1.
Huni
–
Huni was an ancient Egyptian king and the last pharaoh of the 3rd dynasty during the Old Kingdom period. Following the Turin king list, he is credited with a reign of 24 years. Hunis chronological position as the last king of the dynasty is seen as fairly certain. It is also unclear under which Hellenized name the ancient historian Manetho could have listed him in his historical writing Aegyptiacae, most possibly he is to be identified with the Hellenized name Aches, as Winfried Barta proposes. Many Egyptologists believe that Huni was the father and direct predecessor of king Sneferu, Huni is seen by scholars as a confusing figure in Egyptian history, because he was long remembered in Egyptian traditions, but only very few documents, objects or monuments have endured. Huni is not a well attested pharaoh, most of the only point indirectly to him. There are only two objects with his name. The first one is a stele made of red granite. The object is 62.99 inches long,27.16 inches thick and 19.69 inches broad and its shape resembles a typical Benben stele, as known from mastaba tombs of early dynastic kings. At the front, the cone presents a niche with an incarved inscription inside. The inscription mentions a palace named Palace of the headband of Huni. The decorated niche is interpreted by scholars as a so-called apparition window, the lower part of the window frame is flattened and elongated and shows traces of a second inscription, apparently the same as inside the window. It is not fully clarified, where exactly the object was once on display, because it was found very close to a stepped pyramid, Egyptologists such as Rainer Stadelmann propose a position on the very front of the monument, or even visibly embedded in one of the steps. Today Hunis dedication cone is on display in the Cairo Museum as object JE41556, the stone vessel inscription mentions Hunis name without a cartouche, but with the Njswt-Bity title. The orthography of the hieroglyphs that form Hunis name makes a reading as Njswt-Hw or Hw-en-Niswt plausible, Huni is also attested in mastaba L6 at Saqqara, attributed to the official Metjen and dating to the end of the 3rd dynasty. There, an inscription was found with the name of a royal domain Hw. t-njswt. -hw of Huni, the temple, however, has not yet been located. Finally, Huni is attested in the papyrus Prisse, in the Instructions of Kagemni, Hunis identity is difficult to establish, since his name is passed down mostly as cartouche name and in different variations. The earliest mention of his name may possibly appearing on the granite cone from Elephantine
Huni
–
The Meidum pyramid, initially believed to have been started by Huni, is now thought to be exclusively the work of Snefru.
Huni
–
Pink granite head attributed to Huni,
Brooklyn Museum
Huni
–
The Layer Pyramid, attributed to Khaba, who may be the same person as Huni.
2.
Pharaoh
–
The word pharaoh ultimately derive from the Egyptian compound pr-ˤ3 great house, written with the two biliteral hieroglyphs pr house and ˤ3 column, here meaning great or high. It was used only in larger phrases such as smr pr-ˤ3 Courtier of the High House, with specific reference to the buildings of the court or palace. From the twelfth dynasty onward, the word appears in a wish formula Great House, may it live, prosper, and be in health, but again only with reference to the royal palace and not the person. During the reign of Thutmose III in the New Kingdom, after the rule of the Hyksos during the Second Intermediate Period. During the eighteenth dynasty the title pharaoh was employed as a designation of the ruler. From the nineteenth dynasty onward pr-ˤ3 on its own was used as regularly as hm. f, the term, therefore, evolved from a word specifically referring to a building to a respectful designation for the ruler, particularly by the twenty-second dynasty and twenty-third dynasty. For instance, the first dated appearance of the pharaoh being attached to a rulers name occurs in Year 17 of Siamun on a fragment from the Karnak Priestly Annals. Here, an induction of an individual to the Amun priesthood is dated specifically to the reign of Pharaoh Siamun and this new practice was continued under his successor Psusennes II and the twenty-second dynasty kings. Shoshenq I was the successor of Siamun. Meanwhile, the old custom of referring to the sovereign simply as pr-ˤ3 continued in traditional Egyptian narratives, by this time, the Late Egyptian word is reconstructed to have been pronounced *par-ʕoʔ whence Herodotus derived the name of one of the Egyptian kings, Φερων. In the Bible, the title also occurs as פרעה, from that, Septuagint φαραώ pharaō and then Late Latin pharaō, both -n stem nouns. The Quran likewise spells it فرعون firawn with n, interestingly, the Arabic combines the original pharyngeal ayin sound from Egyptian, along with the -n ending from Greek. English at first spelt it Pharao, but the King James Bible revived Pharaoh with h from the Hebrew, meanwhile in Egypt itself, *par-ʕoʔ evolved into Sahidic Coptic ⲡⲣ̅ⲣⲟ prro and then rro. Scepters and staves were a sign of authority in ancient Egypt. One of the earliest royal scepters was discovered in the tomb of Khasekhemwy in Abydos, kings were also known to carry a staff, and Pharaoh Anedjib is shown on stone vessels carrying a so-called mks-staff. The scepter with the longest history seems to be the heqa-scepter, the earliest examples of this piece of regalia dates to pre-dynastic times. A scepter was found in a tomb at Abydos that dates to the late Naqada period, another scepter associated with the king is the was-scepter. This is a long staff mounted with an animal head, the earliest known depictions of the was-scepter date to the first dynasty
Pharaoh
–
Den
Pharaoh
–
Narmer Palette
Pharaoh
–
Nomen and prenomen of
Ramesses III
Pharaoh
–
Royal titulary
3.
Sneferu
–
Sneferu, well known under his Hellenized name Soris, was the founder of the 4th dynasty during the Old Kingdom. He built at least three pyramids that survive to this day and introduced innovations in the design and construction of pyramids in Ancient Egypt. Snefru, however, was known to have a minimum of at least three years after the cattle count dates, his years after the 10th, the 13th and this would mean that Sneferu ruled Egypt a minimum of 27 full years. However, in the Palermo Stone, recto 6 at the bottom of the fragment shows the year of the 7th count of Sneferu while recto 7 on the following row shows the year of the 8th count of Sneferu. Significantly, there is a mostly intact column for Sneferu in recto 5 which also mentions events in this kings reign in a specific year. This column must, therefore, be dated to the year after the 6th count of Sneferu, hence, Sneferus reign would be a minimum of 28 years. Sneferu was the first king of the dynasty of Ancient Egypt. Manetho was an Egyptian priest, living in the third century BC, manetho’s schematic has its flaws, nevertheless, modern scholars conventionally follow his method of grouping. The Papyrus Prisse, a Middle Kingdom source, supports the fact that King Huni was indeed Sneferu’s predecessor, aside from Sneferu’s succession, we learn from this text that later generations considered him to be a beneficent ruler. This idea may stem from the etymology of the king’s name and it is uncertain whether Huni was Sneferu’s father, however, the Cairo Annals Stone denotes that his mother may have been a woman named Meresankh. Hetepheres I was Sneferu’s main wife and the mother of Khufu, sons of Sneferu, Khufu - son of Sneferu and Hetepheres I, successor to Sneferu. Ankhhaf - King’s Son of his Body, King’s vizier, a famous bust of Ankhhaf is now in the Boston Museum of Fine Arts. Ankhhaf was married to the King’s Daughter Hetepheres, kanefer - King’s eldest son and Son of his Body. Buried in tomb 28 in Dashur, second Vizier of Sneferu, who continued to serve under Khufu. Nefermaat I - eldest son of Sneferu and husband of Itet, titles included, Priest of Bastet, Hereditary Prince, Guardian of Nekhen, great one of the five at the house of Thoth. Rahotep - King’s Son of his Body, High Priest of Re in Heliopolis, buried in Meidum with his wife Nofret. Owner of the statues now in the Cairo Museum. Daughters of Sneferu, Hetepheres A, married Ankhhaf and she was named after her mother, Queen Hetepheres
Sneferu
–
Limestone statue of Sneferu,
Egyptian Museum
Sneferu
–
Detail of a relief showing Sneferu wearing the white robe of the Sed-festival, from his funerary temple of Dahshur and now on display at the
Egyptian Museum.
Sneferu
–
Cartouche name Sneferu in the Abydos King List
Sneferu
–
The Meidum pyramid.
4.
Ancient Egyptian royal titulary
–
The royal titulary or royal protocol of an Egyptian pharaoh is the standard naming convention taken by the kings of Ancient Egypt. It symbolises worldly power and holy might and also acts as a sort of mission statement for the reign of a monarch. The full titulary, consisting of five names, did not come into standard usage until the Middle Kingdom, the Horus name is the oldest form of the pharaohs name, originating in the Predynastic Period. Many of the oldest-known Egyptian pharaohs were known only by this title, the Horus name was usually written in a serekh, a representation of a palace façade. The name of the pharaoh was written in hieroglyphs inside this representation of a palace, typically an image of the falcon God Horus was perched on top of or beside it. At least one Egyptian ruler, the 2nd dynasty Seth-Peribsen, used an image of the god Seth instead of Horus and he was succeeded by Khasekhemwy, who placed the symbols of both Seth and Horus above his name. Thereafter, the image of Horus always appeared alongside the name of the pharaoh, by the time of the New Kingdom the Horus name was often written without the enclosing serekh. The name is first definitively used by the First Dynasty pharaoh Semerkhet and this particular name was not typically framed by a cartouche or serekh, but always begins with the hieroglyphs of a vulture and cobra resting upon two baskets, the dual noun nebty. Also known as the Golden Horus Name, this form of the name typically featured the image of a Horus falcon perched above or beside the hieroglyph for gold. The meaning of this title has been disputed. One belief is that it represents the triumph of Horus over his uncle Seth, Gold also was strongly associated in the ancient Egyptian mind with eternity, so this may have been intended to convey the pharaohs eternal Horus name. Similar to the Nebty name, this particular name typically was not framed by a cartouche or serekh, the pharaohs throne name, the first of the two names written inside a cartouche, and usually accompanied the title nsw-bity. The term nsw-bity It has been suggested that the Berber term for strong man, the epithet neb tawy, Lord of the Two Lands, referring to valley and delta regions of Egypt, often occurs as well. This was the name given at birth and it was first introduced to the set of royal titles in the Fourth Dynasty and emphasizes the kings role as a representative of the solar god Ra. For women who became pharaoh, the title was interpreted as daughter also. Modern historians typically refer to the ancient kings of Egypt by this name, Middle Egyptian, An Introduction to the Language and Culture of Hieroglyphs. The Complete Royal Families of Ancient Egypt, Cairo, London, and New York, The American University in Cairo Press and Thames and Hudson. The Great Name, Ancient Egyptian Royal Titulary, Egyptian Grammar, Being an Introduction to the Study of Hieroglyphs
Ancient Egyptian royal titulary
–
Serekh containing the name of
Djet and an association with
Wadjet, on display at the
Louvre
Ancient Egyptian royal titulary
–
Praenomen of the
Cartouche of
Thutmose II preceded by Sedge and Bee symbols, Temple of
Hatshepsut,
Luxor
Ancient Egyptian royal titulary
–
In the
Middle Kingdom, the full titulary was sometimes written in a single cartouche, as in this example from
Senusret I, from
Beni Hasan.
Ancient Egyptian royal titulary
–
Royal titulary
5.
Horus name
–
The Horus name is the oldest known and used crest of Ancient Egyptian rulers. It belongs to the Great five names of an Egyptian pharaoh, however, modern Egyptologists and linguists are starting to prefer the more neutral term, the serekh name. This is because not every pharaoh had placed the falcon, which symbolizes the deity Horus, the rectangular vignette is called serekh, after the Egyptian word for facade. There are countless variations of the decor in the serekh. The complexity and detail of the facade decor varied remarkably depending on the object on which it was present and it seems that no strict artistic rules for the design of the serekh itself existed. The name of the pharaoh was written inside the space that represents the royal courtyard. The symbolic meaning of the Horus name is still disputed and it seems obvious, at least, that the name of a king was addressed straight to the deity on top of the serekh. In most cases it was the falcon of the god Horus and this is based on the Egyptian tradition and belief that a living king was commonly the herald and earthly representative of Horus. A good example is the name of 2nd Dynasty king Raneb and his name was written with the sign of the sun and the sign of a basket. Altogether, the name reads Lord of the sun of Horus, thus integrating Horus as the royal patron into the kings name, as already mentioned, most Egyptian kings favored Horus as their dynastic name patron. In a few cases, especially during the midst of the 2nd Dynasty, the most prominent example is king Seth-Peribsen. He first replaced the figure of his serekh by the walking animal of the god Seth. Then, his name was written in a form, thus being addressed to Seth as well as to Horus. The serekh names of his followers Sekhemib and Khasekhemwy were similarly built, Khasekhemwy went even further and placed both divine figures of Horus and Seth above his serekh, in an attempt to accentuate the dualism of a serekh name. The remarkable behaviour of the 2nd Dynasty kings can possibly be explained by the Egyptian belief that a king represented Horus, maybe said kings simply wished to express this dualism by willingly changing the appearance of the serekh and replacing divine figures on its top. As already mentioned, the Horus name is the oldest known and its introduction reaches back to the time of the Naqada II period at 3400 BC, and its development can be observed on objects from Naqada II to the 1st Dynasty. However, at the time of introduction, the serekhs of kings were yet anonymous, later the name of the king was written beside the serekh or omitted completely. In many cases the serekh lacks the Horus falcon, and in cases, such as the serekh of king Ka
Horus name
–
Serekh of king
Djet with the Horus falcon above
Horus name
–
Royal titulary
6.
Ancient Egypt
–
Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. It is one of six civilizations to arise independently, Egyptian civilization followed prehistoric Egypt and coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh Narmer. In the aftermath of Alexander the Greats death, one of his generals, Ptolemy Soter and this Greek Ptolemaic Kingdom ruled Egypt until 30 BC, when, under Cleopatra, it fell to the Roman Empire and became a Roman province. The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture, the predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. Its art and architecture were widely copied, and its antiquities carried off to far corners of the world and its monumental ruins have inspired the imaginations of travelers and writers for centuries. The Nile has been the lifeline of its region for much of human history, nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the climate of Northern Africa became increasingly hot and dry. In Predynastic and Early Dynastic times, the Egyptian climate was less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates, foliage and fauna were far more prolific in all environs and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated. The largest of these cultures in upper Egypt was the Badari, which probably originated in the Western Desert, it was known for its high quality ceramics, stone tools. The Badari was followed by the Amratian and Gerzeh cultures, which brought a number of technological improvements, as early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan, establishing a power center at Hierakonpolis, and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the desert to the west. Royal Nubian burials at Qustul produced artifacts bearing the oldest-known examples of Egyptian dynastic symbols, such as the crown of Egypt. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a system of hieroglyphs for writing the ancient Egyptian language. The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia, the third-century BC Egyptian priest Manetho grouped the long line of pharaohs from Menes to his own time into 30 dynasties, a system still used today
Ancient Egypt
–
The
Great Sphinx and the
pyramids of Giza are among the most recognizable symbols of the civilization of ancient Egypt.
Ancient Egypt
–
A typical Naqada II jar decorated with gazelles. (Predynastic Period)
Ancient Egypt
–
The
Narmer Palette depicts the unification of the Two Lands.
7.
Third Dynasty of Egypt
–
For the Sumerian Renaissance, see Third Dynasty of Ur The Third Dynasty of ancient Egypt is the first dynasty of the Old Kingdom. Other dynasties of the Old Kingdom include the Fourth, Fifth and Sixth, the capital during the period of the Old Kingdom was at Memphis. After the turbulent last years of the Second Dynasty which might have included civil war, Egypt came under the rule of Djoser, both the Turin King List and the Abydos King List record five kings, while the Saqqara Tablet only records four. Djoser’s successor was Sekhemkhet who had the nebty name Djeserty, the last king of the dynasty is Huni. There are three remaining Horus names of known 3rd dynasty kings, Sanakht, Khaba and perhaps Qahedjet, one of these three went by the nebty name Nebka. Dating the Third Dynasty is similarly challenging, shaw gives the dates as being approximately from 2686 to 2613 BC. The Turin King List suggests a total of 75 years for the third dynasty, baines and Malek have placed the third dynasty as spanning the years 2650 –2575 BC, while Dodson and Hilton date the dynasty to 2584 –2520 BC. It is not uncommon for these estimates to differ by more than a century, a radiocarbon study done of the period in 2010 gives a reign for Djoser between roughly 2691 to 2625 BC. The pharaohs of the Third Dynasty ruled for approximately seventy-five years, the order of the kings is based on Wilkinson. The number of years as king, the years, is based on Dodson and Hilton. They have the dynasty lasting only 64 years, more importantly, seals naming Djoser were found at the entrance to Khasekhemwys tomb at Abydos, which demonstrates that it was Djoser, rather than Sanakht, who buried and succeeded this king. The Turin King List scribe wrote Djosers name in red ink, in any case, Djoser is the best known king of this dynasty, for commissioning his vizier Imhotep to build the earliest surviving pyramids, the Step Pyramid. Some authorities believe that Imhotep lived into the reign of the Pharaoh Huni, little is known for certain of Sekhemkhet. However, it is believed that Khaba possibly built the Layer Pyramid at Zawyet elAryan
Third Dynasty of Egypt
–
Funerary temple of
Djoser at
Saqqara
8.
Thutmose III
–
Thutmose III was the sixth Pharaoh of the Eighteenth Dynasty. During the first 22 years of Thutmoses reign he was co-regent with his stepmother and aunt, Hatshepsut, while he was shown first on surviving monuments, both were assigned the usual royal names and insignia and neither is given any obvious seniority over the other. He served as the head of her armies, during the final 2 years of his reign, he appointed his son and successor, Amenhotep II, as his junior co-regent. His firstborn son and heir to the throne, Amenemhat, predeceased Thutmose III, when Thutmose III died, he was buried in the Valley of the Kings as were the rest of the kings from this period in Egypt. Thutmose III was the son of Thutmose II by a secondary wife and his fathers great royal wife was Queen Hatshepsut. Her daughter Neferure was Thutmoses half-sister, Thutmosis III had little power over the empire while Hatshepsut exercised the formal titulary of kingship. Her rule was quite prosperous and marked by great advancements, when he reached a suitable age and demonstrated the capability, she appointed him to head her armies. Thutmosis III had several wives, Satiah, She may have been the mother of his firstborn son, an alternative theory is that the boy was the son of Neferure. Thutmoses successor, the prince and future king Amenhotep II, was the son of Merytre-Hatshepsut. Additional children include Menkheperre and daughters named Nebetiunet, Meryetamun, Meryetamun, Merytre-Hatshepsut was the daughter of the divine adoratrice Huy. Nebtu, she is depicted on a pillar in Thutmose IIIs tomb, menwi, Merti, Menhet three foreign wives. Neferure, Thutmose III may have married his half-sister, but there is no evidence for this marriage. It has been suggested that Neferure, instead of Satiah, may have been the mother of Amenemhat, Thutmose III reigned from 1479 BC to 1425 BC according to the Low Chronology of Ancient Egypt. This has been the conventional Egyptian chronology in academic circles since the 1960s and this document has no note of the place of observation, but it can safely be assumed that it was taken in either a Delta city such as Memphis or Heliopolis, or in Thebes. These two latitudes give dates 20 years apart, the High and Low chronologies, respectively, the length of Thutmose IIIs reign is known to the day thanks to information found in the tomb of the military commander Amenemheb-Mahu. Amenemheb-Mahu records Thutmose IIIs death to his masters 54th regnal year, widely considered a military genius by historians, Thutmose III made 16 raids in 20 years. He was an active expansionist ruler, sometimes called Egypts greatest conqueror or the Napoleon of Egypt and he is recorded to have captured 350 cities during his rule and conquered much of the Near East from the Euphrates to Nubia during seventeen known military campaigns. He was the first Pharaoh after Thutmose I to cross the Euphrates and his campaign records were transcribed onto the walls of the temple of Amun at Karnak, and are now transcribed into Urkunden IV
Thutmose III
–
Thutmosis III statue in
Luxor Museum
Thutmose III
–
Obelisk of Thutmosis III, at the base showing
Theodosius the Great (Roman Emperor, 379-395). The obelisk is now located in Istanbul, Turkey
Hippodrome of Constantinople. In 390, Theodosius had the obelisk cut into three pieces and brought to Constantinople. Only the top part survives, and it stands today where he placed it, on a marble pedestal.
Thutmose III
–
Thutmose III smiting his enemies. Relief on the seventh pylon in
Karnak.
Thutmose III
–
Thutmose's tekhen waty, today standing in Rome as the
Lateran obelisk. The move from Egypt to Rome was initiated by
Constantine the Great (Roman Emperor, 324-337) in 326, though he died before it could be shipped out of Alexandria. His son, the Emperor
Constantius II completed the transfer in 357. An account of the shipment was written by contemporary historian
Ammianus Marcellinus.
9.
Stela
–
A stele is a stone or wooden slab, generally taller than it is wide, erected in ancient Western culture as a monument. Grave steles were often used for funerary or commemorative purposes, Stelae as slabs of stone would also be used as ancient Greek and Roman government notices or as boundary markers to mark borders or property lines. The surface of the stele usually has text, ornamentation, or both, the ornamentation may be inscribed, carved in relief, or painted. Traditional Western gravestones may technically be considered the equivalent of ancient stelae. The most famous example of an inscribed stela leading to increased understanding is the Rosetta Stone, an informative stele of Tiglath-Pileser III is preserved in the British Museum. Two steles built into the walls of a church are major documents relating to the Etruscan language, unfinished standing stones, set up without inscriptions from Libya in North Africa to Scotland were monuments of pre-literate Megalithic cultures in the Late Stone Age. The Pictish stones of Scotland, often carved, date from between the 6th and 9th centuries. An obelisk is a kind of stele. The Insular high crosses of Ireland and Britain are specialized steles, totem poles of North and South America that are made out of stone may also be considered a specialized type of stele. Gravestones, typically with inscribed name and often with inscribed epitaph, are among the most common types of stele seen in Western culture. Most recently, in the Memorial to the Murdered Jews of Europe in Berlin, the memorial is meant to be read not only as the field, but also as an erasure of data that refer to memory of the Holocaust. Steles have been the medium of stone inscription in China since the Tang dynasty. Chinese steles are generally rectangular stone tablets upon which Chinese characters are carved intaglio with a funerary, commemorative and they can commemorate talented writers and officials, inscribe poems, portraits, or maps, and frequently contain the calligraphy of famous historical figures. During the Han dynasty, tomb inscriptions containing biographical information on deceased people began to be written on stone tablets rather than wooden ones, erecting steles at tombs or temples eventually became a widespread social and religious phenomenon. Emperors found it necessary to promulgate laws, regulating the use of funerary steles by the population, Steles are found at nearly every significant mountain and historical site in China. The First Emperor made five tours of his domain in the 3rd century BC and had Li Si make seven stone inscriptions commemorating and praising his work, of which fragments of two survive. One of the most famous mountain steles is the 13 m high stele at Mount Tai with the calligraphy of Emperor Xuanzong of Tang commemorating his imperial sacrifices there in 725. A number of stone monuments have preserved the origin and history of Chinas minority religious communities
Stela
–
Stele N from
Copán,
Honduras, depicting King K'ac Yipyaj Chan K'awiil ("Smoke Shell"), as drawn by
Frederick Catherwood in 1839
Stela
–
The
funerary stele of Thrasea and Euandria, c. 365 BC
Stela
–
Chinese ink rubbings of the 1489 (left) and 1512 (right) steles left by the
Kaifeng Jews.
Stela
–
Grave Stela of Nehemes-Ra-tawy, ca. 760-656 B.C.E.,37.588E,
Brooklyn Museum
10.
Limestone
–
Limestone is a sedimentary rock, composed mainly of skeletal fragments of marine organisms such as coral, forams and molluscs. Its major materials are the minerals calcite and aragonite, which are different crystal forms of calcium carbonate, about 10% of sedimentary rocks are limestones. The solubility of limestone in water and weak acid solutions leads to karst landscapes, most cave systems are through limestone bedrock. The first geologist to distinguish limestone from dolomite was Belsazar Hacquet in 1778, like most other sedimentary rocks, most limestone is composed of grains. Most grains in limestone are skeletal fragments of organisms such as coral or foraminifera. Other carbonate grains comprising limestones are ooids, peloids, intraclasts and these organisms secrete shells made of aragonite or calcite, and leave these shells behind when they die. Limestone often contains variable amounts of silica in the form of chert or siliceous skeletal fragment, some limestones do not consist of grains at all, and are formed completely by the chemical precipitation of calcite or aragonite, i. e. travertine. Secondary calcite may be deposited by supersaturated meteoric waters and this produces speleothems, such as stalagmites and stalactites. Another form taken by calcite is oolitic limestone, which can be recognized by its granular appearance, the primary source of the calcite in limestone is most commonly marine organisms. Some of these organisms can construct mounds of rock known as reefs, below about 3,000 meters, water pressure and temperature conditions cause the dissolution of calcite to increase nonlinearly, so limestone typically does not form in deeper waters. Limestones may also form in lacustrine and evaporite depositional environments, calcite can be dissolved or precipitated by groundwater, depending on several factors, including the water temperature, pH, and dissolved ion concentrations. Calcite exhibits a characteristic called retrograde solubility, in which it becomes less soluble in water as the temperature increases. Impurities will cause limestones to exhibit different colors, especially with weathered surfaces, Limestone may be crystalline, clastic, granular, or massive, depending on the method of formation. Crystals of calcite, quartz, dolomite or barite may line small cavities in the rock, when conditions are right for precipitation, calcite forms mineral coatings that cement the existing rock grains together, or it can fill fractures. Travertine is a banded, compact variety of limestone formed along streams, particularly there are waterfalls. Calcium carbonate is deposited where evaporation of the leaves a solution supersaturated with the chemical constituents of calcite. Tufa, a porous or cellular variety of travertine, is found near waterfalls, coquina is a poorly consolidated limestone composed of pieces of coral or shells. During regional metamorphism that occurs during the building process, limestone recrystallizes into marble
Limestone
–
Limestone outcrop in the
Torcal de Antequera nature reserve of
Málaga, Spain
Limestone
–
Limestone quarry at
Cedar Creek, Virginia, USA
Limestone
–
Cutting the limestone blocks at a quarry in
Gozo,
Malta
Limestone
–
Limestone as building material
11.
Egyptologist
–
A practitioner of the discipline is an Egyptologist. In Europe, particularly on the Continent, Egyptology is primarily regarded as being a philological discipline, the first explorers were the ancient Egyptians themselves. Thutmose IV restored the Sphinx and had the dream that inspired his restoration carved on the famous Dream Stele, less than two centuries later, Prince Khaemweset, fourth son of Ramesses II, is famed for identifying and restoring historic buildings, tombs and temples including the pyramid. The Ptolemies were much interested in the work of the ancient Egyptians, the Romans too carried out restoration work in this most ancient of lands. A number of their accounts have survived and offer insights as to conditions in their time periods. Abdul Latif al-Baghdadi, a teacher at Cairos Al-Azhar University in the 13th century, similarly, the 15th-century Egyptian historian al-Maqrizi wrote detailed accounts of Egyptian antiquities. In the early 17th century, John Greaves measured the pyramids, having inspected the broken Obelisk of Domitian in Rome, then destined for the Earl of Arundels collection in London. In the late 18th century, with Napoleons scholars recording of Egyptian flora, fauna and history, the British captured Egypt from the French and gained the Rosetta Stone. Modern Egyptology is generally perceived as beginning about 1822, egyptologys modern history begins with the invasion of Egypt by Napoleon Bonaparte. The subsequent publication of Description de lÉgypte between 1809 and 1829 made numerous ancient Egyptian source materials available to Europeans for the first time, jean-François Champollion, Thomas Young and Ippolito Rosellini were some of the first Egyptologists of wide acclaim. The German Karl Richard Lepsius was a participant in the investigations of Egypt, mapping, excavating. Champollion announced his general decipherment of the system of Egyptian hieroglyphics for the first time, the Stones decipherment was a very important development of Egyptology. Egyptology became more professional via work of William Matthew Flinders Petrie, Petrie introduced techniques of field preservation, recording, and excavating. Howard Carters expedition brought much acclaim to the field of Egyptology, a tradition of collecting objets-orientales Egyptologists Electronic Forum, version 64. List shows Egyptology societies and Institutes Egyptology at DMOZ Egyptology Books, the University of Memphis Institute of Egyptian Art and Archaeology. Hawass, Zahi, Brock, Lyla Pinch, eds, Egyptology at the Dawn of the Twenty-First Century Proceedings of the Eighth International Congress of Egyptologists. Rare Books and Special Collections Digital Library Underwood & Underwood Egypt Stereoviews Collection, czech Institute of Egyptology, Faculty of Arts, Charles University in Prague
Egyptologist
–
The
Great Sphinx of Giza against
Khafre's Pyramid at the
Giza pyramid complex
Egyptologist
–
Hieroglyphs and depictions transcribed by
Ippolito Rosellini in 1832
Egyptologist
–
A section of the
Papyrus of Ani showing
cursive hieroglyphs
12.
Chronology
–
Chronology is the science of arranging events in their order of occurrence in time. Consider, for example, the use of a timeline or sequence of events and it is also the determination of the actual temporal sequence of past events. It is also part of the discipline of history, including history, the earth sciences. Chronology is the science of locating historical events in time and it relies upon chronometry, which is also known as timekeeping, and historiography, which examines the writing of history and the use of historical methods. Radiocarbon dating estimates the age of living things by measuring the proportion of carbon-14 isotope in their carbon content. Dendrochronology is used in turn as a reference for radiocarbon dating curves. The familiar terms calendar and era concern two complementary concepts of chronology. Dionysius Exiguus was the founder of that era, which is nowadays the most widespread dating system on earth, an epoch is the date when an era begins. Ab Urbe condita is Latin for from the founding of the City and it was used to identify the Roman year by a few Roman historians. Modern historians use it more frequently than the Romans themselves did. Before the advent of the critical edition of historical Roman works, AUC was indiscriminately added to them by earlier editors. It was used systematically for the first time only about the year 400, pope Boniface IV, in about the year 600, seems to have been the first who made a connection between these this era and Anno Domini. Dionysius Exiguus’ Anno Domini era was extended by Bede to the complete Christian era, while of critical importance to the historian, methods of determining chronology are used in most disciplines of science, especially astronomy, geology, paleontology and archaeology. In the absence of written history, with its chronicles and king lists and this method of dating is known as seriation. Known wares discovered at strata in sometimes quite distant sites, the product of trade, laboratory techniques developed particularly after mid-20th century helped constantly revise and refine the chronologies developed for specific cultural areas. Unrelated dating methods help reinforce a chronology, an axiom of corroborative evidence, ideally, archaeological materials used for dating a site should complement each other and provide a means of cross-checking. Conclusions drawn from just one unsupported technique are usually regarded as unreliable, the fundamental problem of chronology is to synchronize events. By synchronizing an event it becomes possible to relate it to the current time, among historians, a typical need to is to synchronize the reigns of kings and leaders in order to relate the history of one country or region to that of another
Chronology
–
Joseph Scaliger 's De emendatione temporum (1583) began the modern science of chronology
Chronology
–
Key concepts
13.
Historical figure
–
A historical figure is a famous person in history, such as Alexander the Great, Gandhi, Hirohito, Bismarck, Washington, Napoleon or Mandela. The significance of such figures in human progress has been debated, some think they play a crucial role, while others say they have little impact on the broad currents of thought and social change. The concept is used in the sense that the person really existed in the past. However, the legends that can grow up around historical figures may be hard to distinguish from fact, sources are often incomplete and may be inaccurate, particularly those from early periods of history. Without a body of documents, the more subtle aspects of personality of a historical figure can only be deduced. With historical figures who were religious figures attempts to separate fact from belief may be controversial. In education, presenting information as if it were being told by a figure may give it greater impact. Since classical times, students have been asked to put themselves in the place of a figure as a way of bringing history to life. Historical figures are represented in fiction, where fact and fancy are combined. Galls anecdotal account of Charlemagne, De Carolo Magno, more recently there has been a tendency once again for authors to freely depart from the facts when they conflict with their creative goals. The significance of historical figures has long been the subject of debate by philosophers, Hegel considered that world-historical figures played a pivotal role in human progress, but felt that they were bound to emerge when change was needed. Thomas Carlyle saw the study of such as Muhammad, William Shakespeare. Herbert Spencer, a believer in evolution and in the universality of natural law. The German philosopher Hegel defined the concept of the world-historical figure, to him, Napoleon was such a figure. Hegel proposed that a world-historical figure essentially posed a challenge, or thesis, eventually a synthesis would resolve the conflict. Hegel viewed Julius Caesar as a historical figure, who appeared at a stage when Rome had grown to the point it could no longer continue as a republican city state but had to become an empire. In Hegels view, Socrates broke down social harmony by questioning the meaning of concepts like justice, eventually, the Athenians quite rightly condemned Socrates to death. But they could not stop the evolution of thought that Socrates had begun and they die early like Alexander, they are murdered, like Caesar, transported to St. Helena, like Napoleon
Historical figure
–
Lord Byron (1788–1824).
Thomas Carlyle saw the study of great poets such as Byron as potentially "the most dignified and valuable species of composition"
Historical figure
–
Georg Wilhelm Friedrich Hegel introduced the concept of the "world-historical figure".
Historical figure
–
Herbert Spencer, who considered events in the lives of kings "historic trivalities"
Historical figure
–
Thomas Carlyle, champion of study of great men
14.
Louvre
–
The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
Louvre
–
the Richelieu wing (2005)
Louvre
–
The only portion of the medieval Louvre still visible
Louvre
–
Antonio Canova 's
Psyche Revived by Cupid's Kiss was commissioned in 1787, donated in 1824.
Louvre
–
The
Venus de Milo was added to the Louvre's collection during the reign of
Louis XVIII.
15.
Paris
–
Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
Paris
–
In the 1860s Paris streets and monuments were illuminated by 56,000 gas lamps, making it literally "The City of Light."
Paris
Paris
–
Gold coins minted by the Parisii (1st century BC)
Paris
–
The
Palais de la Cité and
Sainte-Chapelle, viewed from the Left Bank, from the
Très Riches Heures du duc de Berry (month of June) (1410)
16.
Anthropomorphic
–
Anthropomorphism is the attribution of human traits, emotions, and intentions to non-human entities and is considered to be an innate tendency of human psychology. Personification is the attribution of human form and characteristics to abstract concepts such as nations, emotions and natural forces like seasons. Both have ancient roots as storytelling and artistic devices, and most cultures have traditional fables with anthropomorphized animals as characters, people have also routinely attributed human emotions and behavioural traits to wild as well as domestic animals. Anthropomorphism derives from its verb form anthropomorphize, itself derived from the Greek ánthrōpos and it is first attested in 1753, originally in reference to the heresy of applying a human form to the Christian God. One of the oldest known is a sculpture, the Löwenmensch figurine, Germany. It is not possible to say what these prehistoric artworks represent, in either case there is an element of anthropomorphism. This anthropomorphic art has been linked by archaeologist Steven Mithen with the emergence of more systematic hunting practices in the Upper Palaeolithic. In religion and mythology, anthropomorphism refers to the perception of a divine being or beings in human form, ancient mythologies frequently represented the divine as deities with human forms and qualities. They resemble human beings not only in appearance and personality, they exhibited many human behaviors that were used to explain phenomena, creation. The deities fell in love, married, had children, fought battles, wielded weapons and they feasted on special foods, and sometimes required sacrifices of food, beverage, and sacred objects to be made by human beings. Some anthropomorphic deities represented specific concepts, such as love, war, fertility, beauty. Anthropomorphic deities exhibited human qualities such as beauty, wisdom, and power, and sometimes human weaknesses such as greed, hatred, jealousy, Greek deities such as Zeus and Apollo often were depicted in human form exhibiting both commendable and despicable human traits. Anthropomorphism in this case is referred to as anthropotheism, from the perspective of adherents to religions in which humans were created in the form of the divine, the phenomenon may be considered theomorphism, or the giving of divine qualities to humans. Anthropomorphism has cropped up as a Christian heresy, particularly prominently with the Audians in third century Syria, but also in fourth century Egypt and tenth century Italy. This often was based on an interpretation of Genesis 1,27, So God created man in His own image, in the image of God created He him. Some religions, scholars, and philosophers objected to anthropomorphic deities. Ethiopians say that their gods are snub–nosed and blackThracians that they are pale and he said that the greatest god resembles man neither in form nor in mind. Both Judaism and Islam reject an anthropomorphic deity, believing that God is beyond human comprehension, judaisms rejection of an anthropomorphic deity grew during the Hasmonean period, when Jewish belief incorporated some Greek philosophy. Judaisms rejection grew further after the Islamic Golden Age in the tenth century, hindus do not reject the concept of a deity in the abstract unmanifested, but note practical problems
Anthropomorphic
–
In this illustration by
Milo Winter of
Aesop 's fable, "
The North Wind and the Sun ", an anthropomorphic North Wind tries to strip the cloak off of a traveler
Anthropomorphic
–
The 40,000-year-old
Löwenmensch figurine
Anthropomorphic
–
From the
Panchatantra: Rabbit fools Elephant by showing the reflection of the moon
Anthropomorphic
–
Anthropomorphic
pareidolia by
Giuseppe Arcimboldo
17.
Horus
–
Horus is one of the most significant ancient Egyptian deities. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom, different forms of Horus are recorded in history and these are treated as distinct gods by Egyptologists. He was most often depicted as a falcon, most likely a falcon or peregrine falcon. In another tradition Hathor is regarded as his mother and sometimes as his wife, Horus served many functions, most notably being a god of the sky, war and hunting. Horus is recorded in Egyptian hieroglyphs as ḥr. w Falcon, additional meanings are thought to have been the distant one or one who is above, over. As the language changed over time, it appeared in Coptic dialects variously as hoːɾ or ħoːɾ and was adopted into ancient Greek as Ὧρος Hōros and it also survives in Late Egyptian and Coptic theophoric names such as Har-si-ese Horus, Son of Isis. Nekheny may have been another falcon god worshipped at Nekhen, city of the falcon, Horus may be shown as a falcon on the Narmer Palette, dating from about the 31st century BC. In early Egypt, Horus was the brother of Isis, Osiris, Set, as different cults formed, he became the son of Isis and Osiris. Isis remained the sister of Osiris, Set and Nephthys, the Pyramid Texts describe the nature of the pharaoh in different characters as both Horus and Osiris. The pharaoh as Horus in life became the pharaoh as Osiris in death, New incarnations of Horus succeeded the deceased pharaoh on earth in the form of new pharaohs. The lineage of Horus, the product of unions between the children of Atum, may have been a means to explain and justify pharaonic power. The gods produced by Atum were all representative of cosmic and terrestrial forces in Egyptian life, the notion of Horus as the pharaoh seems to have been superseded by the concept of the pharaoh as the son of Ra during the Fifth Dynasty. Once Isis knew she was pregnant with Horus, she fled to the Nile Delta marshlands to hide from her brother Set, who jealously killed Osiris, there Isis bore a divine son, Horus. Since Horus was said to be the sky, he was considered to contain the sun. It became said that the sun was his eye and the moon his left, and that they traversed the sky when he. Later, the reason that the moon was not as bright as the sun was explained by a tale, known as the The Contendings of Horus and Seth. As Horus was the victor he became known as ḥr. w wr Horus the Great. In the struggle, Set had lost a testicle, explaining why the desert, Horus left eye had also been gouged out, then a new eye was created by part of Khonsu, the moon god, and was replaced
Horus
–
Horus,
(Louvre Museum),
Shen rings in his grasp
Horus
Horus
–
Figure of a Horus Falcon, between circa 300 and circa 250 BC (Greco-Roman). The Walters Art Museum.
Horus
–
Horus, patron deity of Hierakonpolis (near
Edfu), the predynastic capital of Upper Egypt. Its head was executed by means of beating the gold then connecting it with the copper body. A uraeus is fixed to the diadem which supports two tall openwork feathers. The eyes are inlaid with obsidian. (6th dynasty).
18.
Upper Egypt
–
Upper Egypt is the strip of land on both sides of the Nile that extends between Nubia and downriver to Lower Egypt. Upper Egypt is between the Cataracts of the Nile above modern-day Aswan, downriver to the area between Dahshur and El-Ayait, which is south of modern-day Cairo, the northern part of Upper Egypt, between Sohag and El-Ayait, is also known as Middle Egypt. In Arabic, inhabitants of Upper Egypt are known as Saidis, in ancient Egypt, Upper Egypt was known as tꜣ šmꜣw, literally the Land of Reeds or the Sedgeland It was divided into twenty-two districts called nomes. The first nome was roughly where modern-day Aswan is and the twenty-second was at modern Atfih just to the south of Cairo, the main city of prehistoric Upper Egypt was Nekhen, whose patron deity was the vulture goddess Nekhbet. By about 3600 BC, Neolithic Egyptian societies along the Nile had based their culture on the raising of crops, shortly after 3600 BC, Egyptian society began to grow and increase in complexity. A new and distinctive pottery, which was related to the Levantine ceramics, extensive use of copper became common during this time. The Mesopotamian process of sun-drying adobe and architectural principles—including the use of the arch, concurrent with these cultural advances, a process of unification of the societies and towns of the upper Nile River, or Upper Egypt, occurred. At the same time the societies of the Nile Delta, or Lower Egypt also underwent a unification process, warfare between Upper and Lower Egypt occurred often. During his reign in Upper Egypt, King Narmer defeated his enemies on the Delta, for most of pharaonic Egypts history, Thebes was the administrative center of Upper Egypt. After its devastation by the Assyrians, its importance declined, under the Ptolemies, Ptolemais Hermiou took over the role of Upper Egypts capital city. Upper Egypt was represented by the tall White Crown Hedjet, and its symbols were the flowering lotus, in the 11th century, large numbers of pastoralists, known as Hilalians, fled Upper Egypt and moved westward into Libya and as far as Tunis. It is believed that degraded grazing conditions in Upper Egypt, associated with the beginning of the Medieval Warm Period, were the cause of the migration. In the 20th-century Egypt, the title Prince of the Said was used by the apparent to the Egyptian throne. Although the Kingdom of Egypt was abolished after the Egyptian revolution of 1952, media related to Upper Egypt at Wikimedia Commons
Upper Egypt
–
Iry-Hor
Upper Egypt
–
Ka
Upper Egypt
–
King Scorpion
19.
Dagger
–
A dagger is a knife with a very sharp point designed or capable of being used as a thrusting or stabbing weapon. Daggers have been used throughout human experience for close combat confrontations, the distinctive shape and historic usage of the dagger have made it iconic and symbolic. A dagger in the sense is a weapon designed for close-proximity combat or self-defence, due to its use in historic weapon assemblages, it has associations with maleness. Double-edged knives, however, play different sorts of roles in different social contexts, in some cultures, they are neither a weapon nor a tool, but a potent symbol of manhood, in others they are ritual objects used in sacred body modifications such as circumcision. Most daggers also feature a full crossguard to keep the hand from riding forwards onto the blade edges. Daggers are primarily weapons, so knife legislation in many places restricts their manufacture, sale, possession, transport, the earliest daggers were made of materials such as flint, ivory or bone in Neolithic times. Copper daggers appeared first in the early Bronze Age, in the 3rd millennium BCE, in ancient Egypt, daggers were usually made of copper or bronze, while royalty had gold weapons. At least since pre-dynastic Egypt, daggers were adorned as ceremonial objects with golden hilts and later even more ornate, one early silver dagger was recovered with midrib design. The 1924 opening of the tomb of Tutankhamun revealed two daggers, one with a blade, and one of smelted iron. It is held that mummies of the Eleventh Dynasty were buried with bronze sabres, as late as Mene-ptah II. of the Nineteenth Dynasty, we read it in the list of his loot, after the Prosopis battle, of bronze armour, swords and daggers. One of the earliest objects made of smelted iron is a dating to before 2000 BCE. Found in a Hattic royal tomb dated about 2500 BCE, at Alaca Höyük in northern Anatolia, the dagger has an iron blade. The exceptional purity of Iberian iron and the method of forging. Iberian infantrymen carried several types of iron daggers, most of them based on shortened versions of double-edged swords, Iberian daggers and swords were later adopted by Hannibal and his Carthaginian armies. During the Roman Empire, legionaries were issued a pugio, a double-edged iron thrusting dagger with a blade of 7–12 inches. The design and fabrication of the pugio was taken directly from Iberian daggers and short swords, the Romans even adopted the triangular-bladed Iberian dagger, like the gladius, the pugio was most often used as a thrusting. As an extreme close-quarter combat weapon, the pugio was the Roman soldiers last line of defense, when not in battle, the pugio served as a convenient utility knife. The earliest known depiction of a dagger is the so-called Guido relief inside the Grossmünster of Zürich
Dagger
–
The
Fairbairn–Sykes fighting knife, a modern-day dagger
Dagger
–
A
Neolithic dagger from the
Muséum de Toulouse.
Dagger
–
Pre-Roman Iberian iron dagger forged between the middle of the 5th century BCE and the 3rd century BCE
Dagger
–
Bronze age swords,
Kurdistan, museum of Sanandaj
20.
Shrine
–
A shrine is a holy or sacred place, which is dedicated to a specific deity, ancestor, hero, martyr, saint, daemon, or similar figure of awe and respect, at which they are venerated or worshipped. Shrines often contain idols, relics, or other objects associated with the figure being venerated. A shrine at which offerings are made is called an altar. Shrines can be found in various settings, such as churches, temples, cemeteries, or in the home, a shrine may become a focus of a cult image. Many shrines are located buildings and in the temples designed specifically for worship, such as a church in Christianity. A shrine here is usually the centre of attention in the building, in such cases, adherents of the faith assemble within the building in order to venerate the deity at the shrine. In classical temple architecture, the shrine may be synonymous with the cella, historically, in Hinduism, Buddhism and Roman Catholicism, and also in modern faiths, such as Neopaganism, a shrine can commonly be found within the home or shop. This shrine is usually a structure or a setup of pictures and figurines dedicated to a deity that is part of the official religion. Small household shrines are common among the Chinese and people from South and Southeast Asia, whether Hindu. Usually a small lamp and small offerings are kept daily by the shrine, Buddhist household shrines must be on a shelf above the head, Chinese shrines must stand directly on the floor. Small outdoor yard shrines are found at the bottom of many gardens, following various religions, including historically. Shrines are found in most, though not all, religions, Shrines therefore attract the practice of pilgrimage. Shrines are found in many, though not all, forms of Christianity, Roman Catholicism, the largest denomination of Christianity, has many shrines, as do Orthodox Christianity and Anglicanism. For a shrine to be described as national, the approval of the Episcopal Conference is necessary, for it to be described as international, the approval of the Holy See is required. Another use of the shrine in colloquial Catholic terminology is a niche or alcove in most – especially larger – churches used by parishioners when praying privately in the church. They were also called Devotional Altars, since they could look like small Side Altars or bye-altars, Shrines were always centered on some image of Christ or a saint – for instance, a statue, painting, mural or mosaic, and may have had a reredos behind them. However, Mass would not be celebrated at them, they were used to aid or give a visual focus for prayers. Side altars, where Mass could actually be celebrated, were used in a way to shrines by parishioners
Shrine
–
The shrine of the
Hodegetria at the
Assumption Cathedral in Smolensk,
Russia, photographed by
Sergey Prokudin-Gorsky (1912).
Shrine
–
Shrine to
Tin Hau at
Repulse Bay,
Southern District,
Hong Kong.
Shrine
–
The Shrine,
Oil on canvas, by
John William Waterhouse (1895).
Shrine
–
Chinese Taoist household shrine 1850–1860,
Bankfield Museum
21.
Heliopolis (Ancient Egypt)
–
Heliopolis was a major city of ancient Egypt. It was the capital of the 13th or Heliopolite Nome of Lower Egypt and it is now located in Ayn Shams, a northeastern suburb of Cairo. Heliopolis was one of the oldest cities of ancient Egypt, occupied since the Predynastic Period and it greatly expanded under the Old and Middle Kingdoms but is today mostly destroyed, its temples and other buildings having been scavenged for the construction of medieval Cairo. Most information about the ancient city comes from surviving records, the major surviving remnant of Heliopolis is the obelisk of the Temple of Ra-Atum erected by Senusret I of Dynasty XII. It still stands in its position, now within Al-Masalla in Al-Matariyyah. The 21 m high red granite obelisk weighs 120 tons, Heliopolis is the latinized form of the Ptolemaic Greek name Hēlioúpolis, meaning City of the Sun. Helios, the personified and deified form of the sun, was identified by the Greeks with the native Egyptian gods Ra and Atum and its native name was I͗wnw, whose exact pronunciation is uncertain because ancient Egyptian recorded only consonantal values. Its traditional Egyptological transcription is Iunu but it appears in biblical Hebrew as Ôn and Āwen, variant transcriptions include Awnu and Annu. The city also appears in the Old Kingdom Pyramid Texts as the House of Ra, in ancient Egypt, Heliopolis was a regional center from predynastic times. It was principally notable as the center of the sun god Atum. The primary temple of the city was known as the Great House or House of Atum and its priests maintained that Atum or Ra was the first being, rising self-created from the primeval waters. A decline in the importance of Ras cult during Dynasty V led to the development of the Ennead, the high priests of Ra are not as well documented as those of other deities, although the high priests of Dynasty VI have been discovered and excavated. During the Amarna Period of Dynasty XVIII, Pharaoh Akhenaten introduced a kind of worship of Aten. As part of his projects, he built a Heliopolitan temple named Elevating Aten. The cult of the Mnevis bull, another embodiment of the Sun, had its altar here as well and their personal formal burial ground was situated north of the city. The store-city Pithom is mentioned once in the Hebrew Bible, and according to one theory, ptolemy II had Manetho, the chief priest of Heliopolis, collect his history of the ancient kings of Egypt from its archives. By the 1st century BC, in fact, Strabo found the deserted. In Roman Egypt, Heliopolis belonged to the province Augustamnica, causing it to appear as Heliopolis in Augustamnica when it needed to be distinguished from Baalbek and its population probably contained a considerable Arabian element
Heliopolis (Ancient Egypt)
–
The Al-Masalla
obelisk, the largest surviving monument from Heliopolis
Heliopolis (Ancient Egypt)
–
Model of a Votive Temple Gateway at Heliopolis,
Brooklyn Museum
22.
Contradiction
–
In classical logic, a contradiction consists of a logical incompatibility between two or more propositions. It occurs when the propositions, taken together, yield two conclusions which form the logical, usually opposite inversions of each other. Illustrating a general tendency in applied logic, Aristotles law of noncontradiction states that One cannot say of something that it is, by extension, outside of classical logic, one can speak of contradictions between actions when one presumes that their motives contradict each other. By creation of a paradox, Platos Euthydemus dialogue demonstrates the need for the notion of contradiction, in the ensuing dialogue Dionysodorus denies the existence of contradiction, all the while that Socrates is contradicting him. I in my astonishment said, What do you mean Dionysodorus, the dictum is that there is no such thing as a falsehood, a man must either say what is true or say nothing. Indeed, Dionysodorus agrees that there is no such thing as false opinion, there is no such thing as ignorance and demands of Socrates to Refute me. Socrates responds But how can I refute you, if, as you say, note, The symbol ⊥ represents an arbitrary contradiction, with the dual tee symbol ⊤ used to denote an arbitrary tautology. Contradiction is sometimes symbolized by Opq, and tautology by Vpq, the turnstile symbol, ⊢ is often read as yields or proves. In classical logic, particularly in propositional and first-order logic, a proposition φ is a contradiction if, since for contradictory φ it is true that ⊢ φ → ψ for all ψ, one may prove any proposition from a set of axioms which contains contradictions. This is called the principle of explosion or ex falso quodlibet, in a complete logic, a formula is contradictory if and only if it is unsatisfiable. Therefore, a proof that ¬ φ ⊢ ⊥ also proves that φ is true, the use of this fact constitutes the technique of the proof by contradiction, which mathematicians use extensively. This applies only in a logic using the excluded middle A ∨ ¬ A as an axiom, in mathematics, the symbol used to represent a contradiction within a proof varies. A consistency proof requires an axiomatic system a demonstration that it is not the case both the formula p and its negation ~p can be derived in the system. Posts solution to the problem is described in the demonstration An Example of a Successful Absolute Proof of Consistency offered by Ernest Nagel and they too observe a problem with respect to the notion of contradiction with its usual truth values of truth and falsity. They observe that, The property of being a tautology has been defined in notions of truth, yet these notions obviously involve a reference to something outside the formula calculus. Therefore, the mentioned in the text in effect offers an interpretation of the calculus. This being so, the authors have not done what they promised, namely, proofs of consistency which are based on models, and which argue from the truth of axioms to their consistency, merely shift the problem. Given some primitive formulas such as PMs primitives S1 V S2, so what will be the definition of tautologous
Contradiction
–
This diagram shows the contradictory relationships between
categorical propositions in the
square of opposition of
Aristotelian logic.
23.
Pyramid of Sahure
–
The Pyramid of Sahure was the first pyramid built in the necropolis of Abusir, Egypt. The pyramid was constructed for the burial of Sahure, second pharaoh of the fifth dynasty c.2480 BC, the complex was known in ancient Egyptian as Ḫˁj-b3 S3ḥ. w Rˁ, The Rising of the Ba Spirit of Sahure. The valley and high temples as well as the causeway of the complex were richly decorated with over 10,000 sq. m of fine reliefs that made the renowned in antiquity. The high temple is remarkable for the variety of building materials used for its construction, from the alabaster and basalt floors to the fine limestone. The first investigations of the pyramid of Sahure were undertaken in the mid 19th century by John Shae Perring and these investigations remained superficial, however, and no serious excavations of the pyramid took place at the time, due mainly to its state of ruin. The pyramid was entered for the first time a few years later by Jacques de Morgan, realizing the significance of the pyramid, the egyptologist Ludwig Borchardt undertook extensive excavations of the site between 1902 and 1908, exploring the entire mortuary complex. He published his discoveries in a two-volume study Das Grabdenkmal des Königs Sahure, The Funerary Monument of King Sahure, during the excavations, Borchardt discovered the still largely intact architrave of the high temple as well as a group of palmiform columns. He sent some of these columns for exhibition in Germany as was customary at the time, the columns sent to Germany were to be displayed in the Egyptian Museum of Berlin. More recently these were moved to the Pergamon Museum, Borchardts work was very thorough and a further survey undertaken by Vito Maragioglio and Celeste Rinaldi in the early 1960s yielded no fundamentally new results. In 1994 the pyramid of Sahure was the object of restoration works in preparation of the opening of Abusir to tourists, surprisingly, these works quickly revealed large decorated blocks buried in the sand. Sahure preferred the site of Abusir for the construction of his complex to the heavily built necropolis of Saqqara. In doing so he might have influenced by the presence of Userkafs sun temple. Two other factors that may have contributed to the decision are, the proximity of Memphis the capital and seat of power at the time. In particular, Sahures palace Wetjes neferu Sahure, Sahures splendor soars up to heaven, regardless of Sahures motivations, the construction of his complex marks the birth of the necropolis of Abusir which would serve at least until the Saite period some 2000 years later. The pyramid of Sahure is smaller than Userkafs and stood less than one third the height of the pyramid at the time of its completion. In the mean time a greater emphasis was put on the construction of the mortuary temple. The pyramid complex was completed during Sahures lifetime as witnessed by reliefs of the causeway discovered in 1994, remarkable is the absence of peripheral burials for the members of the royal family. Indeed, no mastaba or pyramid of a dating to Sahures time has been discovered as of 2012 in the immediate vicinity of Sahures pyramid
Pyramid of Sahure
–
Sahure's pyramid as seen from the causeway.
Pyramid of Sahure
–
Borchardt's reconstruction of Sahure's valley temple (1910).
Pyramid of Sahure
–
Model of the valley temple, collection of the
Metropolitan Museum of Art.
Pyramid of Sahure
–
The ruined causeway of Sahure's pyramid complex
24.
Sahure
–
Sahure was an Ancient Egyptian pharaoh, the second ruler of the Fifth Dynasty, who reigned for about 12 years in the early 25th century BC. Sahure is considered to be one of the most important kings of the Old Kingdom of Egypt and he was probably the son of his predecessor Userkaf with queen Neferhetepes II, and was in turn succeeded by his son Neferirkare Kakai. During Sahures time on the throne, Egypt had important trade relations with the Levantine coast, Sahure launched several naval expeditions to modern day Lebanon to procure cedar trees, people and exotic items. He also ordered the earliest attested expedition to the land of Punt and this relief is the only one in Egyptian art depicting a king gardening. Sahure sent further expeditions to the mines of turquoise and copper in Sinai and he also possibly ordered military campaigns against Libyan chieftains in the Western Desert, bringing back livestock to Egypt. Sahure had a built for himself in Abusir, thereby abandoning the royal necropolises of Saqqara and Giza. This decision was motivated by the presence of the sun temple of Userkaf in Abusir. The Pyramid of Sahure is much smaller than the pyramids of the preceding 4th Dynasty, the causeway and mortuary temple of his pyramid complex were once adorned by over 10,000 m2 of fine reliefs, which made them renowned in antiquity. The architects of Sahures pyramid complex introduced the use of palmiform columns, Sahure is also known to have constructed a sun temple called The Field of Ra, and although it is yet to be located it is presumably in Abusir as well. Excavations at the pyramid of Sahure in Abusir under the direction of Miroslav Verner, in particular, reliefs from the causeway linking the valley and mortuary temples of the pyramid complex reveal that Sahures mother was queen Neferhetepes II. She was the wife of pharaoh Userkaf, as indicated by the location of her pyramid immediately adjacent to that of Userkaf, which makes Userkaf the father of Sahure in all likelihood. This is further confirmed by the discovery of Sahures cartouche in the temple of Userkaf at Saqqara. This contradicts an older, alternative theory according to which Sahure was the son of queen Khentkawes I, believed to be the wife of the last pharaoh of the preceding 4th Dynasty, following the discoveries of Verner and El-Awady in Abusir this theory is now considered obsolete. Sahure is known to have succeeded by Neferirkare Kakai, who was believed to be his brother until 2005. The same relief further depicts queen Meretnebty, who was thus most likely Sahures consort, three more sons, Horemsaf, Khakare and Nebankhre are shown on reliefs from Sahures mortuary temple, but the identity of their mother is unknown. The relative chronology of Sahures reign is established by historical records and contemporary artefacts. The Turin canon, a king list written during the 19th Dynasty in the early Ramesside era and this number would be only one year more than the Turin Canons 12-year figure for Sahure. It is also closer to the 13 years figure given in Manethos Aegyptiaca, neither of these sources give his reign length
Sahure
–
The
Westcar Papyrus, dating to the
17th Dynasty but probably first written during the
12th Dynasty, tells the myth of the origins of the 5th Dynasty.
Sahure
–
Head of a
gneiss statue of Sahure in the gallery 103 of the New York
Metropolitan Museum of Art.
Sahure
–
Relief from Sahure's mortuary temple showing the Egyptian fleet returning from Syria.
Sahure
–
Relief of Sahure from the
Wadi Maghareh.
25.
Old Kingdom of Egypt
–
The term itself was coined by eighteenth-century historians and the distinction between the Old Kingdom and the Early Dynastic Period is not one which would have been recognized by Ancient Egyptians. The Old Kingdom is most commonly regarded as the period from the Third Dynasty through to the Sixth Dynasty, many Egyptologists also include the Memphite Seventh and Eighth Dynasties in the Old Kingdom as a continuation of the administration centralized at Memphis. During the Old Kingdom, the king of Egypt became a god who ruled absolutely and could demand the services. Under King Djoser, the first king of the Third Dynasty of the Old Kingdom, the capital of Egypt was moved to Memphis. A new era of building was initiated at Saqqara under his reign, King Djosers architect, Imhotep is credited with the development of building with stone and with the conception of the new architectural form—the Step Pyramid. Indeed, the Old Kingdom is perhaps best known for the number of pyramids constructed at this time as burial places for Egypts kings. For this reason, the Old Kingdom is frequently referred to as the Age of the Pyramids, the first king of the Old Kingdom was Djoser of the third dynasty, who ordered the construction of a pyramid in Memphis necropolis, Saqqara. An important person during the reign of Djoser was his vizier and it was in this era that formerly independent ancient Egyptian states became known as nomes, under the rule of the king. The former rulers were forced to assume the role of governors or otherwise work in tax collection, Egyptians in this era worshipped their king as a god, believing that he ensured the annual flooding of the Nile that was necessary for their crops. Egyptian views on the nature of time during this period held that the worked in cycles. They also perceived themselves as a specially selected people, the Old Kingdom and its royal power reached a zenith under the Fourth Dynasty, which began with Sneferu. Using more stones than any king, he built three pyramids, a now collapsed pyramid in Meidum, the Bent Pyramid at Dahshur. However, the development of the pyramid style of building was reached not at Saqqara. Sneferu was succeeded by his son, Khufu who built the Great Pyramid of Giza, after Khufus death, his sons Djedefra and Khafra may have quarrelled. The latter built the pyramid and the Sphinx in Giza. Recent reexamination of evidence has led Egyptologist Vassil Dobrev to propose that the Sphinx had been built by Djedefra as a monument to his father Khufu, alternatively, the Sphinx has been proposed to be the work of Khafra and Khufu himself. There were military expeditions into Canaan and Nubia, with Egyptian influence reaching up the Nile into what is today the Sudan, the later kings of the Fourth Dynasty were king Menkaure, who built the smallest pyramid in Giza, Shepseskaf and, perhaps, Djedefptah. The Fifth Dynasty began with Userkaf and was marked by the importance of the cult of sun god Ra
Old Kingdom of Egypt
–
The
Pyramid of Djoser at
Saqqara.
Old Kingdom of Egypt
–
Temple of Djoser at
Saqqara
Old Kingdom of Egypt
–
Head of a King, ca. 2650-2600 B.C.E,
Brooklyn Museum; The earliest representations of Egyptian Kings are on a small scale. Not until Dynasty III were statues made which show the ruler life-size; this forceful head wearing the tall crown of Upper Egypt even surpasses human scale, both in measurements and in its aim to depict the godlike power and strength of the Pharaoh.
26.
Seth
–
Seth, in Judaism, Christianity, Mandaeism, and Islam, was the third son of Adam and Eve and brother of Cain and Abel, who were the only other of their children mentioned by name in the Tanakh. According to Genesis 4,25, Seth was born after Abels murder, according to Genesis, Seth was born when Adam was 130 years old a son in his likeness and image. The genealogy is repeated at 1 Chronicles 1, 1–3, Genesis 5, 4–5 states that Adam fathered sons and daughters before his death, aged 930 years. According to the Bible, Seth lived to the age of 912, Seth figures in the Life of Adam and Eve, also known in its Greek version as the Apocalypse of Moses, a Jewish pseudepigraphical group of writings. It recounts the lives of Adam and Eve from after their expulsion from the Garden of Eden to their deaths, the surviving versions were composed from the early 3rd to the 5th century, the literary units in the work are considered to be older and predominantly of Jewish origin. There is wide agreement that the original was composed in a Semitic language in the 1st century AD/CE, in the Greek versions Seth and Eve travel to the doors of the Garden to beg for some oil of the tree of mercy. On the way Seth is attacked and bitten by a wild beast, on their return, Adam says to Eve, What hast thou done. Thou hast brought us great wrath which is death. Later only Seth can witness the taking-up of Adam at his funeral in a divine chariot, rashi refers to Seth as the ancestor of Noah and hence the father of all mankind, all other humans having perished in the Great Flood. In gnosticism, Seth is seen as a replacement given by God for Abel and it is said that late in life, Adam gave Seth secret teachings that would become the kabbalah. The Zohar refers to Seth as ancestor of all the generations of the tzaddikim, according to Seder Olam Rabbah, based on Jewish reckoning, he was born in 130 AM. According to Aggadah, he had 33 sons and 23 daughters, according to the Seder Olam Rabbah, he died in 1042 AM. Josephus reports that the pillar of stone remained in the land of Siriad in his day and he stated that there was no way for any pillars of Seth to survive the deluge, because the deluge buried all such pillars and edifices far underground in the sediment of its waters. The 2nd century BC Book of Jubilees, regarded as noncanonical except in the Alexandrian Rite, according to it, in 231 AM Seth married his sister, Azura, who was four years younger than he was. In the year 235 AM, Azura gave birth to Enos, Seth is commemorated as one of the Holy Forefathers in the Calendar of Saints of the Armenian Apostolic Church, along with Adam, Abel, and others, with a feast day on July 26. He is also included in the Genealogy of Jesus, according to Luke 3, the Sethians were a Christian Gnostic sect who may date their existence to before Christianity. Their influence spread throughout the Mediterranean into the systems of the Basilideans. Their thinking, though it is predominantly Judaic in foundation, is strongly influenced by Platonism
Seth
–
Church icon of Seth
27.
Serekh
–
A serekh was a specific important type of heraldic crest used in ancient Egypt. Like the later cartouche, it contained a royal name, a serekh was an ornamental vignette combining a view of a palace facade and a plan of the royal courtyard. The word serekh derives from the Egyptian word for facade, different serekhs on different types of object display countless variations of the facade decor in its complexity and detail. It seems that no strict rules for the design of the serekh itself existed. A serekh was normally used as a royal crest, accentuating and honouring the name of the pharaoh and its use can be dated back as early as the Gerzeh culture. The hieroglyphs forming the name were placed inside a rectangular extension atop the serekh. Additionally, the falcon of the god Horus, or in a few cases the Set animal, topped the serekh, if the word serekh was written in full letters, sometimes accompanied by a miniature of the serekh, it could also be used in text. As already mentioned, the serekh first appears as an ornamental miniature during the late Gerzeh culture, from the Old Kingdom period onward, the first uses of the full written word appear in old papyri
Serekh
–
Serekh of king
Djet with the Horus falcon above
28.
Hieroglyph
–
A hieroglyph is a character of the ancient Egyptian writing system. Logographic scripts that are pictographic in form in a way reminiscent of ancient Egyptian are also sometimes called hieroglyphs, in Neoplatonism, especially during the Renaissance, a hieroglyph was an artistic representation of an esoteric idea, which Neoplatonists believed actual Egyptian hieroglyphs to be. The word hieroglyphics refer to a hieroglyphic script, middle Egyptian, An Introduction to the Language and Culture of Hieroglyphs. Ancient Egyptian Hieroglyphs, A Practical Guide, the Story of Writing, Alphabets, Hieroglyphs & Pictograms
Hieroglyph
–
Egyptian hieroglyphs typical of the Graeco-Roman period, sculpted in
Relief. Glyphs:
viper,
owl,
'bread bun',
folded cloth
29.
Calligraphy
–
Calligraphy is a visual art related to writing. It is the design and execution of lettering with a broad tip instrument, brush, a contemporary calligraphic practice can be defined as, the art of giving form to signs in an expressive, harmonious, and skillful manner. Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable, classical calligraphy differs from typography and non-classical hand-lettering, though a calligrapher may practice both. It is also used for props and moving images for film and television, testimonials, birth and death certificates, maps, the principal tools for a calligrapher are the pen and the brush. Calligraphy pens write with nibs that may be flat, round, for some decorative purposes, multi-nibbed pens—steel brushes—can be used. However, works have also created with felt-tip and ballpoint pens. There are some styles of calligraphy, like Gothic script, which require a stub nib pen, Writing ink is usually water-based and is much less viscous than the oil-based inks used in printing. Normally, light boxes and templates are used to achieve straight lines without pencil markings detracting from the work, ruled paper, either for a light box or direct use, is most often ruled every quarter or half inch, although inch spaces are occasionally used. This is the case with litterea unciales, and college-ruled paper often acts as a guideline well, common calligraphy pens and brushes are, Quill Dip pen Ink brush Qalam Fountain pen Western calligraphy is recognizable by the use of the Latin script. The Latin alphabet appeared about 600 BC, in Rome, and by the first century developed into Roman imperial capitals carved on stones, Rustic capitals painted on walls, in the second and third centuries the uncial lettering style developed. As writing withdrew to monasteries, uncial script was more suitable for copying the Bible. It was the monasteries which preserved calligraphic traditions during the fourth and fifth centuries, at the height of the Empire, its power reached as far as Great Britain, when the empire fell, its literary influence remained. The Semi-uncial generated the Irish Semi-uncial, the small Anglo-Saxon, each region developed its own standards following the main monastery of the region, which are mostly cursive and hardly readable. Christian churches promoted the development of writing through the copying of the Bible, particularly the New Testament. Two distinct styles of writing known as uncial and half-uncial developed from a variety of Roman bookhands, the 7th-9th centuries in northern Europe were the heyday of Celtic illuminated manuscripts, such as the Book of Durrow, Lindisfarne Gospels and the Book of Kells. Charlemagnes devotion to improved scholarship resulted in the recruiting of a crowd of scribes, according to Alcuin, Alcuin developed the style known as the Caroline or Carolingian minuscule. The first manuscript in hand was the Godescalc Evangelistary — a Gospel book written by the scribe Godescalc. Carolingian remains the one hand from which modern booktype descends
Calligraphy
–
Calligraphy
Calligraphy
–
Calligraphy of the German word "Urkunde"(deed)
Calligraphy
–
Folio 27r from the Lindisfarne Gospels (c.700) contains the
incipit from the
Gospel of Matthew.
Calligraphy
–
Calligraphy in a
Latin Bible of 1407 on display in
Malmesbury Abbey,
Wiltshire, England. This bible was hand written in Belgium, by Gerard Brils, for reading aloud in a
monastery.
30.
Monument
–
The term monument is often applied to buildings or structures that are considered examples of important architectural and/or cultural heritage. Monuments have been created for thousands of years, and they are often the most durable, in more recent times, monumental structures such as the Statue of Liberty and Eiffel Tower have become iconic emblems of modern nation-states. The term monumentality relates to the status and physical presence of a monument. Monuments are frequently used to improve the appearance of a city or location, planned cities such as Washington D. C. New Delhi and Brasília are often built around monuments, for example, the Washington Monuments location was conceived by LEnfant to help organize public space in the city, before it was designed or constructed. Older cities have monuments placed at locations that are important or are sometimes redesigned to focus on one. As Shelley suggested in his famous poem Ozymandias, the purpose of monuments is often to impress or awe. Structures created for purposes that have been made notable by their age. This can happen because of age and size, as in the case of the Great Wall of China. Monuments are also designed to convey historical or political information. They can be used to reinforce the primacy of political power. The social meanings of monuments are rarely fixed and certain and are contested by different social groups. This contention of meaning is a theme of modern post processual archaeological discourse. Until recently, it was customary for archaeologists to study large monuments, New ideas about what constitutes the archaeological record have revealed that certain legislative and theoretical approaches to the subject are too focused on earlier definitions of monuments. An example has been the United Kingdoms Scheduled Ancient Monument laws, recently, more and more monuments are being preserved digitally through organisations as CyArk. Cenotaphs and other memorials to commemorate the dead, usually war casualties, e. g. India Gate and Vimy Ridge Memorial, or disaster casualties, such as the Titanic Memorial, Belfast. Church monuments to commemorate the dead, located above or near their grave, often featuring an effigy, columns, often topped with a statue, e. g. Berlin Victory Column, Nelsons Column in London, and Trajans Column in Rome. Gravestones, small monuments to the deceased, placed at their gravesites, e. g. the tombs and vaults of veterans in Les Invalides, mausoleums and tombs to honor the dead, e. g. the Great Pyramid of Giza and Taj Mahal
Monument
–
The
Lincoln Memorial,
Washington Monument, and
US Capitol. The planned US capital
Washington D.C. is built around monuments commemorating founding fathers of the
United States.
Monument
–
The
Great Pyramid of
Giza built almost 5000 years ago as
pharaoh 's
tomb, one of the
Seven Wonders and enduring symbol of
ancient Egyptian civilization since antiquity.
Monument
–
The
Parthenon is regarded as an enduring symbol of
Ancient Greece, the
Athenian democracy, as well as the symbol of
Western Civilization.
Monument
–
The
Colosseum Flavian amphitheatre in
Rome, a popular monument of the
Roman Empire.
31.
Eighteenth Dynasty of Egypt
–
The eighteenth dynasty of ancient Egypt is the best known ancient Egyptian dynasty. It boasts several of Egypts most famous pharaohs, including Tutankhamun, the dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmosis. Famous pharaohs of Dynasty XVIII include Hatshepsut, longest-reigning woman-pharaoh of a dynasty, and Akhenaten. Dynasty XVIII is the first of the three dynasties of the Egyptian New Kingdom, the period in which ancient Egypt reached the peak of its power, radiocarbon dating suggests that Dynasty XVIII may have started a few years earlier than the conventional date of 1550 BC. The radiocarbon date range for its beginning is 1570–1544 BC, the point of which is 1557 BC. The pharaohs of Dynasty XVIII ruled for two hundred and fifty years. The dates and names in the table are taken from Dodson and Hilton, many of the pharaohs were buried in the Valley of the Kings in Thebes. More information can be found on the Theban Mapping Project website, several diplomatic marriages are known for the New Kingdom. These daughters of kings are often only mentioned in cuneiform texts and are not known from other sources. The marriages were likely a way to confirm good relations between these states, Dynasty XVIII was founded by Ahmose I, the brother or son of Kamose, the last ruler of the Dynasty XVII. Ahmose finished the campaign to expel the Hyksos rulers and his reign is seen as the end of the Second Intermediate Period and the start of the New Kingdom. Ahmose was succeeded by his son, Amenhotep I, whose reign was relatively uneventful, Amenhotep I probably left no male heir and the next pharaoh, Thutmose I, seems to have been related to the royal family through marriage. During his reign the borders of Egypts empire reached their greatest expanse, extending in the north to Carchemish on the Euphrates, Thutmose I was succeeded by Thutmose II and his queen, Hatshepsut. Thutmose III who later became known as the greatest military pharaoh ever and he had a second co-regency in his old age with his son Amenhotep II. Amenhotep II was succeeded by Thutmose IV, who in his turn was followed by his son Amenhotep III, the reign of Amenhotep III is seen as a high point in this dynasty. Amenhotep III undertook large scale building programmes, the extent of which can only be compared with those of the much longer reign of Ramesses II during Dynasty XIX. Amenhotep III may have shared the throne for up to twelve years with his son Amenhotep IV, there is much debate about this proposed co-regency. Some experts believe there was a lengthy co-regency, while others prefer to see a short one, there are also many experts who believe no such co-regency existed at all
Eighteenth Dynasty of Egypt
–
Head of an Early Eighteenth Dynasty King, ca. 1539-1493 B.C.,37.38E,
Brooklyn Museum
Eighteenth Dynasty of Egypt
–
Block Statue of Ay, ca. 1336-1327 B.C.E. 66.174.1,
Brooklyn Museum
Eighteenth Dynasty of Egypt
–
Ahmose-Nefertari.
Ahmose-Nefertari was the daughter of
Seqenenre Tao II, a 17th dynasty king who rose up against the
Hyksos. Her brother Ahmose, expelled the Hyksos, and she became queen of a united Egypt. She was deified after she died.
Eighteenth Dynasty of Egypt
–
Amenhotep I gained the throne after his two elder brothers had died. He was the son of Ahmose and Ahmose-Nefertari. He was succeeded by Thutmose I who married his daughter, Ahmose.
32.
Late Period of ancient Egypt
–
It ran from 664 BC until 332 BC. Libyans and Persians alternated rule with native Egyptians, but traditional conventions continued in the arts and it is often regarded as the last gasp of a once great culture, during which the power of Egypt steadily diminished. The Twenty-Sixth Dynasty, also known as the Saite Dynasty after Sais, reigned from 672 BC to 525 BC, canal construction from the Nile to the Red Sea began. One major contribution from the Late Period of ancient Egypt was the Brooklyn Papyrus and this was a medical papyrus with a collection of medical and magical remedies for victims of snakebites based on snake type or symptoms. Artwork during this time was representative of animal cults and animal mummies and this image shows the god Pataikos wearing a scarab beetle on his head, supporting two human-headed birds on his shoulders, holding a snake in each hand, and standing atop crocodiles. The First Achaemenid Period period saw Egypt conquered by an expansive Achaemenid Empire under Cambyses, a total of eight pharaohs from this dynasty ruled over Egypt. The initial period of Achaemenid Persian occupation when Egypt became a satrapy, the Twenty-Eighth Dynasty consisted of a single king, Amyrtaeus, prince of Sais, who rebelled against the Persians. He left no monuments with his name and this dynasty reigned for six years, from 404 BC to 398 BC. The Twenty-Ninth Dynasty ruled from Mendes, for the period from 398 BC to 380 BC, the Thirtieth Dynasty took their art style from the Twenty-Sixth Dynasty. A series of three pharaohs ruled from 380 BC until their defeat in 343 BC led to the re-occupation by the Persians. The final ruler of dynasty, and the final native ruler of Egypt until nearly 2,300 years later, was Nectanebo II. There was a Second Achaemenid Period of the Thirty-First Dynasty, and consisted of four pharaohs, Artaxerxes III, Artaxerxes IV, Khababash, gozzoli, The Writing of History in Ancient Egypt During the First Millennium BCE. Trend and Perspectives, London 2006, ISBN 0-9550256-3-X Lloyd, Alan B.2000, the Oxford History of Ancient Egypt, edited by Ian Shaw. Oxford and New York, Oxford University Press, 71-74 Primary sources Herodotus Fragments of Ctesias Thucydides Diodorus Siculus Fragments of Manetho Flavius Josephus
Late Period of ancient Egypt
Late Period of ancient Egypt
–
Egypt 664-332 BC -
Brooklyn Museum
Late Period of ancient Egypt
–
Figure of Pataikos, 664-30 BC -
Brooklyn Museum
33.
Naos (shrine)
–
The naos is a symbol used in ancient Egypt. In Egyptian hieroglyphs, two versions exist of the character translated as naos, the older one dating to the Old Kingdom era. The naos as a shrine is known in its typically Egyptian form since the beginning of Ancient Egyptian history. It eventually came to be represented as an Egyptian hieroglyph, some of the oldest examples are from the labels of the early pharaohs. The Early Dynastic king Narmer is shown on the Narmer Macehead seated in a naos, a statue of a person holding a little naos, such as the statue of the Ramesside overseer of the treasury Panehsy, is called naophorous. The earliest examples of such statues date to the 18th dynasty, the early Old Kingdom labels, for example Pharaoh Den, portrayed him in a side view in his naos shrine. An example of the combined, opposed, view with the two crowns, is the lintel of Senusret II, 12th dynasty, 19th century BC and it shows the naos curved roofs of each half of the pavilion hieroglyph. Gardiners Sign List#O. Buildings, Parts of Building, etc
Naos (shrine)
–
King
Den label,
Old Kingdom.
Naos (shrine)
–
The
Narmer Macehead, left of centre the naos with Narmer sitting in it
34.
Sed festival
–
The Sed festival was an ancient Egyptian ceremony that celebrated the continued rule of a pharaoh. The name is taken from the name of an Egyptian wolf god and this tail might have been the vestige of a previous ceremonial robe made out of a complete animal skin. In his sun temple at Abu Ghurab, of Akhenaten at East Karnak, the ancient festival might, perhaps, have been instituted to replace a ritual of murdering a pharaoh who was unable to continue to rule effectively because of age or condition. Eventually, Sed festivals were celebrated after a ruler had held the throne for thirty years. They primarily were held to rejuvenate the pharaohs strength and stamina while still sitting on the throne, there is clear evidence for early pharaohs celebrating the Heb Sed, such as the First Dynasty pharaoh Den and the Third Dynasty pharaoh Djoser. In the Pyramid of Djoser, there are two stones in his Heb Sed court, which is within his pyramid complex. He also is shown performing the Heb Sed in a false doorway inside his pyramid, one of the earliest Sed festivals for which there is substantial evidence is that of the Sixth Dynasty pharaoh Pepi I Meryre in the South Saqqara Stone Annal document. The most lavish, judging by surviving inscriptions, were those of Ramesses II, pharaohs who followed the typical tradition, but did not reign so long as 30 years had to be content with promises of millions of jubilees in the afterlife. Upon her husbands death, the eligible male in the royal family was a stepson. He was made a consort and, shortly thereafter, she was crowned pharaoh and he had appointed his daughter to the highest administrative office in his government, giving her a co-regents experience at ruling many aspects of his bureaucracy. This reflects an oracular assertion supported by the priests of Amun-Re that her father named her as heir to the throne, Akhenaten made many changes to religious practices in order to remove the stranglehold on the country by the priests of Amun-Re, whom he saw as corrupt. His religious reformation may have begun with his decision to celebrate his first Sed festival in his regnal year. His purpose may have been to gain an advantage against the temple, since a Sed-festival was a royal jubilee intended to reinforce the pharaohs divine powers. At the same time he moved his capital away from the city that these priests controlled. Media related to Sed festival at Wikimedia Commons
Sed festival
–
Detail from an ebony label of the
First Dynasty pharaoh
Den, depicting him running around the ritual boundary markers as part of the Sed festival
35.
Necropolis
–
A necropolis is a large, designed cemetery with elaborate tomb monuments. The name stems from the Ancient Greek νεκρόπολις nekropolis, literally meaning city of the dead, the term usually implies a separate burial site at a distance from a city, as opposed to tombs within cities, which were common in various places and periods of history. They are different from fields, which did not have remains above the ground. While the word is most commonly used for ancient sites, the name was revived in the early 19th century and applied to planned city cemeteries, such as the Glasgow Necropolis. Aside from the pyramids which were reserved for the burial of Pharaohs the Egyptian necropoleis included mastabas, naqsh-e Rustam is an ancient necropolis located about 12 km northwest of Persepolis, in Fars Province, Iran. The oldest relief at Naqsh-i Rustam dates to c.1000 BC, though it is severely damaged, it depicts a faint image of a man with unusual head-gear and is thought to be Elamite in origin. The depiction is part of an image, most of which was removed at the command of Bahram II. Four tombs belonging to Achaemenid kings are carved out of the face at a considerable height above the ground. The tombs are known locally as the Persian crosses, after the shape of the facades of the tombs, later, Sassanian kings added a series of rock reliefs below the tombs. In the Mycenean Greek period pre-dating ancient Greece burials could be performed inside the city, in Mycenae for example the royal tombs were located in a precinct within the city walls. This changed during the ancient Greek period when necropoleis usually lined the roads outside a city, there existed some degree of variation within the ancient Greek world however. Sparta was notable for continuing the practice of burial within the city, the Etruscans took the concept of a city of the dead quite literally. The typical tomb at the Banditaccia necropolis at Cerveteri consists of a tumulus which covers one or more rock-cut subterranean tombs and these tombs had multiple chambers and were elaborately decorated like contemporary houses. The arrangement of the tumuli in a grid of streets gave it a similar to the cities of the living. The art historian Nigel Spivey considers the name cemetery inadequate and argues that only the term necropolis can do justice to these burial sites. Etruscan necropoleis were located on hills or slopes of hills. In ancient Rome families originally buried deceased relatives in their own homes because of the Roman practice of ancestor worship, the enactment of the Twelve Tables in 449 BC forbade this, which made the Romans adopt the practice of burial in necropoleis. List of necropoleis Funerary art Catacombs
Necropolis
–
Mastabas in the
Giza Necropolis with the
Pyramid of Khafre in the background.
Necropolis
–
Naqsh-e Rustam. The order of the tombs in Naqshe-e Rustam, from left to right is:
Darius II,
Artaxerxes I,
Darius I,
Xerxes I.
Necropolis
–
Tumuli are placed along a street in the Banditaccia necropolis of
Cerveteri.
36.
Saqqara
–
Saqqara, also spelled Sakkara or Saccara in English /səˈkɑːrə/, is a vast, ancient burial ground in Egypt, serving as the necropolis for the Ancient Egyptian capital, Memphis. Saqqara features numerous pyramids, including the world-famous Step pyramid of Djoser, sometimes referred to as the Step Tomb due to its rectangular base, located some 30 km south of modern-day Cairo, Saqqara covers an area of around 7 by 1.5 km. At Saqqara, the oldest complete stone building known in history was built, Djosers step pyramid. Another 16 Egyptian kings built pyramids at Saqqara, which are now in states of preservation or dilapidation. High officials added private funeral monuments to this necropolis during the pharaonic period. It remained an important complex for non-royal burials and cult ceremonies for more than 3,000 years, well into Ptolemaic, north of the area known as Saqqara lies Abusir, south lies Dahshur. The area running from Giza to Dahshur has been used as a necropolis by the inhabitants of Memphis at different times, some scholars believe that the name Saqqara is not derived from the ancient Egyptian funerary god Sokar, but from a supposed local Berber Tribe called Beni Saqqar. The earliest burials of nobles can be traced back to the First Dynasty, during this time, the royal burial ground was at Abydos. The first royal burials at Saqqara, comprising underground galleries, date to the Second Dynasty, the last Second Dynasty king Khasekhemwy was buried in his tomb at Abydos, but also built a funerary monument at Saqqara consisting of a large rectangular enclosure, known as Gisr el-Mudir. It probably inspired the monumental enclosure wall around the Step Pyramid complex, Djosers funerary complex, built by the royal architect Imhotep, further comprises a large number of dummy buildings and a secondary mastaba. French architect and Egyptologist Jean-Philippe Lauer spent the part of his life excavating and restoring Djosers funerary complex. During the second half of the Old Kingdom, under the Fifth and Sixth Dynasties, the Fifth and Sixth Dynasty pyramids are not built of massive stone, but with a core consisting of rubble. They are consequently less well preserved than the world-famous pyramids built by the Fourth Dynasty kings at Giza, Unas, the last ruler of the Fifth Dynasty, was the first king to adorn the chambers in his pyramid with Pyramid Texts. It was custom for courtiers during the Old Kingdom to be buried in mastaba tombs close to the pyramid of their king, clusters of private tombs were thus formed in Saqqara around the pyramid complexes of Unas and Teti. Few private monuments from this period have been found at Saqqara, Pyramid of king Khendjer Pyramid of an unknown king During the New Kingdom Memphis was an important administrative and military centre, being the capital after the Amaran Period. From the Eighteenth Dynasty onwards many high officials built tombs at Saqqara, when still a general, Horemheb built a large tomb here, though he was later buried as Pharaoh in the Valley of the Kings at Thebes. Other important tombs belong to the vizier Aperel, the vizier Neferrenpet, the artist Thutmose and to Maia, many monuments from earlier periods were still standing, but dilapidated by this period. Prince Khaemweset, son of Pharaoh Ramesses II, made repairs to buildings at Saqqara, among other things, he restored the Pyramid of Unas and added an inscription to its south face to commemorate the restoration
Saqqara
–
The stepped
Pyramid of Djoser at Saqqara
Saqqara
–
Map of the site
Saqqara
–
View of Saqqara necropolis, including
Djoser 's
step pyramid (centre), the
Pyramid of Unas (left) and the
Pyramid of Userkaf (right).
Saqqara
–
Funerary complex of Djoser
37.
Senwosret I
–
Senusret I, also anglicized as Sesostris I and Senwosret I, was the second pharaoh of the Twelfth Dynasty of Egypt. He ruled from 1971 BC to 1926 BC, and was one of the most powerful kings of this Dynasty and he was the son of Amenemhat I and his wife Nefertitanen. His wife and sister was Neferu and she was also the mother of the successor Amenemhat II. Senusret I was known by his prenomen, Kheperkare, which means the Ka of Re is created and he also organized an expedition to a Western Desert oasis. Senusret I established diplomatic relations with rulers of towns in Syria. He also tried to centralize the countrys political structure by supporting nomarchs who were loyal to him and his pyramid was constructed at el-Lisht. Senusret I dispatched several quarrying expeditions to the Sinai and Wadi Hammamat and built numerous shrines and temples throughout Egypt and he rebuilt the important temple of Re-Atum in Heliopolis which was the centre of the sun cult. He erected 2 red granite obelisks there to celebrate his Year 30 Heb Sed Jubilee, one of the obelisks still remains and is the oldest standing obelisk in Egypt. It is now in the Al-Masalla area of Al-Matariyyah district near the Ain Shams district and it is 67 feet tall and weighs 120 tons or 240,000 pounds. A shrine with fine, high quality reliefs of Senusret I, was built at Karnak to commemorate his Year 30 jubilee and it has subsequently been successfully reconstructed from various stone blocks discovered by Henri Chevrier in 1926. Finally, Senusret remodelled the Temple of Khenti-Amentiu Osiris at Abydos, some of the key members of the court of Senusret I are known. The vizier at the beginning of his reign was Intefiqer, who is known from many inscriptions and he seems to have held this office for a long period of time and was followed by a vizier named Senusret. Two treasurers are known from the reign of the king, Sobekhotep and Mentuhotep, the latter had a huge tomb next to the pyramid of the king and he seems to have been the main architect of the Amun temple at Karnak. Hor is known from several stelae and from an inscription in the Wadi el-Hudi where he was evidently the leader of an expedition for amethyst, one of the stelae is dated to year nine of the king. A certain Nakhr followed in office attested around year 12 of the king, a certain Antef, son of a woman called Zatamun is known again from several stelae, one dates to year 24 another one to year 25 of Senusret I. Another Antef was the son a woman called Zatuser and was most likely also high steward in the kings reign, Senusret was crowned coregent with his father, Amenemhat I, in his fathers 20th regnal year. Towards the end of his own life, he appointed his son Amenemhat II as his coregent, the stele of Wepwawetō is dated to the 44th year of Senusret and to the 2nd year of Amenemhet, thus he would have appointed him some time in his 43rd year. Senusret is thought to have died during his 46th year on the throne since the Turin Canon ascribes him a reign of 45 Years, loyalist Teaching Senusret Kheperkare Sesostris I
Senwosret I
–
Heliopolis obelisk (Senusret I)
Senwosret I
–
Bust of Senusret I in the Neues Museum, Berlin
Senwosret I
–
Osiride statue (Senusret I)
Senwosret I
–
Stone weight with Senusret I's cartouche
38.
Hedjet
–
Hedjet is the formal name for the White Crown of pharaonic Upper Egypt. The crown was white and, after the unification of Egypt, it was combined with the Deshret, the Red Crown of Lower Egypt, to form the Pschent, the Double Crown of Egypt. The symbol sometimes used for the Hedjet was the vulture goddess Nekhbet shown next to the head of the cobra goddess Wadjet, the earliest image of the Hedjet was thought to have been in the Qustul in Nubia. According to Jane Roy, New evidence from Abydos, however, particularly the excavation of Cemetery U, Nekhbet, the tutelary goddess of Nekhebet near Hierakonpolis, was depicted as a woman, sometimes with the head of a vulture, wearing the White Crown. The falcon god Horus of Hierakonpolis was generally shown wearing a White Crown, a famous depiction of the White Crown is on the Narmer Palette found at Hierakonpolis in which the king of the South wearing the hedjet is shown triumphing over his northern enemies. The kings of the united Egypt saw themselves as successors of Horus, vases from the reign of Khasekhemwy show the king as Horus wearing the White Crown. As with the Deshret, no example of the White Crown has survived and it is unknown how it was constructed and what materials were used. Felt or leather have been suggested, but this is purely speculative, the fact that no crown has ever been found, even in relatively intact tombs might suggest that the crown was passed from one regent to the next, much as in present day monarchies. Atef - Hedjet Crown with feathers identified with Osiris Khepresh - Blue or War Crown also called Royal Crown Uraeus - Rearing Cobra N-red crown N-water ripple
Hedjet
–
Small bronze statuary usage with the Hedjet, White crown
Hedjet
–
Hedjet, the White Crown of Upper Egypt
39.
Cartouche
–
In Egyptian hieroglyphs, a cartouche /kɑːrˈtuːʃ/ is an oval with a horizontal line at one end, indicating that the text enclosed is a royal name. They came into use during the beginning of the Fourth Dynasty under Pharaoh Sneferu, while the cartouche is usually vertical with a horizontal line, it is sometimes horizontal if it makes the name fit better, with a vertical line on the left. The Ancient Egyptian word for it was shenu, and it was essentially an expanded shen ring, in Demotic, the cartouche was reduced to a pair of brackets and a vertical line. Of the five royal titularies it was the prenomen, the name, and the Son of Ra titulary, the so-called nomen name given at birth. At times amulets were given the form of a cartouche displaying the name of a king, such items are often important to archaeologists for dating the tomb and its contents. Cartouches were formerly worn by Pharaohs. The oval surrounding their name was meant to them from evil spirits in life. The cartouche has become a symbol representing good luck and protection from evil, egyptians believed that one who had their name recorded somewhere would not disappear after death. A cartouche attached to a coffin satisfied this requirement, there were periods in Egyptian history when people refrained from inscribing these amulets with a name, for fear they might fall into somebodys hands conferring power over the bearer of the name. In the Rosetta Stone, the hieroglyph is used for the word name. For the cartouche cut in half, the half-cartouche hieroglyph, Gardiners sign listed no, v11, is used in the Egyptian language for words meaning, to cut, to divide, to separate. It was the use of cartouches on the Rosetta Stone that was the biggest clue allowing Jean-François Champollion to decipher hieroglyphics, cartouche Serekh, a predecessor to the cartouche Shen ring General Budge. The Rosetta Stone, E. A. Wallis Budge, c, archived from the original on June 15,2011
Cartouche
–
Ancient Egyptian cartouche of
Thutmose III,
Karnak, Egypt.
40.
Style (visual arts)
–
In the visual arts, style is a. distinctive manner which permits the grouping of works into related categories. Or. any distinctive, and therefore recognizable, way in which an act is performed or a made or ought to be performed. By style he selects and shapes the history of art, Style is often divided into the general style of a period, country or cultural group, group of artists or art movement, and the individual style of the artist within that group style. Divisions within both types of styles are made, such as between early, middle or late. In some artists, such as Picasso for example, these divisions may be marked and easy to see, Style often develops in a series of jumps, with relatively sudden changes followed by periods of slower development. Whether the artist makes a choice of style, or can identify his own style. Artists in recent developed societies tend to be conscious of their own style, arguably over-conscious. Most stylistic periods are identified and defined later by art historians, the names of most older styles are the invention of art historians and would not have been understood by the practitioners of those styles. Some originated as terms of derision, including Gothic, Baroque, cubism on the other hand was a conscious identification made by a few artists, the word itself seems to have originated with critics rather than painters, but was rapidly accepted by the artists. Western art, like that of other cultures, most notably Chinese art, has a marked tendency to revive at intervals classic styles from the past. Giorgio Vasari set out a hugely influential but much-questioned account of the development of style in Italian painting from Giotto to his own Mannerist period and he stressed the development of a Florentine style based on disegno or line-based drawing, rather than Venetian colour. Paul Jacobsthal and Josef Strzygowski are among the art historians who followed Riegl in proposing grand schemes tracing the transmission of elements of styles across great ranges in time and this type of art history is also known as formalism, or the study of forms or shapes in art. Terms originated to describe architectural periods were often applied to other areas of the visual arts, and then more widely still to music, literature. In architecture stylistic change often follows, and is possible by. Meyer Schapiro, James Ackerman, Ernst Gombrich and George Kubler have made contributions to the debate. The use of such as Counter-Maniera appears to be in decline. However this cannot be said to have gained support among art historians. The exercise of conoisseurship is largely a matter of subjective impressions that are hard to analyse, but also a matter of knowing details of technique and the hand of different artists
Style (visual arts)
–
La Vie by
Pablo Picasso, 1903; falling under the "style label" of
Picasso's Blue Period
Style (visual arts)
–
Les Demoiselles d'Avignon (1907), also by Picasso in a different style ("
Picasso's African Period ") four years later.
Style (visual arts)
–
14th century
Islamic ornament in ivory, centred on a
palmette;
Alois Riegl 's
Stilfragen (1893) traced the evolution and transmission of such motifs.
Style (visual arts)
–
Georges Seurat 's very individual technique and style,
Le Chahut, 1889-90
41.
Djoser
–
Djoser was an ancient Egyptian pharaoh of the 3rd dynasty during the Old Kingdom and the founder of this epoch. He is well known under his Hellenized names Tosorthros and Sesorthos and he was the son of king Khasekhemwy and queen Nimaathap, but if he also was the direct throne successor is still unclear. The painted limestone statue of Djoser, now in the Egyptian Museum in Cairo, is the oldest known life-sized Egyptian statue, today at the site in Saqqara where it was found, a plaster copy of the statue stands in place of the original. The statue was found during the Antiquities Service Excavations of 1924–1925, in contemporary inscriptions, he is called Netjerikhet, meaning divine of body. Later sources, which include a New Kingdom reference to his construction, help confirm that Netjerikhet, more significantly, the English Egyptologist Toby Wilkinson has demonstrated that burial seals found at the entrance to Khasekhemwys tomb in Abydos name only Djoser, rather than Nebka. This supports the view that it was Djoser who buried and, hence, directly succeeded Khasekhemwy and this is also suggested by another jar sealing, dating to Djosers reign, calling her Mother of the King of the Two Lands. Her cult seems to have still been active in the reign of Sneferu. Inetkawes was their only known by name. There was also a royal female attested during Djosers reign. The relationship between Djoser and his successor, Sekhemkhet, is not known, and the date of his death is uncertain, manetho states Djoser ruled Egypt for twenty-nine years, while the Turin King List states it was only nineteen years. Because of his many building projects, particularly at Saqqara. Manethos figure appears to be accurate, according to Wilkinsons analysis. Unfortunately, next to all entrances are illegible today, the Year of coronation is preserved, followed by the year events receiving the twin-pillars and stretching the cords for the fortress Qau-Netjerw. Djoser dispatched several military expeditions to the Sinai Peninsula, during which the inhabitants were subdued. He also sent expeditions there to mine for minerals such as turquoise. This is known from inscriptions found in the desert there, sometimes displaying the banner of Seth alongside the symbols of Horus, the Sinai was also strategically important as a buffer between the Nile valley and Asia. His most famous monument was his step pyramid, which entailed the construction of several mastaba tombs one over another and these forms would eventually lead to the standard pyramid tomb in the later Old Kingdom. Some fragmentary reliefs found at Heliopolis and Gebelein mention Djosers name, also, he may have fixed the southern boundary of his kingdom at the First Cataract
Djoser
–
Limestone statue of Djoser from his
serdab
Djoser
–
Cartouche name...djeser-sah in the king list of Abydos. Note the upper part of the cartouche, which shows signs of erased hieroglyphs.
Djoser
–
The Famine Stele, mentioning Djoser.
Djoser
–
Step Pyramid of Zoser, old photography.
42.
Relief
–
Relief, formerly known as Panorama, is a public affairs newsmagazine series in Canada, airing nightly in Ontario on TFO, the Franco-Ontarian public television network. The series is hosted by Gisèle Quenneville, reporters associated with the series include Melanie Routhier-Boudreau, Isabelle Brunet, Marie Duchesneau, Luce Gauthier, Frédéric Projean and Chantal Racine. Longtime host Pierre Granger retired from the series in 2009, the series was renamed RelieF in fall 2010. The show airs seven nights a week at 7 p. m, from Monday to Thursday, it airs news and public affairs. On Fridays, the program airs documentary programming, on Saturdays, it airs a week in review edition, and on Sundays it airs an arts and culture magazine
Relief
43.
Pyramid of Djoser
–
The Pyramid of Djoser, or step pyramid is an archeological remain in the Saqqara necropolis, Egypt, northwest of the city of Memphis. It was built during the 27th century BC for the burial of Pharaoh Djoser by his vizier and it is the central feature of a vast mortuary complex in an enormous courtyard surrounded by ceremonial structures and decoration. This first Egyptian pyramid consisted of six mastabas built atop one another in what were clearly revisions, the pyramid originally stood 62 metres tall, with a base of 109 m ×125 m and was clad in polished white limestone. Djoser was the first or second king of the 3rd Dynasty of the Egyptian Old Kingdom and he is believed to have ruled for 19 years or, if the 19 years were biennial taxation years,38 years. He reigned long enough to allow the plan for his pyramid to be realized in his lifetime. Djoser is best known for his tomb, which dominates the Saqqara landscape. In this tomb he is referred to by his Horus name Netjeriykhet, Djoser’s step pyramid is astounding in its departure from previous architecture. It sets several important precedents, perhaps the most important of which is its status as the first monumental structure made of stone, the social implications of such a large and carefully sculpted stone structure are staggering. The process of building such a structure would be far more labor-intensive than previous monuments of mud-brick and this suggests that the state, and therefore the royal government had a new level of control of resources, both material and human. Also, from this point on, kings of the Old Kingdom are buried in the North, finally, another intriguing first is the identification of the architect Imhotep, who is credited with the design and construction of the complex. Djoser’s Pyramid draws ideas from several precedents, the most relevant precedent is found at Saqqara mastaba 3038. The substructure lay in a 4m deep rectangular pit, and had mudbrick walls rising to 6 m, three sides were extended and built out to create eight shallow steps rising at an angle of 49°. This would have been a step pyramid if the remaining side had not been left uncovered. In another parallel to Djoser’s complex, to complete this complex an niched enclosure wall was erected. Djoser’s Step Pyramid complex has several structures pivotal to its function in life and the afterlife. Several are discussed below with attention paid to function and form, the pyramid was not simply a grave in ancient Egypt. Its purpose was to facilitate a successful afterlife for the king so that he could be eternally reborn, another well accepted theory is that it facilitated the king’s ascension to join the eternal North Star. The main excavator of the Step Pyramid was Jean-Philippe Lauer, a French architect who reconstructed key portions of the complex, the complex covers 15ha and is about 2.5 times as large as the Old Kingdom town of Heirakonpolis
Pyramid of Djoser
–
Pyramid of Djoser
Pyramid of Djoser
–
Perspective view, plan and elevation images Djoser's Pyramid Complex taken from a 3d model
Pyramid of Djoser
–
Entry hall. Step Pyramid Complex, Saqqara.
Pyramid of Djoser
–
Temples of the festival complex.
44.
International Standard Book Number
–
The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
International Standard Book Number
–
A 13-digit ISBN, 978-3-16-148410-0, as represented by an
EAN-13 bar code
45.
Naqada III
–
Naqada III is the last phase of the Naqada culture of ancient Egyptian prehistory, dating approximately from 3200 to 3000 BC. It is the period during which the process of state formation and they would more probably have been completely unrelated and very possibly in competition with each other. In this period, those names were inscribed in the form of serekhs on a variety of surfaces including pottery. The Protodynastic Period in ancient Egypt was characterised by a process of political unification. Furthermore, it is during this time that the Egyptian language was first recorded in hieroglyphs, there is also strong archaeological evidence of Egyptian settlements in southern Canaan during the Protodynastic Period, which are regarded as colonies or trading entrepôts. State formation began during this era and perhaps even earlier, various small city-states arose along the Nile. Centuries of conquest then reduced Upper Egypt to three states, Thinis, Naqada, and Nekhen. Sandwiched between Thinis and Nekhen, Naqada was the first to fall, nekhens relationship with Thinis is uncertain, but these two states may have merged peacefully, with the Thinite royal family ruling all of Egypt. The Thinite kings were buried at Abydos in the Umm el-Qaab cemetery, most Egyptologists consider Narmer to be both the last king of this period and the first king of the First Dynasty. Southern Canaan as an Egyptian Protodynastic Colony, the Emergence of the Egyptian State. The Oxford History of Ancient Egypt, Oxford and New York, Oxford University Press. The Prehistory of Egypt, From the First Egyptians to the First Pharaohs, the Oxford History of Ancient Egypt. Contacts Between Egypt and Syro-Palestine During the Protodynastic Period, biblical Archeologist, Perspectives on the Ancient World from Mesopotamia to the Mediterranean. Http, //www. touregypt. net/featurestories/hdyn00. htm Unification Theories, Digital Egypt, UK, UCL
Naqada III
–
The
Narmer Palette, thought to mark the unification of Upper and Lower Egypt; note the images of the goddess
Bat at the top, as well as the
serpopards that form the central intertwined image.
46.
Double Falcon
–
Double Falcon was a ruler of Lower Egypt from Naqada III. He may have reigned during the 32nd century BCE, the length of his reign is unknown. It was in 1910 that Egyptologist M. J. Clédat discovered the first evidence for Double Falcon, investigating the site, Clédat soon discovered four serekhs of Double Falcon. The next attestation of Double Falcon was discovered in 1912 during excavations by Hermann Junker on the site of Tura, the concentration of Double Falcons serekhs in Lower Egypt and the north-western Sinai indicates that his rule may have been limited to these regions. The serekh of Double Falcon is unique in its layout and composition, firstly, it is the only serekh topped by two Horus falcons, facing each other. Secondly, the serekh does not have a compartment, being filled by the vertical lines which usually represent the niched facade of a palace. The serekh also lacks the line that delimits the palace facade from the name of the ruler above. Finally, each falcon stands on its own peak, egyptologists M. J. Cledat, Günter Dreyer and Edwin van den Brink suspect that a deeper symbolism explains these peculiarities. The two falcons could represent Lower Egypt and the Sinai, as it seems that Double Falcon reigned over both regions. In contrast, van den Brink reads the name as Nebwy, the two lords, and sees a similarity with a much earlier palette on display in the Barbier-Mueller Museum of Geneva
Double Falcon
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Serekh of Double Falcon. Redrawing of an inscription on a vessel found in El-Beda.
47.
Iry-Hor
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Iry-Hor or Ro was a predynastic pharaoh of Upper Egypt during the 32nd century BC. Until recently, Iry-Hors existence was debated, with the Egyptologist Toby Wilkinson contesting the reading, however, continuing excavations at Abydos in the 1980s and 1990s and the discovery in 2012 of an inscription of Iry-Hor in the Sinai confirmed his existence. Iry-Hor is the earliest ruler of Egypt known by name and possibly the earliest historical person known by name, Iry-Hors name is written with the Horus falcon hieroglyph above a mouth hieroglyph. Given the archaic nature of the name, the translation proved difficult and, in the absence of better alternative, in the 1990s, Werner Kaiser and Günter Dreyer translate Iry-Hors name as Companion of Horus. Toby Wilkinson, who contested that Iry-Hor was a king, translated the signs as Property of the king. e, reading the bird above the mouth-sign as the swallow hieroglyph G36 rather than the Horus falcon. They translated the name as Spokesman or Chief and this was consequently accepted by von Beckerath and Iry-Hor is now the first entry in the latest edition of von Beckeraths Handbook of Egyptian Pharaohs. Until 2012, the name of Iry-Hor had not been found in or next to a serekh, Egyptologists Flinders Petrie, Laurel Bestock and Jochem Kahl nonetheless believed that he was indeed a real ruler. They pointed to the spelling of Iry-Hors name, the Horus falcon holds the mouth hieroglyph in its claws. On several clay seals, this group of characters is accompanied by a second. This notation is reminiscent of numerous anonymous serekhs held by a Horus falcon with individual hieroglyphs placed close to it rather than within the serekh, finally, the serekh could have been a convention that started with Ka, whose name has been found both with and without a serekh. Therefore, they concluded that the argument that Iry-Hor was not a king because his name was never found in a serekh was insufficient, supporters of the identification of Iry-Hor as a king, such as egyptologist Darell Baker, also pointed to the size and location of his tomb. It is a tomb, as big as those of Ka and Narmer. Furthermore, Iry-Hors name is inscribed on a large jar exhibiting the royal Horus falcon and is similar to found in the tombs of other kings of this period. In contrast, some Egyptologists doubted Iry-Hor even existed, precisely because his name never appeared in a serekh, Ludwig D. Morenz and Kurt Heinrich Sethe doubted the reading of Iry-Hors name and thus that he was a king. Morenz, for example, suspected that the sign may simply have been a phonetic complement to the Horus falcon. Sethe understood the group of characters forming Iry-Hors name as an indication of origin, Toby Wilkinson dismissed the tomb attributed to Iry-Hor as a storage pit and the name as a treasury mark. Indeed, r-Ḥr may simply mean property of the king, dreyers excavations of the necropolis of Abydos revealed that Iry-Hor was in fact well attested there with over 27 objects bearing his name and that his tomb was of royal proportions. Furthermore, in 2012 an inscription mentioning Iry-Hor was discovered in the Sinai, the inscription mentions the city of Memphis, pushing back its foundation to before Narmer and establishing that Iry-Hor was already reigning over it
Iry-Hor
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Signs r-Ḥr inscribed on a large vessel from the tomb of Iry-Hor,
Ashmolean Museum.
Iry-Hor
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Name of Iry-Hor as found in Abydos.
Iry-Hor
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Iry-Hor's tomb at the
Umm el-Qa'ab comprises two separate chambers B1 and B2, shown in inset. Iry-Hor's tomb is located close to Ka's (B7, B8, B9) and Narmer's tombs (B17, B18).
48.
Ka (pharaoh)
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Ka, also Sekhen, was a Predynastic pharaoh of Upper Egypt belonging to Dynasty 0. He probably reigned during the first half of the 32nd century BC, the length of his reign is unknown. The correct reading of Kas name remains uncertain, the second form of that writing indicates a reading as Sekhen rather than Ka. It was also thought to be the name of Narmer. Because the reading of the name is so uncertain, Egyptologists, Ka ruled over Thinis in the first half of 32nd century BC and was buried at Umm el-Qaab. He most likely was the successor to Iry-Hor and was succeeded either by Narmer or by Scorpion II. He is the earliest known Egyptian king with a serekh inscribed on a number of artifacts and this may thus be an innovation of his reign. Ka is one of the best attested predynastic kings with Narmer, the number of artifacts bearing Kas serekh found outside Abydos is much greater than that of his predecessor. This may be the sign of an influence and perhaps conquest of larger portions of Egypt by the Thinite kings. Two underground chambers, B7 and B9, in the Umm el-Qaab necropolis of Abydos are believed to be part of the tomb of King Ka. Each chamber is 1.90 m deep, B.7 is 6.0 ×3.2 m while B.9 is slightly smaller at 5.9 x 3.1 m, Kas tomb was first excavated by Petrie in 1902. The excavations yielded fragments of flint knife and pottery, in the southernmost chamber B7, more than forty inscriptions have been found on tall jars and cylinder vessels as well as a seal impression. The tomb of Ka is close to that of Iry-Hor and Narmer, furthermore, it is located within a sequential order linking the older U cemetery with the First Dynasty tombs, thus suggesting that Ka succeeded Iry-Hor and preceded Narmer on the throne. Wilkinson, Toby AH, Early Dynastic Egypt, London/New York, Routledge, ISBN 0-415-18633-1
Ka (pharaoh)
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Vessel found at
Tarkhan bearing the
serekh of king Ka.
Petrie Museum, London
Ka (pharaoh)
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Seal impression with Ka's serekh. Note the absence of the Horus falcon.
British Museum.
Ka (pharaoh)
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Ka's tomb in the
Umm el-Qa'ab
49.
Scorpion II
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Scorpion II, also known as King Scorpion, refers to the second of two kings or chieftains of that name during the Protodynastic Period of Upper Egypt. King Scorpions name and title are of great dispute in modern Egyptology and his name is often introduced by a six- or seven-leafed, golden rosette or flower-sign. Its precise meaning has been discussed, the most common interpretation is that of an emblem meaning nomarch or high lord. Thus, the golden rosette became an emblem of Seshat. The reading of the sign is also disputed. Most linguists and Egyptologists read it Neb or Nesw, and they are convinced that the rosette was some kind of forerunner to the later serekh. The scorpion fetish, which underlies the name of Scorpion II, is linked to the later-introduced goddess Selket. But Egyptologists and linguists such as L. D, morenz, H. Beinlich, Toby Wilkinson and Jan Assmann have pointed out that the goddess was introduced no earlier than the late Old Kingdom period. In this view, the fetish of the protodynastic period should not be associated with Selket. Morenz points out that, in cases where an animal is included in a rulers name. The scorpion animal commonly stood for dangerous things, such as poison and illness, since it is unclear what actual meaning was reserved for the serekh animal of Scorpion II, scholars usually refer to him as King Scorpion II. There are several theories regarding his identity and chronological position and they also argue that the artistic style seen on the macehead of Scorpion II shows conspicuous similarities to that on the famous Narmer macehead. Wilkinson, Renée Friedman and Bruce Trigger, have identified king Scorpion II as the Gegenkönig of Narmer, at the time of Scorpion II, Egypt was divided into several minor kingdoms that were fighting each other. It is likewise conjectured that Narmer simply conquered the realms of Ka and Scorpion II and it is currently on display at the Ashmolean Museum, Oxford. The stratigraphy of this macehead was lost due to the methods of its excavators, the Scorpion Macehead depicts a single, large figure wearing the White Crown of Upper Egypt. He holds a hoe, which has interpreted as a ritual either involving the pharaoh ceremonially cutting the first furrow in the fields. The use and placement of the iconography is similar to the depiction of the pharaoh Narmer on the side of the Narmer Palette. The king is preceded by servants, the first in row seems to throw seeds from a basket into the freshly hacked ground
Scorpion II
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Head of king Scorpion on his mace head
Scorpion II
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The
Scorpion Macehead,
Ashmolean Museum.
50.
Narmer
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Narmer was an ancient Egyptian king of the Early Dynastic Period. Probably the successor to the Protodynastic kings Scorpion and/or Ka, some consider him the unifier of Egypt and founder of the First Dynasty, and in turn the first king of a unified Egypt. This conclusion is based on the Narmer Palette and the two seals from the necropolis of Abydos that show him as the first king of the First Dynasty. The date commonly given for the beginning of his reign is c.3100 BC, other mainstream estimates using both the historical method and Radiocarbon dating are in the range 3273–2987 BC. Although highly inter-related, the question of “who was Menes. ”, while Menes is traditionally considered the first king of Ancient Egypt, Narmer has been identified by the majority of Egyptologists as the same person as Menes. Although vigorously debated, the predominant opinion is that Narmer was Menes, the issue is confusing because “Narmer” is a Horus Name, while “Menes” is a personal name. The difficulty is aligning the contemporary archaeological evidence which lists Horus Names with the King Lists that list personal names, two documents have been put forward as proof either that Narmer was Menes or alternatively Hor-Aha was Menes. The first is the “Naqada Label” which shows a serekh of Hor-Aha next to an enclosure inside of which are symbols that have been interpreted by scholars as the name “Menes”. The second is the impression from Abydos that alternates between a serekh of Narmer and the chessboard symbol, “mn”, which is interpreted as an abbreviation of Menes. Arguments have been made with regard to each of these documents in favour of Narmer or Hor-Aha being Menes, but in neither case, are the arguments conclusive. Two necropolis sealings, found in 1985 and 1991 in Abydos, in or near the tombs of Den and Qa’a, show Narmer as the founder of the First Dynasty, followed by Hor-Aha. The Qa’a sealing lists all eight of the kings of the First Dynasty in the correct order starting with Narmer and these necropolis sealings are strong evidence that Narmer was the first king of the First Dynasty – hence is the same person as Menes. The famous Narmer Palette, discovered by James E, since its discovery, however, it has been debated whether the Narmer Palette represents an actual historic event or is purely symbolic. Of course, the Narmer Palette could represent an historical event while at the same time having a symbolic significance. In 1993, Günter Dreyer discovered in Abydos, a “year label” of Narmer depicting the event that is depicted on the Narmer Palette. This year label shows that the Narmer Palette depicts an historical event. Archaeological evidence suggests that Egypt was at least partially unified during the reigns of Ka and Iry-Hor, but there is a substantial difference in the quantity and distribution of inscriptions with the names of those earlier kings in Lower Egypt and Canaan, compared to the inscriptions of Narmer. The archaeological evidence suggest that the unification began before Narmer, but was completed by him through the conquest of a polity in the North-West Delta as depicted on the Narmer Palette
Narmer
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Close-up view of Narmer on the
Narmer Palette
Narmer
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Chambers B17 and B18 in the
Umm el-Qa'ab constitute the tomb of Narmer.
Narmer
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Narmer wearing the
Deshret crown of
Lower Egypt on the
Narmer Palette.
Narmer
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Incised inscription on a vessel found at Tarkhan (tomb 414), naming king Narmer; Petrie Museum UC 16083.
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