1.
Dadasaheb Phalke
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Dhundiraj Govind Phalke, popularly known as Dadasaheb Phalke, was an Indian producer-director-screenwriter, known as the Father of Indian cinema. The Dadasaheb Phalke Award, for contribution to cinema, was instituted in his honour by the Government of India in 1969. The award is one of the most prestigious awards in Indian cinema and is the highest official recognition for film personalities in the country, a postage stamp bearing his face was released by India Post to honour him in 1971. An honorary award from the Dadasaheb Phalke Academy Mumbai was introduced in the year 2001, school of Art, Mumbai in 1885. School in 1890, Phalke went to the Kala Bhavan, Maharaja Sayajirao University of Baroda in Vadodara and he began his career as a small town photographer in Godhra but had to leave business after the death of his first wife and child in an outbreak of the bubonic plague. He soon met the German magician Carl Hertz, one of the 40 magicians employed by the Lumiere Brothers, soon after, he had the opportunity to work with the Archaeological Survey of India as a draftsman. However, restless with his job and its constraints, he turned to the business of printing and he specialised in lithography and oleograph, and worked for painter Raja Ravi Varma. Phalke later started his own printing press, made his first trip abroad to Germany, to learn about the latest technology, machinery and for art also. Phalke made his first film, Raja Harishchandra, in 1912, it was first shown publicly on 3 May 1913 at Mumbais Coronation Cinema, around one year before, Ramchandra Gopal had recorded on stage a film drama called Pundalik and shown recording at the same theatre. However, the credit for making the first indigenous Indian feature film is attributed to Dadasaheb Phalke as it is said that Pundalik had British cinematographers. Once again, Phalke proved successful in his new art and proceeded to make silent films, shorts, documentary feature, educational, comic. Film, having proved its viability, soon attracted businessmen who favoured money over aesthetics. He set up a studio and trained technicians, actors but, very soon. In 1920, Phalke resigned from Hindustan Films, made his first announcement of retirement from cinema, lacking his extremely imaginative genius, Hindustan Films ran into deep financial loss, and he was finally persuaded to return. However, Phalke felt constrained by the business and, after directing a few films for the company, the times changed and Phalke fell victim to the emerging technology of sound film. Unable to cope with the talkies, the man who had fathered the Indian film industry became obsolete and his last silent movie Setubandhan was released in 1932 and later released with dubbing. During 1936–38, he produced his last film Gangavataran, before retiring to Nashik, Dadasaheb Phalke, the Father of Indian Cinema. List of Silent films made in India Dadasaheb Phalke at the Internet Movie Database Dadasaheb Phalke @ SPICE Website on Dada Saheb Phalke Film Academy on Dadasaheb Phalke
2.
Satyawadi Raja Harishchandra
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Satyawadi Raja Harishchandra is a 1917 silent black and white Indian film based on Hindu mythology, directed by Rustomji Dhotiwala. It was produced by J. F. Madans Elphinstone Bioscope, credited as the first remake in Indian cinema, the film is a remake of the first Indian feature film, Raja Harishchandra and was also inspired by a Urdu language drama, Harishchandra. It is also the first feature made in Calcutta. The intertitles used in the film were in Bengali language as the film was a silent film, the film was released on 24 March 1917 at New Tent Maidan, Calcutta. The Hindu sage Vishwamitra approaches king Harishchandra and informs him of a made by the king during the sages dream to donate his entire kingdom. Being virtuous, Harishchandra immediately donates his entire kingdom to the sage and walks away with his wife Saibya, as a part of donation, the sage claims an additional amount as Dakshina to be paid to complete the act of donation. As Harishchandra does not have anything left for himself, he sells his wife, however, the money collected was not sufficient enough for sage and then Harishchandra sells himself to the guard at the cremation ground. While working as a servant for a Brahmin family, Harishchandras son gets bitten by a snake while plucking the flowers for his masters prayer, Taramati takes his body to the cremation grounds where Harishchandra is working. She does not have sufficient money to pay to perform the rites and Harishchandra does not recognize his wife and he advises Taramati to sell off her Mangalsutra, a symbolism of marriage in India, to pay the amount for cremation. Having been granted the boon that only her husband can see her mangalsutra, Taramati recognizes Harishchandra, dutiful Harishchandra requests Taramati to pay the amount to finish the cremation and declines to accept mangalsutra as amount. Taramati then offers her only possession, a saree – her lone dress and they bring Harishchandras son back to life. They also offers the king and his wife, instant places in heaven, Harishchandra refuses it stating that he is still bound to his master, the guard at the cremation ground. The sage Vishwamitra then reveals that the guard is Yama and Yama allows Harishchandra to accept the offer from Vishwamitra, being Kshatriya Harishchandra still declines the offer saying that he cannot leave behind his subjects and requests heaven for all of them. The gods declines his offer to which Harishchandra suggests to pass on all his virtues to his people so that they can rightfully accompany him to heaven. Pleased with Harishchandra, gods accepts his offer and offers heavenly abode to the king, after the release of first Indian feature film Raja Harishchandra by Dadasaheb Phalke in 1913, no other production attempts were made in Indian cinema for the next four years. Phalke, however, made short films and documentaries like Scenes of the River Godavari and Ahmadabad Congress. J. F. Madan, who had formed two companies in the beginning of the 1900s, decided to make a film. Madan Theaters Limited eventually became Indias largest film company and was also a noted importer of American films after World War I
3.
Girgaon
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Girgaon, also spelt formerly Girgaum, is an area in southern Mumbai in Maharashtra, India. The culture in Girgaon is diverse and varied, like most areas of cosmopolitan Mumbai, residents span diverse languages, religions, traditions, festivals, and attire. Girgaon occupies prime real estate due to increasing demand just because of its prominent location in South Mumbai. The Sanskrit term Giri stands for hills, whereas the Sanskrit word gram denotes a village, thus, Girgaon means a village at the foothill of mountains. A birds eye view from the top of Malabar Hill will justify this etymological finding, Khetwadi, originally an area with a sparse population living off agriculture and plantations, developed in the mid-19th century with the widening of Parel road and the Girgaon road. In 1839, Grant Road was completed, leading to migration of a number of people into this area. Girgaon got its own station much later at Charni Road which was opened in the year 1867, today it has become a hub for diamond traders and wholesalers of almost all the traditional businesses. There are a number of temples in this area. The most well-known is Thakurdwar, built by the ascetic Atmaram Baba, the Kalbadevi temple, dedicated to Kali, was moved to its present site from its original location in Mahim during the rule of the Gujrati sultans. The Dadi Seth Agiary was built in 1783, the Hormusji Wadia Fire temple in 1839, each area of Girgaon follows its own customs. Communities like the Marathi-speakers, Gujarati, Konkani, Jains, Marwaris, Christians and they celebrate different festivals, follow different customs for birth, marriage, death, and other important events. This is also the area in which Ganesh Chaturthi is celebrated in great style, the area is filled with crowds when the Ganesh Visarjan is carried out. It is not only about Ganesh Chaturthi, Girgaon also celebrates other festivals with equal zest whether Diwali, Gokulashtami or Makar Sankranti. Girgaon is further subdivided in small neighborhoods locally called as wadis, there are many such wadis in Girgaon namely - Vaidyawadi Bhatwadi, Jitekar wadi, Gaiwadi, Kandewadi, Bhutachi wadi, Urankar wadi, Fanas waadi, Pimpal wadi etc. One of these- Khotachi wadi is very famous for its Portuguese style wooden architecture and it is mainly inhabited by Catholics and Maharashtrian Hindus. These houses are now largely being pulled down to make way for sky scrapers, nevertheless, foreign tourists still throng these narrow lanes of Khotachi wadi as it is one of the very few heritage villages remaining within south Mumbai. Heritage walks are conducted here by locals and history lovers. Largely, Girgaon also includes the areas around it, like Sikka Nagar, some parts of Khetwadi, Prarthana Samaj, Opera House, C. P. tank
4.
Anna Salunke
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Anna Hari Salunke, also known as A. Salunke and Annasaheb Saluke, was an Indian actor who performed female roles in early Indian cinema and also a cinematographer. In 1917, Salunke became the first to play a role in Indian cinema. Salunke portrayed the heroine in Raja Harishchandra, the first full-length Indian feature film and he played the role of Queen Taramati, the consort of king Harishchandra, whose tale is told in Hindu mythology. Salunke worked as a cook or waiter in a restaurant on Grant Road, Mumbai, frequented by Dhundiraj Govind Phalke, Phalke could not find a woman who agreed to act in the film, even prostitutes and dancing girls refused. Phalke saw Salunke, who had a figure and slender hands. While Salunke was working for a salary of 10 rupees, Phalke offered him 15. Salunke also acted in Phalkes Lanka Dahan, played in the Hindu epic Ramayana, Salunke played the first double role in Indian cinema, by playing both the male role of the hero Rama and the female role of his wife Sita, the heroine. However, Salunke had developed a muscular physique, by then. Salunke also acted in Satyanarayan directed by V. S and he was also the cinematographer on both films. Later, Salunke abandoned his career and fully concentrated on cinematography. Besides Nirantar and Phalke, he worked with G. V, sane and Ganpat G. Shinde as directors. Last of his films as cinematographer were in 1931, Salunke, during his film career spanning 18 years from 1913 to 1931, acted in various films including five in the female role, most of them were on Hindu mythological themes. He was also a cinematographer in a few films
5.
British Raj
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The British Raj was the rule by the British Crown in the Indian subcontinent between 1858 and 1947. The rule is also called Crown rule in India, or direct rule in India, the resulting political union was also called the Indian Empire and after 1876 issued passports under that name. It lasted until 1947, when the British Indian Empire was partitioned into two sovereign states, the Dominion of India and the Dominion of Pakistan. The British Raj extended over almost all present-day India, Pakistan and this area is very diverse, containing the Himalayan mountains, fertile floodplains, the Indo-Gangetic Plain, a long coastline, tropical dry forests, arid uplands, and the Thar desert. In addition, at times, it included Aden, Lower Burma, Upper Burma, British Somaliland. Burma was separated from India and directly administered by the British Crown from 1937 until its independence in 1948, among other countries in the region, Ceylon was ceded to Britain in 1802 under the Treaty of Amiens. Ceylon was part of Madras Presidency between 1793 and 1798, the kingdoms of Nepal and Bhutan, having fought wars with the British, subsequently signed treaties with them and were recognised by the British as independent states. The Kingdom of Sikkim was established as a state after the Anglo-Sikkimese Treaty of 1861, however. The Maldive Islands were a British protectorate from 1887 to 1965, India during the British Raj was made up of two types of territory, British India and the Native States. In general, the term British India had been used to also to the regions under the rule of the British East India Company in India from 1600 to 1858. The term has also used to refer to the British in India. The terms Indian Empire and Empire of India were not used in legislation, the monarch was known as Empress or Emperor of India and the term was often used in Queen Victorias Queens Speeches and Prorogation Speeches. The passports issued by the British Indian government had the words Indian Empire on the cover, in addition, an order of knighthood, the Most Eminent Order of the Indian Empire, was set up in 1878. At the turn of the 20th century, British India consisted of eight provinces that were administered either by a Governor or a Lieutenant-Governor, during the partition of Bengal the new provinces of Assam and East Bengal were created as a Lieutenant-Governorship. In 1911, East Bengal was reunited with Bengal, and the new provinces in the east became, Assam, Bengal, Bihar, there were 565 princely states when India and Pakistan became independent from Britain in August 1947. The princely states did not form a part of British India, the larger ones had treaties with Britain that specified which rights the princes had, in the smaller ones the princes had few rights. Within the princely states external affairs, defence and most communications were under British control, the British also exercised a general influence over the states internal politics, in part through the granting or withholding of recognition of individual rulers. Although there were nearly 600 princely states, the majority were very small
6.
Silent film
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A silent film is a film with no synchronized recorded sound, especially with no spoken dialogue. The silent film era lasted from 1895 to 1936, in silent films for entertainment, the dialogue is transmitted through muted gestures, mime and title cards which contain a written indication of the plot or key dialogue. During silent films, a pianist, theatre organist, or, in large cities, pianists and organists would either play from sheet music or improvise, an orchestra would play from sheet music. The term silent film is therefore a retronym—that is, a term created to distinguish something retroactively, the early films with sound, starting with The Jazz Singer in 1927, were referred to as talkies, sound films, or talking pictures. A September 2013 report by the United States Library of Congress announced that a total of 70% of American silent feature films are believed to be completely lost, the earliest precursors of film began with image projection through the use of a device known as the magic lantern. This utilized a glass lens, a shutter and a persistent light source, such as a powerful lantern and these slides were originally hand-painted, but still photographs were used later on after the technological advent of photography in the nineteenth century. The invention of a practical photography apparatus preceded cinema by only fifty years, the next significant step towards film creation was the development of an understanding of image movement. Simulations of movement date as far back as to 1828 and only four years after Paul Roget discovered the phenomenon he called Persistence of Vision. This experience was further demonstrated through Rogets introduction of the thaumatrope, the first projected primary proto-movie was made by Eadweard Muybridge between 1877 and 1880. Muybridge set up a row of cameras along a racetrack and timed image exposures to capture the many stages of a horses gallop, the oldest surviving film was created by Louis Le Prince in 1888. It was a film of people walking in Oakwood streets garden. Edison also made a business of selling Kinetograph and Kinetoscope equipment, due to Edisons lack of securing an international patent on his film inventions, similar devices were invented around the world. The Lumière brothers, for example, created the Cinématographe in France, the Cinématographe proved to be a more portable and practical device than both of Edisons as it combined a camera, film processor and projector in one unit. In contrast to Edisons peepshow-style kinetoscope, which one person could watch through a viewer. Their first film, Sortie de lusine Lumière de Lyon, shot in 1894, is considered the first true motion picture, the invention of celluloid film, which was strong and flexible, greatly facilitated the making of motion pictures. This film was 35 mm wide and pulled using four sprocket holes and this doomed the cinematograph, which could only use film with just one sprocket hole. From the very beginnings of film production, the art of motion pictures grew into maturity in the silent era. Silent filmmakers pioneered the art form to the extent that virtually every style, the silent era was also pioneering era from a technical point of view
7.
Cinema of India
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The cinema of India consists of films produced across India. Cinema as a medium has gained popularity in the country. Indian films have come to be followed throughout South Asia. Dadasaheb Phalke is known as the father of Indian cinema, the Dadasaheb Phalke Award, for lifetime contribution to cinema, was instituted in his honour, by the Government of India in 1969, and is the most prestigious and coveted award in Indian cinema. In the 20th century, Indian cinema, along with the Hollywood and Chinese film industries, as of 2013, in terms of annual film output, India ranks first, followed by Nollywood, Hollywood and China. In 2012, India produced 1,602 feature films, the Indian film industry reached overall revenues of $1.86 billion in 2011. This is projected to rise to $3 billion in 2016, in 2015, India had a total box office of US$1.6 billion, the fourth largest in the world outside North America. Enhanced technology paved the way for upgrading from established norms of delivering product. Visual effects based, super hero science fiction, and epic films like Enthiran, Baahubali, Indian cinema found markets in over 90 countries where films from India are screened. The Indian government extended film delegations to countries such as the United States of America. The provision of 100% foreign direct investment has made the Indian film market attractive for foreign enterprises such as 20th Century Fox, Sony Pictures, Walt Disney Pictures, tax incentives to multiplexes have aided the multiplex boom in India. By 2003 as many as 30 film production companies had been listed in the National Stock Exchange of India, the South Indian film industry defines the four film cultures of South India as a single entity. They are the Tamil, the Telugu, the Malayalam and the Kannada industries, although developed independently over a long period, gross exchange of film performers and technicians as well as globalisation helped to shape this new identity. Music in Indian cinema is another substantial revenue generator with the music rights alone accounting for 4–5% of the net revenues generated by a film in India. Following the screening of the Lumière moving pictures in London, cinema became a sensation across Europe, in the next year a film presentation by one Professor Stevenson featured a stage show at Calcuttas Star Theatre. With Stevensons encouragement and camera Hiralal Sen, an Indian photographer, made a film of scenes from that show, the Wrestlers by H. S. Bhatavdekar showing a wrestling match at the Hanging Gardens in Bombay was the first film ever to be shot by an Indian. It was also the first Indian documentary film, the first Indian film released in India was Shree Pundalik a silent film in Marathi by Dadasaheb Torne on 18 May 1912 at Coronation Cinematograph, Bombay. The female roles in the film were played by male actors, the film marked a historic benchmark in the film industry in India
8.
Harishchandra
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Harishchandra is a legendary Indian king, who appears in several legends in texts such as Aitareya Brahmana, Mahabharata, the Markandeya Purana, and the Devi-Bhagavata Purana. The most famous of these stories is the one mentioned in Markandeya Purana, according to this legend, Harishchandra gave away his kingdom, sold his family and agreed to be a slave – all to fulfill a promise he had made to the sage Vishwamitra. According to a legend mentioned in Aitareya Brahamana, Harishchandra had 100 wives, on advice of the sage Narada, he prayed to the deity Varuna for a son. Varuna granted the boon, in exchange for an assurance that Harishchandra would make a sacrifice to Varuna in the future, as a result of this boon, a son named Rohita was born to the king. After his birth, Varuna came to Harishchandra and demanded that the child be sacrificed to him, the king postponed the sacrifice multiple times citing various reasons, but finally agreed to it when Rohita became an adult. Rohita refused to be sacrificed and escaped to forest, an angry Varuna afflicted Harishchandra with a stomach illness. Rohita intermittently visited his father, but on advice of Indra, later, Rohita managed to substitute himself with Sunahshepa in the human sacrifice. Sunahshepa prayed to the Rigvedic deities, and was saved from the sacrifice, Harishchandras illness was also cured because of Sunahshepas prayers, Sunahshepa was adopted by the sage Vishvamitra. A similar story is narrated in the Ramayana, but the name is Ambarisha instead of Harishchandra. In the Puranas version, Harishchandra is the son of Trishanku, the Vishnu Purana mentions him, but does not describe his life in detail. The Markandeya Purana contains a legend about his life, narrated by wise birds to the sage Jaimini. The Bhagavata Purana mentions him as the father of Sagara and grandfather of Badaka, the Markandeya Purana legend is as follows, King Harischandra lived in the Treta Yuga. He was an honest, noble and just king and his subjects enjoyed prosperity and peace. He had a queen named Shaivya and a son named Rohitashva, once, while on a hunting expedition, he heard the cries of a woman asking for help. Armed with a bow and arrow, he went in the direction of the sound, the sound was an illusion created by Vighnaraja, the lord of the obstacles. Vighnaraja was trying to disturb the tapasya of the sage Vishwamitra, when he saw Harishchandra, he entered the kings body and started abusing Vishwamitra. This disturbed Vishwamitras tapasya, and destroyed all the knowledge that the sage had acquired during this tapasya, when Harishchandra came to his senses, he realized that the sage was extremely angry with him, and apologized. He promised to any of the sages desires to get rid of his guilt
9.
Ramayana
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The Ramayana is an ancient Indian epic poem which narrates the struggle of the divine prince Rama to rescue his wife Sita from the demon king Ravana. Along with the Mahabharata, it forms the Sanskrit Itihasa, the Ramayana is one of the largest ancient epics in world literature. It consists of nearly 24,000 verses, divided into seven Kandas, in Hindu tradition, it is considered to be the adi-kavya. It depicts the duties of relationships, portraying characters like the ideal father, the ideal servant, the ideal brother, the ideal wife. The Ramayana was an important influence on later Sanskrit poetry and Hindu life, like the Mahabharata, the Ramayana is not just a story, it presents the teachings of ancient Hindu sages in narrative allegory, interspersing philosophical and ethical elements. The name Ramayana is a compound of the name Rāma and ayana. According to Hindu tradition—and according to the Ramayana itself—the epic belongs to the genre of itihasa like Mahabharata, the definition of itihāsa is a narrative of past events which includes teachings on the goals of human life. According to Hindu tradition, Ramayana takes place during a period of known as Treta Yuga. In its extant form, Valmikis Ramayana is a poem of some 24,000 verses. The text survives in several thousand partial and complete manuscripts, the oldest of which is a manuscript found in Nepal. A Times of India report dated 18 December 2015 informs about discovery of a 6th-century manuscript of the Ramayana at the Asiatic Society library, the Ramayana text has several regional renderings, recensions and subrecensions. Goldman differentiates two major regional recensions, the northern and the southern, scholar Romesh Chunder Dutt writes that the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind. There has been discussion as to whether the first and the last chapters of Valmikis Ramayana were composed by the original author. Most Hindus still believe they are parts of the book, in spite of some style differences. Some cultural evidence, such as the presence of sati in Mahabharata but not in the body of Ramayana. By tradition, the text belongs to the Treta Yuga, second of the four eons of Hindu chronology, Rama is said to have been born in the Treta yuga to king Dasharatha in the Ikshvaku dynasty. The names of the characters are all known in late Vedic literature, however, nowhere in the surviving Vedic poetry is there a story similar to the Ramayana of Valmiki. Also, in the epic Mahabharata, there is a version of Ramayana known as Ramopakhyana and this version is depicted as a narration to Yudhishthira
10.
Mahabharata
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The Mahābhārata is one of the two major Sanskrit epics of ancient India, the other being the Rāmāyaṇa. The Mahābhārata is a narrative of the Kurukṣetra War and the fates of the Kaurava. It also contains philosophical and devotional material, such as a discussion of the four goals of life or puruṣārtha, traditionally, the authorship of the Mahābhārata is attributed to Vyāsa. There have been attempts to unravel its historical growth and compositional layers. The oldest preserved parts of the text are thought to be not much older than around 400 BCE, the text probably reached its final form by the early Gupta period. The title may be translated as the tale of the Bhārata dynasty. According to the Mahābhārata itself, the tale is extended from a version of 24,000 verses called simply Bhārata. The Mahābhārata is the longest known epic poem and has described as the longest poem ever written. Its longest version consists of over 100,000 śloka or over 200,000 individual verse lines, and long prose passages. About 1.8 million words in total, the Mahābhārata is roughly ten times the length of the Iliad and the Odyssey combined, or about four times the length of the Rāmāyaṇa. W. J. Johnson has compared the importance of the Mahābhārata in the context of civilization to that of the Bible, the works of Shakespeare. The epic is traditionally ascribed to the sage Vyāsa, who is also a character in the epic. Vyāsa described it as being itihāsa and he also describes the Guru-shishya parampara, which traces all great teachers and their students of the Vedic times. The first section of the Mahābhārata states that it was Gaṇeśa who wrote down the text to Vyasas dictation, the epic employs the story within a story structure, otherwise known as frametales, popular in many Indian religious and non-religious works. It is recited by the sage Vaiśampāyana, a disciple of Vyāsa, the text has been described by some early 20th-century western Indologists as unstructured and chaotic. Hermann Oldenberg supposed that the poem must once have carried an immense tragic force. Moritz Winternitz considered that only unpoetical theologists and clumsy scribes could have lumped the parts of disparate origin into an unordered whole, Research on the Mahābhārata has put an enormous effort into recognizing and dating layers within the text. Some elements of the present Mahābhārata can be traced back to Vedic times, the background to the Mahābhārata suggests the origin of the epic occurs after the very early Vedic period and before the first Indian empire was to rise in the third century B. C
11.
Intertitle
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In motion pictures, an intertitle is a piece of filmed, printed text edited into the midst of the photographed action at various points. Intertitles used to convey character dialogue are referred to as dialogue intertitles, film scholar Kamilla Elliott identifies one of the earliest uses of intertitles in the 1901 British film Scrooge, or, Marleys Ghost. The first Academy Awards presentation in 1929 included an award for Best Title Writing that went to Joseph W. Farnham for no specific film, the award was never given again, as intertitles went out of common use due to the introduction of talkies. In modern film, intertitles are used to supply an epigraph, such as a poem, however, they are most commonly used as part of a historical dramas epilogue to explain what happened to the depicted characters and events after the conclusion of the story proper. The development of the soundtrack slowly eliminated their utility as a narrative device, for instance, intertitles were used as a gimmick in Frasier. The BBCs drama Threads uses them to location, date. Law & Order used them to not only the location. Guy Maddin is a filmmaker known for recreating the style of older films. Some locally produced shows, such as quiz bowl game shows, intertitles have had a long history in the area of amateur film as well. The efforts of home movie aficionados to intertitle their works post-production have led to the development of a number of approaches to the challenge. Frequently lacking access to high quality film dubbing and splicing equipment, intertitles may be printed neatly on a piece of paper, a card, or a piece of cardboard and filmed, or they may be formed from adhesive strips and affixed to glass. In the early 1980s, digital recording technology improved to the point where intertitles could be created in born-digital format, several specialty accessories from this period such as Sonys HVT-2100 Titler and cameras such as Matsushitas Quasar VK-743 and Zenith VC-1800 could be used to generate intertitles for home movies. Early 1980s video game consoles and applications catering to the scene were also adapted for the generation. Among these were included the ColecoVision, the Magnavox Odyssey², the Bally Astrocade, acknowledgment Billing Character generator Closing credits Credit Digital on-screen graphic Lower third Opening credits Subtitle Supertitle Title sequence WGA screenwriting credit system
12.
Hindi
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Hindi, or Modern Standard Hindi is a standardised and Sanskritised register of the Hindustani language. Along with the English language, Hindi written in the Devanagari script, is the language of the Government of India. It is also one of the 22 scheduled languages of the Republic of India, Hindi is the lingua franca of the so-called Hindi belt of India. Outside India, it is a language which is known as Fiji Hindi in Fiji, and is a recognised regional language in Mauritius, Trinidad and Tobago, Guyana. Hindi is the fourth most-spoken first language in the world, after Mandarin, apart from specialized vocabulary, Hindi is mutually intelligible with Standard Urdu, another recognized register of Hindustani. Part XVII of the Indian Constitution deals with Official Language, under Article 343, official language of the Union has been prescribed, which includes Hindi in Devanagari script and English. Gujarat High Court, in 2010, has observed that there was nothing on record to suggest that any provision has been made or order issued declaring Hindi as a language of India. Article 343 of the Indian constitution states The official language of the Union shall be Hindi in Devanagari script, the form of numerals to be used for the official purposes of the Union shall be the international form of Indian numerals. It was envisioned that Hindi would become the working language of the Union Government by 1965. Each may also designate a co-official language, in Uttar Pradesh, for instance, depending on the formation in power. Similarly, Hindi is accorded the status of language in the following Union Territories, Andaman & Nicobar Islands, Chandigarh, Dadra & Nagar Haveli, Daman & Diu. National-language status for Hindi is a long-debated theme, an Indian court clarified that Hindi is not the national language of India because the constitution does not mention it as such. Outside Asia, Hindi is a language in Fiji as per the 1997 Constitution of Fiji. It is spoken by 380,000 people in Fiji, Hindi is also spoken by a large population of Madheshis of Nepal. Hindi is quite easy to understand for some Pakistanis, who speak Urdu, apart from this, Hindi is spoken by the large Indian diaspora which hails from, or has its origin from the Hindi Belt of India. Like other Indo-Aryan languages, Hindi is considered to be a descendant of an early form of Sanskrit, through Sauraseni Prakrit. It has been influenced by Dravidian languages, Turkic languages, Persian, Arabic, Portuguese, Hindi emerged as Apabhramsha, a degenerated form of Prakrit, in the 7th century A. D. By the 10th century A. D. it became stable, Braj Bhasha, Bhojpuri, Awadhi, Khari Boli etc. are the dialects of Hindi
13.
Filmmaking
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Filmmaking is the process of making a film. Filmmaking takes place in places around the world in a range of economic, social, and political contexts. Typically, it involves a number of people, and can take from a few months to several years to complete. Film production consists of five stages, Development, The first stage in which the ideas for the film are created, rights to books/plays are bought etc. Financing for the project has to be sought and greenlit, pre-production, Preparations are made for the shoot, in which cast and film crew are hired, locations are selected and sets are built. Production, The raw elements for the film are recorded during the film shoot, post-production, The images, sound, and visual effects of the recorded film are edited. Distribution, The finished film is distributed and screened in cinemas and released to home video. In this stage, the project producer selects a story, which may come from a book, play, another film, true story, video game, comic book, graphic novel, or an original idea, etc. After identifying a theme or underlying message, the works with writers to prepare a synopsis. Next they produce an outline, which breaks the story down into one-paragraph scenes that concentrate on dramatic structure. Then, they prepare a treatment, a 25-to-30-page description of the story, its mood and this usually has little dialogue and stage direction, but often contains drawings that help visualize key points. Another way is to produce a scriptment once a synopsis is produced, next, a screenwriter writes a screenplay over a period of several months. The screenwriter may rewrite it several times to improve dramatization, clarity, structure, characters, dialogue, however, producers often skip the previous steps and develop submitted screenplays which investors, studios, and other interested parties assess through a process called script coverage. A film distributor may be contacted at a stage to assess the likely market. All these factors imply a certain appeal of the film to a possible audience, not all films make a profit from the theatrical release alone, so film companies take DVD sales and worldwide distribution rights into account. The producer and screenwriter prepare a film pitch, or treatment and they will also pitch the film to actors and directors in order to attach them to the project. Many projects fail to move beyond this stage and enter so-called development hell, if a pitch succeeds, a film receives a green light, meaning someone offers financial backing, typically a major film studio, film council, or independent investor. The parties involved negotiate a deal and sign contracts, once all parties have met and the deal has been set, the film may proceed into the pre-production period
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Film director
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A film director is a person who directs the making of a film. Generally, a film director controls a films artistic and dramatic aspects, the director has a key role in choosing the cast members, production design, and the creative aspects of filmmaking. Under European Union law, the director is viewed as the author of the film, the film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized, or noticed. Directors need to be able to mediate differences in creative visions, there are many pathways to becoming a film director. Some film directors started as screenwriters, cinematographers, film editors or actors, other film directors have attended a film school. Some outline a general plotline and let the actors dialogue, while others control every aspect. Some directors also write their own screenplays or collaborate on screenplays with long-standing writing partners, some directors edit or appear in their films, or compose the music score for their films. Film directors create a vision through which a film eventually becomes realized/noticed. Realizing this vision includes overseeing the artistic and technical elements of production, as well as directing the shooting timetable. This entails organizing the crew in such a way as to achieve their vision of the film. This requires skills of leadership, as well as the ability to maintain a singular focus even in the stressful. Moreover, it is necessary to have an eye to frame shots and to give precise feedback to cast and crew, thus. Thus the director ensures that all involved in the film production are working towards an identical vision for the completed film. The set of varying challenges he or she has to tackle has been described as a jigsaw puzzle with egos. It adds to the pressure that the success of a film can influence when, omnipresent are the boundaries of the films budget. Additionally, the director may also have to ensure an intended age rating, thus, the position of film director is widely considered to be a highly stressful and demanding one. It has been said that 20-hour days are not unusual, under European Union law, the film director is considered the author or one of the authors of a film, largely as a result of the influence of auteur theory. Auteur theory is a film criticism concept that holds that a directors film reflects the directors personal creative vision
15.
Theatrical makeup
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Theatrical makeup is makeup that is used to assist in creating the appearance of the characters that actors portray during a theater production. In Greek and Roman theatre, makeup was unnecessary, actors wore various masks, allowing them to portray another gender, age, or entirely different likeness. Thespis, considered to be the first actor, used white lead, in medieval Europe, actors altered their appearances by painting their faces a different color. Performers who portrayed God painted their faces white or gold, actors playing angels painted their faces red, during the Renaissance, actors were creative and resourceful when making-over their faces. They used lambs wool for false beards and flour as face paint, advancements in stage lighting technology required stage makeup to evolve beyond one over-all face color to a multidimensional craft. Originally, theatres used candles and oil lamps, these two sources of light were dim and allowed for crude, unrealistic makeup applications, once gas lighting, limelight and electric light were introduced to theatres, a need emerged for new makeup materials and more skillful application techniques. In 1873, Ludwig Leichner, a Wagnerian opera singer, began producing a non-toxic greasepaint stick. Through the use of makeup, specifically highlighting and shading, the apparent shape of a face can be changed. By highlighting the faces protruding bones, the features become pronounced, sagging jowls, forehead wrinkles, eye pouches, and prominent veins can be created by manipulating highlights and shadows. A highlight is a makeup that is at least two shades lighter than the base. It is applied on the bridge of the nose, cheekbones, using a color two shades deeper than the base provides depth and definition. This depth is used on the eye sockets, to thin the sides of the nose, to shallow the cheeks. Lighting controls makeup to a high degree, makeup can lose its effectiveness due to incorrect stage lighting. Conversely, skillful lighting can greatly aid the art of makeup, close communication between the lighting director and the makeup artist is crucial for the best possible effect. Understanding lights effect on makeup and various shades and pigments is important when designing a performer’s makeup, if certain rays are absorbed and others are reflected, the reflected rays determine the color. Pink tends to gray the cool colors and intensify the warm ones, all but the darker flesh tones virtually disappear. Light and medium rouge fade into the foundation, whereas the dark red rouges turn a reddish brown, yellow becomes orange, and the cool shading colors become shades of gray and black. Bastard amber is flattering because it picks up the warm pinks, amber and orange intensifies and yellow most flesh colors
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Film editing
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Film editing is a creative and technical part of the post-production process of filmmaking. The term is derived from the process of working with film. The film editor works with the raw footage, selecting shots, Film editing is often referred to as the invisible art because when it is well-practiced, the viewer can become so engaged that he or she is not aware of the editors work. On its most fundamental level, film editing is the art, technique, the job of an editor is not simply to mechanically put pieces of a film together, cut off film slates, or edit dialogue scenes. Editors usually play a role in the making of a film. Sometimes, auteurist film directors edit their own films, for example, Akira Kurosawa, Bahram Beyzai, with the advent of digital editing, film editors and their assistants have become responsible for many areas of filmmaking that used to be the responsibility of others. For instance, in past years, picture editors dealt only with just that—picture, sound, music, and visual effects editors dealt with the practicalities of other aspects of the editing process, usually under the direction of the picture editor and director. However, digital systems have increasingly put these responsibilities on the picture editor and it is common, especially on lower budget films, for the editor to cut in music, mock up visual effects, and add sound effects or other sound replacements. These temporary elements are replaced with more refined final elements by the sound, music. Early films were films that were one long, static. Motion in the shot was all that was necessary to amuse an audience, there was no story and no editing. Each film ran as long as there was film in the camera, in the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside, one of the first films to use this technique, Georges Mélièss The Four Troublesome Heads from 1898, was produced with Pauls camera. There is then a cut to close shot of the hands on the girls foot shown inside a circular mask. Even more remarkable was James Williamsons Attack on a China Mission Station, an armed party of British sailors arrived and defeat the Boxers and rescue the missionarys family. The film used the first reverse angle cut in film history, James Williamson concentrated on making films taking action from one place shown in one shot to the next shown in another shot in films like Stop Thief. and Fire. Made in 1901, and many others and he also experimented with the close-up, and made perhaps the most extreme one of all in The Big Swallow, when his character approaches the camera and appears to swallow it. These two filmmakers of the Brighton School also pioneered the editing of the film, they tinted their work with color, by 1900, their films were extended scenes of up to 5 minutes long
17.
Photographic processing
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Photographic processing or development is the chemical means by which photographic film or paper is treated after photographic exposure to produce a negative or positive image. Photographic processing transforms the latent image into an image, makes this permanent. All processes based upon the process are similar, regardless of the film or papers manufacturer. Exceptional variations include instant films such as made by Polaroid. Kodachrome required Kodaks proprietary K-14 process, Kodachrome film production ceased in 2009, and K-14 processing is no longer available as of December 30,2010. Ilfochrome materials use the dye destruction process, all photographic processing use a series of chemical baths. Processing, especially the development stages, requires very close control of temperature, agitation, the film may be soaked in water to swell the gelatin layer, facilitating the action of the subsequent chemical treatments. The developer converts the latent image to macroscopic particles of metallic silver, a stop bath, † typically a dilute solution of acetic acid or citric acid, halts the action of the developer. A rinse with water may be substituted. The fixer makes the image permanent and light-resistant by dissolving remaining silver halide, a common fixer is hypo, specifically ammonium thiosulfate. Washing in clean water removes any remaining fixer, residual fixer can corrode the silver image, leading to discolouration, staining and fading. The washing time can be reduced and the more completely removed if a hypo clearing agent is used after the fixer. Film may be rinsed in a solution of a non-ionic wetting agent to assist uniform drying. Film is then dried in an environment, cut and placed into protective sleeves. Once the film is processed, it is referred to as a negative. The negative may now be printed, the negative is placed in an enlarger, many different techniques can be used during the enlargement process. Two examples of enlargement techniques are dodging and burning, alternatively, the negative may be scanned for digital printing or web viewing after adjustment, retouching, and/or manipulation. † In modern automatic processing machines, the bath is replaced by mechanical squeegee or pinching rollers
18.
Premiere
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A premiere or première is the debut of a play, film, dance, or musical composition. A work will often have many premières, a world première, four years later, it was staged again, this time in English, which was its English-language première in Britain. Raymond F. Betts attributes the introduction of the premiere to Sid Grauman. Season premiere Film festival Film release Television pilot Media related to Premiere at Wikimedia Commons
19.
National Film Archive of India
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The National Film Archive of India was established as a media unit of the Ministry of Information and Broadcasting in February 1964. With headquarters at Pune, Maharashtra, NFAI has three offices at Bangalore, Calcutta and Thiruvananthapuram. Developed from scratch by P. K. Nair, NFAIs activities relating to dissemination of culture are manifold. Its Distribution Library has about 25 active members throughout the country and it has over 10,000 films, over 10,000 books, over 10,000 film scripts, and over 50,000 photographs. At the International level, NFAI supplied several Indian classics for major screening programmes, prakash Magdum is the present director of the NFAI
20.
Dadasaheb Torne
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Ramchandra Gopal Dadasaheb Torne was the first Indian director and producer to make a feature film in India, that film was named Shree Pundalik. This historic record is established by an advertisement in The Times of India published on 25 May 1912. He is considered the Father of Indian cinema, although Torne made his first film, Shree pundalik just under a year before Dhundiraj Govind Dadasaheb Phalke made his, it is the latter who is regarded as the father of Indian cinema. The distinction may lie with the fact that, unlike Phalke, moreover, Tornes Pundalik was 1,500 long, about 1,200 shorter than Phalkes Raja Harischandra, which ran for about 40 minutes. Ramchandra Gopal Torne was born on 13 April 1890 in Malwan village on the western Indian Konkan coast near Mumbai, following his fathers death, the young boy and his mother were asked to leave the house by his uncle and they were forced to live in poverty. At the age of 10 or 11, and with four years of formal education behind him, Torne dropped out of school. Once there, he was employed by the Cotton Green Electrical Company and this is where he got in touch with the Shripad theater company. He was quite impressed by the plays conducted by this company as well as the new foreign films which were being released in Mumbai, as a young man of 21-22, he got interested in making his own movie. With another friend and financier, Mr. Chitre, he managed to import raw film and movie camera from abroad and this first Indian feature film was released on 18 May 1912 in Mumbais Coronation movie theater. Almost one year after this movie was released, Dadasaheb Phalke released the second Indian feature film Raja Harischandra in the theater on 3 May 1913. Pundalik continued to run in the movie theatre in Mumbai for about two weeks. Pundalik was in shooting of a play in film-mode. The camera used to be fixed on one platform and was a very heavy opto-mechanical-electrical instrument, so only one angle movie recording was possible. There was no concept of editing or close-up shots, etc, after watching the recorded movie, Dadasaheb was not happy with the overall performance and the effect it was giving. He decided to record it in parts and then join the film together and this is the job now professionally done by the film editor and is an important job in the movie industry today. Many effects will be if the editor does not do his job properly. For example, in a standard recorded fight scene, there are at least 36 shots shown in the span of 30 seconds, Dadasaheb was an original director, special effects person, editor, sound recordist and a master of many other techniques now commonly used in modern movie-making. Dadasaheb Torne was working in Greaves Cotton company when this movie was released, the company transferred him to Karachi
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Shree Pundalik
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Shree Pundalik, which was released on 18 May 1912 at the Coronation Cinematograph, Girgaum, Mumbai, is recognised as the first feature-length Indian film. Shree Pundalik was produced and directed by Dadasaheb Torne alias Rama Chandra Gopal, Pundalik was a silent film without dialogue. Torne and his colleagues Nanasaheb Chitre and Ramrao Kirtikar wrote the shooting script, shree Pundalik was sent overseas for processing by Dadasaheb Torne. Tornes Pundalik was about 1,500 feet or about 22 minutes long, the film had a shooting script, was shot with a camera, and its negatives were sent to London for processing. Positives were produced and finally released at Coronation Cinematograph, Girgaum, the film ran for two weeks. Detractors argue that Dadasaheb Phalke’s Raja Harishchandra, which was released nearly a year later, is deserving of the title of the first Indian film. Arnab Jan Deka published a paper with the title Bharatiya Chalachitrar Janak Bhatawdekar aru Torne in the daily newspaper Dainik Asam on 27 October 1996. Shree Pundalik celebrated its centennial on 18 May 2012
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Government of India
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It is located in New Delhi, the capital of India. There is a bicameral Parliament with the Lok Sabha as a lower house, the judicial branch systematically contains an apex Supreme Court,24 high courts, and several district courts, all inferior to the Supreme Court. Similar to the government, individual state governments each consist of executive, legislative. The legal system as applicable to the federal and individual state governments is based on the English Common, the full name of the country is the Republic of India. No other name appears in the Constitution, and this is the name appears on legal banknotes, in treaties. The Union Government, Central Government or Government of India are often used in an official and unofficial capacity to refer to the Government of India, because the seat of government is in New Delhi, New Delhi is commonly used as a metonym for the Central Government. Legislative branch in India is exercised by the Parliament and a legislature consisting of the Rajya Sabha. The latter is considered the house or the House of the people. The Parliament does not have control and sovereignty, as its laws are subject to judicial review by the Supreme Court of India. However, it does exercise some control over the executive branch, the members of the cabinet, including the prime minister and the Council of Ministers, are either chosen from parliament or elected there to within six months of assuming office. The cabinet as a whole is responsible to the Lok Sabha, the Lok Sabha is a temporary house and can only be dissolved when the party in power loses the support of the majority of the house. Whereas the Rajya Sabha is a permanent house which can never be dissolved though the members of the Rajya Sabha who are elected for a six-year term, the Executive Branch of government is the one that has sole authority and responsibility for the daily administration of the state bureaucracy. The division of power into separate branches of government is central to the idea of the separation of powers. The executive power is vested mainly in the President of India, the President has all constitutional powers and exercises them directly or through officers subordinate to him as per the aforesaid Article 53. The President is to act in accordance with aid and advice tendered by the Prime Minister, the Council of Ministers remains in power during the pleasure of the President. However, in practice, the Council of Ministers must retain the support of the Lok Sabha, if a President were to dismiss the Council of Ministers on his or her own initiative, it might trigger a constitutional crisis. Thus, in practice, the Council of Ministers cannot be dismissed as long as it holds the support of a majority in the Lok Sabha, the President is responsible for making a wide variety of appointments. His/Her work is to facilitate smooth transaction of business in Ministries/ Departments of the Government, the President is de jure the Commander in Chief of the Indian Armed Forces
23.
Vishvamitra
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Brahmarshi Vishvamitra is one of the most venerated rishis or sages of ancient India. He is also credited as the author of most of Mandala 3 of the Rigveda, the Puranas mention that only 24 rishis since antiquity have understood the whole meaning of—and thus wielded the whole power of—Gayatri Mantra. Vishvamitra is supposed to be the first, and Yajnavalkya the last, the story of Vishvamitra is narrated in the Balakanda of Valmiki Ramayana. Mahabharata adds that Vishvamitras relationship with Menaka resulted in a daughter, Shakuntala, Vishvamitra was a king in ancient India, also called Kaushika. Vishwamitra was originally the Chandravanshi King of Kanyakubja and he was a valiant warrior and the great-grandson of a great king named Kusha. Valmiki Ramayana, prose 51 of Bala Kanda, starts with the story of Vishvamitra, There was a king named Kusha, one who is highly renowned by the name Gaadhi was the son of Kushanabha and Gaadhis son is this great-saint of great resplendence, Vishvamitra. Vishvamitra ruled the earth and this great-resplendent king ruled the kingdom for many thousands of years and his story also appears in various Puranas, however, with variations from Ramayana. Vishnu Purana and Harivamsha chapter 27 of Mahabharata narrates the birth of Vishvamitra, according to Vishnu Purana, Kushanabha married a damsel of Purukutsa dynasty and had a son by name Gaadhi, who had a daughter named Satyavati. Satyavati was married to an old Brahmin known as Ruchika who was foremost among the race of Bhrigu, Ruchika desired a son having the qualities of a Brahmin and so he gave Satyavati a sacrificial offering which he had prepared to achieve this objective. He also gave Satyavatis mother another charu to make her conceive a son with the character of a Kshatriya at her request, but Satyavatis mother privately asked Satyavati to exchange her charu with her. Vishwamitra is a Sanskrit word, meaning friend of the world, on one of his exploits, King Kaushika and his soldiers took rest in the hermitage of sage Vashista. The whole army was well-fed and taken care of by the sage, the king doubted the possibility and expressed his surprise to the sage as to how he was able to take care of the whole arrangements. Vashista replied, O king, this feast that you have partaken with your kinsmen, has provided by my calf Nandini. You must know that she is daughter of Indras cow Kamadhenu and she provides me with everything I need. Kaushika was surprised and he planned to attain the cow by all means and he expressed a desire to the sage for obtaining Nandini from him. Vashista politely refused to give the cow to king, Vashista was not be tempted by the offer of untold wealth that was made by Kaushika for the cow, which can readily yield all the riches in the world. The king grew exceedingly angry and he insulted Brahmarishi with harsh words and he also ordered his soldiers to seize the cow and drive it to his kingdom. Nandini was daughter of Kamadhenu and hence she forcefully protested against the soldiers, Vashishta saved the cow by destroying all of the kings army with his superhuman powers
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Yajna
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Yajna literally means sacrifice, devotion, worship, offering, and refers in Hinduism to any ritual done in front of a sacred fire, often with mantras. Yajna has been a Vedic tradition, described in a layer of Vedic literature called Brahmanas, as well as Yajurveda, the tradition has evolved from offering oblations and libations into sacred fire to symbolic offerings in the presence of sacred fire. Yajna rituals-related texts have been called the Karma-kanda portion of the Vedic literature, the proper completion of Yajna-like rituals was the focus of Mimansa school of Hindu philosophy. Yajna have continued to play a role in a Hindus rites of passage. Modern major Hindu temple ceremonies, Hindu community celebrations, or monastic initiations may also include Yajna vedic rites, the word yajna appears in the early Vedic literature, composed in 2nd millennium BCE. In Rigveda, Yajurveda and others, it means worship, devotion to anything, prayer and praise, an act of worship or devotion, a form of offering or oblation, and sacrifice. In post-Vedic literature, the term meant any form of rite, a Yajna included major ceremonial devotions, with or without a sacred fire, sometimes with feasts and community events. It is derived, states Nigal, from the Sanskrit verb yaj, the Sanskrit word is related to the Avestan term yasna of Zoroastrianism. Unlike the Vedic yajna, the Yasna is the name of a religious service, not a class of rituals. Yajna has been a part of an individual or social ritual since the Vedic times, when the ritual fire – the divine Agni, the god of fire and the messenger of gods – were deployed in a Yajna, mantras were chanted. The hymns and songs sung and oblations offered into the fire were a form of hospitality for the Vedic gods, the Vedangas, or auxiliary sciences attached to the Vedic literature, define Yajna as follows, Definition of a Vedic sacrifice — Apastamba Yajna Paribhasa-sutras 1. The Shvetashvatara Upanishad in verse 1.5.14, for example, uses the analogy of Yajna materials to explain the means to see ones soul and God, with inner rituals and without external rituals. Vedic yajnas are performed by four priests of the Vedic priesthood, the hotar, the adhvaryu, the udgatar. The functions associated with the priests were, The Hotri recites invocations, the Adhvaryu is the priests assistant and is in charge of the physical details of the ritual like measuring the ground, building the altar explained in the Yajurveda. The Udgatri is the chanter of hymns set to melodies and music drawn from the Samaveda, the udgatar, like the hotar, chants the introductory, accompanying and benediction hymns. The Brahmin is the superintendent of the performance, and is responsible for correcting mistakes by means of supplementary verses. There were usually one, or three, fires lit in the center of the offering ground, oblations are offered into the fire. Among the ingredients offered as oblations in the yajna are ghee, milk, grains, cakes, the duration of a yajna depends on its type, some last only a few minutes whereas, others are performed over a period of hours, days or even months
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Dakshina
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Dakshina, means south, southern, but also refers to a Tantric concept right-hand path, as well as a Vedic concept of donation or payment for the services of a priest, spiritual guide or teacher. As a Vedic concept, the donation originally consisted of a cow, the term itself is derived from this, the feminine dakṣiṇā being a term for a cow able to calve and give milk in the Rigveda. Dakshina is personified as a goddess along with Brahmanaspati, Indra and Soma in RV1.18.5 and RV10.103.8, and is the reputed author of RV10.107 according to the Anukramani. In later literature, in the Manusmrti and in the Ramayana, gurudakshina refers to the tradition of repaying ones teacher or guru after a period of study or the completion of formal education, or to spiritual guide. This tradition is one of acknowledgment, respect, and thanks and it is a form of reciprocity and exchange between student and teacher. The repayment is not exclusively monetary and may be a task the teacher wants the student to accomplish. There is a story in the Indian epic Mahabharata that discusses proper and improper gurudakshina. This story refers to a tribal boys passion to learn and master archery, the story, like many stories in Mahabharata is an open ended parable on education, personal drive to learn, and what is proper and improper dakshina
26.
Varanasi
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The spiritual capital of India, it is the holiest of the seven sacred cities in Hinduism and Jainism, and played an important role in the development of Buddhism. Varanasi lies along National Highway 2, which connects it to Kolkata, Kanpur, Agra, and Delhi, Varanasi is also one of 72 districts in the Indian state of Uttar Pradesh. At the time of the 2011 census, there were a total 8 blocks and 1329 villages in this district, Varanasi grew as an important industrial centre, famous for its muslin and silk fabrics, perfumes, ivory works, and sculpture. Buddha is believed to have founded Buddhism here around 528 BC when he gave his first sermon, The Setting in Motion of the Wheel of Dharma, at nearby Sarnath. The citys religious importance continued to grow in the 8th century, Tulsidas wrote his epic poem on Ramas life called Ram Charit Manas in Varanasi. Several other major figures of the Bhakti movement were born in Varanasi, including Kabir, Guru Nanak Dev visited Varanasi for Shivratri in 1507, a trip that played a large role in the founding of Sikhism. The kingdom of Benares was given official status by the Mughals in 1737, silk weaving, carpets and crafts and tourism employ a significant number of the local population, as do the Diesel Locomotive Works and Bharat Heavy Electricals Limited. Varanasi Hospital was established in 1964, Varanasi has been a cultural centre of North India for several thousand years, and is closely associated with the Ganges. Hindus believe that death in the city will bring salvation, making it a centre for pilgrimage. The city is known worldwide for its ghats, embankments made in steps of stone slabs along the river bank where pilgrims perform ritual ablutions. Of particular note are the Dashashwamedh Ghat, the Panchganga Ghat, the Manikarnika Ghat and the Harishchandra Ghat, the last two being where Hindus cremate their dead. The Ramnagar Fort, near the bank of the Ganges, was built in the 18th century in the Mughal style of architecture with carved balconies, open courtyards. Among the estimated 23,000 temples in Varanasi are Kashi Vishwanath Temple of Shiva, the Sankat Mochan Hanuman Temple, the Kashi Naresh is the chief cultural patron of Varanasi, and an essential part of all religious celebrations. One of Asias largest residential universities is Banaras Hindu University, the Hindi-language nationalist newspaper, Aj, was first published in 1920. The old city is located on the shores of the Ganges, bounded by Varuna. The name was used by pilgrims dating from Buddhas days. Hindu religious texts use many epithets to refer to Varanasi, such as Kāśikā, Avimukta, Ānandavana, according to legend, Varanasi was founded by the god Shiva. It is regarded as one of seven cities which can provide Moksha, Ayodhyā, Mathurā, Gayā, Kāśi, Kañchi, Avantikā
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Shiva
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Shiva is one of the principal deities of Hinduism. He is the supreme God within Shaivism, one of the three most influential denominations in contemporary Hinduism, Shiva is the transformer within the Trimurti, the Hindu trinity that includes Brahma and Vishnu. In Shaivism tradition, Shiva is the Supreme being who creates, protects, in the goddess tradition of Hinduism called Shaktism, the goddess is described as supreme, yet Shiva is revered along with Vishnu and Brahma. A goddess is stated to be the energy and creative power of each and he is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. At the highest level, Shiva is regarded as formless, limitless, transcendent and unchanging absolute Brahman, Shiva has many benevolent and fearsome depictions. In benevolent aspects, he is depicted as an omniscient Yogi who lives a life on Mount Kailash as well as a householder with wife Parvati. In his fierce aspects, he is depicted slaying demons. Shiva is also known as Adiyogi Shiva, regarded as the god of yoga, meditation. Shiva is usually worshipped in the form of Lingam. Shiva is a deity, revered widely by Hindus, in India, Nepal. The Sanskrit word Śiva means, states Monier Williams, auspicious, propitious, gracious, benign, kind, benevolent, the roots of Śiva in folk etymology is śī which means in whom all things lie, pervasiveness and va which means embodiment of grace. The word Shiva is used as an adjective in the Rig Veda, as an epithet for several Rigvedic deities, the term Shiva also connotes liberation, final emancipation and the auspicious one, this adjective sense of usage is addressed to many deities in Vedic layers of literature. The term evolved from the Vedic Rudra-Shiva to the noun Shiva in the Epics, Sharma presents another etymology with the Sanskrit root śarv-, which means to injure or to kill, interprets the name to connote one who can kill the forces of darkness. The Sanskrit word śaiva means relating to the god Shiva, and it is used as an adjective to characterize certain beliefs and practices, such as Shaivism. Some authors associate the name with the Tamil word śivappu meaning red, noting that Shiva is linked to the Sun, the Vishnu sahasranama interprets Shiva to have multiple meanings, The Pure One, and the One who is not affected by three Guṇas of Prakṛti. Shiva is known by names such Viswanathan, Mahadeva, Mahesha, Maheshvara, Shankara, Shambhu, Rudra, Hara, Trilochana, Devendra, Neelakanta, Subhankara, Trilokinatha. The highest reverence for Shiva in Shaivism is reflected in his epithets Mahādeva, Maheśvara, Sahasranama are medieval Indian texts that list a thousand names derived from aspects and epithets of a deity. There are at least eight different versions of the Shiva Sahasranama, the version appearing in Book 13 of the Mahabharata provides one such list
28.
Gokul
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Gokul is a municipality in the Mathura district of the Indian state of Uttar Pradesh. It is located 15 km south-east of Mathura, hindus believe that Lord Krishna spent his childhood in Gokula. Also refer to the Krishna Charit Manas, Gokul is located at 27. 45°N77. 72°E /27.45,77.72. It has an elevation of 163 metres. As of 2001 India census, Gokul had a population of 4041, males constitute 55% of the population and females 45%. Gokul has an literacy rate of 60%, higher than the national average of 59. 5%, male literacy is 68%. In Gokul, 18% of the population is under 8 years of age, Gokul is located at 27. 45°N77. 72°E /27.45,77.72. It has an elevation of 163 metres
29.
Ayodhya
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Ayodhya, also known as Saket, is an ancient city of India, believed to be the birthplace of Rama and setting of the epic Ramayana. It is adjacent to Faizabad city in the region of the Indian state of Uttar Pradesh. Ayodhya used to be the capital of the ancient Kosala Kingdom and it has an average elevation of 93 meters. Owing to the belief as the birthplace of Rama, Ayodhya has been regarded as one of the seven most important pilgrimage sites for Hindus. It is believed that the spot of Rama was marked by a temple, which was demolished by the orders of the Mughal emperor Babur. The Ayodhya dispute concerns the activism by the Hindu groups to rebuild a Ramas temple at the site, Ayodhya is on the right bank of the river Sarayu,8, km from Faizabad. This town is associated with Rama, seventh incarnation of Vishnu. According to the Ramayana, the city is 9,000 years old and was founded by Manu, other sources hold that it was founded by its namesake, King Ayudh. It was said to be the capital of the Solar dynasty, at the time it was known as Kaushaldesa. Skanda Purana and other puranas list Ayodhya as one of the seven most sacred cities of India, today it is predominantly a religious destination with its historical significance and sacred temples. The Atharvaveda described Ayodhya as a city built by God and being prosperous as paradise itself and its first ruling king was Ikshvaku, of the Solar dynasty and eldest son of Vaivasvata Manu. The sixth king of this line, Prithu, is linguistically the etymology of earth, mandhatri was a later king of the region, and the 31st king of his descent was Harischandra, known for his truthfulness, or Sathya-sandhata. His lineeage was Surya Vamsa and, in known for their honesty as rulers. Raja Sagar of the same clan performed the Asvamedha Yajna, Later came the great King Raghu, after whom the dynasty was called Raghuvamsa. His grandson was Raja Dasharatha, of the Kausala dynasty, several religions have prospered in Ayodhya simultaneously as well as at different periods. Elements of Hinduism, Buddhism, Jainism and Islam can be found in the city, Ayodhya demonstrates Ganga-Jamuni culture in the Hanumangarhi temple, built by Nawab of Awadh. According to Jain Agams, it is the eternal city after Shikharji. According to one derivation, Ayodhya is said to derive from the name of King Ayudh, in the more accepted etymology, In word Ayodhya, A is feminine negation of the word Yodhya which comes from the root Yudh
30.
Jesus
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In Christology, the Person of Christ refers to the study of the human and divine natures of Jesus Christ as they co-exist within one person. There is no discussion in the New Testament regarding the dual nature of the Person of Christ as both divine and human. Hence, since the days of Christianity theologians have debated various approaches to the understanding of these natures. In the period following the Apostolic Age, specific beliefs such as Arianism and Docetism were criticized. On the other end of the spectrum, Docetism argued that Jesus physical body was an illusion, docetic teachings were attacked by St. Ignatius of Antioch and were eventually abandoned by proto-orthodox Christians. However, after the First Council of Nicaea in 325 the Logos, historically in the Alexandrian school of christology, Jesus Christ is the eternal Logos paradoxically humanized in history, a divine Person who became enfleshed, uniting himself to the human nature. The views of these schools can be summarized as follows, Alexandria, Antioch, Logos assumes a specific human being The First Council of Ephesus in 431 debated a number of views regarding the Person of Christ. At the same gathering the council debated the doctrines of monophysitism or miaphysitism. The council rejected Nestorianism and adopted the term hypostatic union, referring to divine, the language used in the 431 declaration was further refined at the 451 Council of Chalcedon. However, the Chalcedon creed was not accepted by all Christians, because Saint Augustine died in 430 he did not participate in the Council of Ephesus in 431 or Chalcedon in 451, but his ideas had some impact on both councils. On the other hand, the major theological figure of the Middle Ages. The Third Council of Constantinople in 680 held that both divine and human wills exist in Jesus, with the divine will having precedence, leading and guiding the human will. John Calvin maintained that there was no element in the Person of Christ which could be separated from the person of The Word. Calvin also emphasized the importance of the Work of Christ in any attempt at understanding the Person of Christ, the study of the Person of Christ continued into the 20th century, with modern theologians such as Karl Rahner and Hans von Balthasar. Balthasar argued that the union of the human and divine natures of Christ was achieved not by the absorption of human attributes, thus in his view the divine nature of Christ was not affected by the human attributes and remained forever divine
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Easter
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It is the culmination of the Passion of Jesus, preceded by Lent, a forty-day period of fasting, prayer, and penance. In Western Christianity, Eastertide, or the Easter Season, begins on Easter Sunday and lasts seven weeks, ending with the coming of the fiftieth day, Pentecost Sunday. In Eastern Christianity, the season of Pascha begins on Pascha and ends with the coming of the fortieth day, the Feast of the Ascension. The First Council of Nicaea established two rules, independence of the Jewish calendar and worldwide uniformity, which were the rules for Easter explicitly laid down by the council. No details for the computation were specified, these were worked out in practice and it has come to be the first Sunday after the ecclesiastical full moon that occurs on or soonest after 21 March, but calculations vary. Easter is linked to the Jewish Passover by much of its symbolism, in many languages, the words for Easter and Passover are identical or very similar. Easter customs vary across the Christian world, and include services, exclaiming the Paschal greeting, clipping the church. The Easter lily, a symbol of the resurrection, traditionally decorates the area of churches on this day. Additional customs that have associated with Easter and are observed by both Christians and some non-Christians include egg hunting, the Easter Bunny, and Easter parades. There are also various traditional Easter foods that vary regionally, however, it is possible that Bede was only speculating about the origin of the term since there is no firm evidence that such a goddess actually existed. In Greek and Latin, the Christian celebration was, and still is, called Πάσχα, Pascha, the word originally denoted the Jewish festival known in English as Passover, commemorating the Jewish Exodus from slavery in Egypt. In most of the non-English speaking world, the feast is known by names derived from Greek, Pascha is also a name by which Jesus himself is remembered in the Orthodox Church, especially in connection with his resurrection and with the season of its celebration. The New Testament states that the resurrection of Jesus, which Easter celebrates, is a foundation of the Christian faith, the resurrection established Jesus as the powerful Son of God and is cited as proof that God will judge the world in righteousness. For those who trust in Jesus death and resurrection, death is swallowed up in victory, any person who chooses to follow Jesus receives a new birth into a living hope through the resurrection of Jesus Christ from the dead. Through faith in the working of God those who follow Jesus are spiritually resurrected with him so that they may walk in a new way of life and receive eternal salvation. Easter is linked to the Passover and Exodus from Egypt recorded in the Old Testament through the Last Supper, sufferings and crucifixion of Jesus that preceded the resurrection. According to the New Testament, Jesus gave the Passover meal a new meaning, as in the room during the Last Supper he prepared himself. He identified the matzah and cup of wine as his soon to be sacrificed
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Rama
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Ram or Srī Rāmachandra is the seventh avatar of the god Vishnu. He is the figure of the Hindu epic Ramayana, which is the principal narration of the events connected to his incarnation on Earth, his ideals. Rama is one of the deities in Hinduism and especially of the various sects of Vaishnavism. Religious texts and scriptures based on his life have been a component in numerous cultures of South Asia. Along with Krishna, Rama is considered to be one of the most important avatars of Vishnu, in Rama-centric sects, he is considered the Supreme Being, rather than an avatar. His wife Sita is considered by Hindus to be an avatar of Lakshmi, Rama and his brothers Lakshmana, Bharata, and Shatrughna were the chaturvyuha expansions of Vishnu. Ramas life and journey is one of adherence to dharma despite harsh tests and obstacles and many pains of life, for the sake of his fathers honour, Rama abandons his claim to Ayodhyas throne to serve an exile of fourteen years in the forest. His wife Sita and brother Lakshmana decide to join him and all three spend the fourteen years in exile together, while in exile, Sita is kidnapped by Ravana, the king of Lanka. After a long and arduous search, Rama fights a colossal war against Ravanas armies, in a war of powerful and magical beings, greatly destructive weaponry, and huge battles, Rama slays Ravana in battle and liberates his wife. Having completed his exile, Rama returns to be crowned king in Ayodhya and eventually becomes emperor, He rules with happiness, peace, duty, prosperity, and justice, a period known as Rama Rajya. The legend of Rama is deeply influential and popular in the societies of the Indian subcontinent, Rama is revered for his unending compassion, courage, and devotion to religious values and duty. The deity Hanuman declared Rama to be a supreme being, and said that, by constant remembrance of Lord Rama, the name Rama appears repeatedly in Hindu scriptures. Besides the name of the protagonist of the Ramayana, the name is given to other heroes including Parashurama and Balarama. In the Vishnu sahasranama, Rama is the 394th name of Vishnu, in Sanskrit, the word Rama means charming. It is commonly given as a name to male children in India, additionally, the tales of Rama are reverently spoken of in the Mahabharata. The earliest documentation of Rama in Buddhism is in the Buddhist text of Dasharatha Jataka, the epic had many versions across Indias regions. However, other scriptures in Sanskrit also reflect the life of Ramayana, the followers of Madhvacharya believe that an older version of the Ramayana, the mula-Ramayana, previously existed. They consider it to have been more authoritative than the version by Valmiki, another important shortened version of the epic in Sanskrit is the Adhyatma Ramayana
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Krishna
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Krishna is a major Hindu deity. He is one of the most widely revered and popular Indian divinities, worshipped as the incarnation of the Hindu god Vishnu. Krishnas birthday is celebrated every year by Hindus on Janmashtami according to the lunisolar Hindu calendar, Krishna is also known by numerous names, such as Govinda, Mukunda, Madhusudhana, Vasudeva and Makhan chor in affection. The anecdotes and narratives of Krishnas life are generally titled as Krishna Leela and he is a central character in the Bhagavata Purana, the Bhagavad Gita, and is mentioned in many Hindu philosophical, theological and mythological texts. They portray him in various perspectives, a god-child, a prankster, a lover, a divine hero. The synonyms of Krishna have been traced to 1st millennium BCE literature, worship of Krishna as Svayam Bhagavan, sometimes referred to as Krishnaism, arose in the Middle Ages in the context of the Bhakti movement. Krishna-related literature has inspired performance arts such as Bharatnatyam, Kathakali, Kuchipudi, Odissi. Since the 1960s, the worship of Krishna has also spread to the Western world, the name originates from the Sanskrit word Kṛṣṇa, which is primarily an adjective meaning black, dark or dark blue. The waning moon is called Krishna Paksha, relating to the adjective meaning darkening, the name is also interpreted sometimes as all attractive. As a name of Vishnu, Krishna is listed as the 57th name in the Vishnu Sahasranama, based on his name, Krishna is often depicted in idols as black or blue-skinned. Krishna is also known by other names, epithets and titles. Among the most common names are Mohan enchanter, Govinda meaning chief herdsman, Gopala, some of the distinct names may be regionally important—for instance, Jagannatha, a popular incarnation of Puri, Odisha in eastern India. Krishna is represented in the Indian traditions in many ways, with common features. His iconography typically depicts him as black or dark reflecting his name, however ancient and medieval reliefs and stone-based arts depict him in the natural color of the material he is made from, both in India and in southeast Asia. In some texts, his skin is described as the color of Jambul. Krishna is often depicted wearing a peacock feather wreathe or crown, in this form, he usually stands with one leg bent in front of the other in the Tribhanga posture. He is sometimes accompanied by cows or a calf, symbolism for the divine herdsman Govinda, alternatively, he is shown as an amorous man with the gopis, often making music or playing pranks. In other icons, he is a part of the scene on the battlefield of the epic Mahabharata
34.
Kodak
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Eastman Kodak Company, commonly referred to as Kodak, is an American technology company that produces imaging products with its historic basis on photography. The company is headquartered in Rochester, New York and is incorporated in New Jersey, Kodak provides packaging, functional printing, graphic communications and professional services for businesses around the world. Its main business segments are Print Systems, Enterprise Inkjet Systems, Micro 3D Printing and Packaging, Software and Solutions and it is best known for photographic film products. Kodak was founded by George Eastman and Henry A, during most of the 20th century, Kodak held a dominant position in photographic film. The companys ubiquity was such that its Kodak moment tagline entered the lexicon to describe a personal event that was demanded to be recorded for posterity. Kodak began to struggle financially in the late 1990s, as a result of the decline in sales of photographic film, as a part of a turnaround strategy, Kodak began to focus on digital photography and digital printing, and attempted to generate revenues through aggressive patent litigation. In January 2012, Kodak filed for Chapter 11 bankruptcy protection in the United States District Court for the Southern District of New York. In February 2012, Kodak announced that it would stop making digital cameras, pocket video cameras and digital picture frames, in January 2013, the Court approved financing for Kodak to emerge from bankruptcy by mid 2013. Kodak sold many of its patents for approximately $525,000,000 to a group of companies under the names Intellectual Ventures, on September 3,2013, the company emerged from bankruptcy having shed its large legacy liabilities and exited several businesses. Personalized Imaging and Document Imaging are now part of Kodak Alaris, on March 12,2014, it announced that the board of directors elected Jeffrey J. Clarke as chief executive officer and a member of its board of directors. As late as 1976, Kodak commanded 90% of film sales, Japanese competitor Fujifilm entered the U. S. market with lower-priced film and supplies, but Kodak did not believe that American consumers would ever desert its brand. Kodak passed on the opportunity to become the film of the 1984 Los Angeles Olympics, Fuji won these sponsorship rights. Fuji opened a plant in the U. S. and its aggressive marketing. Fuji went from a 10% share in the early 1990s to 17% in 1997, fujis films soon also found a competitive edge in higher-speed negative films, with a tighter grain structure. The complaint was lodged by the United States with the World Trade Organization, on January 30,1998, the WTO announced a sweeping rejection of Kodaks complaints about the film market in Japan. Although Kodak developed a camera in 1975, the first of its kind. In the 1990s, Kodak planned a journey to move to digital technology. CEO George M. C. Fisher reached out to Microsoft, Apples pioneering QuickTake consumer digital cameras, introduced in 1994, had the Apple label but were produced by Kodak
35.
Raja Ravi Varma
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Raja Ravi Varma was a celebrated Indian painter and artist. He is considered among the greatest painters in the history of Indian art for a number of aesthetic, firstly, his works are held to be among the best examples of the fusion of European techniques with a purely Indian sensibility. While continuing the tradition and aesthetics of Indian art, his paintings employed the latest European academic art techniques of the day. Secondly, he was notable for making affordable lithographs of his paintings available to the public, indeed, his lithographs increased the involvement of common people with fine arts and defined artistic tastes among common people for several decades. Raja Ravi Varma was closely related to the family of Travancore of present day Kerala state in India. Raja Ravi Varma was born M. R. Ry, the title Raja was conferred as a personal title by the Viceroy and Governor-General of India. Ravi Varma was the son of Ezhumavil Neelakanthan Bhattatiripad and Umayamba Thampurratti and his mother, Uma Ambabayi Thampuratty, belonged to the baronial family which ruled the Kilimanoor feudal estate within the kingdom of Travancore. She was a poet and writer of talent, whose work Parvati Swayamvaram was published by Varma after her death. Ravi Varmas father, Ezhumavil Neelakanthan Bhattatiripad, was a scholar of Sanskrit, Ravi Varma had three siblings, a sister named Mangala Bayi, and two brothers named Goda Varma and Raja Varma. The last-named was also a painter and worked closely with Ravi Varma all his life, in 1866, at the age of 18, Varma was married to 12-year-old Bhageerthi Bayi of the royal house of Mavelikkara, another major fief of Travancore kingdom. Notably, the house of Mavellikara was a branch of the Royal House of Travancore, Bhageerthi was the youngest of three sisters, and both of her elder sisters had been adopted into the royal family of Travancore in 1857, in order to carry on the lineage. They were known as the Senior and Junior Rani of Attingal, therefore, Ravi Varmas connection to the royal family became very close due to his marriage with Bhageerthi. Indeed, his children would be royal by birth, the marriage, which was arranged by their parents in the proper Indian manner, was harmonious and successful. The couple were blessed with five children, being two sons and three daughters and their elder son, Kerala Varma was of an excessively spiritual temperament. He never married and eventually renounced the world, leaving home for good in 1912, the younger son, Rama Varma, inherited his fathers artistic talent and studied at the JJ School of Arts, Mumbai. He was married to Gowri Kunjamma, sister of Dewan PGN Unnithan and it was however Ravi Varmas daughters who were singled out by destiny for greatness, although not in the field of art, and not personally but through their daughters. The three daughters of Ravi Varma and Bhageerthi Bayi were Mahaprabha Amma, Uma Amma and Cheria Kochamma, in 1900 CE, the Royal House of Travancore once again faced a succession crisis. Bhageerthis two elder sisters, who had adopted in order to carry forward the lineage, had failed to produce the desired heirs
36.
Marathi language
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Marathi is an Indian language spoken predominantly by the Marathi people of Maharashtra. It is the language and co-official language in the Maharashtra and Goa states of Western India, respectively. There were 73 million speakers in 2001, Marathi ranks 19th in the list of most spoken languages in the world, Marathi has the fourth largest number of native speakers in India, after Hindi, Bengali and Telugu in that order. Marathi has some of the oldest literature of all modern Indo-Aryan languages, the major dialects of Marathi are Standard Marathi and the Varhadi dialect. Malvani Konkani has been influenced by Marathi varieties. Marathi has several features that set it aside from most other Indian languages, Marathi distinguishes inclusive and exclusive forms of we and possesses a three-way gender system that features the neuter in addition to the masculine and the feminine. In its phonology it contrasts apico-alveolar with alveopalatal affricates and, in common with Gujarati, Marathi is primarily spoken in Maharashtra and parts of neighbouring states of Gujarat, Madhya Pradesh, Goa, union-territories of Daman and Diu and Dadra and Nagar Haveli. The cities of Baroda, Surat, and Ahmedabad, Belgaum, Karwar, Nipani, Indore, Gwalior, Adoni, Hyderabad, Marathi is also spoken by Maharashtrian emigrants worldwide, especially in the United States, United Kingdom, Israel, Mauritius, and Canada. Marathi is the language of Maharashtra and co-official language in the union territories of Daman and Diu and Dadra. In Goa, Konkani is the official language, however. Marathi is included among the languages which stand a part of the Eight Schedule of the Constitution of India, the contemporary grammatical rules described by Maharashtra Sahitya Parishad and endorsed by the Government of Maharashtra are supposed to take precedence in standard written Marathi. Traditions of Marathi Linguistics and the rules give special status to tatsamas. This special status expects the rules for tatsamas to be followed as in Sanskrit and this practice provides Marathi with a large treasure of Sanskrit words to cope with demands of new technical words whenever needed. Jawaharlal Nehru University has announced plans to establish a department for Marathi. Marathi Day is celebrated on 27 February, the birthday of poet Vishnu Vaman Shirwadkar, Indian languages, including Marathi, that belong to the Indo-Aryan language family are derived from early forms of Prakrit. Marathi is one of languages that further descend from Maharashtri Prakrit. Marathi literature began and grew owing to the rise of the Seuna dynasty of Devgiri, further growth and usage of the language was because of two religious sects – the Mahanubhava and Varkari panthans – who adopted Marathi as the medium for preaching their doctrines of devotion. Marathi had attained a place in court life by the time of the Seuna kings
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