1.
Amaretto
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Amaretto is a sweet, almond-flavoured, Italian liqueur associated with Saronno, Italy. Various commercial brands are made from a base of apricot pits, almonds, Amaretto serves a variety of culinary uses, can be drunk by itself, and is added to other beverages to create several popular mixed drinks, as well as to coffee. The name amaretto originated as a diminutive of the Italian word amaro, meaning bitter, however, the bitterness is not unpalatable, and sweeteners—and sometimes sweet almonds—enhance the flavour in the final products. Thus one can interpret the name as a description of the taste as a little bitter. Conflation of amaro and amore has led to associations with romance, one should not confuse amaretto with amaro, a different family of Italian liqueurs that, while also sweetened, have a stronger bitter flavour deriving from herbs. Despite the known history on the introduction and acceptance of almonds into Italian cuisine, newer takes on the meanings, as the church was dedicated to the Virgin Mary, Luini needed to depict the Madonna, but was in need of a model. He found his inspiration in a young widowed innkeeper, who became his model, out of gratitude and affection, the woman wished to give him a gift. Her simple means did not permit much, so she steeped apricot kernels in brandy, Disaronno Originale has a characteristic bittersweet almond taste and is known for its distinctive appearance. Disaronno has been in production since about 1900. It claims its originale amarettos secret formula is unchanged from 1525 and its production remains in Saronno, but the product is sold worldwide. The company describes its amaretto as an infusion of apricot kernel oil with absolute alcohol, burnt sugar, the amber liqueur is presented in a rectangular glass decanter designed by a craftsman from Murano. The product was originally named Amaretto di Saronno Originale and it subsequently changed to Amaretto Disaronno, transforming the origin of the product into a more distinctive brand name. Finally, it changed once more to Disaronno Originale, it has not marketed itself as an amaretto since 2001, according to the Disaronno website, their amaretto contains no almonds, and is nut-free. Therefore, it is safe for people with nut or related allergies, Lazzaroni Amaretto, produced by Paolo Lazzaroni & Figli S. p. A. also presents itself as the first such liqueur. It is based on an infusion of Amaretti di Saronno, a process which imparts a delicate almond/apricot flavour. Lazzaroni claim the tale of the young couple blessed by the bishop as the origin of their family recipe, dating it to 1718. Many distillers produce their own brand of amaretto, among them are Bols, DeKuyper, Hiram Walker, Luxardo, Mr. Boston, Paramount, and Phillips. Amaretto serves a variety of culinary uses, Amaretto is added to desserts, including ice cream, which enhances the flavour of the dessert with almonds and complements chocolate
2.
Stabiae
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Stabiae was an ancient Roman town which is famous for the magnificent Roman villas found there near to the modern town of Castellammare di Stabia approximately 4.5 km southwest of Pompeii. The beautiful objects and frescoes taken from these villas were sold and distributed. The villas were sited on a 50 m high overlooking the Gulf of Naples. Being only 16 kilometres from Mount Vesuvius, this resort was largely buried by two metres of tephra ash in 79 AD. Originally a small port, by the 6th century BC Stabiae had already overshadowed by the much larger port at Pompeii. The town was destroyed by Lucius Cornelius Sulla on 30 April 89 BC during the Social War, the Roman author and admiral Pliny the Elder recorded that the town was rebuilt and became a popular resort for wealthy Romans. He reported that there were miles of luxury villas built along the edge of the headland. According to the account written by his nephew, Pliny the Elder was at the side of the bay in Misenum when the eruption started. He travelled by ship across the bay, partly to observe the eruption more closely. Pliny died at Stabiae the following day, probably during the arrival of the sixth, the very diluted outer edge of this surge reached Stabiae and left two centimetres of fine ash on top of the immensely thick aerially-deposited tephra which further protected the underlying remains. The archaeological remains of Stabiae were originally discovered in 1749 by Cavaliere Rocco de Alcubierre and these ruins were partially excavated by Alcubierre with help from Karl Weber between 1749–1782. The ruins that had been excavated, however, were reburied and their location was forgotten until 1950, the site was declared an archaeological protected area in 1957, and by 1962 many of the ruins had been again uncovered. The remains of both an Oscan settlement and the later Roman town were discovered, the most famous of the findings at Stabiae are the villas that come from the time between the destruction of Stabiae by Sulla in 89 BC and the eruption of Mount Vesuvius in 79 AD. As described above, Stabiae became a town during this time and was particularly favored for its view of the Bay of Naples. Stabiae was also known for the quality of its spring water. The ideal placement and qualities of this location drew many wealthy Romans to build villas on the ridge overlooking the bay. These villas, which are described below, provide us with some of the most stunning architectural, a great many artifacts which come from Stabiae are preserved in the Naples National Archaeological Museum. Before the age of the villas, however, an Oscan settlement existed in the region of Stabiae, in 1957 three hundred tombs dating from the 7th to the 3rd centuries BC were found in a necropolis associated with this town
3.
National Archaeological Museum, Naples
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The Naples National Archaeological Museum is a museum in Naples, southern Italy, at the northwest corner of the original Greek wall of the city of Neapolis. The museum contains a collection of Roman artifacts from Pompeii, Stabiae. The collection includes works of the highest quality produced in Greek, Roman and it is the most important Italian archaeological museum and is considered one of the most important in the world. Charles of Bourbon founded the museum in the 1750s, the building he used for it had been erected as a cavalry barracks and during its time as the seat of the University of Naples was extended, in the late 18th century. The museum hosts extensive collections of Greek and Roman antiquities and their core is from the Farnese Collection, which includes a collection of engraved gems and the Farnese Marbles. Among the notable works found in the museum are the Herculaneum papyri, carbonized by the eruption of Mount Vesuvius, many of these works, especially the larger ones, have been moved to the Museo di Capodimonte for display in recent years. The Farnese Hercules, which fixed the image of Hercules in the European imagination, a major collection of ancient Roman bronzes from the Villa of the Papyri is housed at the museum. These include the Seated Hermes, a sprawling Drunken Satyr, a bust of Thespis, another variously identified as Seneca or Hesiod, the museums Mosaic Collection includes a number of important mosaics recovered from the ruins of Pompeii and the other Vesuvian cities. This includes the Alexander Mosaic, dating from circa 100 BC and it depicts a battle between the armies of Alexander the Great and Darius III of Persia. Another mosaic found is that of the gladiatorial fighter depicted in a found from the Villa of the Figured Capitals in Pompeii. With 2,500 objects, the museum has one of the largest collection of Egyptian artifacts in Italy after the Turin, Florence and Bologna ones. It is made up primarily of works from two collections, assembled by Cardinal Stefano Borgia in the second half of the 18th century. In its new layout the collection provides both an important record of Egyptian civilization from the Old Kingdom up to the Ptolemaic-Roman era, access was limited to only persons of mature age and known morals. The rooms were also called Cabinets of matters reserved or obscene or pornographic, the highlight of the censorship occurred in 1851 when even nude Venus statues were locked up, and the entrance walled up in the hope that the collection would vanish from memory. In September 1860, when the forces of Garibaldi occupied Naples, since the Royal Butler was no longer available, they broke into the collection. Limiting viewership and censorship have always been part of the history of the collection, censorship was restored during the era of the Kingdom of Italy, and peaked during the Fascist period, when visitors to the rooms needed the permission of the Minister of National Education in Rome. Censorship persisted in the period up to 1967, abating only after 1971 when the Ministry was given the new rules to regulate requests for visits. Completely rebuilt a few years ago with all of the new criteria, visitors under the age of 14 can tour the exhibit only with an adult
4.
Vatican Museums
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The Vatican Museums are the museums of the Vatican City and are located within the citys boundaries. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employ 640 people who work in 40 different administrative, scholarly, Pope Julius II founded the museums in the early 16th century. The Sistine Chapel, with its ceiling decorated by Michelangelo and the Stanze di Raffaello decorated by Raphael, are on the route through the Vatican Museums. In 2013, they were visited by 6 million people, which combined makes it the 6th most visited art museum in the world, there are 54 galleries, or sale, in total, with the Sistine Chapel, notably, being the very last sala within the Museum. It is one of the largest museums in the world, in 2017, the Museums official website and social media presence was completely redone, in accord with current standards and appearances for modern websites. Pope Julius II sent Giuliano da Sangallo and Michelangelo Buonarroti, who were working at the Vatican, on their recommendation, the pope immediately purchased the sculpture from the vineyard owner. The pope put the sculpture of Laocoön and his sons on public display at the Vatican exactly one month after its discovery, the Museum Christianum was founded by Benedict XIV, and some of the Vatican collections formed the Lateran Museum, which Pius IX founded by decree in 1854. The Museums celebrated their 500th anniversary in October 2006 by permanently opening the excavations of a Vatican Hill necropolis to the public, on 1 January 2017 Barbara Jatta became the Director of the Vatican Museums, replacing Antonio Paolucci who had been director since 2007. The art gallery was housed in the Borgia Apartment until Pope Pius XI ordered construction of a proper building, the new building, designed by Luca Beltrami, was inaugurated on 27 October 1932. The museum has paintings including, Giottos Stefaneschi Triptych Olivuccio di Ciccarello, Opere di Misericordia Raphaels Madonna of Foligno, Oddi Altarpiece, the group of museums includes several sculpture museums surrounding the Cortile del Belvedere. The museum takes its name from two popes, Clement XIV and Pius VI, the pope who brought the museum to completion, Clement XIV came up with the idea of creating a new museum in Innocent VIIIs Belvedere palace and started the refurbishment work. Pope Clement XIV founded the Pio-Clementino museum in 1771, and originally it contained the Renaissance, the museum and collection were enlarged by Clements successor Pius VI. Today, the museum works of Greek and Roman sculpture. Some notable galleries are, Greek Cross Gallery, with the porphyri sarcophagi of Constance and Saint Helen, daughter and mother of Constantine the Great. Sala Rotonda, shaped like a miniature Pantheon, the room has impressive ancient mosaics on the floors, Gallery of the Statues, as its name implies, holds various important statues, including Sleeping Ariadne and the bust of Menander. It also contains the Barberini Candelabra, Gallery of the Busts, Many ancient busts are displayed. Cabinet of the Masks, The name comes from the mosaic on the floor of the gallery, found in Villa Adriana, along the walls, several famous statues are shown including the Three Graces. One wove the thread of life, second nurtured it, third cut it. The center piece is Belvedere Torso, revered by Michelangelo and other Renaissance men, sala degli Animali, So named because of the many ancient statues of animals
5.
Passion (emotion)
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Passion is a very strong feeling about a person or thing. Passion is an emotion, a compelling enthusiasm or desire for something. It is particularly used in the context of romance or sexual desire though it implies a deeper or more encompassing emotion than that implied by the term lust. They can be so strong as to inhibit all practice of personal freedom and it was only with the Romantic movement that a valorisation of passion over reason took hold in the Western tradition, the more Passion there is, the better the Poetry. Antonio Damasio studied what ensued when something severed ties between the centres of the emotional brain. and the thinking abilities of the neocortex. The passions, he concluded, have a say on how the rest of the brain, a frame of reference – as opposed to Descartes error. the Cartesian idea of a disembodied mind. A tension or dialectic between marriage and passion can be traced back in Western society at least as far as the Middle Ages, denis de Rougemont has argued that since its origins in the twelfth century, passionate love was constituted in opposition to marriage. There are different reasons individuals are motivated for an occupation, one of these includes passion for the occupation. When an individual is passionate about their occupation they tend to be obsessive about their behavior while on their job, resulting in more work being done. These same individuals have higher levels of psychological well-being, when people genuinely enjoy their profession and are motivated by their passion, they tend to be more satisfied with their work and more psychologically healthy. When individuals are unsatisfied with their profession they tend to also be dissatisfied with their family relationships, other reasons people are more satisfied when they are motivated by their passion for their occupation include the effects of intrinsic and external motivations. When an individual is doing the job to satisfy others, they tend to have levels of satisfaction. Also, these individuals have shown they are motivated by several beliefs. Thirdly, though some individuals believe one should not work extreme hours, on the other hand, this may also put a strain on family relationships and friendships. The balance of the two is something that is hard to achieve and it is hard to satisfy both parties. There are different components that qualify as reasons for considering an individual as a workaholic, burke & Fiksenbaum refer to Spence and Robbins by stating two of the three workaholism components that are used to measure workaholism. These include feeling driven to work because of pressure and work enjoyment. Both of these affect an individual differently and each has different outcomes, to begin, work enjoyment brings about more positive work outcomes and is unrelated to health indicators
6.
Sacred
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Objects are often considered sacred if used for spiritual purposes, such as the worship or service of gods. The property is often ascribed to objects, or places, the word sacred descends from the Latin wikt, sacer, that is consecrated, or dedicated to the gods or anything in their power, and to sacerdos and sanctum, set apart. Although there are similarities between the sacred and holy and they are sometimes used interchangeably, there are subtle differences. Holiness is generally the term used in relation to persons and relationship, while sacredness is used in relation to objects, places, thus a saint may be considered as holy, but he is not viewed as sacred. However, there are things that are holy and sacred such as the holy bible. The Scottish hale is the most complete form of this Old English root. The word holy in its modern form appears in Wycliffes Bible of 1382, in non-specialist contexts, the term holy is used in a more general way, to refer to someone or something that is associated with a divine power, such as water used for baptism. While both words denote something or someone set apart to the worship of God and therefore worthy of respect and in some cases veneration, Holiness originates in God and is communicated to things, places, times, and persons engaged in His Service. Thus holiness or sanctity is the outcome of sanctification, that Divine act by which God freely justifies a person, hierology is the study of sacred literature or lore. Mircea Eliade outlines that religion should not be interpreted only as belief in deities and he analyses the dialectic of the sacred. The sacred is presented in relation to the profane, the relation between the sacred and the profane is not of opposition, but of complementarity, as the profane is viewed as a hierophany. In Durkheims theory, the sacred represented the interests of the group, especially unity, the profane, on the other hand, involved mundane individual concerns. Durkheim explicitly stated that the dichotomy sacred/profane was not equivalent to good/evil, the sacred could be good or evil, and the profane could be either as well. In Theravada Buddhism one finds the designation of noble person or ariyapuggala, the Buddha described four grades of such person depending on their level of purity. This purity is measured by which of the ten fetters and klesha have been purified and integrated from the mindstream and these persons are called Sotāpanna, Sakadagami, Anāgāmi and Arahant. Catholicism has inherited much of the Jewish vision of the world in terms of holiness, the calendar gives shape to Catholic practice, which tends to focus on the Eucharist, in which the Real Presence of Christ is manifested. Holy days, celebrating events of the life of Christ and the lives of Catholic saints officially recognized as holy, are celebrated throughout the year, in extension of this focus on the Sacrament as holy, many objects in Catholicism are also considered holy. They are called sacramentals and are blessed by a priest
7.
Baroque
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The style began around 1600 in Rome and Italy, and spread to most of Europe. The aristocracy viewed the dramatic style of Baroque art and architecture as a means of impressing visitors by projecting triumph, power, Baroque palaces are built around an entrance of courts, grand staircases, and reception rooms of sequentially increasing opulence. However, baroque has a resonance and application that extend beyond a reduction to either a style or period. It is also yields the Italian barocco and modern Spanish barroco, German Barock, Dutch Barok, others derive it from the mnemonic term Baroco, a supposedly laboured form of syllogism in logical Scholastica. The Latin root can be found in bis-roca, in informal usage, the word baroque can simply mean that something is elaborate, with many details, without reference to the Baroque styles of the 17th and 18th centuries. The word Baroque, like most periodic or stylistic designations, was invented by later critics rather than practitioners of the arts in the 17th, the term Baroque was initially used in a derogatory sense, to underline the excesses of its emphasis. In particular, the term was used to describe its eccentric redundancy and noisy abundance of details, although it was long thought that the word as a critical term was first applied to architecture, in fact it appears earlier in reference to music. Another hypothesis says that the word comes from precursors of the style, Giacomo Barozzi da Vignola and he did not make the distinctions between Mannerism and Baroque that modern writers do, and he ignored the later phase, the academic Baroque that lasted into the 18th century. Long despised, Baroque art and architecture became fashionable between the two World Wars, and has remained in critical favour. In painting the gradual rise in popular esteem of Caravaggio has been the best barometer of modern taste, William Watson describes a late phase of Shang-dynasty Chinese ritual bronzes of the 11th century BC as baroque. The term Baroque may still be used, usually pejoratively, describing works of art, craft, the appeal of Baroque style turned consciously from the witty, intellectual qualities of 16th-century Mannerist art to a visceral appeal aimed at the senses. It employed an iconography that was direct, simple, obvious, germinal ideas of the Baroque can also be found in the work of Michelangelo. Even more generalised parallels perceived by some experts in philosophy, prose style, see the Neapolitan palace of Caserta, a Baroque palace whose construction began in 1752. In paintings Baroque gestures are broader than Mannerist gestures, less ambiguous, less arcane and mysterious, more like the stage gestures of opera, Baroque poses depend on contrapposto, the tension within the figures that move the planes of shoulders and hips in counterdirections. Baroque is a style of unity imposed upon rich, heavy detail, Baroque style featured exaggerated lighting, intense emotions, release from restraint, and even a kind of artistic sensationalism. There were highly diverse strands of Italian baroque painting, from Caravaggio to Cortona, the most prominent Spanish painter of the Baroque was Diego Velázquez. The later Baroque style gradually gave way to a more decorative Rococo, while the Baroque nature of Rembrandts art is clear, the label is less often used for Vermeer and many other Dutch artists. Flemish Baroque painting shared a part in this trend, while continuing to produce the traditional categories
8.
Cupid
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In classical mythology, Cupid is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and he is also known in Latin as Amor. Although Eros is generally portrayed as a winged youth in Classical Greek art. During this time, his iconography acquired the bow and arrow that represent his source of power, a person, or even a deity, in myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a character only in the tale of Cupid and Psyche. Although other extended stories are not told him, his tradition is rich in poetic themes and visual scenarios, such as Love conquers all. In art, Cupid often appears in multiples as the Amores, or amorini in the terminology of art history. Cupids are a frequent motif of both Roman art and later Western art of the classical tradition, in the 15th century, the iconography of Cupid starts to become indistinguishable from the putto. Cupid continued to be a figure in the Middle Ages. In the Renaissance, a renewed interest in classical philosophy endowed him with complex allegorical meanings, in contemporary popular culture, Cupid is shown drawing his bow to inspire romantic love, often as an icon of Valentines Day. The Romans reinterpreted myths and concepts pertaining to the Greek Eros for Cupid in their own literature and art, in the Greek tradition, Eros had a dual, contradictory genealogy. He was among the gods who came into existence asexually, after his generation. In Hesiods Theogony, only Chaos and Gaia are older, before the existence of gender dichotomy, Eros functioned by causing entities to separate from themselves that which they already contained. At the same time, the Eros who was pictured as a boy or slim youth was regarded as the child of a divine couple, in Latin literature, Cupid is usually treated as the son of Venus without reference to a father. Seneca says that Vulcan, as the husband of Venus, is the father of Cupid and this last Cupid was the equivalent of Anteros, Counter-Love, one of the Erotes, the gods who embody aspects of love. The multiple Cupids frolicking in art are the manifestation of these proliferating loves and desires. During the English Renaissance, Christopher Marlowe wrote of ten thousand Cupids, in Ben Jonsons wedding masque Hymenaei, in the later classical tradition, Cupid is most often regarded as the son of Venus and Mars, whose love affair represented an allegory of Love and War. The duality between the primordial and the sexually conceived Eros accommodated philosophical concepts of Heavenly and Earthly Love even in the Christian era, Cupid is winged, allegedly, because lovers are flighty and likely to change their minds, and boyish because love is irrational
9.
Renaissance art
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Renaissance art, with Renaissance Humanist philosophy, spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. Renaissance art marks the transition of Europe from the period to the Early Modern age. In many parts of Europe, Early Renaissance art was created in parallel with Late Medieval art, the following list presents a summary, dealt with more fully in the main articles that are cited above. Classical texts, lost to European scholars for centuries, became available and these included Philosophy, Prose, Poetry, Drama, Science, a thesis on the Arts and Early Christian Theology. Simultaneously, Europe gained access to advanced mathematics which had its provenance in the works of Islamic scholars, the advent of movable type printing in the 15th century meant that ideas could be disseminated easily, and an increasing number of books were written for a broad public. The establishment of the Medici Bank and the subsequent trade it generated brought unprecedented wealth to a single Italian city, cosimo de Medici set a new standard for patronage of the arts, not associated with the church or monarchy. Humanist philosophy meant that mans relationship with humanity, the universe, a revived interest in the Classics brought about the first archaeological study of Roman remains by the architect Brunelleschi and sculptor Donatello. A similar heritage of artistic achievement occurred in Venice through the talented Bellini family, their influential inlaw Mantegna, Giorgione, Titian, the publication of two treatises by Leone Battista Alberti, De Pitura,1435, and De re aedificatoria,1452. Their masterpieces are the pulpits of the Baptistery and Cathedral of Pisa, the painters of the Low Countries at this period included Jan van Eyck, his brother Hubert van Eyck, Robert Campin, Hans Memling, Rogier van der Weyden and Hugo van der Goes. Their painting developed independently of Early Italian Renaissance painting, and without the influence of a deliberate, the style of painting grew directly out of the Medieval arts of tempera painting, stained glass and book illumination. The media used was oil paint, which had long been utilised for painting leather ceremonial shields and accoutrements, because it was flexible, the earliest Netherlandish oil paintings are meticulous and detailed like tempera paintings. The material lent itself to the depiction of variations and texture. The Netherlandish painters did not approach the creation of a picture through a framework of linear perspective and they maintained a Medieval view of hierarchical proportion and religious symbolism, while delighting in a realistic treatment of material elements, both natural and man-made. Jan van Eyck, with his brother Hubert painted The Altarpiece of the Mystical Lamb and it is probable that Antonello da Messina became familiar with Van Eycks work, while in Naples or Sicily. His studies of perspective are thought to have influenced the painter Masaccio, the contemporary of Donatello, Masaccio, was the painterly descendant of Giotto, furthering the trend towards solidity of form and naturalism of face and gesture that he had begun a century earlier. Masaccios developments were carried forward in the paintings of Fra Angelico, the treatment of the elements of perspective and light in painting was of particular concern to 15th-century Florentine painters. Uccello was so obsessed with trying to achieve an appearance of perspective that, according to Vasari and his solutions can be seen in his masterpiece, the Battle of San Romano. In Naples, the painter Antonello da Messina began using oil paints for portraits and religious paintings at a date that preceded other Italian painters and he carried this technique north and influenced the painters of Venice
10.
Greeks
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The Greeks or Hellenes are an ethnic group native to Greece, Cyprus, southern Albania, Turkey, Sicily, Egypt and, to a lesser extent, other countries surrounding the Mediterranean Sea. They also form a significant diaspora, with Greek communities established around the world, many of these regions coincided to a large extent with the borders of the Byzantine Empire of the late 11th century and the Eastern Mediterranean areas of ancient Greek colonization. The cultural centers of the Greeks have included Athens, Thessalonica, Alexandria, Smyrna, most ethnic Greeks live nowadays within the borders of the modern Greek state and Cyprus. The Greek genocide and population exchange between Greece and Turkey nearly ended the three millennia-old Greek presence in Asia Minor, other longstanding Greek populations can be found from southern Italy to the Caucasus and southern Russia and Ukraine and in the Greek diaspora communities in a number of other countries. Today, most Greeks are officially registered as members of the Greek Orthodox Church, the Greeks speak the Greek language, which forms its own unique branch within the Indo-European family of languages, the Hellenic. They are part of a group of ethnicities, described by Anthony D. Smith as an archetypal diaspora people. Both migrations occur at incisive periods, the Mycenaean at the transition to the Late Bronze Age, the Mycenaeans quickly penetrated the Aegean Sea and, by the 15th century BC, had reached Rhodes, Crete, Cyprus and the shores of Asia Minor. Around 1200 BC, the Dorians, another Greek-speaking people, followed from Epirus, the Dorian invasion was followed by a poorly attested period of migrations, appropriately called the Greek Dark Ages, but by 800 BC the landscape of Archaic and Classical Greece was discernible. The Greeks of classical antiquity idealized their Mycenaean ancestors and the Mycenaean period as an era of heroes, closeness of the gods. The Homeric Epics were especially and generally accepted as part of the Greek past, as part of the Mycenaean heritage that survived, the names of the gods and goddesses of Mycenaean Greece became major figures of the Olympian Pantheon of later antiquity. The ethnogenesis of the Greek nation is linked to the development of Pan-Hellenism in the 8th century BC, the works of Homer and Hesiod were written in the 8th century BC, becoming the basis of the national religion, ethos, history and mythology. The Oracle of Apollo at Delphi was established in this period, the classical period of Greek civilization covers a time spanning from the early 5th century BC to the death of Alexander the Great, in 323 BC. It is so named because it set the standards by which Greek civilization would be judged in later eras, the Peloponnesian War, the large scale civil war between the two most powerful Greek city-states Athens and Sparta and their allies, left both greatly weakened. Many Greeks settled in Hellenistic cities like Alexandria, Antioch and Seleucia, two thousand years later, there are still communities in Pakistan and Afghanistan, like the Kalash, who claim to be descended from Greek settlers. The Hellenistic civilization was the period of Greek civilization, the beginnings of which are usually placed at Alexanders death. This Hellenistic age, so called because it saw the partial Hellenization of many non-Greek cultures and this age saw the Greeks move towards larger cities and a reduction in the importance of the city-state. These larger cities were parts of the still larger Kingdoms of the Diadochi, Greeks, however, remained aware of their past, chiefly through the study of the works of Homer and the classical authors. An important factor in maintaining Greek identity was contact with barbarian peoples and this led to a strong desire among Greeks to organize the transmission of the Hellenic paideia to the next generation
11.
Eros
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In Greek mythology, Eros was the Greek god of sexual attraction. Some myths make him a god, while in other myths. He was one of the winged love gods, Erotes, Eros appears in ancient Greek sources under several different guises. In the earliest sources, he is one of the gods involved in the coming into being of the cosmos. But in later sources, Eros is represented as the son of Aphrodite, whose mischievous interventions in the affairs of gods and mortals cause bonds of love to form, a cult of Eros existed in pre-classical Greece, but it was much less important than that of Aphrodite. However, in antiquity, Eros was worshiped by a fertility cult in Thespiae. In Athens, he shared a very popular cult with Aphrodite, according to Hesiod, one of the most ancient of all Greek sources, Eros was the fourth god to come into existence, coming after Chaos, Gaia, and Tartarus. However, Parmenides, one of the philosophers, makes Eros the first of all the gods to come into existence. The Orphic and Eleusinian Mysteries featured Eros as a very original god, aristophanes, influenced by Orphism, relates the birth of Eros, At the beginning there was only Chaos, Night, Darkness, and the Abyss. Earth, the Air and Heaven had no existence and he mated in the deep Abyss with dark Chaos, winged like himself, and thus hatched forth our race, which was the first to see the light. In later myths, he was the son of the deities Aphrodite and Ares, Eros was associated with athleticism, with statues erected in gymnasia, and was often regarded as the protector of homosexual love between men. Eros was depicted as carrying a lyre or bow and arrow. He was also depicted accompanied by dolphins, flutes, roosters, roses, “We must have a word with Aphrodite. Let us go together and ask her to persuade her boy, if that is possible, to loose an arrow at Aeetes’ daughter, Medea of the spells, and make her fall in love with Jason. ”He smites maids’ breasts with unknown heat. Once, when Venus’ son was kissing her, his quiver dangling down, in fact the wound was deeper than it seemed, though unperceived at first. Enraptured by the beauty of a man, Eros drove Dionysos mad for the girl with the delicious wound of his arrow, then curving his wings flew lightly to Olympus. And the god roamed over the hills scourged with a greater fire. ”The story of Eros and Psyche has a tradition as a folktale of the ancient Greco-Roman world long before it was committed to literature in Apuleius Latin novel. The novel itself is written in a picaresque Roman style, yet Psyche retains her Greek name, Eros and Aphrodite are called by their Latin names, and Cupid is depicted as a young adult, rather than a child
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Roman mythology
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Roman mythology is the body of traditional stories pertaining to ancient Romes legendary origins and religious system, as represented in the literature and visual arts of the Romans. Roman mythology may also refer to the study of these representations. The Romans usually treated their traditional narratives as historical, even when these have miraculous or supernatural elements, the stories are often concerned with politics and morality, and how an individuals personal integrity relates to his or her responsibility to the community or Roman state. When the stories illuminate Roman religious practices, they are concerned with ritual, augury. Romes early myths and legends also have a relationship with Etruscan religion. In particular, the versions of Greek myths in Ovids Metamorphoses, written during the reign of Augustus, because ritual played the central role in Roman religion that myth did for the Greeks, it is sometimes doubted that the Romans had much of a native mythology. This perception is a product of Romanticism and the scholarship of the 19th century. From the Renaissance to the 18th century, however, Roman myths were an inspiration particularly for European painting, the Roman tradition is rich in historical myths, or legends, concerning the foundation and rise of the city. These narratives focus on human actors, with only occasional intervention from deities, in Romes earliest period, history and myth have a mutual and complementary relationship. As T. P. Wiseman notes, The Roman stories still matter, as they mattered to Dante in 1300 and Shakespeare in 1600, what does it take to be a free citizen. Can a superpower still be a republic, how does well-meaning authority turn into murderous tyranny. Major sources for Roman myth include the Aeneid of Vergil and the first few books of Livys history as well as Dionysius s Roman Antiquities. Other important sources are the Fasti of Ovid, a six-book poem structured by the Roman religious calendar, scenes from Roman myth also appear in Roman wall painting, coins, and sculpture, particularly reliefs. The Aeneid and Livys early history are the best extant sources for Romes founding myths, material from Greek heroic legend was grafted onto this native stock at an early date. By extension, the Trojans were adopted as the ancestors of the Roman people. Rape of the Sabine women, explaining the importance of the Sabines in the formation of Roman culture, numa Pompilius, the Sabine second king of Rome who consorted with the nymph Egeria and established many of Romes legal and religious institutions. Servius Tullius, the king of Rome, whose mysterious origins were freely mythologized. The Tarpeian Rock, and why it was used for the execution of traitors, lucretia, whose self-sacrifice prompted the overthrow of the early Roman monarchy and led to the establishment of the Republic
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Aphrodite
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Aphrodite is the Greek goddess of love, beauty, pleasure, and procreation. She is identified with the planet Venus, and her Roman equivalent is the goddess Venus, as with many ancient Greek deities, there is more than one story about her origins. According to Hesiods Theogony, she was born when Cronus cut off Uranuss genitals and threw them into the sea, according to Homers Iliad, she is the daughter of Zeus and Dione. In Plato, these two origins are said to be of hitherto separate entities, Aphrodite Ourania and Aphrodite Pandemos, Aphrodite had many lovers—both gods, such as Ares, and men, such as Anchises. She played a role in the Eros and Psyche legend, and was lover and surrogate mother of Adonis. Many lesser beings were said to be children of Aphrodite, Aphrodite is also known as Cytherea and Cypris after the two cult sites, Cythera and Cyprus, which claimed to be her place of birth. Myrtle, roses, doves, sparrows and swans were sacred to her, the ancient Greeks identified her with the Ancient Egyptian goddess Hathor. Aphrodite had many names such as Acidalia and Cerigo, each used by a different local cult of the goddess in Greece. The Greeks recognized all of these names as referring to the single goddess Aphrodite, despite the differences in what these local cults believed the goddess demanded of them. The Attic philosophers of the 4th century, however, drew a distinction between a celestial Aphrodite of transcendent principles, and a separate, common Aphrodite who was the goddess of the people, hesiod derives Aphrodite from aphrós sea-foam, interpreting the name as risen from the foam. Michael Janda, accepting this as genuine, claims the birth myth as an Indo-European mytheme. Likewise, Witczak proposes an Indo-European compound *abʰor- very and *dʰei- to shine and it has been argued that etymologies based on comparison with Eos are unlikely since Aphrodites attributes are entirely different from those of Eos or the Vedic deity Ushas. A number of improbable non-Greek etymologies have suggested in scholarship. One Semitic etymology compares Aphrodite to the Assyrian barīrītu, the name of a demon that appears in Middle Babylonian. Hammarström looks to Etruscan, comparing prϑni lord, an Etruscan honorific loaned into Greek as πρύτανις and this would make the theonym in origin an honorific, the lady. Hjalmar Frisk and Robert Beekes reject this etymology as implausible, especially since Aphrodite actually appears in Etruscan in the borrowed form Apru, the medieval Etymologicum Magnum offers a highly contrived etymology, deriving Aphrodite from the compound habrodíaitos, she who lives delicately, from habrós and díaita. The alteration from b to ph is explained as a characteristic of Greek obvious from the Macedonians. Aphrodite is usually said to have been born near her chief center of worship, Paphos, on the island of Cyprus, however, other versions of her myth have her born near the island of Cythera, hence another of her names, Cytherea
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Venus (mythology)
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Venus is the Roman goddess whose functions encompassed love, beauty, desire, sex, fertility, prosperity and victory. In Roman mythology, she was the mother of the Roman people through her son, Aeneas, Julius Caesar claimed her as his ancestor. Venus was central to religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art, in the later classical tradition of the West, Venus becomes one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. It has connections to venerari and venia through a common root in an Indo-European *wenes- or *u̯enis. Their common Proto-Indo-European root is assumed as *wen- or *u̯en- to strive for, wish for, desire, Venus has been described as perhaps the most original creation of the Roman pantheon, and an ill-defined and assimilative native goddess, combined with a strange and exotic Aphrodite. The ambivalence of her persuasive functions has been perceived in the relationship of the root *venes- with Latin venenum, in the sense of a charm, in myth, Venus-Aphrodite was born of sea-foam. Roman theology presents Venus as the yielding, watery female principle, essential to the generation and her male counterparts in the Roman pantheon, Vulcan and Mars, are active and fiery. Venus absorbs and tempers the male essence, uniting the opposites of male and female in mutual affection and she is essentially assimilative and benign, and embraces several otherwise quite disparate functions. She can give military victory, sexual success, good fortune, in one context, she is a goddess of prostitutes, in another, she turns the hearts of men and women from sexual vice to virtue. Images of Venus have been found in murals, mosaics. Petronius, in his Satyricon, places an image of Venus among the Lares of the freedman Trimalchios lararium, prospective brides offered Venus a gift before the wedding, the nature of the gift, and its timing, are unknown. Some Roman sources say that girls who come of age offer their toys to Venus, it is unclear where the offering is made, in dice-games, a popular pastime among Romans of all classes, the luckiest, best possible roll was known as Venus. Venus signs were for the most part the same as Aphrodites, Venus statues, and her worshipers, wore myrtle crowns at her festivals. Likewise, Roman folk-etymology transformed the ancient, obscure goddess Murcia into Venus of the Myrtles, myrtle was thought a particularly potent aphrodisiac. The female pudendum, particularly the clitoris, was known as murtos, as goddess of love and sex, Venus played an essential role at Roman prenuptial rites and wedding nights, so myrtle and roses were used in bridal bouquets. Marriage itself was not a seduction but a condition, under Junos authority. Venus was also a patron of the ordinary, everyday wine drunk by most Roman men and women, in the rites to Bona Dea, a goddess of female chastity, Venus, myrtle and anything male were not only excluded, but unmentionable
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Genius (mythology)
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In Roman religion, the genius is the individual instance of a general divine nature that is present in every individual person, place, or thing. Much like an angel, the genius would follow each man from the hour of his birth until the day he died. For women it was the Juno spirit that would accompany each of them, the Greeks called their genii daemons, and believed in them from the earliest times. The rational powers and abilities of human being were attributed to their soul. Each individual place had a genius and so did powerful objects, the concept extended to some specifics, the genius of the theatre, of vineyards, and of festivals, which made performances successful, grapes grow, and celebrations succeed, respectively. It was extremely important in the Roman mind to propitiate the appropriate genii for the major undertakings, although the term genius might apply to any divinity whatsoever, most of the higher-level and state genii had their own well-established names. Genius applied most often to places or people not generally known. Houses, doors, gates, streets, districts, tribes, the supreme hierarchy of the Roman gods, like that of the Greeks, was modelled after a human family. It featured a father, Jupiter, who was also the divine unity. These supreme unities were subdivided into genii for each family, hence. The male function was a Jupiter, for example, to protect infants one propitiated a number of deities concerned with birth and childrearing, Cuba, Cunina and Rumina. Certainly, if those genii did not perform their proper function well, hundreds of lararia, or family shrines, have been discovered at Pompeii, typically off the atrium, kitchen or garden, where the smoke of burnt offerings could vent through the opening in the roof. A lararium was distinct from the penus, another shrine where the penates, each lararium features a panel fresco containing the same theme, two peripheral figures attend on a central figure or two figures who may or may not be at an altar. In the foreground is one or two serpents crawling toward the genius through a meadow motif, campania and Calabria preserved an ancient practice of keeping a propitious house snake, here linked with the genius. Etymologically genius has the same derivation as nature from gēns from the Indo-European root *gen- and it is the indwelling nature of an object or class of objects or events that act with a perceived or hypothesized unity. Philosophically the Romans did not find the paradox of the one being many confusing, multiple events could therefore be attributed to the same and different divinities and a person could be the same as and different from his genius. They were not distinct, as the guardian angels. This point of view is not attributable to any one civilization, the Etruscans had such beliefs at the beginning of history, but then so did the Greeks, the native Italics and many other peoples in the Near and Middle East
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Daemon (classical mythology)
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Dæmon is the Latin word for the Ancient Greek daimōn, which refers to the daemons of ancient Greek religion and mythology and of later Hellenistic religion and philosophy. Daemon is the Latin version of the Greek daimōn, Daemons are benevolent or benign nature spirits, beings of the same nature as both mortals and deities, similar to ghosts, chthonic heroes, spirit guides, forces of nature or the deities themselves. How far this is an expression of popular superstition is not easy to judge. In Hesiods Theogony, Phaëton becomes an incorporeal daimon or a spirit, but, for example. In the Old Testament, evil spirits appear in the book of Judges, the use of daimōn in the New Testaments original Greek text, caused the Greek word to be applied to the Judeo-Christian concept of an evil spirit by the early second century AD. Homers use of the words theoí and daímones, suggests that while distinct, later writers developed the distinction between the two. Plato, in Cratylus speculates that the word daimōn is synonymous to daēmōn, however, in Platos Symposium, the priestess Diotima teaches Socrates that love is not a deity, but rather a great daemon. In Platos Apology of Socrates, Socrates claimed to have a daimonion that frequently warned him—in the form of a voice—against mistakes, the Platonic Socrates, however, never refers to the daimonion as a daimōn, it was always an impersonal something or sign. By this term he seems to indicate the nature of the human soul. Paul Shorey sees the daimonion not as an inspiration but as a kind of spiritual tact checking Socrates from any act opposed to his moral and intellectual interests. The famous, paradoxical saying of Heraclitus is already directed against such a view, the Hellenistic Greeks divided daemons into good and evil categories, agathodaímōn, from agathós, and kakodaímōn, from kakós. Eudaimonia, the state of having a eudaemon, came to mean well-being or happiness, the comparable Roman concept is the genius who accompanies and protects a person or presides over a place. Burkert suggests that, for Plato, theology rests on two Forms, the Good and the Simple, which Xenocrates unequivocally called the unity god in sharp contrast to the gods of epic. In the Archaic or early Classical period, the daimon had been democratized and internalized for each person, whom it served to guide, motivate, similarly, the first-century Roman imperial cult began by venerating the genius or numen of Augustus, a distinction that blurred in time. Maureen A. Tilley, Exorcism in North Africa, Localizing the holy explores the meanings of daimon among Christians in Roman Africa and exorcism practices that passed seamlessly into Christian ritual. Ante-Nicene Fathers, vol V, Cyprian, On the Vanity of Idols e-text Daemons inhabiting the images of gods Kakodaemons on Theoi. com Abstract Personifications The Daemon Page
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Ilaria del Carretto
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Ilaria del Carretto was an Italian noblewoman and the second wife of Paolo Guinigi, the lord of Lucca from 1400 to 1430. Ilaria del Carretto was born in Zuccarello, the daughter of Carlo, in 1403 she married Paolo Guinigi and they had two children, Ladislao Guinigi, and a daughter, also named Ilaria. She died in Lucca at the age of twenty-six after giving birth to her daughter, upon her death, Paolo commissioned the sculptor, Jacopo della Quercia, to create a marble sarcophagus now located in the Cathedral of San Martino in Lucca. In the finished work, she reclines peacefully with a dog, symbol of fidelity, the sarcophagus was not actually used and Ilaria del Carretto is buried in the Guinigi chapel of Santa Lucia in San Francesco. In 1991, James Beck an American art historian and authority on the sculpture of Jacopo della Quercia severely criticized a 1990 restoration of the tomb which removed the patina and he was unsuccessfully sued for defamation by the conservator. The sarcophagus features some of the earliest putti in sculpture since classical antiquity, the Monument of Ilaria del Carretto in the Cathedral of Lucca
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Jacopo della Quercia
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Jacopo della Quercia was an Italian sculptor of the Italian Renaissance, a contemporary of Brunelleschi, Ghiberti and Donatello. He is considered a precursor of Michelangelo, Jacopo della Quercia takes his name from Quercia Grossa, a place near Siena, where he was born in 1374. He received his training from his father, Piero dAngelo. Jacopo della Quercia, a Sienese, must have seen the works of Nicola Pisano and Arnolfo di Cambio on the pulpit in the cathedral of Siena and his first work may have been at the age of sixteen, an equestrian wooden statue for the funeral of Azzo Ubaldini. He left with his father to Lucca, owing to party strife, in Pisa, della Quercia likely studied the huge collection of Roman sculptures and sarcophagi in the Camposanto. These and later made him a transitional figure in the history of European art. As in the case of Ghiberti, this development probably results from exposure to his contemporary, Della Quercias earliest work appears in the Lucca cathedral, Man of Sorrows and a relief on the tomb of St. Aniello. In 1401 he entered a competition to design the bronze doors for Florences Baptistery, the unsuccessful entrys whereabouts are unknown. In 1403 he sculpted the marble Virgin and Child for the Ferrara cathedral, another work from his period in Ferrara is the statuette of St. Maurelius. Back again in Lucca in 1406, he received the commission from the ruler, Paolo Guinigi. The richly dressed woman rests on top of the sarcophagus, delicately portrayed in a Gothic fashion, with her dog, symbol of conjugate fidelity, but his use of several nude putti at the flanks of the tomb clearly shows the classical influence of the Roman sarcophagi at Camposanto. This is a first, a harbinger of the incipient Renaissance, in 1406 he was asked to build a new fountain in the Piazza del Campo in Siena. It had to replace the original fountain with a statue of the goddess Venus and this pagan statue was blamed for an outbreak of the Black Plague. The statue was destroyed and buried outside the city walls to avert its evil influence and this prestigious commission shows that he was already being recognized as Sienas most prominent sculptor. The rectangular fountain, built in marble, was dedicated to the Virgin. Because he accepted also other commissions at the time, progress was slow. He started in 1414 and the fountain was finished in 1419. He carved the panels in the workshop for sculptors, next to the cathedral and this workshop is now converted into the Cathedral Museum
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Sarcophagus
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A sarcophagus is a box-like funeral receptacle for a corpse, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word sarcophagus comes from the Greek σάρξ sarx meaning flesh, since lithos is Greek for stone, lithos sarcophagos means, flesh-eating stone. The word also came to refer to a kind of limestone that was thought to decompose the flesh of corpses trapped within it. Sarcophagi were most often designed to remain above ground, in Ancient Egypt, a sarcophagus acted like an outer shell. They are made of clay in shades of brown to pink. Added to the basin-like main sarcophagus is a broad, rectangular frame, often covered with a white slip and then painted. The huge Lycian Tomb of Payava, now in the British Museum, is a tomb monument of about 360 BC designed for an open-air placing. However, there are many important Early Christian sarcophagi from the 3rd to 4th centuries, most Roman examples were designed to be placed against a wall and are decorated on three of the sides only. More plain sarcophagi were placed in crypts, of which the most famous include the Habsburg Imperial Crypt in Vienna. The term tends to be often used to describe Medieval, Renaissance. They continued to be popular into the 1950s, at time the popularity of flat memorials made them obsolete. Nonetheless, a 1952 catalog from the industry still included 8 pages of them, broken down into Georgian and Classical detail, a Gothic and Renaissance adaptation. Shown on the right are sarcophagi from the late 19th century located in Laurel Hill Cemetery in Philadelphia, Pennsylvania, the one in the back, the Warner Monument created by Alexander Milne Calder, features the spirit or soul of the deceased being released. In Sulawesi, Indonesia, waruga are a form of sarcophagus. Mont Allen, Sarcophagus, in The Oxford Encyclopedia of Ancient Greece and Rome, edited by Michael Gagarin, R. R. R. Smith, Sculptured for Eternity, Treasures of Hellenistic, Roman, and Byzantine Art from Istanbul Archaeological Museum. Ewald, Living with Myths, The Imagery of Roman Sarcophagi, egyptian sarcophagi sarcaphagi in the Istanbul Archaeological Museum Chisholm, Hugh, ed. Sarcophagus
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Dance
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Dance is a performance art form consisting of purposefully selected sequences of human movement. This movement has aesthetic and symbolic value, and is acknowledged as dance by performers and observers within a particular culture, Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. Other forms of movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, figure skating, synchronized swimming. Theatrical dance, also called performance or concert dance, is intended primarily as a spectacle and it often tells a story, perhaps using mime, costume and scenery, or else it may simply interpret the musical accompaniment, which is often specially composed. Examples are western ballet and modern dance, Classical Indian dance and Chinese and Japanese song, most classical forms are centred upon dance alone, but performance dance may also appear in opera and other forms of musical theatre. Such dance seldom has any narrative, a group dance and a corps de ballet, a social partner dance and a pas de deux, differ profoundly. Even a solo dance may be solely for the satisfaction of the dancer. On the other hand, some cultures lay down strict rules as to the dances in which, for example. Archeological evidence for early dance includes 9, 000-year-old paintings in India at the Rock Shelters of Bhimbetka and it has been proposed that before the invention of written languages, dance was an important part of the oral and performance methods of passing stories down from generation to generation. The use of dance in trance states and healing rituals is thought to have been another early factor in the social development of dance. References to dance can be found in very early recorded history, Greek dance is referred to by Plato, Aristotle, Plutarch, the Bible and Talmud refer to many events related to dance, and contain over 30 different dance terms. In Chinese pottery as early as the Neolithic period, groups of people are depicted dancing in a line holding hands, Dance is further described in the Lüshi Chunqiu. Primitive dance in ancient China was associated with sorcery and shamanic rituals, during the first millennium BCE in India, many texts were composed which attempted to codify aspects of daily life. Bharata Munis Natyashastra is one of the earlier texts and it mainly deals with drama, in which dance plays an important part in Indian culture. It categorizes dance into four types - secular, ritual, abstract, the text elaborates various hand-gestures and classifies movements of the various limbs, steps and so on. A strong continuous tradition of dance has since continued in India, through to modern times, where it continues to play a role in culture, ritual, and, notably, the Bollywood entertainment industry. Many other contemporary dance forms can likewise be traced back to historical, traditional, ceremonial, Dance is generally, though not exclusively, performed with the accompaniment of music and may or may not be performed in time to such music. Some dance may provide its own audible accompaniment in place of music, many early forms of music and dance were created for each other and are frequently performed together
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Dionysian Mysteries
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It also provided some liberation for those marginalized by Greek society, women, slaves and foreigners. In their final phase the Mysteries shifted their emphasis from a chthonic, underworld orientation to a transcendental, mystical one and its spread was associated with the dissemination of wine, a sacrament or entheogen with which it appears always to have been closely associated. However, all stages of this developmental spectrum appear to have continued in parallel throughout the eastern Mediterranean until late in Greek history and forcible Christianization. After the deitys name was discovered on Mycenean Linear B tablets, however, this theory was abandoned, the absence of an early Olympian Dionysus is today explained by patterns of social exclusion and the cults marginality, rather than chronology. Whether the cult originated on Minoan Crete or Africa – or in Thrace or Asia, as a proto-Sabazius – is unanswerable, due to lack of evidence. The original rite of Dionysus is associated with a cult, concerned with the grapevines cultivation and an understanding of its life cycle. Most importantly, however, the intoxicating and disinhibiting effects of wine were regarded as due to possession by the gods spirit, wine was also poured on the earth and its growing vine, completing the cycle. The cult was not solely concerned with the vine itself, wine includes other ingredients adding to its quality, flavour and medicinal properties. Scholars have suggested that, given the low content of early wine. Honey and beeswax were often added to wine, introducing an even older drink, károly Kerényi postulated that this wine lore superseded earlier Neolithic mead lore involving bee swarms associated by the Greeks with Dionysus. Mead and beer were incorporated into the domain of Dionysus, perhaps through his identification with the Thracian corn deity Sabazius, other plants believed to be viniculturally significant were also included in wine lore such as ivy, the fig and the pine. The bull and goat were also part of the cult, eventually seen as manifestations of Dionysus, some of these associations had been linked with fertility deities and became part of his new role. The latter provided wine to ancient Egypt wine from about 2500 BC, in any case Minoan Crete was the next link in the chain, importing wine from the Egyptians, Thracians and Phoenicians and exporting it to its colonies. The Mysteries probably took shape in Minoan Crete from about 3000 to 1000 BC, since the name Dionysus exists nowhere other than Crete and Greece. The rites were based on a seasonal death-rebirth theme and spirit possession, spirit possession involved liberation from civilizations rules and constraints. It celebrated that which was outside civilized society and a return to primordial nature—which would later assume mystical overtones and it also involved escape from the socialized personality and ego into an ecstatic, deified state or the primal herd. In this sense Dionysus was the beast-god within, or the mind of modern psychology. All were equal in a cult that inverted their roles, similar to the Roman Saturnalia, although the Greek Dionysian rites were associated with women, the cult officers titles were of both genders—belying the claim that the cult was solely for women
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Sport
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Usually the contest or game is between two sides, each attempting to exceed the other. Some sports allow a tie game, others provide tie-breaking methods, to one winner. A number of such two-sided contests may be arranged in a tournament producing a champion, many sports leagues make an annual champion by arranging games in a regular sports season, followed in some cases by playoffs. Hundreds of sports exist, from those between single contestants, through to those with hundreds of participants, either in teams or competing as individuals. In certain sports such as racing, many contestants may compete, each against each other, however, a number of competitive, but non-physical, activities claim recognition as mind sports. Sports are usually governed by a set of rules or customs, which serve to ensure fair competition, winning can be determined by physical events such as scoring goals or crossing a line first. It can also be determined by judges who are scoring elements of the sporting performance, records of performance are often kept, and for popular sports, this information may be widely announced or reported in sport news. Sport is also a source of entertainment for non-participants, with spectator sport drawing large crowds to sport venues. Sports betting is in some cases severely regulated, and in some cases is central to the sport, kearney, a consultancy, the global sporting industry is worth up to $620 billion as of 2013. The worlds most accessible and practised sport is running, while football is the most popular spectator sport. The word Sport comes from the Old French desport meaning leisure, other meanings include gambling and events staged for the purpose of gambling, hunting, and games and diversions, including ones that require exercise. Rogets defines the noun sport as an activity engaged in for relaxation, the singular term sport is used in most English dialects to describe the overall concept, with sports used to describe multiple activities. American English uses sports for both terms, the precise definition of what separates a sport from other leisure activities varies between sources. They also recognise that sport can be physical, primarily mind, predominantly motorised, primarily co-ordination. The inclusion of sports within sport definitions has not been universally accepted. Whilst SportAccord recognises a number of mind sports, it is not open to admitting any further mind sports. According to Council of Europe, European Sports Charter, article 2, other bodies advocate widening the definition of sport to include all physical activity. For instance, the Council of Europe include all forms of physical exercise, in competitive events, participants are graded or classified based on their result and often divided into groups of comparable performance
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Stirling Castle
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Stirling Castle, located in Stirling, is one of the largest and most important castles in Scotland, both historically and architecturally. The castle sits atop Castle Hill, a crag, which forms part of the Stirling Sill geological formation. It is surrounded on three sides by cliffs, giving it a strong defensive position. Its strategic location, guarding what was, until the 1890s, most of the principal buildings of the castle date from the fifteenth and sixteenth centuries. A few structures of the fourteenth century remain, while the outer defences fronting the town date from the eighteenth century. Before the union with England, Stirling Castle was also one of the most used of the many Scottish royal residences, several Scottish Kings and Queens have been crowned at Stirling, including Mary, Queen of Scots, in 1542, and others were born or died there. Stirling Castle is a Scheduled Ancient Monument, and is now a tourist attraction managed by Historic Scotland and it is likely that this natural feature was occupied at an early date, as a hill fort is located on Gowan Hill, immediately to the east. The Romans bypassed Stirling, building a fort at Doune instead, the area came under Pictish control after the defeat of the Northumbrians at the Battle of Dun Nechtain thirty years later. However, there is no evidence for occupation of Castle Hill before the late medieval period. Other legends have been associated with Stirling, or Snowdoun as it was more poetically known, boece is, however, considered an unreliable historian. Another chronicler, William Worcester, associated Stirling with the court of the legendary King Arthur, the first record of Stirling Castle dates from around 1110, when King Alexander I dedicated a chapel here. It appears to have been a royal centre by this time. During the reign of his successor David I, Stirling became a burgh. There is no evidence that the English actually occupied the castle, Stirling continued to be a favoured royal residence, with William himself dying there in 1214, and Alexander III laying out the New Park, for deer hunting, in the 1260s. Stirling remained a centre of administration until the death of Alexander III in 1286. His passing triggered a crisis, with Edward I of England invited to arbitrate between competing claimants. Edward came north in 1291, demanding that Stirling, along with the royal castles. Edward gave judgement in favour of John Balliol, hoping he would be a puppet ruler, in 1296, Edward invaded Scotland, beginning the Wars of Scottish Independence, which would last for the next 60 years
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Middle Ages
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In the history of Europe, the Middle Ages or Medieval Period lasted from the 5th to the 15th century. It began with the fall of the Western Roman Empire and merged into the Renaissance, the Middle Ages is the middle period of the three traditional divisions of Western history, classical antiquity, the medieval period, and the modern period. The medieval period is subdivided into the Early, High. Population decline, counterurbanisation, invasion, and movement of peoples, the large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the seventh century, North Africa and the Middle East—once part of the Byzantine Empire—came under the rule of the Umayyad Caliphate, although there were substantial changes in society and political structures, the break with classical antiquity was not complete. The still-sizeable Byzantine Empire survived in the east and remained a major power, the empires law code, the Corpus Juris Civilis or Code of Justinian, was rediscovered in Northern Italy in 1070 and became widely admired later in the Middle Ages. In the West, most kingdoms incorporated the few extant Roman institutions, monasteries were founded as campaigns to Christianise pagan Europe continued. The Franks, under the Carolingian dynasty, briefly established the Carolingian Empire during the later 8th, the Crusades, first preached in 1095, were military attempts by Western European Christians to regain control of the Holy Land from Muslims. Kings became the heads of centralised nation states, reducing crime and violence, intellectual life was marked by scholasticism, a philosophy that emphasised joining faith to reason, and by the founding of universities. Controversy, heresy, and the Western Schism within the Catholic Church paralleled the conflict, civil strife. Cultural and technological developments transformed European society, concluding the Late Middle Ages, the Middle Ages is one of the three major periods in the most enduring scheme for analysing European history, classical civilisation, or Antiquity, the Middle Ages, and the Modern Period. Medieval writers divided history into periods such as the Six Ages or the Four Empires, when referring to their own times, they spoke of them as being modern. In the 1330s, the humanist and poet Petrarch referred to pre-Christian times as antiqua, leonardo Bruni was the first historian to use tripartite periodisation in his History of the Florentine People. Bruni and later argued that Italy had recovered since Petrarchs time. The Middle Ages first appears in Latin in 1469 as media tempestas or middle season, in early usage, there were many variants, including medium aevum, or middle age, first recorded in 1604, and media saecula, or middle ages, first recorded in 1625. The alternative term medieval derives from medium aevum, tripartite periodisation became standard after the German 17th-century historian Christoph Cellarius divided history into three periods, Ancient, Medieval, and Modern. The most commonly given starting point for the Middle Ages is 476, for Europe as a whole,1500 is often considered to be the end of the Middle Ages, but there is no universally agreed upon end date. English historians often use the Battle of Bosworth Field in 1485 to mark the end of the period
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Quattrocento
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Quattrocento encompasses the artistic styles of the late Middle Ages and the early Renaissance. After the decline of the Western Roman Empire in 476, economic disorder and this was the beginning of the Early Middle Ages, which lasted roughly until the 11th century, when trade picked up, population began to expand and the papacy regained its authority. In Italy, urban centers arose that were populated by merchant and trade classes, money replaced land as the medium of exchange, and increasing numbers of serfs became freedmen. The changes in Medieval Italy and the decline of feudalism paved the way for social, cultural, the Quattrocento is viewed as the transition from the Medieval period to the age of the Renaissance, principally in the cities of Rome, Florence, Milan, Venice and Naples. Instead, Quattrocento artists and sculptors incorporated the more classic forms developed by Roman, since the Quattrocento overlaps with part of the Renaissance movement, it would be inaccurate to say that a particular artist was Quattrocento or Renaissance. Artists of the time probably would not have identified themselves as members of a movement, also see the list of 27 prominent 15th century painters made contemporaneously by Giovanni Santi, Raphael Sanzios father as part of a poem for the Duke of Urbino. The Robert Lehman Collection I, Italian Paintings, new York, Princeton, The Metropolitan Museum of Art in association with Princeton University Press. CS1 maint, Multiple names, authors list
26.
Donatello
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Donato di Niccolò di Betto Bardi, better known as Donatello, was an early Renaissance sculptor from Florence. He worked with stone, bronze, wood, clay, stucco and wax, and had several assistants, with four perhaps being a typical number. Though his best-known works were mostly statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was larger architectural reliefs. Donatello was the son of Niccolò di Betto Bardi, who was a member of the Florentine Arte della Lana, Donatello was educated in the house of the Martelli family. He apparently received his artistic training in a goldsmiths workshop. While undertaking study and excavations with Filippo Brunelleschi in Rome, work that gained the two men the reputation of treasure seekers, Donatello made a living by working at goldsmiths shops. In 1409–1411 he executed the colossal seated figure of Saint John the Evangelist, which until 1588 occupied a niche of the old cathedral façade and this work marks a decisive step forward from late Gothic Mannerism in the search for naturalism and the rendering of human feelings. The face, the shoulders and the bust are still idealized, while the hands, in 1411–13, Donatello worked on a statue of St. Mark for the guild church of Orsanmichele. In 1417 he completed the Saint George for the Confraternity of the Cuirass-makers, the elegant St. George and the Dragon relief on the statues base, executed in schiacciato is one of the first examples of central-point perspective in sculpture. From 1423 is the Saint Louis of Toulouse for the Orsanmichele, Donatello had also sculpted the classical frame for this work, which remains, while the statue was moved in 1460 and replaced by Incredulity of Saint Thomas by Verrocchio. Between 1415 and 1426, Donatello created five statues for the campanile of Santa Maria del Fiore in Florence, also known as the Duomo. These works are the Beardless Prophet, Bearded Prophet, the Sacrifice of Isaac, Habbakuk, and Jeremiah, from the late teens is the Pazzi Madonna relief in Berlin. In 1425, he executed the notable Crucifix for Santa Croce, this work portrays Christ in a moment of the agony, eyes and mouth partially opened, the body contracted in an ungraceful posture. From 1425 to 1427, Donatello collaborated with Michelozzo on the monument of the Antipope John XXIII for the Battistero in Florence. Donatello made the recumbent bronze figure of the deceased, under a shell, in 1427, he completed in Pisa a marble relief for the funerary monument of Cardinal Rainaldo Brancacci at the church of SantAngelo a Nilo in Naples. In the same period, he executed the relief of the Feast of Herod, the relief is mostly in stiacciato, with the foreground figures are done in bas-relief. Around 1430, Cosimo de Medici, the foremost art patron of his era and this is now Donatellos most famous work, and the first known free-standing nude statue produced since antiquity. Also from this period is the disquietingly small Love-Atys, housed in the Bargello, some have perceived the David as having homo-erotic qualities, and have argued that this reflected the artists own orientation
27.
Florence
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Florence is the capital city of the Italian region of Tuscany and of the Metropolitan City of Florence. It is the most populous city in Tuscany, with 383,083 inhabitants, Florence was a centre of medieval European trade and finance and one of the wealthiest cities of the time. It is considered the birthplace of the Renaissance, and has called the Athens of the Middle Ages. A turbulent political history includes periods of rule by the powerful Medici family, from 1865 to 1871 the city was the capital of the recently established Kingdom of Italy. The Historic Centre of Florence attracts 13 million tourists each year and it was declared a World Heritage Site by UNESCO in 1982. The city is noted for its culture, Renaissance art and architecture, the city also contains numerous museums and art galleries, such as the Uffizi Gallery and the Palazzo Pitti, and still exerts an influence in the fields of art, culture and politics. Due to Florences artistic and architectural heritage, it has been ranked by Forbes as one of the most beautiful cities in the world, in 2008, the city had the 17th highest average income in Italy. Florence originated as a Roman city, and later, after a period as a flourishing trading and banking medieval commune. According to the Encyclopædia Britannica, it was politically, economically, and culturally one of the most important cities in Europe, the language spoken in the city during the 14th century was, and still is, accepted as the Italian language. Starting from the late Middle Ages, Florentine money—in the form of the gold florin—financed the development of all over Europe, from Britain to Bruges, to Lyon. Florentine bankers financed the English kings during the Hundred Years War and they similarly financed the papacy, including the construction of their provisional capital of Avignon and, after their return to Rome, the reconstruction and Renaissance embellishment of Rome. Florence was home to the Medici, one of European historys most important noble families, Lorenzo de Medici was considered a political and cultural mastermind of Italy in the late 15th century. Two members of the family were popes in the early 16th century, Leo X, catherine de Medici married king Henry II of France and, after his death in 1559, reigned as regent in France. Marie de Medici married Henry IV of France and gave birth to the future king Louis XIII, the Medici reigned as Grand Dukes of Tuscany, starting with Cosimo I de Medici in 1569 and ending with the death of Gian Gastone de Medici in 1737. The Etruscans initially formed in 200 BC the small settlement of Fiesole and it was built in the style of an army camp with the main streets, the cardo and the decumanus, intersecting at the present Piazza della Repubblica. Situated along the Via Cassia, the route between Rome and the north, and within the fertile valley of the Arno, the settlement quickly became an important commercial centre. Peace returned under Lombard rule in the 6th century, Florence was conquered by Charlemagne in 774 and became part of the Duchy of Tuscany, with Lucca as capital. The population began to again and commerce prospered
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Tomb
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A tomb is a repository for the remains of the dead. It is generally any structurally enclosed interment space or burial chamber and its central feature is a single, prominent pillar or column, often made of stone. Sarcophagus – a stone container for a body or coffin, often decorated and perhaps part of a monument, sepulchre – a cavernous rock-cut space for interment, generally in the Jewish or Christian faiths. Tumuli are also known as barrows, burial mounds, Hügelgräber or kurgans, a cairn, might also be originally a tumulus. A long barrow is a tumulus, usually for numbers of burials. As indicated, tombs are located in or under religious buildings, such as churches. However, they may also be found in catacombs, on land or, in the case of early or pre-historic tombs. The tomb of Emperor Nintoku is the largest in the world by area, however, the Pyramid of Khufu in Egypt is the largest by volume
29.
Lucca
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Lucca is a city and comune in Tuscany, Central Italy, on the Serchio, in a fertile plain near the Tyrrhenian Sea. It is the capital of the Province of Lucca and it is famous for its intact Renaissance-era city walls. Lucca was founded by the Etruscans and became a Roman colony in 180 BC, the rectangular grid of its historical centre preserves the Roman street plan, and the Piazza San Michele occupies the site of the ancient forum. Traces of the amphitheatre still may be seen in the Piazza dellAnfiteatro, at the Lucca Conference, in 56 BC, Julius Caesar, Pompey, and Crassus reaffirmed their political alliance known as the First Triumvirate. Frediano, an Irish monk, was bishop of Lucca in the sixth century. At one point, Lucca was plundered by Odoacer, the first Germanic King of Italy, Lucca was an important city and fortress even in the sixth century, when Narses besieged it for several months in 553. Under the Lombards, it was the seat of a duke who minted his own coins, the Holy Face of Lucca, a major relic supposedly carved by Nicodemus, arrived in 742. During the eighth-tenth centuries Lucca was a center of Jewish life, Lucca became prosperous through the silk trade that began in the eleventh century, and came to rival the silks of Byzantium. During the tenth–eleventh centuries Lucca was the capital of the margraviate of Tuscany, more or less independent. After the death of Matilda of Tuscany, the city began to constitute itself an independent commune, for almost 500 years, Lucca remained an independent republic. There were many minor provinces in the region between southern Liguria and northern Tuscany dominated by the Malaspina, Tuscany in this time was a part of feudal Europe, dante’s Divine Comedy includes many references to the great feudal families who had huge jurisdictions with administrative and judicial rights. Dante spent some of his exile in Lucca, in 1273 and again in 1277, Lucca was ruled by a Guelph capitano del popolo named Luchetto Gattilusio. In 1314, internal discord allowed Uguccione della Faggiuola of Pisa to make himself lord of Lucca, the Lucchesi expelled him two years later, and handed over the city to another condottiero, Castruccio Castracani, under whose rule it became a leading state in central Italy. Lucca rivalled Florence until Castracanis death in 1328, on 22 and 23 September 1325, in the battle of Altopascio, Castracani defeated Florences Guelphs. For this he was nominated by Louis IV the Bavarian to become duke of Lucca, Castracanis tomb is in the church of San Francesco. His biography is Machiavellis third famous book on political rule, in 1408, Lucca hosted the convocation intended to end the schism in the papacy. Occupied by the troops of Louis of Bavaria, the city was sold to a rich Genoese, Gherardino Spinola, then seized by John, Lucca had been the second largest Italian city state with a republican constitution to remain independent over the centuries. In 1805, Lucca was conquered by Napoleon, who installed his sister Elisa Bonaparte Baciocchi as Princess of Lucca, from 1815 to 1847 it was a Bourbon-Parma duchy
30.
Christian
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A Christian is a person who follows or adheres to Christianity, an Abrahamic, monotheistic religion based on the life and teachings of Jesus Christ. Christian derives from the Koine Greek word Christós, a translation of the Biblical Hebrew term mashiach, while there are diverse interpretations of Christianity which sometimes conflict, they are united in believing that Jesus has a unique significance. The term Christian is also used as an adjective to describe anything associated with Christianity, or in a sense all that is noble, and good. According to a 2011 Pew Research Center survey, there were 2.2 billion Christians around the world in 2010, by 2050, the Christian population is expected to exceed 3 billion. According to a 2012 Pew Research Center survey Christianity will remain the worlds largest religion in 2050, about half of all Christians worldwide are Catholic, while more than a third are Protestant. Orthodox communions comprise 12% of the worlds Christians, other Christian groups make up the remainder. Christians make up the majority of the population in 158 countries and territories,280 million Christian live as a minority. In the Greek Septuagint, christos was used to translate the Hebrew מָשִׁיחַ, in other European languages, equivalent words to Christian are likewise derived from the Greek, such as Chrétien in French and Cristiano in Spanish. The second mention of the term follows in Acts 26,28, where Herod Agrippa II replied to Paul the Apostle, Then Agrippa said unto Paul, Almost thou persuadest me to be a Christian. The third and final New Testament reference to the term is in 1 Peter 4,16, which believers, Yet if as a Christian, let him not be ashamed. The city of Antioch, where someone gave them the name Christians, had a reputation for coming up with such nicknames, in the Annals he relates that by vulgar appellation commonly called Christians and identifies Christians as Neros scapegoats for the Great Fire of Rome. Another term for Christians which appears in the New Testament is Nazarenes which is used by the Jewish lawyer Tertullus in Acts 24, the Hebrew equivalent of Nazarenes, Notzrim, occurs in the Babylonian Talmud, and is still the modern Israeli Hebrew term for Christian. A wide range of beliefs and practices is found across the world among those who call themselves Christian, denominations and sects disagree on a common definition of Christianity. Most Baptists and fundamentalists, for example, would not acknowledge Mormonism or Christian Science as Christian, in fact, the nearly 77 percent of Americans who self-identify as Christian are a diverse pluribus of Christianities that are far from any collective unity. The identification of Jesus as the Messiah is not accepted by Judaism, the term for a Christian in Hebrew is נוּצְרי, a Talmudic term originally derived from the fact that Jesus came from the Galilean village of Nazareth, today in northern Israel. Adherents of Messianic Judaism are referred to in modern Hebrew as יְהוּדִים מָשִׁיחַיים, the term Nasara rose to prominence in July 2014, after the Fall of Mosul to the terrorist organization Islamic State of Iraq and the Levant. The nun or ن— the first letter of Nasara—was spray-painted on the property of Christians ejected from the city, where there is a distinction, Nasrani refers to people from a Christian culture and Masihi is used by Christians themselves for those with a religious faith in Jesus. In some countries Nasrani tends to be used generically for non-Muslim Western foreigners, another Arabic word sometimes used for Christians, particularly in a political context, is Ṣalībī from ṣalīb which refers to Crusaders and has negative connotations
31.
Angel
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An angel, especially according to Abrahamic religions and Zoroastrianism, is a spiritual being superior to humans in power and intelligence. Most of them either as intermediaries between Heaven and Earth, or as guardian spirits. They are studied in the doctrine of angelology. In Christian Science, the angel is used to refer to an inspiration from God. In fine art, angels are depicted as having the shape of human beings of extraordinary beauty, they are often identified using the symbols of bird wings, halos. The word angel in English is a blend of Old English engel, both derive from Late Latin angelus messenger, which in turn was borrowed from Late Greek ἄγγελος ángelos. According to R. S. P. Beekes, ángelos itself may be an Oriental loan, the words earliest form is Mycenaean a-ke-ro attested in Linear B syllabic script. The ángelos is the default Septuagints translation of the Biblical Hebrew term mal’ākh denoting simply messenger without specifying its nature. In the Latin Vulgate, however, the meaning becomes bifurcated, if the word refers to some supernatural being, the word angelus appears. Such differentiation has been taken over by later vernacular translations of the Bible, early Christian and Jewish exegetes, in Zoroastrianism there are different angel-like figures. For example, each person has one guardian angel, called Fravashi and they patronize human beings and other creatures, and also manifest Gods energy. In the commentaries of Proclus on the Timaeus of Plato, Proclus uses the terminology of angelic, according to Aristotle, just as there is a First Mover, so, too, must there be spiritual secondary movers. The Torah uses the terms מלאך אלהים, מלאך יהוה, בני אלהים and הקודשים to refer to beings traditionally interpreted as angels, later texts use other terms, such as העליונים. The term מלאך is also used in books of the Tanakh. Depending on the context, the Hebrew word may refer to a messenger or to a supernatural messenger. Daniel is the first biblical figure to refer to individual angels by name, mentioning Gabriel in Daniel 9,21 and these angels are part of Daniels apocalyptic visions and are an important part of all apocalyptic literature. One of these is hāšāṭān, a figure depicted in the Book of Job, philo of Alexandria identifies the angel with the Logos inasmuch as the angel is the immaterial voice of God. The angel is something different from God himself, but is conceived as Gods instrument, in post-Biblical Judaism, certain angels took on particular significance and developed unique personalities and roles
32.
Italian Renaissance
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The term Renaissance is in essence a modern one that came into currency in the 19th century, in the work of historians such as Jules Michelet and Jacob Burckhardt. The French word renaissance means Rebirth, and the era is best known for the renewed interest in the culture of classical antiquity after the period that Renaissance humanists labeled the Dark Ages. Though today perhaps best known for Italian Renaissance art and architecture, the period saw major achievements in literature, music, philosophy, Italy became the recognized European leader in all these areas by the late 15th century, and to varying degrees retained this lead until about 1600. This was despite a turbulent and generally disastrous period in Italian politics, the European Renaissance began in Tuscany, and centred in the city of Florence. It later spread to Venice, where the remains of ancient Greek culture were brought together, the Renaissance later had a significant effect on Rome, which was ornamented with some structures in the new allantico mode, then was largely rebuilt by humanist sixteenth-century popes. The Italian Renaissance peaked in the century as foreign invasions plunged the region into the turmoil of the Italian Wars. However, the ideas and ideals of the Renaissance endured and spread into the rest of Europe, setting off the Northern Renaissance, the Italian Renaissance is best known for its cultural achievements. Accounts of Renaissance literature usually begin with Petrarch and his friend, famous vernacular poets of the 15th century include the renaissance epic authors Luigi Pulci, Matteo Maria Boiardo, and Ludovico Ariosto. 15th century writers such as the poet Poliziano and the Platonist philosopher Marsilio Ficino made extensive translations from both Latin and Greek, the same is true for architecture, as practiced by Brunelleschi, Leon Battista Alberti, Andrea Palladio, and Bramante. Their works include Florence Cathedral, St. Peters Basilica in Rome, yet cultural contributions notwithstanding, some present-day historians also see the era as one of the beginning of economic regression for Italy. By the Late Middle Ages, Latium, the heartland of the Roman Empire. Rome was a city of ancient ruins, and the Papal States were loosely administered, and vulnerable to external interference such as that of France, and later Spain. The Papacy was affronted when the Avignon Papacy was created in southern France as a consequence of pressure from King Philip the Fair of France, in the south, Sicily had for some time been under foreign domination, by the Arabs and then the Normans. Sicily had prospered for 150 years during the Emirate of Sicily, in contrast Northern and Central Italy had become far more prosperous, and it has been calculated that the region was among the richest of Europe. The Crusades had built lasting trade links to the Levant, the main trade routes from the east passed through the Byzantine Empire or the Arab lands and onwards to the ports of Genoa, Pisa, and Venice. Luxury goods bought in the Levant, such as spices, dyes, moreover, the inland city-states profited from the rich agricultural land of the Po valley. From France, Germany, and the Low Countries, through the medium of the Champagne fairs, land and river trade routes brought goods such as wool, wheat, and precious metals into the region. The extensive trade that stretched from Egypt to the Baltic generated substantial surpluses that allowed significant investment in mining, thus, while northern Italy was not richer in resources than many other parts of Europe, the level of development, stimulated by trade, allowed it to prosper
33.
Leith
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Leith /ˈliːθ/, Scottish Gaelic, Lìte, is a district to the north of the city of Edinburgh at the mouth of the Water of Leith. The earliest surviving references are in the royal charter authorising the construction of Holyrood Abbey in 1128. The medieval settlements of Leith had grown into a burgh by 1833, historically part of Midlothian, Leith is sited on the coast of the Firth of Forth and lies within the council area of the City of Edinburgh. The port remains one of its most valuable enterprises, handling over 1.5 million tonnes of cargo a year in 2003, previous to the bridge being built in the late 15th century, Leith had settlements on either side of the river, lacking an easy crossing. South Leith was larger and was controlled by the lairds of Restalrig and it was based on trade and had many merchants houses and warehouses. This was where ships offloaded their cargoes at The Shore where they were collected by Edinburgh merchants, leithers were explicitly forbidden by statute to participate directly in the trade at the port, to ensure that landed goods were not sold elsewhere. North Leith was smaller but proportionately richer, coming under the jurisdiction of Holyrood Abbey and it was effectively a fishing village consisting of one street, now Sandport Street and Quayside Lane. Burgage plots ran down to the river from each house and this has traditionally been the shipbuilding side of Leith with several wet and dry docks built over time. The first dry dock in Scotland was built here in 1720, a small peninsula of land on the east bank also came under the same jurisdiction on what is now Sheriff Brae/Sheriff Bank. The first bridge to both banks of the river was built in 1493 by Abbot Bellenden, who controlled the church at North Leith. The bridge was a bridge, the revenue supplementing the churchs income. Reputedly Leiths oldest building, it was demolished in 1780 to allow ships to sail further upstream, the earliest evidence of settlement in Leith comes from several archaeological digs undertaken in the Shore area in the late 20th century. Amongst the finds were medieval wharf edges from the 12th century and this date fits with the earliest documentary evidence of settlement in Leith - the foundation charter of Holyrood Abbey. Leith has played a long and prominent role in Scottish history, as the major port serving Edinburgh, it has been the stage on which many significant events in Scottish history have taken place. Mary of Guise ruled Scotland from Leith in 1560 as Regent while her daughter, Mary, Mary of Guise moved the Scottish Court to Leith, to a site that is now Parliament Street, off Coalhill. According to the 18th-century historian William Maitland, her palace was situated on Rotten Row, now Water Street. Artifacts from the residence are held by the National Museum of Scotland. In June 1560, Mary of Guise died, and the Siege of Leith ended with the departure of the French troops in accordance with the Treaty of Leith, also known as the Treaty of Edinburgh
34.
Religion
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Religions have sacred histories and narratives, which may be preserved in sacred scriptures, and symbols and holy places, that aim mostly to give a meaning to life. Religions may contain symbolic stories, which are said by followers to be true, that have the side purpose of explaining the origin of life. Traditionally, faith, in addition to reason, has considered a source of religious beliefs. There are an estimated 10,000 distinct religions worldwide, about 84% of the worlds population is affiliated with one of the five largest religions, namely Christianity, Islam, Hinduism, Buddhism or forms of folk religion. With the onset of the modernisation of and the revolution in the western world. The religiously unaffiliated demographic include those who do not identify with any religion, atheists. While the religiously unaffiliated have grown globally, many of the religiously unaffiliated still have various religious beliefs, about 16% of the worlds population is religiously unaffiliated. The study of religion encompasses a variety of academic disciplines, including theology, comparative religion. Theories of religion offer various explanations for the origins and workings of religion, Religion is derived from the Latin religiō, the ultimate origins of which are obscure. One possible interpretation traced to Cicero, connects lego read, i. e. re with lego in the sense of choose, go over again or consider carefully. The medieval usage alternates with order in designating bonded communities like those of monastic orders, we hear of the religion of the Golden Fleece, of a knight of the religion of Avys. In the ancient and medieval world, the etymological Latin root religio was understood as a virtue of worship, never as doctrine, practice. In the Quran, the Arabic word din is often translated as religion in modern translations and it was in the 19th century that the terms Buddhism, Hinduism, Taoism, and Confucianism first emerged. Max Müller characterized many other cultures around the world, including Egypt, Persia, what is called ancient religion today, they would have only called law. Some languages have words that can be translated as religion, but they may use them in a different way. For example, the Sanskrit word dharma, sometimes translated as religion, throughout classical South Asia, the study of law consisted of concepts such as penance through piety and ceremonial as well as practical traditions. Medieval Japan at first had a union between imperial law and universal or Buddha law, but these later became independent sources of power. There is no equivalent of religion in Hebrew, and Judaism does not distinguish clearly between religious, national, racial, or ethnic identities
35.
Secularity
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Secularity is the state of being separate from religion, or of not being exclusively allied with or against any particular religion. Historically, the secular was not related or linked to religion. The idea of a dichotomy between religion and the secular originated in the 18th century European Enlightenment, one can regard eating and bathing as examples of secular activities, because there may not be anything inherently religious about them. Nevertheless, some religious traditions see both eating and bathing as sacraments, therefore making them religious activities within those world views, saying a prayer derived from religious text or doctrine, worshipping through the context of a religion, and attending a religious school are examples of religious activities. The secular is experienced in diverse ways ranging from separation of religion and state to being anti-religion or even pro-religion, a related term, secularism, involves the principle that government institutions and their representatives should remain separate from religious institutions, their beliefs, and their dignitaries. Many businesses and corporations, and some operate on secular lines. This stands in contrast to theocracy, government with deity as its highest authority, Secular and secularity derive from the Latin word saeculum which meant of a generation, belonging to an age or denoted a period of about one hundred years. In the ancient world, saeculum was not defined in contrast to any sacred concerns and had a usage in Latin. It was in Christian Latin of medieval times, that saeculum was used for distinguishing this temporal age of the world from the realm of God. The Christian doctrine that God exists outside time led medieval Western culture to use secular to indicate separation from specifically religious affairs and involvement in temporal ones. This does not necessarily imply hostility to God or religion, though some use the term this way, routinization — institutionalizing through integration into the society. Differentiation — a redefined place such as when accepting its status as one religion in a plural religious field or morphing into a more generic, disengagement — the detachment of certain facets of social life from religion. Transformation — gradual change over time in a sense that Protestantism became for Christianity. Generalization — a particular kind of change in which it becomes less specific, more abstract, has moderation of controversial and divisive claims. Desacralization — culture and rationality guide people while leaving out religious beings, segmentation — the development of specialized religious institutions, which take their place beside other specialized social institutions. Secularism — the only form that leads to rejection of religion. Examples of secular used in this way include, Secular authority, which involves legal, police, and military authority, as distinct from clerical authority, or matters under church control. Secular clergy in the Roman Catholic Church, who, traditionally, do not live the lives of the regular clergy and are therefore, in a sense
36.
Netherlands
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The Netherlands, also informally known as Holland is the main constituent country of the Kingdom of the Netherlands. It is a densely populated country located in Western Europe with three territories in the Caribbean. The European part of the Netherlands borders Germany to the east, Belgium to the south, and the North Sea to the northwest, sharing borders with Belgium, the United Kingdom. The three largest cities in the Netherlands are Amsterdam, Rotterdam and The Hague, Amsterdam is the countrys capital, while The Hague holds the Dutch seat of parliament and government. The port of Rotterdam is the worlds largest port outside East-Asia, the name Holland is used informally to refer to the whole of the country of the Netherlands. Netherlands literally means lower countries, influenced by its low land and flat geography, most of the areas below sea level are artificial. Since the late 16th century, large areas have been reclaimed from the sea and lakes, with a population density of 412 people per km2 –507 if water is excluded – the Netherlands is classified as a very densely populated country. Only Bangladesh, South Korea, and Taiwan have both a population and higher population density. Nevertheless, the Netherlands is the worlds second-largest exporter of food and agricultural products and this is partly due to the fertility of the soil and the mild climate. In 2001, it became the worlds first country to legalise same-sex marriage, the Netherlands is a founding member of the EU, Eurozone, G-10, NATO, OECD and WTO, as well as being a part of the Schengen Area and the trilateral Benelux Union. The first four are situated in The Hague, as is the EUs criminal intelligence agency Europol and this has led to the city being dubbed the worlds legal capital. The country also ranks second highest in the worlds 2016 Press Freedom Index, the Netherlands has a market-based mixed economy, ranking 17th of 177 countries according to the Index of Economic Freedom. It had the thirteenth-highest per capita income in the world in 2013 according to the International Monetary Fund, in 2013, the United Nations World Happiness Report ranked the Netherlands as the seventh-happiest country in the world, reflecting its high quality of life. The Netherlands also ranks joint second highest in the Inequality-adjusted Human Development Index, the region called Low Countries and the country of the Netherlands have the same toponymy. Place names with Neder, Nieder, Nether and Nedre and Bas or Inferior are in use in all over Europe. They are sometimes used in a relation to a higher ground that consecutively is indicated as Upper, Boven, Oben. In the case of the Low Countries / the Netherlands the geographical location of the region has been more or less downstream. The geographical location of the region, however, changed over time tremendously
37.
Germany
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Germany, officially the Federal Republic of Germany, is a federal parliamentary republic in central-western Europe. It includes 16 constituent states, covers an area of 357,021 square kilometres, with about 82 million inhabitants, Germany is the most populous member state of the European Union. After the United States, it is the second most popular destination in the world. Germanys capital and largest metropolis is Berlin, while its largest conurbation is the Ruhr, other major cities include Hamburg, Munich, Cologne, Frankfurt, Stuttgart, Düsseldorf and Leipzig. Various Germanic tribes have inhabited the northern parts of modern Germany since classical antiquity, a region named Germania was documented before 100 AD. During the Migration Period the Germanic tribes expanded southward, beginning in the 10th century, German territories formed a central part of the Holy Roman Empire. During the 16th century, northern German regions became the centre of the Protestant Reformation, in 1871, Germany became a nation state when most of the German states unified into the Prussian-dominated German Empire. After World War I and the German Revolution of 1918–1919, the Empire was replaced by the parliamentary Weimar Republic, the establishment of the national socialist dictatorship in 1933 led to World War II and the Holocaust. After a period of Allied occupation, two German states were founded, the Federal Republic of Germany and the German Democratic Republic, in 1990, the country was reunified. In the 21st century, Germany is a power and has the worlds fourth-largest economy by nominal GDP. As a global leader in industrial and technological sectors, it is both the worlds third-largest exporter and importer of goods. Germany is a country with a very high standard of living sustained by a skilled. It upholds a social security and universal health system, environmental protection. Germany was a member of the European Economic Community in 1957. It is part of the Schengen Area, and became a co-founder of the Eurozone in 1999, Germany is a member of the United Nations, NATO, the G8, the G20, and the OECD. The national military expenditure is the 9th highest in the world, the English word Germany derives from the Latin Germania, which came into use after Julius Caesar adopted it for the peoples east of the Rhine. This in turn descends from Proto-Germanic *þiudiskaz popular, derived from *þeudō, descended from Proto-Indo-European *tewtéh₂- people, the discovery of the Mauer 1 mandible shows that ancient humans were present in Germany at least 600,000 years ago. The oldest complete hunting weapons found anywhere in the world were discovered in a mine in Schöningen where three 380, 000-year-old wooden javelins were unearthed
38.
Mannerism
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Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, lasting until about 1580 in Italy, when the Baroque style began to replace it. Northern Mannerism continued into the early 17th century, stylistically, Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, Mannerism is notable for its intellectual sophistication as well as its artificial qualities. Mannerism favors compositional tension and instability rather than the balance and clarity of earlier Renaissance painting, Mannerism in literature and music is notable for its highly florid style and intellectual sophistication. The definition of Mannerism and the phases within it continue to be a subject of debate among art historians, for example, some scholars have applied the label to certain early modern forms of literature and music of the 16th and 17th centuries. The term is used to refer to some late Gothic painters working in northern Europe from about 1500 to 1530. Mannerism also has been applied by analogy to the Silver Age of Latin literature, the word mannerism derives from the Italian maniera, meaning style or manner. Like the English word style, maniera can either indicate a type of style or indicate an absolute that needs no qualification. Vasari was also a Mannerist artist, and he described the period in which he worked as la maniera moderna, james V. Mirollo describes how bella maniera poets attempted to surpass in virtuosity the sonnets of Petrarch. This notion of bella maniera suggests that artists thus inspired looked to copying and bettering their predecessors, in essence, bella maniera utilized the best from a number of source materials, synthesizing it into something new. As a stylistic label, Mannerism is not easily defined, “High Renaissance” connoted a period distinguished by harmony, grandeur and the revival of classical antiquity. The term Mannerist was redefined in 1967 by John Shearman following the exhibition of Mannerist paintings organised by Fritz Grossmann at Manchester City Art Gallery in 1965. The label “Mannerism” was used during the 16th century to comment on social behaviour, however, for later writers, such as the 17th-century Gian Pietro Bellori, la maniera was a derogatory term for the perceived decline of art after Raphael, especially in the 1530s and 1540s. From the late 19th century on, art historians have used the term to describe art that follows Renaissance classicism. By the end of the High Renaissance, young artists experienced a crisis, no more difficulties, technical or otherwise, remained to be solved. The young artists needed to find a new goal, and they sought new approaches, at this point Mannerism started to emerge. The new style developed between 1510 and 1520 either in Florence, or in Rome, or in both cities simultaneously and this period has been described as a natural extension of the art of Andrea del Sarto, Michelangelo, and Raphael. Michelangelo from an early age had developed a style of his own, one of the qualities most admired by his contemporaries was his terribilità, a sense of awe-inspiring grandeur, and subsequent artists attempted to imitate it
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Renaissance
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The Renaissance was a period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history. It started as a movement in Italy in the Late Medieval period and later spread to the rest of Europe. This new thinking became manifest in art, architecture, politics, science, Early examples were the development of perspective in oil painting and the recycled knowledge of how to make concrete. Although the invention of movable type sped the dissemination of ideas from the later 15th century. In politics, the Renaissance contributed to the development of the customs and conventions of diplomacy, the Renaissance began in Florence, in the 14th century. Other major centres were northern Italian city-states such as Venice, Genoa, Milan, Bologna, the word Renaissance, literally meaning Rebirth in French, first appeared in English in the 1830s. The word also occurs in Jules Michelets 1855 work, Histoire de France, the word Renaissance has also been extended to other historical and cultural movements, such as the Carolingian Renaissance and the Renaissance of the 12th century. The Renaissance was a movement that profoundly affected European intellectual life in the early modern period. Renaissance scholars employed the humanist method in study, and searched for realism, however, a subtle shift took place in the way that intellectuals approached religion that was reflected in many other areas of cultural life. In addition, many Greek Christian works, including the Greek New Testament, were back from Byzantium to Western Europe. Political philosophers, most famously Niccolò Machiavelli, sought to describe life as it really was. Others see more competition between artists and polymaths such as Brunelleschi, Ghiberti, Donatello, and Masaccio for artistic commissions as sparking the creativity of the Renaissance. Yet it remains much debated why the Renaissance began in Italy, accordingly, several theories have been put forward to explain its origins. During the Renaissance, money and art went hand in hand, Artists depended entirely on patrons while the patrons needed money to foster artistic talent. Wealth was brought to Italy in the 14th, 15th, and 16th centuries by expanding trade into Asia, silver mining in Tyrol increased the flow of money. Luxuries from the Eastern world, brought home during the Crusades, increased the prosperity of Genoa, unlike with Latin texts, which had been preserved and studied in Western Europe since late antiquity, the study of ancient Greek texts was very limited in medieval Western Europe. One of the greatest achievements of Renaissance scholars was to bring this entire class of Greek cultural works back into Western Europe for the first time since late antiquity, Arab logicians had inherited Greek ideas after they had invaded and conquered Egypt and the Levant. Their translations and commentaries on these ideas worked their way through the Arab West into Spain and Sicily and this work of translation from Islamic culture, though largely unplanned and disorganized, constituted one of the greatest transmissions of ideas in history
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France
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France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
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Fresco
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Fresco is a technique of mural painting executed upon freshly-laid, or wet lime plaster. Water is used as the vehicle for the pigment to merge with the plaster, and with the setting of the plaster, the fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. Buon fresco pigment mixed with water of temperature on a thin layer of wet, fresh plaster, for which the Italian word for plaster. Because of the makeup of the plaster, a binder is not required, as the pigment mixed solely with the water will sink into the intonaco. The pigment is absorbed by the wet plaster, after a number of hours, many artists sketched their compositions on this underlayer, which would never be seen, in a red pigment called sinopia, a name also used to refer to these under-paintings. Later, new techniques for transferring paper drawings to the wall were developed. The main lines of a drawing made on paper were pricked over with a point, the paper held against the wall, if the painting was to be done over an existing fresco, the surface would be roughened to provide better adhesion. This area is called the giornata, and the different day stages can usually be seen in a large fresco, buon frescoes are difficult to create because of the deadline associated with the drying plaster. Once a giornata is dried, no more buon fresco can be done, if mistakes have been made, it may also be necessary to remove the whole intonaco for that area—or to change them later, a secco. An indispensable component of this process is the carbonatation of the lime, the eyes of the people of the School of Athens are sunken-in using this technique which causes the eyes to seem deeper and more pensive. Michelangelo used this technique as part of his trademark outlining of his central figures within his frescoes, in a wall-sized fresco, there may be ten to twenty or even more giornate, or separate areas of plaster. After five centuries, the giornate, which were nearly invisible, have sometimes become visible, and in many large-scale frescoes. Additionally, the border between giornate was often covered by an a secco painting, which has fallen off. One of the first painters in the period to use this technique was the Isaac Master in the Upper Basilica of Saint Francis in Assisi. A person who creates fresco is called a frescoist, a secco or fresco-secco painting is done on dry plaster. The pigments thus require a medium, such as egg. Blue was a problem, and skies and blue robes were often added a secco, because neither azurite blue nor lapis lazuli. By the end of the century this had largely displaced buon fresco
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Raphael
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Raffaello Sanzio da Urbino, known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running a large workshop and, despite his death at 37. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, the best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings and he was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region and his poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Under them, the court continued as a centre for literary culture, growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a humanistic education however, it is unclear how easily he read Latin. His mother Màgia died in 1491 when Raphael was eight, followed on August 1,1494 by his father, Raphael was thus orphaned at eleven, his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master and he had already shown talent, according to Vasari, who says that Raphael had been a great help to his father. A self-portrait drawing from his teenage years shows his precocity and his fathers workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter, and Luca Signorelli, according to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice despite the tears of his mother. The evidence of an apprenticeship comes only from Vasari and another source, an alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters, the Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a master, that is to say fully trained and his first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was named in the commission
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Sistine Madonna
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The Sistine Madonna, also called the Madonna di San Sisto, is an oil painting by the Italian artist Raphael Sanzio. The altarpiece was commissioned in 1512 by Pope Julius II for the church of San Sisto, the canvas was one of the last Madonnas painted by the artist. Giorgio Vasari called it a rare and extraordinary work. Relocated to Dresden from 1754, the painting was particularly influential in Germany. After World War II, it was relocated to Moscow for a decade before being returned to Germany and it is now a master piece of the Gemäldegalerie Alte Meister. The oil painting, measures 265 cm by 196 cm, the commission required that the painting depict both Saints Sixtus and Barbara. Legend has it that when Antonio da Correggio first laid eyes on the piece, he was inspired to cry, And I also, over and again, this painting has been hailed as supreme among the worlds paintings and accorded the epithet divine. If the stories are correct, the painting achieved its prominence immediately, alternately portraying Raphael as a devout Christian and a divine Pagan, the Germans implicitly tied the image into a legend of their own, Raphaels Dream. It is claimed the painting has stirred many viewers, and that at the sight of the canvas some were transfixed to a state of religious ecstasy akin to Stendhal Syndrome and this nearly miraculous power of the painting made it an icon of 19th-century German Romanticism. The picture influenced Goethe, Wagner and Nietzsche According to Dostoyevsky, in 1855, the Neues Königliches Museum opened in a building designed by Gottfried Semper, and the Sistine Madonna was given a room of its own. The painting was stored, with works of art, in a tunnel in Saxon Switzerland. The painting was removed to Pillnitz, from which it was transported in a box on a tented flatcar to Moscow. There, sight of the Madonna brought Soviet leading art official Mikhail Khrapchenko to declare that the Pushkin Museum would now be able to claim a place among the museums of the world. In 1946, the painting went temporarily on restricted exhibition in the Pushkin, there followed some international controversy, with press around the world stating that the Dresden art collection had been damaged in Soviet storage. Soviets countered that they had in fact saved the pieces, Soviet paintings Partisan Madonna of Minsk by Mikhail Savitsky and And the Saved World Remembers by Mai Dantsig are based on the Sistine Madonna. Stories of the conditions from which the Sistine Madonna had been saved began to circulate. In some gloomy, dark cave, two soldiers, knee-deep in water, are carrying the Sistine Madonna upright, slung on cloths, but it couldn’t have been lifted like this even by a dozen healthy fellows. Everything connected with this rescue is simply a lie. was in a dry tunnel
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Orlando Furioso
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Orlando Furioso is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its form until 1532. Orlando Furioso is a continuation of Matteo Maria Boiardos unfinished romance Orlando Innamorato, in its historical setting and characters, it shares some features with the Old French Chanson de Roland of the eleventh century, which tells of the death of Roland. The story is also a romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century. Orlando is the Christian knight known in French as Roland, the action takes place against the background of the war between Charlemagnes Christian paladins and the Saracen army that has invaded Europe and is attempting to overthrow the Christian empire. The poem is about war and love and the ideal of chivalry. It mixes realism and fantasy, humor and tragedy, the stage is the entire world, plus a trip to the moon. The poem is divided into forty-six cantos, each containing a number of eight-line stanzas in ottava rima. Ottava rima had been used in previous Italian romantic epics, including Luigi Pulcis Morgante, Ariostos work is 38,736 lines long in total, making it one of the longest poems in European literature. Ariosto began working on the poem around 1506, when he was 32, the first edition of the poem, in 40 cantos, was published in Ferrara in April 1516 and dedicated to the poets patron Ippolito dEste. A second edition appeared in 1521 with minor revisions, Ariosto continued to write more material for the poem and in the 1520s he produced five more cantos, marking a further development of his poetry, which he decided not to include in the final edition. They were published after his death by his illegitimate son Virginio under the title Cinque canti and are regarded by some modern critics. The third and final version of Orlando Furioso, containing 46 cantos, Ariosto had sought stylistic advice from the humanist Pietro Bembo to give his verse the last degree of polish and this is the version known to posterity. The first English translation by John Harington was published in 1591 at the behest of Queen Elizabeth I, Ariostos poem is a sequel to Matteo Maria Boiardos Orlando Innamorato. The name Orlando is a translation of Roland from the 12th-century Song of Roland, the latter contained the magical elements and love interest that were generally lacking in the more austere and warlike poems about Carolingian heroes. Ariosto continued to mix these elements in his poem as well as adding material derived from Classical sources, however, Ariosto has an ironic tone rarely present in Boiardo, who treated the ideals of chivalry much more seriously. In Orlando Furioso, instead of chivalric ideals, no longer alive in the 16th century, Agramante and his allies – who include Marsilio, the King of Spain, and the boastful warrior Rodomonte – besiege Charlemagne in Paris. Meanwhile, Orlando, Charlemagnes most famous paladin, has been tempted to forget his duty to protect the emperor through his love for the pagan princess Angelica
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