This is a good article. Follow the link for more information.

Ready to Die

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Ready to Die
Ready To Die.jpg
Studio album by The Notorious B.I.G.
Released September 13, 1994
Recorded 1993–94
Studio
Genre
Length 69:05
Label
Producer
The Notorious B.I.G. chronology
Ready to Die
(1994)
Life After Death
(1997)Life After Death1997
Singles from Ready to Die
  1. "Juicy"
    Released: August 8, 1994
  2. "Big Poppa"
    Released: December 24, 1994
  3. "Warning"
    Released: February 1995

Ready to Die is the debut studio album by American rapper The Notorious B.I.G.; it was released on September 13, 1994, by Bad Boy Records and Arista Records. The label's first release, the album features production by Bad Boy founder Sean "Puffy" Combs, Easy Mo Bee, Chucky Thompson, DJ Premier and Lord Finesse, among others. Recording for the album took place during 1993-94 at The Hit Factory and D&D Studios in New York City. The partly autobiographical album tells the story of B.I.G.'s experiences as a young criminal. Ready to Die was the only studio album released during his life, as he was murdered sixteen days prior to the release of his second album, Life After Death in 1997.

Ready to Die was released to critical acclaim and became a commercial success, achieving Gold certification. In 1995, after the album's release, the album became a certified double platinum by the Recording Industry Association of America (RIAA),[2] and the album has reached a certified quadruple platinum with sales. It was significant for revitalizing the East Coast hip hop scene, amid West Coast hip hop's commercial dominance.[3] The album's second single, "Big Poppa", was nominated for a Grammy Award for Best Rap Solo Performance at the 1996 Grammy Awards. Ready to Die has been regarded by many music critics as one of the greatest hip-hop albums of all time, as well as one of the best albums of the 1990s.

Background and recording[edit]

The album was recorded in New York City (mainly at The Hit Factory) in two stages between 1993 and 1994. In 1994, Biggie was 21 years old going on 22 when he recorded the album. In 1993, Biggie was signed to the Uptown Records label by A&R Sean "Puffy" Combs. Biggie started recording his debut album in New York, after making numerous guest appearances among his label-mates' singles during the previous year. The first tracks recorded include the album's darker, less radio-friendly content (including "Ready to Die," "Gimme the Loot" and "Things Done Changed"). In these sessions, XXL magazine describe an "inexperienced, higher-pitched" Biggie sounding "hungry and paranoid".[4]

When executive producer Sean "Puffy" Combs was fired from Uptown, Biggie's career hung in limbo, as the album was only partially completed. After a brief period dealing drugs in North Carolina,[5] Biggie returned to the studio the following year on Combs' new Bad Boy Records label possessing "a smoother, more confident vocal tone" and completed the album. In this stage, the more commercial-sounding tracks of the album were recorded, including the album's singles. Between the two stages, XXL writes that Biggie moved from writing his lyrics in notebooks to freestyling them from memory.[4]

The album was released with a cover depicting an infant resembling the artist, though sporting an afro, which pertains to the album's concept of the artist's life from birth to his death. It has been listed as among the best album covers in hip hop.[6]

Lawsuits and sample removal[edit]

On March 24, 2006, Bridgeport Music and Westbound Records won a federal lawsuit against Bad Boy Records for copyright infringement, with a jury deciding that Combs and Bad Boy had illegally used samples for the production of the songs "Ready to Die", "Machine Gun Funk", and "Gimme the Loot".[7][8] The jury awarded $4.2 million in punitive and direct damages to the two plaintiffs, and federal judge Todd Campbell enacted an immediate sales ban on the album and tracks in question.[8] On appeal, the Sixth Circuit found the damages unconstitutionally high and in violation of due process and remanded the case, at which point Campbell reduced them by $2.8 million; however, the verdict was upheld.[9][10] All versions of the album released since the lawsuit are without the disputed samples.[11]

Although a fair use issue, Combs and Bad Boy never raised the legal concept of the fair use doctrine in their defense.[9] This decision was questioned by some legal experts: Anthony Falzone of the Fair Use Project at Stanford Law School criticized Combs and Bad Boy for not defending the legality of sampling and suggested that they might have refused to raise such a defense because they feared it could later imperil their control over their own music.[12]

On April 2, 2014, Lee Hutson of The Impressions filed a multimillion-dollar copyright infringement suit against Combs, Bad Boy Records, and the estate of the late Notorious B.I.G. for copyright infringement, alleging that his song "Can't Say Enough About Mom" was illegally sampled in the production of the song "The What".[13] The estate countersued in turn, claiming the sample as used was short, adapted, and supplemented, and thus subject to fair use,[14] a legal tactic not pursued previously.[12]

Composition[edit]

Production[edit]

The production on the album was mainly handled by Easy Mo Bee and The Hitmen. Cheo H. Coker of Rolling Stone depicted the beats as "heavy bottomed and slick, but B.I.G.'s rhymes are the showstoppers. The tracks only enhance them, whether it's the live bass driving a menacing undercurrent or [the] use of bluesy guitar and wah-wah feedback" and that the production is used to "push the rapper to new heights."[15] The production is mainly sample-based with the samples varying from the percussion of funk tracks to the vocals of hip hop songs. Steve Huey presented some criticism over the beats, stating that the "deliberate beats do get a little samey, but it hardly matters: this is Biggie's show".[16]

Lyrical themes[edit]

The Notorious B.I.G.'s lyrics on the album were generally praised by critics. Many critics applauded his story-telling ability such as AllMusic writer Steve Huey, who stated "His raps are easy to understand, but his skills are hardly lacking — he has a loose, easy flow and a talent for piling multiple rhymes on top of one another in quick succession". He also went on to mention that his lyrics are "firmly rooted in reality, but play like [a] scene from a movie".[16] Touré, writing for The New York Times, referred to The Notorious B.I.G., proclaiming that he stood out from other rappers because "his lyrics mix autobiographical details about crime and violence with emotional honesty, telling how he felt while making a living as a drug dealer".[17] The album is also noted for its dark tone and sinister sense of depression.[16] In the original Rolling Stone review, Cheo H Coker declared that he "maintains a consistent level of tension by juxtaposing emotional highs and lows".[15] "Things Done Changed" was also one of the few hip hop songs in The Norton Anthology of African American Literature.[18]

The lyrics on Ready to Die tend to deal with violence, drug dealing, women, alcohol and marijuana use, and other elements of Notorious B.I.G.'s environment. He rapped about these topics in "clear, sparse terms, allowing the lyrics to hit the first time you hear them".[15] The album contains a loose concept starting out with an intro that details his birth, his early childhood, his adolescence and his life at the point of the album's release.[17] Songs on the album range from homicide narratives ("Warning") to braggadocios battle raps ("The What," "Unbelievable"). The final song was "Suicidal Thoughts", a song where The Notorious B.I.G. contemplates and finally commits suicide.

Singles[edit]

Three singles were released from the album: "Juicy", "Big Poppa", "One More Chance" and a promotional track of Biggie: "Warning". According to XXL the more commercial sound of the singles compared to the rest of the album was a result of encouragement by Combs during the later recording sessions in which they were recorded.[4]

"Juicy" was released as the lead single on August 8, 1994. It peaked at number 27 on the Billboard Hot 100, number 14 on Hot R&B/Hip-Hop Singles & Tracks and reached number 3 on the Hot Rap Singles.[20] It shipped 500,000 copies in the United States and the RIAA certified it Gold on November 16, 1994.[21] Produced by Combs, it features a prominent sample of "Juicy Fruit" as performed by James Mtume. AllMusic's Steve Huey stated that, along with the other singles, it was an "upbeat, commercial moment", calling it a "rags-to-riches chronicle".[16] Andrew Kameka, of HipHopDX.com, stated that the song was one of his "greatest and most-revealing songs" and went on to say it was a "Part-autobiography, part-declaration-of-success. It document[s] the star's transition from Brooklyn knucklehead to magazine cover story."[22] Producer Pete Rock, who was commissioned to remix the track, alleged that Puffy stole the idea for the original song's beat after hearing it from him during a visit. Rock explained this in an interview with Wax Poetics:[23]

I did the original version, didn't get credit for it. They came to my house, heard the beat going on the drum machine, it's the same story. You come downstairs at my crib, you hear music. He heard that shit and the next thing you know it comes out. They had me do a remix, but I tell people, and I will fight it to the end, that I did the original version of that. I'm not mad at anybody, I just want the correct credit.

"Big Poppa" was released as the second single on December 24, 1994 and like the previous single, it was a hit on multiple charts. It reached number six on the Billboard Hot 100, number four on the Hot R&B/Hip-Hop Singles & Tracks and number one on Hot Rap Singles.[20] It sold over a million units and the RIAA certified it Platinum on May 23, 1995.[21] Featuring production by Combs and Chucky Thompson of The Hitmen, it samples "Between the Sheets" by The Isley Brothers. The song was nominated at the 1996 Grammy Awards for Best Rap Solo Performance, but lost to Coolio's "Gangsta's Paradise". Steve Huey named it an "overweight-lover anthem".[16]

"One More Chance" was released as the third single on June 9, 1995. The single was a remix of the album track. It was produced by Combs and featured a sample from DeBarge's "Stay With Me". It peaked at number two on the Billboard Hot 100 and reached number one on the Hot R&B/Hip-Hop Singles & Tracks and Hot Rap Singles.[20] It sold over a million copies and the RIAA certified it Platinum on July 31, 1995.[21] Steve Huey labeled it a "graphic sex rap".[16] Rolling Stone writer Cheo H. Coker had a similar view of the song, noting that it was "one of the bawdiest sex raps since Kool G Rap's classic, "Talk Like Sex" and continued, stating it "proves hilarious simply because of B.I.G.'s Dolemitelike vulgarity."[15]

Critical reception[edit]

Professional ratings
Review scores
Source Rating
AllMusic 5/5 stars[19]
Blender 5/5 stars[24]
Christgau's Consumer Guide A−[25]
HipHopDX 5/5[26]
Pitchfork 10/10[27]
Q 3/5 stars[28]
Rolling Stone 4/5 stars[15]
The Rolling Stone Album Guide 5/5 stars[29]
The Source 4.5/5[30]
Uncut 4/5 stars[31]

Ready to Die received critical acclaim from music critics. In his review for Rolling Stone, Cheo H. Cocker stated "Ready to Die is the strongest solo rap debut since Ice Cube's Amerikkka's Most Wanted. From the breathtakingly visual moments of his birth to his Cobainesque end in "Suicidal Thoughts," B.I.G. proves a captivating listen. It's difficult to get him out of your head once you sample what he has to offer".[15] Robert Christgau from The Village Voice commented "His sex raps are erotic, his jokes are funny, and his music makes the thug life sound scary rather than luxuriously laid back. When he considers suicide, I not only take him at his word, I actively hope he finds another way".[25] The New York Times wrote "Though drug dealing carries tremendous heroic value with some young urban dwellers, he sacrifices the figure's romantic potential. His raps acknowledge both the excitement of drug dealing and the stress caused by the threat from other dealers, robbers, the police and parents, sometimes one's own. In presenting the downside of that life, Ready to Die offers perhaps the most balanced and honest portrait of the dealer's life of any in hip-hop".[32]

Q magazine gave Ready to Die three out of five stars, and stated "the natural rapping, clever use of sound effects and acted dialogue, and concept element (from a baby being born at the start to the fading heartbeat at the end) set this well apart from the average gangsta bragging".[28] In their original review for Ready to Die, The Source gave it four-and-a-half out of five 'mics', stating "Big weaves tales like a cinematographer, each song is like another scene in his lifestyle. Overall, this package is complete: ridiculous beats, harmonizing honeys, ill sound effects, criminal scenarios, and familiar hooks".[30]

Retrospect[edit]

In retrospect, Ready to Die has been highly acclaimed. In 1998, The Source included it on their 100 Best Rap Albums of All Time list,[33] and in 2002, they re-rated it to the maximum five 'mics'.[34] Rolling Stone has also given acclaim to Ready to Die over the years. In 2003, they ranked it number 133 on their 500 Greatest Albums of All Time list,[33] and one year later, they re-rated it to five stars.[29] In 2011, Rolling Stone also placed it at number eight on their 100 Best Albums of the Nineties list, and described it as "mapping out the sound of 'Nineties cool".[35] Kilian Murphy from Stylus Magazine wrote favorably of the album in a retrospective review, and concluded "Sweet, hypocritical, sensitive, violent, depressed and jubilant; these words could all fittingly describe Big at various points on Ready to Die."[36]

Steve Huey from AllMusic gave it five stars, stating "The album that reinvented East Coast rap for the gangsta age, Ready to Die made the Notorious B.I.G. a star. Today it's recognized as one of the greatest hardcore rap albums ever recorded, and that's mostly due to Biggie's skill as a storyteller".[19] In 2006, Time magazine included it on their 100 Greatest Albums of All Time list, and stated "On Ready to Die, Wallace took his street corner experiences and filtered them through his considerable charm. The result was a record that mixed long stretches of menace with romance and lots of humor. No rapper ever made multi-syllabic rhymes sound as smooth".[37] The album was also included in the book 1001 Albums You Must Hear Before You Die.[38]

Accolades[edit]

  • The information regarding accolades is adapted from Acclaimedmusic.net,[33]except where noted.
  • (*) signifies unordered lists
Publication Country Accolade Year Rank
About.com United States 100 Greatest Hip Hop Albums[39] 2008 2
Best Rap Albums of 1994[40] 2008 2
10 Essential Hip-Hop Albums[41] 2008 3
Blender 500 CDs You Must Own Before You Die 2003 *
Dance De Lux Spain The 25 Best Hip-Hop Records 2001 21
Robert Dimery United States 1001 Albums You Must Hear Before You Die 2005 *
ego trip Hip Hop's 25 Greatest Albums by Year 1980–98 1999 2
Entertainment Weekly The 100 Best Albums from 1983 to 2008 2008 40
The Guardian United Kingdom 1000 Albums to Hear Before You Die 2007 *
Mojo Mojo 1000, the Ultimate CD Buyers Guide 2001 *
The Mojo Collection, 3rd and/or 4th Edition 2003 *
Tom Moon United States 1000 Recordings to Hear Before You Die 2008 *
MTV The Greatest Hip-Hop Albums of All Time[42] 2005 4
MUZIQ France 200 Records for a Dream Collection 2007 *
The New Nation United Kingdom Top 100 Albums by Black Artists 2005 8
Pause & Play United States Albums Inducted into a Time Capsule, One Album per Week *
Pitchfork Top 100 Favorite Records of the 1990s[43] 2003 32
Pure Pop Mexico Albums of the Year 1994 18
Q United Kingdom The Ultimate Music Collection 2005 *
Rolling Stone United States The Essential Recordings of the 90s[44] 1999 *
The 500 Greatest Albums of All Time 2003 133
100 Best Albums of the Nineties[35] 2011 8
Sounds United Kingdom The 50 Best Albums of the 1990s 2009 37
The Source United States The 100 Best Rap Albums of All Time 1998 *
The Critics Top 100 Black Music Albums of All Time[45] 2006 8
Spin Top 90 Albums of the 90s 1999 27
Top 100 (+5) Albums of the Last 20 Years 2005 30
The 125 Best Albums of the Past 25 Years 2010 43
Time Top 100 Albums of All Time 2006 *
Vibe 100 Essential Albums of the 20th Century 1999 *
150 Albums That Define the Vibe Era (1992–2007) 2007 *
Village Voice Albums of the Year 1994 38
VPRO Netherlands 299 Nominations of the Best Album of All Time 2006 *

Commercial performance[edit]

The album shipped 57,000 units in its first week of release.[46] However, it was then certified Gold by the RIAA only two months after its release on November 16, 1994, and was certified double Platinum on October 16, 1995, only a year and one month after its release.[21] Ready to Die was then certified triple Platinum on August 26, 1998 and was later certified 4× Platinum by the RIAA on October 19, 1999.[21]

Track listing[edit]

No. Title Writer(s) Producer(s) Length
1. "Intro" Christopher Wallace, Sean Combs Sean "Puffy" Combs 3:24
2. "Things Done Changed" Wallace, Dominic Owen, Kevin Scott Darnell Scott 3:58
3. "Gimme the Loot" Wallace, Osten Harvey Easy Mo Bee 5:04
4. "Machine Gun Funk" Wallace, Harvey Easy Mo Bee 4:17
5. "Warning" Wallace, Harvey Easy Mo Bee 3:40
6. "Ready to Die" Wallace, Harvey Easy Mo Bee 4:24
7. "One More Chance" Wallace, Norm Glover, Reginald Ellis, Chucky Thompson, Combs Bluez Brothers, Chucky Thompson, Combs 4:43
8. "Fuck Me (Interlude)" Wallace, Combs Combs 1:31
9. "The What" (featuring Method Man) Wallace, Clifford Smith, Harvey Easy Mo Bee 3:57
10. "Juicy" Wallace, Peter Philips, Combs, Jean Oliver Poke, Combs (co.) 5:02
11. "Everyday Struggle" Wallace, Glover, Ellis Bluez Brothers 5:19
12. "Me & My Bitch" Wallace, Glover, Ellis, Thompson, Combs Bluez Brothers, Chucky Thompson, Combs 4:00
13. "Big Poppa" Wallace, Rudolph Isley, O'Kelly Isley, Jr., Ronald Isley, Ernest Isley, Marvin Isley, Chris Jasper Chucky Thompson, Combs (co.) 4:13
14. "Respect" Wallace, Diana King, Harry Casey Poke, Combs 5:21
15. "Friend of Mine" Wallace, Harvey Easy Mo Bee 3:28
16. "Unbelievable" Wallace, Christopher Martin DJ Premier 3:43
17. "Suicidal Thoughts" Wallace, Robert Hall Lord Finesse 2:50
Total length: 69:05

Notes

  • "Intro", "Fuck Me (Interlude)" and "Friend of Mine" contains additional vocals from Lil' Kim.
  • "One More Chance" and "Juicy" contains additional vocals from Total.
  • "Respect" contains backing vocals from Diana King.
  • "Me & My Bitch" contains additional vocals from Sybil Pennix.

Sample credits[edit]

Personnel[edit]

  • Notorious B.I.G. – writer, performer
  • Sean "Puffy" Combs – executive producer, additional vocals, producer
  • Mister Cee – associate executive producer
  • Method Man – featured performer
  • Lil' Kim – additional performer
  • Total – additional vocals
  • Chucky Thompson – instruments, producer
  • Nashiem Myrick – additional programming, producer
  • Diana King – additional vocals
  • Sybil Pennix – additional voice
  • Easy Mo Bee – producer
  • The Bluez Brothers – producer
  • Jean "Poke" Oliver – producer
  • DJ Premier – producer
  • Lord Finesse – producer
  • Darnall Scott – producer
  • Rashad Smith – producer
  • Bob "Bassy" Brockman – recording, mixing
  • Greg Pinto – recording, mixing
  • Rich Travali – recording, mixing
  • Mario Rodriquez – recording, mixing
  • Charles "Prince" Alexander – recording, mixing
  • Bill Esses – recording, mixing
  • John Wydrycs – recording
  • Norty Cotto – recording
  • Eddie Sancho – mixing
  • Butch Bel Air – photography
  • Gwendolyn Watts – A&R coordination

Charts and certifications[edit]

Weekly charts[edit]

Charts (1994) Peak
position
French Albums (SNEP)[47] 118
US Billboard 200[48] 15
US Top R&B/Hip-Hop Albums (Billboard)[49] 3

Certifications[edit]

Region Certification Certified units/Sales
United States (RIAA)[50] 4× Platinum 4,000,000^

*sales figures based on certification alone
^shipments figures based on certification alone

See also[edit]

References[edit]

  1. ^ https://www.allmusic.com/album/ready-to-die-mw0000118068
  2. ^ Inc, Nielsen Business Media (1995). Billboard. Nielsen Business Media, Inc. p. 27. 
  3. ^ Steve Huey. The Notorious B.I.G. > Biography. AllMusic. Retrieved March 17, 2007
  4. ^ a b c Duncan, Andrea. "The Making of 'Ready To Die': Family Business". XXL Mag. Archived from the original on November 10, 2006. 
  5. ^ Menconi, David (January 25, 2009). "Notorious B.I.G.'s Raleigh days, revisited". newsobserver. Archived from the original on April 23, 2017. 
  6. ^ Ego trip's book of rap lists (1st ed.). New York: St. Martin's Griffin. 1999. p. 167. ISBN 978-0-312-24298-5.  |first1= missing |last1= in Authors list (help)
  7. ^ J-23 (December 30, 2005). "Court After Death: Biggie Being Sued". HipHopDX. Archived from the original on October 7, 2013. Retrieved October 5, 2013. 
  8. ^ a b c d e AP (March 24, 2006). "Judge halts sales of Notorious B.I.G. album after jury finds song snippet used without permission". The Bryan Times. Retrieved October 5, 2013. 
  9. ^ a b "Westbound Records awarded 688k in punitive damages for Notorious B.I.G. sample". Exclusive Rights. April 13, 2009. Archived from the original on November 25, 2009. Retrieved October 5, 2013. 
  10. ^ Bailey, Jonathan (April 18, 2009). "04/18: On Appeal, Damages for Unauthorized "Ready to Die" Sample Reduced by $2,811,477". Bad Boy Blog. Archived from the original on October 7, 2013. Retrieved October 5, 2013. 
  11. ^ "iTunes – Music – Ready to Die – The Remaster by The Notorious B.I.G". Apple Inc. Archived from the original on October 23, 2013. Retrieved October 5, 2013. 
  12. ^ a b Falzone, Anthony (October 18, 2007). "Why, Diddy? Why?". The Center for Internet and Society. Archived from the original on October 7, 2013. Retrieved October 5, 2013. 
  13. ^ Beekman, Daniel (April 2, 2014). "Former Impressions singer Lee Hutson slaps hip-hop mogul Diddy, Bad Boy Entertainment and estate of Notorious B.I.G. with copyright infringement lawsuit". Daily News. Archived from the original on April 8, 2014. Retrieved April 8, 2014. 
  14. ^ Gardner, Eriq (April 1, 2014). "Notorious B.I.G. Estate Files Pre-emptive Lawsuit Over Song Sample (Exclusive)". The Hollywood Reporter. Archived from the original on April 3, 2014. Retrieved April 8, 2014. 
  15. ^ a b c d e f Coker, Cheo H. (November 3, 1994). "Notorious B.I.G.: Ready To Die". Rolling Stone. New York. Archived from the original on January 14, 2009. Retrieved December 30, 2012. 
  16. ^ a b c d e f [https://www.allmusic.com/album/r203800
  17. ^ a b TOURE (December 18, 1994). "Biggie Smalls, Rap's Man of the Moment". The New York Times. Archived from the original on July 1, 2017. Retrieved July 11, 2017. 
  18. ^ Gates Jr., Henry Louis, ed. (2004). The Norton Anthology of African American literature (2. ed.). New York, NY [u.a.]: Norton. ISBN 978-0-393-97778-3. 
  19. ^ a b c Huey, Steve. "Ready to Die – The Notorious B.I.G". AllMusic. Archived from the original on June 4, 2012. Retrieved October 23, 2009. 
  20. ^ a b c Ready to Die – Billboard Singles. AllMusic. Retrieved May 15, 2008.
  21. ^ a b c d e "Gold & Platinum – RIAA". RIAA. Retrieved July 11, 2017. 
  22. ^ Kameka, Andrew. "The Notorious B.I.G. – Ready To Die". HipHopDX. Archived from the original on January 16, 2010. Retrieved July 11, 2017. 
  23. ^ Wax Poetic interview – Pete Rock – tribe.net Archived February 20, 2012, at the Wayback Machine.
  24. ^ Sanneh, Kelefa. "The Notorious B.I.G.: Ready to Die". Blender. New York. Archived from the original on May 18, 2010. Retrieved October 31, 2009. 
  25. ^ a b Christgau, Robert (2000). "Notorious B.I.G.: Ready to Die". Christgau's Consumer Guide: Albums of the '90s. Macmillan Publishers. ISBN 0-312-24560-2. Retrieved October 31, 2009. 
  26. ^ Kameka, Andrew (March 7, 2007). "The Notorious B.I.G. – Ready To Die". HipHopDX. Archived from the original on May 21, 2015. Retrieved October 23, 2009. 
  27. ^ Trammell, Matthew (March 9, 2017). "The Notorious B.I.G.: Ready to Die". Pitchfork. Archived from the original on March 9, 2017. Retrieved March 9, 2017. 
  28. ^ a b "The Notorious B.I.G.: Ready to Die". Q. London (99). December 1994. 
  29. ^ a b Sheffield, Rob (2004). "The Notorious B.I.G.". In Brackett, Nathan; Hoard, Christian. The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. p. 592. ISBN 0-7432-0169-8. 
  30. ^ a b Shortie (October 1994). "The Notorious B.I.G.: Ready to Die". The Source. New York (61): 79. Archived from the original on February 1, 2013. Retrieved February 1, 2013. 
  31. ^ "The Notorious B.I.G. – Ready to Die". Uncut. London (90): 128. November 2004. Archived from the original on August 17, 2016. Retrieved July 9, 2016. 
  32. ^ Touré (December 18, 1994). "Biggie Smalls, Rap's Man of the Moment". The New York Times. Archived from the original on March 9, 2016. Retrieved October 23, 2009. 
  33. ^ a b c Acclaimedmusic.net Archived June 16, 2010, at the Wayback Machine.
  34. ^ "Got Five on It". The Source (150): 176. March 2002. 
  35. ^ a b "100 Best Albums of the Nineties". Rolling Stone. Archived from the original on July 9, 2017. Retrieved July 11, 2017. 
  36. ^ Murphy, Killian (June 22, 2004). "Notorious BIG – Ready to Die – On Second Thought". Stylus Magazine. Archived from the original on February 5, 2010. Retrieved October 23, 2009. 
  37. ^ Tyrangiel, Josh (January 22, 2010). "All-TIME 100 Albums". Time. Archived from the original on January 30, 2017. Retrieved July 11, 2017. 
  38. ^ Robert Dimery; Michael Lydon (March 23, 2010). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Universe. ISBN 978-0-7893-2074-2. 
  39. ^ "100 Best Hip-Hop Albums of All Time". ThoughtCo. Archived from the original on April 5, 2015. Retrieved July 11, 2017. 
  40. ^ Adaso, Henry. "90 Best Rap Albums of the 90s". ThoughtCo. Archived from the original on April 5, 2015. Retrieved July 11, 2017. 
  41. ^ Adaso, Henry. "The 10 Essential Rap Albums". ThoughtCo. Archived from the original on April 18, 2015. Retrieved July 11, 2017. 
  42. ^ "The Greatest Hip-Hop Albums of All Time". MTV. Archived from the original on September 5, 2012. Retrieved July 11, 2017. 
  43. ^ Goldstein, Hartley. "Top 100 Albums of the 1990s". Pitchfork. Archived from the original on June 8, 2017. Retrieved July 11, 2017. 
  44. ^ "Rolling Stone Lists – Main Page". Rolling Stone. rocklistmusic.co.uk. Archived from the original on July 18, 2011. Retrieved July 11, 2017. 
  45. ^ Trevornelson.com Archived February 4, 2012, at the Wayback Machine.
  46. ^ "Archived copy". Archived from the original on July 16, 2014. Retrieved 2014-06-21. 
  47. ^ "Lescharts.com – The Notorious B.I.G. – Ready to Die". Hung Medien. Retrieved October 11, 2011.
  48. ^ "The Notorious B.I.G. Chart History (Billboard 200)". Billboard. Retrieved October 10, 2013.
  49. ^ "The Notorious B.I.G. Chart History (Top R&B/Hip-Hop Albums)". Billboard. Retrieved October 10, 2013.
  50. ^ "American album certifications – Notorious B.I.G. – Ready to Die". Recording Industry Association of America. Retrieved June 4, 2017.  If necessary, click Advanced, then click Format, then select Album, then click SEARCH

External links[edit]