduction of unstressed vowels. Russian is a Slavic language of the Indo-European family and it is a lineal descendant of the language used in Kievan Rus. From the point of view of the language, its closest relatives are Ukrainian, Belarusian, and Rusyn. An East Slavic Old Novgorod dialect, although vanished during the 15th or 16th century, is considered to have played a significant role in the formation of modern Russian. In the 19th century, the language was often called Great Russian to distinguish it from Belarusian, then called White Russian and Ukrainian, however, the East Slavic forms have tended to be used exclusively in the various dialects that are experiencing a rapid decline. In some cases, both the East Slavic and the Church Slavonic forms are in use, with different meanings. For details, see Russian phonology and History of the Russian language and it is also regarded by the United States Intelligence Community as a hard target language, due to both its difficulty to master for English speakers and its critical role in American world policy. The standard form of Russian is generally regarded as the modern Russian literary language, mikhail Lomonosov first compiled a normalizing grammar book in 1755, in 1783 the Russian Academys first explanatory Russian dictionary appeared. By the mid-20th century, such dialects were forced out with the introduction of the education system that was established by the Soviet government. Despite the formalization of Standard Russian, some nonstandard dialectal features are observed in colloquial speech. Thus, the Russian language is the 6th largest in the world by number of speakers, after English, Mandarin, Hindi/Urdu, Spanish, Russian is one of the six official languages of the United Nations. Education in Russian is still a choice for both Russian as a second language and native speakers in Russia as well as many of the former Soviet republics. Russian is still seen as an important language for children to learn in most of the former Soviet republics, samuel P. Huntington wrote in the Clash of Civilizations, During the heyday of the Soviet Union, Russian was the lingua franca from Prague to Hanoi
Russian language
–
Russian language street sign in
Russia.
Russian language
–
Russian minimarket in
Limassol, Cyprus; translation: "Teremok market. Russian goods. Phone number: 96 74 19 63"
Russian language
–
This page from an "ABC" book printed in Moscow in 1694 shows the letter
П.
Russian language
–
The
Ostromir Gospels of 1056 is the second oldest
East Slavic book known, one of many medieval
illuminated manuscripts preserved in the
Russian National Library.
10.
Romanization of Russian
–
Romanization of the Russian alphabet is the process of transliterating the Russian language from the Cyrillic script into the Latin alphabet. Scientific transliteration, also known as the International Scholarly System, is a system that has used in linguistics since the 19th century. It is based on the Czech alphabet and formed the basis of the GOST, OST8483 was the first Soviet standard on romanization of Russian, introduced in 16 October 1935. This standard is an equivalent of GOST 16876-71 and was adopted as a standard of the COMECON. GOST7. 79-2000 System of Standards on Information, Librarianship and it is the official standard of both Russia and the Commonwealth of Independent States. Machine readable passports is an adoption of an ICAO stadards for travel documents and it was used in Russian passports for a short period during 2010–2013. The standard was substituted in 2013 by GOST R ISO/IEC 7501-1-2013, which does not contain romanization, ISO/R9, established in 1954 and updated in 1968, was the adoption of the scientific transliteration by the International Organization for Standardization. It covers Russian and seven other Slavic languages, ISO9,1995 is the current transliteration standard from ISO. It is based on its predecessor ISO/R9,1968, which it deprecates, for Russian, the UNGEGN, a Working Group of the United Nations, in 1987 recommended a romanization system for geographical names, which was based on the 1983 version of GOST 16876-71. It may be found in some international cartographic products, American Library Association and Library of Congress romanization tables for Slavic alphabets are used in North American libraries and in the British Library since 1975. The formal, unambiguous version of the system requires some diacritics and two-letter tie characters, British Standard 2979,1958 is the main system of the Oxford University Press, and a variation was used by the British Library to catalogue publications acquired up to 1975. The BGN/PCGN system is relatively intuitive for Anglophones to read and pronounce, the portion of the system pertaining to the Russian language was adopted by BGN in 1944 and by PCGN in 1947. In Soviet international passports, transliteration was based on French rules, in 1997, with the introduction of new Russian passports, a diacritic-free English-oriented system was established by the Ministry of Internal Affairs, but this system was also abandoned in 2010. In 2006, GOST52535. 1-2006 was adopted, which defines technical requirements and standards for Russian international passports, in 2010, the Federal Migratory Service of Russia approved Order No. 26, stating that all names in the passports issued after 2010 must be transliterated using GOST52535. 1-2006. The standard was abandoned in 2013, finally in 2013, Order No.320 of the Federal Migratory Service of Russia came into force. It states that all names in the passports must be transliterated using the ICAO system. This system differs from the GOST52535. 1-2006 system in two things, ц is transliterated into ts, ъ is transliterated into ie, Scholarly ¹ Some archaic letters are transcribed in different ways
Romanization of Russian
–
Sergei Gonchar (Cyrillic: Сергей Гончар), an NHL and international ice hockey player, wearing a sweater with Roman characters
Romanization of Russian
–
A street sign in Russia with the name of the street shown in Cyrillic and Latin characters
11.
Sculpture
–
Sculpture is the branch of the visual arts that operates in three dimensions. It is one of the plastic arts, a wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or molded, or cast. However, most ancient sculpture was painted, and this has been lost. Those cultures whose sculptures have survived in quantities include the cultures of the ancient Mediterranean, India and China, the Western tradition of sculpture began in ancient Greece, and Greece is widely seen as producing great masterpieces in the classical period. During the Middle Ages, Gothic sculpture represented the agonies and passions of the Christian faith, the revival of classical models in the Renaissance produced famous sculptures such as Michelangelos David. Relief is often classified by the degree of projection from the wall into low or bas-relief, high relief, sunk-relief is a technique restricted to ancient Egypt. Relief sculpture may also decorate steles, upright slabs, usually of stone, techniques such as casting, stamping and moulding use an intermediate matrix containing the design to produce the work, many of these allow the production of several copies. The term sculpture is used mainly to describe large works. The very large or colossal statue has had an enduring appeal since antiquity, another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the head, showing just that, or the bust, small forms of sculpture include the figurine, normally a statue that is no more than 18 inches tall, and for reliefs the plaquette, medal or coin. Sculpture is an important form of public art, a collection of sculpture in a garden setting can be called a sculpture garden. One of the most common purposes of sculpture is in form of association with religion. Cult images are common in cultures, though they are often not the colossal statues of deities which characterized ancient Greek art. The actual cult images in the innermost sanctuaries of Egyptian temples, of which none have survived, were rather small. The same is true in Hinduism, where the very simple. Some undoubtedly advanced cultures, such as the Indus Valley civilization, appear to have had no monumental sculpture at all, though producing very sophisticated figurines, the Mississippian culture seems to have been progressing towards its use, with small stone figures, when it collapsed. Other cultures, such as ancient Egypt and the Easter Island culture, from the 20th century the relatively restricted range of subjects found in large sculpture expanded greatly, with abstract subjects and the use or representation of any type of subject now common. Today much sculpture is made for intermittent display in galleries and museums, small sculpted fittings for furniture and other objects go well back into antiquity, as in the Nimrud ivories, Begram ivories and finds from the tomb of Tutankhamun
Sculpture
–
The Dying Gaul, or The Capitoline Gaul a Roman marble copy of a
Hellenistic work of the late 3rd century BCE
Capitoline Museums, Rome
Sculpture
Sculpture
–
Michelangelo 's
Moses, (c. 1513–1515), housed in the church of
San Pietro in Vincoli in
Rome. The sculpture was commissioned in 1505 by
Pope Julius II for his
tomb.
Sculpture
–
Assyrian
lamassu gate guardian from
Khorsabad, c. 721–800 BCE
12.
John Campbell, 1st Baron Cawdor
–
John Campbell, 1st Baron Cawdor, FRS, was a British politician, army officer and art-collector. 1753, the son of Pryse Campbell of Stackpole Court, Pembrokeshire and his siblings were Sarah, George, Alexander and Charles Campbell. He was sent to board at Eton College, Berkshire, afterwards he studied at Cambridge University. From 1777 to 1780 he was Member of Parliament for Nairnshire and he became Member of Parliament for Cardigan Boroughs from a by-election in June 1780 until he stood down at the British general election,1796. From 1780 he was Governor of Milford Haven, between 1783 and 1788 Campbell visited Italy and Sicily, where he bought antiquities from Fr. In 1788 Campbell bought from Giovanni Volpato the celebrated Lante Vase and he also continued to acquire architectural and sculptural fragments and casts. In 1789 on 28 July John Campbell married Isabella Caroline Howard - daughter of Frederick Howard, 5th Earl of Carlisle, in 1794 Campbell became a Fellow of the Society of Antiquaries, and in 1795 a Fellow of the Royal Society. As a Parliamentarian, Campbell was at first a Whig and a supporter of Lord North, in debates on the North Atlantic slave trade he supported the abolitionists. He became a supporter of the younger Pitts war policy, on 21 June 1796 Campbell was made a peer with the title of Baron Cawdor of Castlemartin in the County of Pembroke. As a landowner he was an active improver - draining the Castlemartin Corse and his generosity to the poor was proverbial. In 1797 he was the commander of the Pembrokeshire Yeomanry, who defeated Napoleons troops in the Last invasion of Britain, in 1800 Campbell sold the contents of his Museum. Several items were sold to the architect, Sir John Soane, in 1804 Campbell added to his extensive land-holdings by inheriting John Vaughans estates at Golden Grove, Carmarthenshire. In 1808 he was mayor of Carmarthen, Campbell died on 1 June 1821, at Bath. He is buried at Bath Abbey, a portrait of John Campbell was made by Joshua Reynolds, a miniature of him by Richard Cosway is in the National Galleries of Scotland
John Campbell, 1st Baron Cawdor
–
Portrait by
Sir Joshua Reynolds
13.
Masterpiece
–
Historically, a masterpiece was a work of a very high standard produced in order to obtain membership of a guild or academy in various areas of the visual arts and crafts. The word masterpiece probably derives from the Dutch meesterstuk or German meisterstück via loan translation, masterprize was another early variant in English. In English, the term became used in a variety of contexts for an exceptionally good piece of creative work. Originally, the term referred to a piece of work produced by an apprentice or journeyman aspiring to become a master craftsman in the old European guild system. His fitness to qualify for membership was judged partly by the masterpiece, and if he was successful. Great care was taken to produce a fine piece in whatever the craft was, whether confectionery, painting, goldsmithing, knifemaking. In the 17th century, the Worshipful Company of Goldsmiths, for instance, the workhouse had been set up as part of a tightening of standards after the company became concerned that the level of skill of goldsmithing was being diluted. The same goldsmithing organization still requires the production of a masterpiece, if they failed to be admitted, then they could continue to work for other goldsmiths but not as a master themselves. In some guilds, apprentices were not allowed to marry until they had obtained full membership, the practice of producing a masterpiece has continued in some modern academies of art, where the general term for such works is now reception piece. The Royal Academy in London uses the term work and it has acquired a fine collection of diploma works received as a condition of membership. Painting the Century,101 Portrait Masterpieces 1900–2000 Virtual Collection of Masterpieces Masterpieces at the Louvre
Masterpiece
–
In painting, the
Mona Lisa by
Leonardo da Vinci, c. 1503–1506, is the archetypal masterpiece, though it was not produced for admission to a guild or academy.
Masterpiece
–
Rinaldo and Armida by
François Boucher. A masterpiece produced for admission to the
Académie Royale de Peinture et de Sculpture in Paris, 1734.
14.
Neoclassicism
–
The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th, European Neoclassicism in the visual arts began c.1760 in opposition to the then-dominant Baroque and Rococo styles. Each neo-classicism selects some models among the range of classics that are available to it. They ignored both Archaic Greek art and the works of Late Antiquity, the Rococo art of ancient Palmyra came as a revelation, through engravings in Woods The Ruins of Palmyra. While the movement is described as the opposed counterpart of Romanticism. The case of the main champion of late Neoclassicism, Ingres, demonstrates this especially well. The revival can be traced to the establishment of formal archaeology, the writings of Johann Joachim Winckelmann were important in shaping this movement in both architecture and the visual arts. With the advent of the Grand Tour, a fad of collecting antiquities began that laid the foundations of many great collections spreading a Neoclassical revival throughout Europe, Neoclassicism in each art implies a particular canon of a classical model. In English, the term Neoclassicism is used primarily of the arts, the similar movement in English literature. This, which had been dominant for decades, was beginning to decline by the time Neoclassicism in the visual arts became fashionable. Though terms differ, the situation in French literature was similar, in music, the period saw the rise of classical music, and Neoclassicism is used of 20th-century developments. Ingress coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, much Neoclassical painting is more classicizing in subject matter than in anything else. A fierce, but often very badly informed, dispute raged for decades over the merits of Greek and Roman art, with Winckelmann. The work of artists, who could not easily be described as insipid, combined aspects of Romanticism with a generally Neoclassical style. Unlike Carstens unrealized schemes, the etchings of Giovanni Battista Piranesi were numerous and profitable and his main subject matter was the buildings and ruins of Rome, and he was more stimulated by the ancient than the modern. Neoclassicism in painting gained a new sense of direction with the success of Jacques-Louis Davids Oath of the Horatii at the Paris Salon of 1785. Despite its evocation of republican virtues, this was a commission by the royal government, David managed to combine an idealist style with drama and forcefulness. David rapidly became the leader of French art, and after the French Revolution became a politician with control of government patronage in art
Neoclassicism
–
Antonio Canova 's
Psyche Revived by Love's Kiss
Neoclassicism
–
Henry Fuseli, The artist moved to despair at the grandeur of antique fragments, 1778–79
Neoclassicism
–
Johann Joachim Winckelmann, often called "the father of archaeology"
Neoclassicism
–
Print of a drawing by
John Flaxman of a scene in
Homer 's
Iliad, 1795
15.
Romanticism
–
Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature, preferring the medieval rather than the classical. It was embodied most strongly in the arts, music, and literature, but had a major impact on historiography, education. It elevated folk art and ancient custom to something noble, Romanticism assigned a high value to the achievements of heroic individualists and artists, whose examples, it maintained, would raise the quality of society. It also promoted the individual imagination as a critical authority allowed of freedom from classical notions of form in art, there was a strong recourse to historical and natural inevitability, a Zeitgeist, in the representation of its ideas. In the second half of the 19th century, Realism was offered as a polar opposite to Romanticism, the decline of Romanticism during this time was associated with multiple processes, including social and political changes and the spread of nationalism. Defining the nature of Romanticism may be approached from the point of the primary importance of the free expression of the feelings of the artist. The importance the Romantics placed on emotion is summed up in the remark of the German painter Caspar David Friedrich that the feeling is his law. Samuel Taylor Coleridge and others believed there were laws that the imagination—at least of a good creative artist—would unconsciously follow through artistic inspiration if left alone. As well as rules, the influence of models from other works was considered to impede the creators own imagination, so that originality was essential. The concept of the genius, or artist who was able to produce his own work through this process of creation from nothingness, is key to Romanticism. This idea is called romantic originality. Not essential to Romanticism, but so widespread as to be normative, was a strong belief, however, this is particularly in the effect of nature upon the artist when he is surrounded by it, preferably alone. Romantic art addressed its audiences with what was intended to be felt as the voice of the artist. So, in literature, much of romantic poetry invited the reader to identify the protagonists with the poets themselves. In both French and German the closeness of the adjective to roman, meaning the new literary form of the novel, had some effect on the sense of the word in those languages. It is only from the 1820s that Romanticism certainly knew itself by its name, the period typically called Romantic varies greatly between different countries and different artistic media or areas of thought. Margaret Drabble described it in literature as taking place roughly between 1770 and 1848, and few dates much earlier than 1770 will be found. In English literature, M. H. Abrams placed it between 1789, or 1798, this latter a very typical view, and about 1830, however, in most fields the Romantic Period is said to be over by about 1850, or earlier
Romanticism
–
Caspar David Friedrich,
Wanderer Above the Sea of Fog, 1818
Romanticism
–
Eugène Delacroix,
Death of Sardanapalus, 1827, taking its
Orientalist subject from a play by
Lord Byron
Romanticism
–
Philipp Otto Runge, The Morning, 1808
Romanticism
–
William Blake,
The Little Girl Found, from
Songs of Innocence and Experience, 1794
16.
Cupid
–
In classical mythology, Cupid is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and he is also known in Latin as Amor. Although Eros is generally portrayed as a winged youth in Classical Greek art. During this time, his iconography acquired the bow and arrow that represent his source of power, a person, or even a deity, in myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a character only in the tale of Cupid and Psyche. Although other extended stories are not told him, his tradition is rich in poetic themes and visual scenarios, such as Love conquers all. In art, Cupid often appears in multiples as the Amores, or amorini in the terminology of art history. Cupids are a frequent motif of both Roman art and later Western art of the classical tradition, in the 15th century, the iconography of Cupid starts to become indistinguishable from the putto. Cupid continued to be a figure in the Middle Ages. In the Renaissance, a renewed interest in classical philosophy endowed him with complex allegorical meanings, in contemporary popular culture, Cupid is shown drawing his bow to inspire romantic love, often as an icon of Valentines Day. The Romans reinterpreted myths and concepts pertaining to the Greek Eros for Cupid in their own literature and art, in the Greek tradition, Eros had a dual, contradictory genealogy. He was among the gods who came into existence asexually, after his generation. In Hesiods Theogony, only Chaos and Gaia are older, before the existence of gender dichotomy, Eros functioned by causing entities to separate from themselves that which they already contained. At the same time, the Eros who was pictured as a boy or slim youth was regarded as the child of a divine couple, in Latin literature, Cupid is usually treated as the son of Venus without reference to a father. Seneca says that Vulcan, as the husband of Venus, is the father of Cupid and this last Cupid was the equivalent of Anteros, Counter-Love, one of the Erotes, the gods who embody aspects of love. The multiple Cupids frolicking in art are the manifestation of these proliferating loves and desires. During the English Renaissance, Christopher Marlowe wrote of ten thousand Cupids, in Ben Jonsons wedding masque Hymenaei, in the later classical tradition, Cupid is most often regarded as the son of Venus and Mars, whose love affair represented an allegory of Love and War. The duality between the primordial and the sexually conceived Eros accommodated philosophical concepts of Heavenly and Earthly Love even in the Christian era, Cupid is winged, allegedly, because lovers are flighty and likely to change their minds, and boyish because love is irrational
Cupid
–
Classical statue of Cupid with his bow
Cupid
–
A
Red-Figure Plate with Eros as a youth making an offering. (c. 340–320 BC)
Walters Art Museum,
Baltimore.
Cupid
–
A blindfolded, armed Cupid (1452/66) by
Piero della Francesca
Cupid
–
Cupid sculpture by
Bertel Thorvaldsen
17.
Psyche (mortal)
–
Cupid and Psyche is a story originally from Metamorphoses, written in the 2nd Century AD by Lucius Apuleius Madaurensis. It concerns the overcoming of obstacles to the love between Psyche and Cupid or Amor, and their union in a sacred marriage. Although the only extended narrative from antiquity is that of Apuleius, Eros, since the rediscovery of Apuleiuss novel in the Renaissance, the reception of Cupid and Psyche in the classical tradition has been extensive. The story has been retold in poetry, drama, and opera, and depicted widely in painting, sculpture, Psyches Roman name through direct translation is Anima. The tale of Cupid and Psyche is placed at the midpoint of Apuleiuss novel, the novel itself is a first-person narrative by the protagonist Lucius. Transformed into a donkey by magic gone wrong, Lucius undergoes various trials and adventures, Psyches story has some similarities, including the theme of dangerous curiosity, punishments and tests, and redemption through divine favor. As a structural mirror of the plot, the tale is an example of mise en abyme. The happy ending for Psyche is supposed to assuage Charites fear of rape, there were once a king and queen, rulers of an unnamed city, who had three daughters of conspicuous beauty. The youngest and most beautiful was Psyche, whose admirers, neglecting the worship of the love goddess Venus, instead prayed. It was rumored that she was the coming of Venus. Venus is offended, and commissions Cupid to work her revenge, Cupid instead scratches himself with his own dart, which makes any living thing fall in love with the first thing it sees. As soon as Cupid scratches himself he falls deeply in love with Psyche, although her two humanly beautiful sisters have married, the idolized Psyche has yet to find love. Her father suspects that they have incurred the wrath of the gods, Psyche is arrayed in funeral attire, conveyed by a procession to the peak of a rocky crag, and exposed. Marriage and death are merged into a rite of passage. Zephyr the West Wind bears her up to meet her match, and deposits her in a lovely meadow. The transported girl awakes to find herself at the edge of a cultivated grove, exploring, she finds a marvelous house with golden columns, a carved ceiling of citrus wood and ivory, silver walls embossed with wild and domesticated animals, and jeweled mosaic floors. A disembodied voice tells her to make herself comfortable, and she is entertained at a feast that serves itself, although fearful and without sexual experience, she allows herself to be guided to a bedroom, where in the darkness a being she cannot see makes her his wife. She gradually learns to look forward to his visits, though he always departs before sunrise and forbids her to look upon him, and soon she becomes pregnant
Psyche (mortal)
–
Psyche and Amor, also known as Psyche Receiving Cupid's First Kiss (1798), by
François Gérard: a symbolic butterfly hovers over Psyche in a moment of innocence poised before sexual awakening.
Psyche (mortal)
–
Psyche Honoured by the People (1692–1702) from a series of 12 scenes from the story by
Luca Giordano
Psyche (mortal)
–
Psyche's Wedding (
Pre-Raphaelite, 1895) by
Edward Burne-Jones
Psyche (mortal)
–
Psyche Showing Her Jewelry to Her Sisters (
Neoclassical, 1815–16),
grisaille wallpaper by
Merry-Joseph Blondel
18.
Cupid and Psyche
–
Cupid and Psyche is a story originally from Metamorphoses, written in the 2nd Century AD by Lucius Apuleius Madaurensis. It concerns the overcoming of obstacles to the love between Psyche and Cupid or Amor, and their union in a sacred marriage. Although the only extended narrative from antiquity is that of Apuleius, Eros, since the rediscovery of Apuleiuss novel in the Renaissance, the reception of Cupid and Psyche in the classical tradition has been extensive. The story has been retold in poetry, drama, and opera, and depicted widely in painting, sculpture, Psyches Roman name through direct translation is Anima. The tale of Cupid and Psyche is placed at the midpoint of Apuleiuss novel, the novel itself is a first-person narrative by the protagonist Lucius. Transformed into a donkey by magic gone wrong, Lucius undergoes various trials and adventures, Psyches story has some similarities, including the theme of dangerous curiosity, punishments and tests, and redemption through divine favor. As a structural mirror of the plot, the tale is an example of mise en abyme. The happy ending for Psyche is supposed to assuage Charites fear of rape, there were once a king and queen, rulers of an unnamed city, who had three daughters of conspicuous beauty. The youngest and most beautiful was Psyche, whose admirers, neglecting the worship of the love goddess Venus, instead prayed. It was rumored that she was the coming of Venus. Venus is offended, and commissions Cupid to work her revenge, Cupid instead scratches himself with his own dart, which makes any living thing fall in love with the first thing it sees. As soon as Cupid scratches himself he falls deeply in love with Psyche, although her two humanly beautiful sisters have married, the idolized Psyche has yet to find love. Her father suspects that they have incurred the wrath of the gods, Psyche is arrayed in funeral attire, conveyed by a procession to the peak of a rocky crag, and exposed. Marriage and death are merged into a rite of passage. Zephyr the West Wind bears her up to meet her match, and deposits her in a lovely meadow. The transported girl awakes to find herself at the edge of a cultivated grove, exploring, she finds a marvelous house with golden columns, a carved ceiling of citrus wood and ivory, silver walls embossed with wild and domesticated animals, and jeweled mosaic floors. A disembodied voice tells her to make herself comfortable, and she is entertained at a feast that serves itself, although fearful and without sexual experience, she allows herself to be guided to a bedroom, where in the darkness a being she cannot see makes her his wife. She gradually learns to look forward to his visits, though he always departs before sunrise and forbids her to look upon him, and soon she becomes pregnant
Cupid and Psyche
–
Psyche and Amor, also known as Psyche Receiving Cupid's First Kiss (1798), by
François Gérard: a symbolic butterfly hovers over Psyche in a moment of innocence poised before sexual awakening.
Cupid and Psyche
–
Psyche Honoured by the People (1692–1702) from a series of 12 scenes from the story by
Luca Giordano
Cupid and Psyche
–
Psyche's Wedding (
Pre-Raphaelite, 1895) by
Edward Burne-Jones
Cupid and Psyche
–
Psyche Showing Her Jewelry to Her Sisters (
Neoclassical, 1815–16),
grisaille wallpaper by
Merry-Joseph Blondel
19.
Lucius Apuleius
–
Apuleius was a Latin-language prose writer, platonist philosopher and rhetorian. He was a Numidian who lived under the Roman Empire and was from Madauros and he studied Platonism in Athens, travelled to Italy, Asia Minor, and Egypt and was an initiate in several cults or mysteries. The most famous incident in his life was when he was accused of using magic to gain the attentions of a wealthy widow. He declaimed and then distributed a witty tour de force in his own defense before the proconsul and this is known as the Apologia. His most famous work is his bawdy picaresque novel, the Metamorphoses and it is the only Latin novel that has survived in its entirety. It relates the adventures of one Lucius, who experiments with magic and is accidentally turned into a donkey. Apuleius was born in Madauros, a colonia in Numidia on the North African coast bordering Gaetulia, as to his first name, no praenomen is given in any ancient source, late-medieval manuscripts began the tradition of calling him Lucius from the name of the hero of his novel. Details regarding his life come mostly from his speech and his work Florida. His father was a magistrate who bequeathed at his death the sum of nearly two million sesterces to his two sons. Apuleius studied with a master at Carthage and later at Athens and he subsequently went to Rome to study Latin rhetoric and, most likely, to speak in the law courts for a time before returning to his native North Africa. He also travelled extensively in Asia Minor and Egypt, studying philosophy and religion, Apuleius was an initiate in several Greco-Roman mysteries, including the Dionysian Mysteries. He was a priest of Asclepius and, according to Augustine, not long after his return home he set out upon a new journey to Alexandria. On his way there he was ill at the town of Oea and was hospitably received into the house of Sicinius Pontianus. The mother of Pontianus, Pudentilla, was a rich widow. With her sons consent – indeed encouragement – Apuleius agreed to marry her, the case was heard at Sabratha, near Tripoli, c.158 AD, before Claudius Maximus, proconsul of Africa. The accusation itself seems to have been ridiculous, and the spirited and this is known as the Apologia. Apuleius accused an extravagant personal enemy of turning his house into a brothel, of his subsequent career we know little. Judging from the works of which he was author, he must have devoted himself diligently to literature
Lucius Apuleius
–
Depiction of Apuleius
Lucius Apuleius
–
Frontispiece from the Bohn Library 1902 edition of The Works of Apuleius: a portrait of Apuleius flanked by Pamphile changing into an owl and the Golden Ass
20.
The Golden Ass
–
The Metamorphoses of Apuleius — which St. Augustine referred to as The Golden Ass — is the only Ancient Roman novel in Latin to survive in its entirety. The protagonist of the novel is called Lucius, at the end of the novel, he is revealed to be from Madaurus, in Numidia, the hometown of Apuleius himself. The plot revolves around the protagonists curiosity and insatiable desire to see, while trying to perform a spell to transform into a bird, he is accidentally transformed into an ass. This leads to a journey, literal and metaphorical, filled with in-set tales. He finally finds salvation through the intervention of the goddess Isis, the date of composition of the Metamorphoses is uncertain. It has variously been considered by scholars as a work preceding Apuleius Apology of 158/9 AD, or as the climax of his literary career. Apuleius adapted the story from a Greek original of which the name is said to be Lucius of Patrae. This Greek text has been lost, but there is Λούκιος ἢ ὄνος, a tale of disputed authorship, traditionally attributed to Lucian of Samosata. This surviving Greek text appears to be an abridgement or epitome of Lucius of Patraes text, possibly the original lost story was written by Lucian and the abridged version was later transmitted under his name. Book One The prologue establishes an audience and a speaker, who defines himself by location, education, the narrator journeys to Thessaly on business. On the way, he runs into Aristomenes and an unnamed traveler, the unnamed traveler refuses to believe Aristomenes story. The narrator scolds the unnamed traveler and tells a story about a sword swallower. He promises Aristomenes a free lunch if he will retell his tale, the narrator believes Aristomenes tale and becomes more eager to learn about magic. The narrator arrives at Hypata, where he stays with Milo, a friend and miser. Photis, Milos servant, takes the narrator to the baths, there, he buys some fish and runs into his old friend Pytheas, who is now a magistrate. Pytheas reveals the name as Lucius. Pytheas says that Lucius overpaid for the fish and humiliates the fish-monger by trampling on the fish, Lucius returns to Milos house, hungry and empty-handed. Milo asks Lucius about his life, his friends, and his wanderings, Book Two The next morning, Lucius meets his aunt Byrrhena in the town, and she warns him that Milos wife is an evil witch who will kill Lucius
The Golden Ass
–
Title page from
John Price 's Latin edition of Apuleius' novel Metamorphoses, or the Golden Ass (Gouda, Netherlands, 1650)
The Golden Ass
–
Lucius takes human form, in a 1345 illustration of the Metamorphoses (ms. Vat. Lat. 2194,
Biblioteca Apostolica Vaticana)
The Golden Ass
–
Lucius spies Milo's wife transforming into a bird. Illustration by
Jean de Bosschère
The Golden Ass
–
Charitë embraces Tlepolemus while Lucius looks on. From an illustration by Jean de Bosschère
21.
Joachim Murat
–
Joachim-Napoléon Murat was a Marshal of France and Admiral of France under the reign of Napoleon. He was also the 1st Prince Murat, Grand Duke of Berg from 1806 to 1808 and he received his titles in part by being Napoleons brother-in-law through marriage to his younger sister, Caroline Bonaparte, as well as personal merit. He was noted as a daring, brave, and charismatic cavalry officer as well as a flamboyant dresser and was known as the Dandy King. In 1789, an affair forced him to resign, and he returned to his family, by 1790, he had joined the National Guard, and when the Fête of the Nation was organized on 14 July 1790, the Canton of Montaucon sent Murat as its representative. Then he became reinstated into his old regiment, an ardent Republican, Murat wrote to his brother in 1791 stating he was preoccupied with revolutionary affairs and would sooner die than cease to be a patriot. This garnered for him the support of the Republicans, for he rejoined his regiment and was promoted to Corporal in April of that year. By 19 November 1792, he was 25 years old and elated at his latest promotion. As a sous-lieutenant, he thought, his family must recognize that he had no tendency for the priesthood. One of the Ministers had accused him of being an aristocrat, confusing him with the family of Murat dAuvergne. In the autumn of 1795, three years after King Louis XVI of France was deposed, royalist and counter-revolutionaries organised an armed uprising, on 3 October, General Napoleon Bonaparte, who was stationed in Paris, was named commander of the French National Conventions defending forces. This constitutional convention, after a period of emergency rule, was striving to establish a more stable. Bonaparte tasked Murat with the gathering of artillery from a suburb outside the control of the governments forces, Murat managed to take the cannons of the Camp des Sablons and transport them to the centre of Paris while avoiding the rioters. The use of these cannons – the famous whiff of grapeshot – on 5 October allowed Bonaparte to save the members of the National Convention, for this success, Joachim Murat was made chef de brigade and thereafter remained one of Napoleons best officers. Murat then went with Bonaparte to northern Italy, initially as his aide-de-camp and these forces were waging war on France and seeking to restore a monarchy in revolutionary France. Thus, Murats skills in no small part helped establish Bonapartes legendary fame, Murat commanded the cavalry of the French Egyptian expedition of 1798, again under Bonaparte. The expeditions strategic goal was to threaten Britains rich holdings in India, however, the overall effort ended prematurely because of lack of logistical support with the defeat of the French fleet due to British sea power. After the sea battle, Napoleon led his troops on land toward Europe, the remaining non-military expedition staff officers, including Murat, and Bonaparte returned to France, eluding various British fleets in five frigates. A short while later, Murat played an important, even pivotal, role in Bonapartes coup within a coup of 18 Brumaire, along with two others, Napoleon Bonaparte set aside the five-man directory government, establishing the three-man French Consulate government
Joachim Murat
–
Joachim Murat
Joachim Murat
–
Joachim Murat as a
sous-lieutenant of the 12th
Chasseur-à-cheval; portrait by
Jean-Baptiste Paulin Guérin
Joachim Murat
–
General Murat at the
battle of Abukir, where 11,000 Ottoman soldiers drowned in the
Nile
Joachim Murat
–
Murat leads a charge at the
Battle of Jena, 14 October 1806.
22.
Prime version
–
In the art world the prime version of a work of art which exists in a number of versions is the version which is known or believed to have been the first to be produced. Many artworks produced in such as painting or carved sculpture which create unique objects are in fact repeated by their artists. It is regarded as a matter of importance both by art historians and the art market to establish which version has priority, that is to say was the original work. The presumption usually is that the version is the finest. In many periods the later repetitions were often produced by the workshop of the master, with varying degrees of supervision, in many periods replicas were the direct product of collecting, as collectors have always preferred recognizable masterpieces to what is offbeat. In Friths case the replicas were painted many years after his first versions, the French painter Charles Landelle recorded no fewer than 32 versions of his Femme Fellah, an Orientalist hit at the Paris Salon of 1866. An example of a work now known from a replica and studies is Aeneas and his Family Fleeing Troy. The prime version was given in 1586 by Francesco Maria II, the last Duke of Urbino, to Rudolph II, Holy Roman Emperor in Prague, and was later looted by the Swedes. It was taken to Rome by Queen Christina of Sweden, passed to the Orleans collection in Paris, the Rome version was painted in 1598, presumably for Cardinal Scipio Borghese. Infrared and X-ray photography are among the techniques that may help in discovering these technical issues. The version in the Uffizi Gallery in Florence, previously considered prime, was replaced by the version in the National Gallery, London, an example of a relatively recent work where documentary evidence means that the prime version has never been in dispute. Christiansen, Keith, Caravaggio and Lesempio davanti del naturale, The Art Bulletin, Vol.68,3, pp. 421-445, JSTOR Christiansen, Keith, in The Art of Orazio Gentileschi in Gentileschi, eds. 1220, Raphael, pp. 757–759, JSTOR Gould, Cecil, The Sixteenth Century Italian Schools,1975, National Gallery Catalogues, London, ISBN0947645225 Harding, artistes pompiers, French academic art in the 19th century. Millar, Oliver, letter headed The Van Dyck Catalogue, The Burlington Magazine, Vol.146,1217, Architecture, p.553, JSTOR Turner, Nicholas, Federico Barocci,2000, Vilo
Prime version
–
Rear view of the
Louvre 's prime version of
Antonio Canova 's
Psyche Revived by Cupid's Kiss, 1793
Prime version
–
The London version of
Portrait of Pope Julius II by
Raphael, 1511–12, recognized since 1970 as the prime version
Prime version
–
Aeneas' Flight from Troy by
Federico Barocci, image of the replica version in Rome.
23.
Louvre Museum
–
The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
Louvre Museum
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the Richelieu wing (2005)
Louvre Museum
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The only portion of the medieval Louvre still visible
Louvre Museum
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Antonio Canova 's
Psyche Revived by Cupid's Kiss was commissioned in 1787, donated in 1824.
Louvre Museum
–
The
Venus de Milo was added to the Louvre's collection during the reign of
Louis XVIII.
24.
France
–
France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
France
–
One of the
Lascaux paintings: a horse –
Dordogne, approximately 18,000 BC
France
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Flag
France
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The
Maison Carrée was a temple of the
Gallo-Roman city of Nemausus (present-day
Nîmes) and is one of the best preserved vestiges of the
Roman Empire.
France
–
With
Clovis ' conversion to Catholicism in 498, the
Frankish monarchy,
elective and
secular until then, became
hereditary and of
divine right.
25.
Nikolay Yusupov
–
Prince Nikolai Borisovich Yusupov was a Russian nobleman and art collector of the House of Yusupov. He was the eldest son of Prince Boris Grigorievich Yusupov and he later also served as director of the Hermitage, the Kremlin Armoury and the state porcelain and glass factories. A patron of the arts and a traveller, he spoke five languages. During his journey he purchased a collection of art for the tsar. Yusupov collected for himself alongside collecting for the tsars, and thus his own collection of paintings, after 1917 his extensive collection was broken up and passed to several different museums, though the bulk of it is kept in Arkhangelskoye, the Hermitage and the Pushkin Museum. In 1804, Nicholas went to Paris and frequently met Napoleon I and he also commissioned Sappho and Phaon from Jacques-Louis David in 1809. In 1810 Yusupov bought Arkhangelskoye Estate, where he lived with his wife and family, Prince Nicholas built his own porcelain factory there, with much of the artisans from France. He finally died aged 80 and was succeeded by his second and only remaining son, Prince Boris, since their son, Prince Nikolai. Some artworks from Prince Youssoupoffs collection In 1793 Nikolai married Tatiana Vasilievna von Engelhardt and their children were, Nikolai Boris Free scores by Nikolay Yusupov at the International Music Score Library Project
Nikolay Yusupov
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Portrait of Nikolai Yusupov (detail), 1783, by
Heinrich Füger (Hermitage Museum)
Nikolay Yusupov
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Rembrandt. Lady with an Ostrich-Feather Fan.
Nikolay Yusupov
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Claude Lorraine. The Rape of Europe
Nikolay Yusupov
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Correggio. Portrait of a Lady
26.
Hugh Douglas Hamilton
–
Hugh Douglas Hamilton was an Irish portrait-painter. He spent considerable periods in London and Rome before returning to Dublin in the early 1790s, until the mid-1770s he worked mostly in pastel. His style influenced the English painter Lewis Vaslet, Hamilton was born in Crow Street, in Dublin, Ireland, in 1740, the son of a peruke maker. Unfortunately there is little concrete evidence for his earlylife, apart from his own drawings. He studied art under Robert West at the Dublin Society House - and won early success with crayon. He was very adept at building relationships with patrons from the days, taking up with the famous La Touche banking family of Dublin. Very little is known of Hamiltons career between 1756 and 1764, when he moved to London, Hamilton found great success in London through his pastel oval portraits, portraying royalty, politicians and celebrities of the day through this medium. Hamilton was often overwhelmed with orders, including commissions from the British royal family - such as Queen Charlotte and he showed with the Society of Artists and the Free Society of Artists from the mid-1760s to the mid-1770s. From the mid-1770s on, Hamilton became very interested in a softer, more form of pastel fresco, in which he blended crayons. In 1779 he travelled to Italy, where he remained for the twelve years, occasionally visiting Florence but mainly based in Rome. On the advice of artist John Flaxman Hamilton turned to oil painting and his portraits of this period include those of Dean Kirwan, George John, 2nd Earl Spencer, Countess Cowper, and the exiled Charles Edward Stuart. In 1791 Hamilton returned to Dublin, where he died, in 1796 he painted Lord Edward Fitzgerald, the Irish revolutionary. Hamilton was best known for his pastel portraits depicting the head. These pastels were lively and affordable, costing around six guineas a piece and they became very popular throughout Europe. For these oval portraits, Hamilton used handmade cream or off-white paper, usually medium in thickness and this speed and skill was necessary to ensure a steady flow of clientele, as Hamilton was very pressed with commissions for this portraits. While there is no surviving evidence on Hamiltons pastel technique, through close examination of his works. Hamilton most likely applied each tone to the portrait separately before blending to avoid dulling the image, when drawing a face, he first outlined the head and shoulders in a light tone, then added the features of the face in a faint carmine tones. He then blended the tones on the face using his fingers, after this, the background was filled in using the broad side of the pastel, avoiding the outline of the face
Hugh Douglas Hamilton
–
Portrait of a Young Gentleman, by Hugh Hamilton.
Hugh Douglas Hamilton
–
Cupid and Psyche in the nuptial bower by Hugh Douglas Hamilton. Oil, 1792-93.
27.
Psyche (mythology)
–
Cupid and Psyche is a story originally from Metamorphoses, written in the 2nd Century AD by Lucius Apuleius Madaurensis. It concerns the overcoming of obstacles to the love between Psyche and Cupid or Amor, and their union in a sacred marriage. Although the only extended narrative from antiquity is that of Apuleius, Eros, since the rediscovery of Apuleiuss novel in the Renaissance, the reception of Cupid and Psyche in the classical tradition has been extensive. The story has been retold in poetry, drama, and opera, and depicted widely in painting, sculpture, Psyches Roman name through direct translation is Anima. The tale of Cupid and Psyche is placed at the midpoint of Apuleiuss novel, the novel itself is a first-person narrative by the protagonist Lucius. Transformed into a donkey by magic gone wrong, Lucius undergoes various trials and adventures, Psyches story has some similarities, including the theme of dangerous curiosity, punishments and tests, and redemption through divine favor. As a structural mirror of the plot, the tale is an example of mise en abyme. The happy ending for Psyche is supposed to assuage Charites fear of rape, there were once a king and queen, rulers of an unnamed city, who had three daughters of conspicuous beauty. The youngest and most beautiful was Psyche, whose admirers, neglecting the worship of the love goddess Venus, instead prayed. It was rumored that she was the coming of Venus. Venus is offended, and commissions Cupid to work her revenge, Cupid instead scratches himself with his own dart, which makes any living thing fall in love with the first thing it sees. As soon as Cupid scratches himself he falls deeply in love with Psyche, although her two humanly beautiful sisters have married, the idolized Psyche has yet to find love. Her father suspects that they have incurred the wrath of the gods, Psyche is arrayed in funeral attire, conveyed by a procession to the peak of a rocky crag, and exposed. Marriage and death are merged into a rite of passage. Zephyr the West Wind bears her up to meet her match, and deposits her in a lovely meadow. The transported girl awakes to find herself at the edge of a cultivated grove, exploring, she finds a marvelous house with golden columns, a carved ceiling of citrus wood and ivory, silver walls embossed with wild and domesticated animals, and jeweled mosaic floors. A disembodied voice tells her to make herself comfortable, and she is entertained at a feast that serves itself, although fearful and without sexual experience, she allows herself to be guided to a bedroom, where in the darkness a being she cannot see makes her his wife. She gradually learns to look forward to his visits, though he always departs before sunrise and forbids her to look upon him, and soon she becomes pregnant
Psyche (mythology)
–
Psyche and Amor, also known as Psyche Receiving Cupid's First Kiss (1798), by
François Gérard: a symbolic butterfly hovers over Psyche in a moment of innocence poised before sexual awakening.
Psyche (mythology)
–
Psyche Honoured by the People (1692–1702) from a series of 12 scenes from the story by
Luca Giordano
Psyche (mythology)
–
Psyche's Wedding (
Pre-Raphaelite, 1895) by
Edward Burne-Jones
Psyche (mythology)
–
Psyche Showing Her Jewelry to Her Sisters (
Neoclassical, 1815–16),
grisaille wallpaper by
Merry-Joseph Blondel
28.
Venus (mythology)
–
Venus is the Roman goddess whose functions encompassed love, beauty, desire, sex, fertility, prosperity and victory. In Roman mythology, she was the mother of the Roman people through her son, Aeneas, Julius Caesar claimed her as his ancestor. Venus was central to religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art, in the later classical tradition of the West, Venus becomes one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. It has connections to venerari and venia through a common root in an Indo-European *wenes- or *u̯enis. Their common Proto-Indo-European root is assumed as *wen- or *u̯en- to strive for, wish for, desire, Venus has been described as perhaps the most original creation of the Roman pantheon, and an ill-defined and assimilative native goddess, combined with a strange and exotic Aphrodite. The ambivalence of her persuasive functions has been perceived in the relationship of the root *venes- with Latin venenum, in the sense of a charm, in myth, Venus-Aphrodite was born of sea-foam. Roman theology presents Venus as the yielding, watery female principle, essential to the generation and her male counterparts in the Roman pantheon, Vulcan and Mars, are active and fiery. Venus absorbs and tempers the male essence, uniting the opposites of male and female in mutual affection and she is essentially assimilative and benign, and embraces several otherwise quite disparate functions. She can give military victory, sexual success, good fortune, in one context, she is a goddess of prostitutes, in another, she turns the hearts of men and women from sexual vice to virtue. Images of Venus have been found in murals, mosaics. Petronius, in his Satyricon, places an image of Venus among the Lares of the freedman Trimalchios lararium, prospective brides offered Venus a gift before the wedding, the nature of the gift, and its timing, are unknown. Some Roman sources say that girls who come of age offer their toys to Venus, it is unclear where the offering is made, in dice-games, a popular pastime among Romans of all classes, the luckiest, best possible roll was known as Venus. Venus signs were for the most part the same as Aphrodites, Venus statues, and her worshipers, wore myrtle crowns at her festivals. Likewise, Roman folk-etymology transformed the ancient, obscure goddess Murcia into Venus of the Myrtles, myrtle was thought a particularly potent aphrodisiac. The female pudendum, particularly the clitoris, was known as murtos, as goddess of love and sex, Venus played an essential role at Roman prenuptial rites and wedding nights, so myrtle and roses were used in bridal bouquets. Marriage itself was not a seduction but a condition, under Junos authority. Venus was also a patron of the ordinary, everyday wine drunk by most Roman men and women, in the rites to Bona Dea, a goddess of female chastity, Venus, myrtle and anything male were not only excluded, but unmentionable
Venus (mythology)
–
Venus on seashell, from the Casa di Venus,
Pompeii. Before 79 AD.
Venus (mythology)
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Marcus Aurelius (
head covered) sacrificing at the Temple of Jupiter
Venus (mythology)
–
Bronze figurine of Venus,
Lyon (Roman
Lugdunum)
Venus (mythology)
–
Remains of the
Temple of Venus Genetrix in the
Forum of Caesar, Rome.
29.
Proserpina
–
Proserpina or Proserpine is an ancient Roman goddess whose cult, myths and mysteries were based on those of Greek Persephone and her mother Demeter, the Greek goddess of grain and agriculture. The Romans identified Proserpina with their native fertility goddess Libera, daughter of the grain and agriculture goddess Ceres, just as Persephone was thought to be a daughter of Demeter, Romans made Proserpina a daughter of Demeters Roman equivalent, Ceres. Her name is a Latinisation of Persephone, perhaps influenced by the Latin proserpere, the cult originated in southern Italy and was probably based on the women-only Greek Thesmophoria, a mystery cult to Demeter and Persephone as Mother and Maiden. It arrived along with its Greek priestesses, who were granted Roman citizenship so that they could pray to the gods with a foreign and external knowledge and their joint cult recalls Demeters search for Persephone, after the latters rape and abduction into the underworld by Hades. At the Aventine, the new cult took its place alongside the old and it made no reference to Liber, whose open and gender-mixed cult continued to play a central role in plebeian culture, as a patron and protector of plebeian rights, freedoms and values. Unmarried girls should emulate the chastity of Proserpina, the maiden, married women should seek to emulate Ceres and their rites were intended to secure a good harvest, and increase the fertility of those who partook in the mysteries. A Temple of Proserpina was located in a suburb of Melite, in modern Mtarfa, the temples ruins were quarried between the 17th and 18th centuries, and only a few fragments survive. The best-known myth surrounding Proserpina is of her abduction by the god of the Underworld, her mother Ceres frantic search for her, renamed thus, the king of the underworld is distanced from his consorts violent abduction. In the early 1st century Ovid gives two versions of the myth in Latin, one in Book 5 of his Metamorphoses. Venus, in order to bring love to Pluto, sent her son Amor to hit Pluto with one of his arrows and he abducted her in order to marry her and live with her in the underworld of which he was the ruler. In her desperation Ceres angrily stopped the growth of fruits and vegetables, Ceres refused to go back to Mount Olympus and started walking on the Earth, making a desert at every step. Worried, Jupiter sent Mercury to order Pluto to free Proserpina, Pluto obeyed, but before letting her go he made her eat six pomegranate seeds, because those who have eaten the food of the dead could not return to the world of the living. This meant that she would have to live six months of year with him. In another version of the story, Proserpina ate only four pomegranate seeds, when Jupiter ordered her return, Pluto struck a deal with Jupiter, saying that since she had stolen his pomegranate seeds, she must stay with him four months of the year in return. For this reason, in spring when Ceres receives her back, the crops blossom. In the autumn Ceres changes the leaves to shades of brown, during the time that Proserpina resides with Pluto, the world goes through winter, a time when the earth is barren. The most extensive myth of Proserpina in Latin is Claudians and it is closely connected with that of Orpheus and Eurydice. But Orpheus could not resist a backward glance, so Eurydice was forever lost to him
Proserpina
–
A
Pre-Raphaelite Proserpine (1873–77) by
Dante Gabriel Rossetti (
Tate Gallery,
London)
Proserpina
–
The rape of Proserpina
Proserpina
–
Copy of The Rape of Proserpina by Vincenzo de' Rossi (it), on view near
Cliveden House
Proserpina
–
Rape of Proserpenie, by
Luca Giordano
30.
Underworld
–
The underworld or netherworld is an otherworld thought to be deep underground or beneath the surface of the world in most religions and mythologies. Typically it is a place where the souls of the departed go, chthonic is the technical adjective for things of the underworld. This list includes underworlds in mythology, with links to corresponding articles. This list includes rulers or guardians of the underworld in various mythologies, otherworld World Tree — A tree that connects the heavens, the earth, and the underworld in a number of spiritual belief systems
Underworld
–
Yggdrasil, a modern attempt to reconstruct the Norse world tree which connects the heavens, the world, and the underworld.
Underworld
–
The legs of the god
Vishnu as the Cosmic Man depict earth and the seven realms of the Hindu underworld of
Patala. The feet rest on cosmic serpent
Shesha.
Underworld
–
Mictlan
Underworld
,_Retro.JPG)
