Tour Generación RBD En Vivo
Tour Generación RBD en Vivo is the first live album released by Mexican pop band RBD. The album was recorded live at a concert from the band's Tour Generación RBD in Mexico City's Palacio de los Deportes, it features songs from their debut album Rebelde, one new live track, two medleys of popular songs in the album's Mexican edition, on the edition released in the US, a track that appeared on their second studio album, Nuestro Amor. The album was certified platinum in the United States in February 2006; the album mirrored this success in Brazil, where it reached the number one position, spending several weeks at the top of the charts. The album was released in Spain on September 11, 2006. A DVD of the tour was released, titled Tour Generación RBD En Vivo as well. On July 19, 2005 the standard edition of the album was released in the United States; the live album was recorded on May 27, 2005 during RBD's concert in the Palacio de los Deportes in Mexico City, as part of their Tour Generación RBD, which visited over 30 Mexican cities, in addition to Venezuela, Puerto Rico and Ecuador.
On March 2, 2006 a'Diamond Edition' of the album was released, which included tracks in Portuguese, games, a documentary and photos of the band. The album was a commercial success in the United States; the album reached number one on the Mexican Albums Chart and was certified platinum + gold for sales of 150,000 copies. In the United States, the album reached No. 29 on the Billboard Top Heatseekers Albums chart, managing to stay on the chart for eight weeks. On the Billboard Top Latin Albums chart, it reached No. 22 and remained there for 33 weeks, while on Billboard Latin Pop Albums it peaked at No. 6 and spent 28 weeks on the chart. The RIAA certified the album platinum for sales of 100,000 copies; the album had a favorable reception in Spain. The album peaked at No. 13 on the Spanish Albums Chart. PROMUSICAE certified the album gold for sales of 40,000 copies in Spain, it was well received in Brazil, where the album charted at No. 16 on the Brazilian Albums Chart. The songs "Santa No Soy" and "Cuando El Amor Se Acaba" were a part of the tour set list but were not included on either edition of the album.
Note Apart from the enhanced content, the'Edición Diamante' followed the same track list as the Mexican edition of the standard album, except "Liso, Sensual" was added as the last track. Credits adapted from the album's liner notes. Production Tour Generación RBD En Vivo
RBD was a Latin pop group from Mexico that gained popularity from Televisa's soap opera Rebelde, found international success from 2004 until their separation in 2009. RBD has sold over 60 million Records worldwide, making them the most successful Latin pop group of all-time. In November 2004 they release. In September 2005 they release their second studio album, Nuestro Amor, receiving their first nomination in the Latin Grammy Awards. In 2006 they release Celestial; the album's lead single, "Ser o Parecer", topped the Billboard Hot Latin Songs chart for two consecutive weeks. In the same year they released Rebels. In 2007 they released Empezar Desde Cero, being nominated again in the Latin Grammy Awards, in 2009 their last album entitled Para Olvidarte De Mí; the members are popular Mexican actors and singers Anahí, Dulce María, Christian Chávez, Alfonso Herrera, Christopher von Uckermann, Maite Perroni. The band was formed on October 30, 2004, on August 15, 2008, RBD announced through a press release that they would disband in March 10, 2009.
RBD was formed on October 2004, following the premiere of the Mexican soap opera, Rebelde. The members were Dulce María, Anahí, Maite Perroni, Christian Chávez, Alfonso Herrera, Christopher von Uckermann; the band released their debut single, "Rebelde" was released one month before they were put together. Their first album Rebelde, was released on November 11, 2004 by EMI. All four singles were number one hits in Mexico. Rebelde sold well in the United States, reaching #95 on the Billboard 200 and reaching number two on the Latin Albums chart. In July 2005 a live CD/DVD, Tour Generación RBD En Vivo was released documenting their tour around Mexico, they released their second studio album, Nuestro Amor on September 22, 2005. This album set new record sales in Mexico, selling 127,000 copies on its release day, ←160,000 copies within its first week. In the U. S. the album topped the Latin Albums Chart for 3 weeks and peaked at #88 on the Billboard 200. The first four singles reached number one in Mexico.
In the United States "Nuestro Amor", "Aún Hay Algo" and "Este Corazón" charted on the Hot Latin chart at #6, #24 and #10 respectively. With the success of Rebelde, the group used the hiatus between the first and second season to release Nuestro Amor, which included twelve songs plus "Una Canción", "Liso, Sensual". 2006 brought RBD a nomination for the Latin Grammy Awards in the category "Best Pop Album by a Group or Duo" for Nuestro Amor. They performed a new version of "Tras de Mí" at the ceremony. Rebelde and Nosso Amor RebeldeIn November 2005 a Portuguese language version of their debut album was released under the title Brazilian Edition. In early 2006, RBD went on tour around the U. S. for the first time. The tour was released as a CD/DVD in April under the title Live in Hollywood, it peaked at number 6 on the Latin Albums Chart. Since that year, former pop-rock singer Lynda Thomas became a recurring contributor for RBD, she had been working uncredited with the band since their debut album, but the first song, credited to her, was the single "No Pares", written by Lynda herself and performed by Dulce María.
In May 2006, they released a Portuguese version of Nuestro Amor, entitled Nosso Amor Rebelde, intended for the Brazilian market. Nosso Amor Rebelde is their second album in Portuguese. Released only in Brazil, the album contains Portuguese versions of 11 songs from Nuestro Amor. In November 2006, they released their third studio album Celestial produced and directed by Carlos Lara which debuted at number 15 in the Billboard 200, marking first-week sales of over 137,000 copies in the U. S. 2006 brought RBD a nomination for the Latin Grammy Awards in the category "Best Pop Album by a Group or Duo" for Nuestro Amor. They performed a new version of "Tras de Mí" at the ceremony. Rebelde and Nosso Amor RebeldeIn November 2005 a Portuguese language version of their debut album was released under the title Brazilian Edition. In early 2006, RBD went on tour around the U. S. for the first time. The tour was released as a CD/DVD in April under the title Live in Hollywood, it peaked at number 6 on the Latin Albums Chart.
In May 2006, they released a Portuguese version of Nuestro Amor, entitled Brazilian Edition, intended for the Brazilian market. Nosso Amor Rebelde is their second album in Portuguese. Released only in Brazil, the album contains Portuguese versions of 11 songs from Nuestro Amor; the album however did not have a full week of album sales, due to its Friday release. Despite this, it became their first album to peak or chart within the top 20 of the Billboard 200. Celestial is the third album in Spanish of the Mexican group RBD, the first to be launched in all the countries in which the group is known. Three singles were released: "Ser o Parecer", "Celestial" and "Bésame Sin Miedo" One month in December 2006 a Portuguese language edition of the album was released for the Brazilian market called Celestial; this 3rd album in Portuguese was the first to be recorded in Brazil. From their tour of Brazil, RBD released a DVD entitled Live in Rio, they were honored for selling over 2.5 million copies of their albums and DVDs in Brazil.
In Spain, Rebelde spent 5 weeks on the top of the charts going 3x Platinum for sales over 240,000, Nuestro Amor sold enough to be certified 2x Platinum, while Celestial, has been certified Platinum. In December 2006, they released their first English albu
In the music industry, a single is a type of release a song recording of fewer tracks than an LP record or an album. This can be released for sale to the public in a variety of different formats. In most cases, a single is a song, released separately from an album, although it also appears on an album; these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular. In other cases a recording released. Despite being referred to as a single, singles can include up to as many as three tracks; the biggest digital music distributor, iTunes Store, accepts as many as three tracks less than ten minutes each as a single, as does popular music player Spotify. Any more than three tracks on a musical release or thirty minutes in total running time is either an extended play or, if over six tracks long, an album; when mainstream music was purchased via vinyl records, singles would be released double-sided.
That is to say, they were released with an A-side and B-side, on which two singles would be released, one on each side. Moreover, only the most popular songs from a released album would be released as a single. In more contemporary forms of music consumption, artists release most, if not all, of the tracks on an album as singles; the basic specifications of the music single were set in the late 19th century, when the gramophone record began to supersede phonograph cylinders in commercially produced musical recordings. Gramophone discs were manufactured in several sizes. By about 1910, the 10-inch, 78 rpm shellac disc had become the most used format; the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century. The crude disc-cutting techniques of the time and the thickness of the needles used on record players limited the number of grooves per inch that could be inscribed on the disc surface, a high rotation speed was necessary to achieve acceptable recording and playback fidelity.
78 rpm was chosen as the standard because of the introduction of the electrically powered, synchronous turntable motor in 1925, which ran at 3600 rpm with a 46:1 gear ratio, resulting in a rotation speed of 78.26 rpm. With these factors applied to the 10-inch format and performers tailored their output to fit the new medium; the 3-minute single remained the standard into the 1960s, when the availability of microgroove recording and improved mastering techniques enabled recording artists to increase the duration of their recorded songs. The breakthrough came with Bob Dylan's "Like a Rolling Stone". Although CBS tried to make the record more "radio friendly" by cutting the performance into halves, separating them between the two sides of the vinyl disc, both Dylan and his fans demanded that the full six-minute take be placed on one side, that radio stations play the song in its entirety; as digital downloading and audio streaming have become more prevalent, it has become possible for every track on an album to be available separately.
The concept of a single for an album has been retained as an identification of a more promoted or more popular song within an album collection. The demand for music downloads skyrocketed after the launch of Apple's iTunes Store in January 2001 and the creation of portable music and digital audio players such as the iPod. In September 1997, with the release of Duran Duran's "Electric Barbarella" for paid downloads, Capitol Records became the first major label to sell a digital single from a well-known artist. Geffen Records released Aerosmith's "Head First" digitally for free. In 2004, Recording Industry Association of America introduced digital single certification due to significant sales of digital formats, with Gwen Stefani's "Hollaback Girl" becoming RIAA's first platinum digital single. In 2013, RIAA incorporated on-demand streams into the digital single certification. Single sales in the United Kingdom reached an all-time low in January 2005, as the popularity of the compact disc was overtaken by the then-unofficial medium of the music download.
Recognizing this, On 17 April 2005, Official UK Singles Chart added the download format to the existing format of physical CD singles. Gnarls Barkley was the first act to reach No.1 on this chart through downloads alone in April 2006, for their debut single "Crazy", released physically the following week. On 1 January 2007 digital downloads became eligible from the point of release, without the need for an accompanying physical. Sales improved in the following years, reaching a record high in 2008 that still proceeded to be overtaken in 2009, 2010 and 2011. Singles have been issued in various formats, including 7-inch, 10-inch, 12-inch vinyl discs. Other, less common, formats include singles on Digital Compact Cassette, DVD, LD, as well as many non-standard sizes of vinyl disc; the most common form of the vinyl single is the 45 or 7-inch. The names are derived from its play speed, 45 rpm, the standard diameter, 7 inches; the 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable and higher-fidelity replacement for the 78 rpm shellac discs.
The first 45
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably. Academics have argued that categorizing music by genre is inaccurate and outdated. Music can be divided into different genres in many different ways; the artistic nature of music means that these classifications are subjective and controversial, some genres may overlap. There are varying academic definitions of the term genre itself. In his book Form in Tonal Music, Douglass M. Green distinguishes between form, he lists madrigal, canzona and dance as examples of genres from the Renaissance period. To further clarify the meaning of genre, Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, the Agnus Dei from his Mass, K. 317 are quite different in genre but happen to be similar in form."
Some, like Peter van der Merwe, treat the terms genre and style as the same, saying that genre should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that genre and style are two separate terms, that secondary characteristics such as subject matter can differentiate between genres. A music genre or subgenre may be defined by the musical techniques, the style, the cultural context, the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an ubiquitous framework for constituting and evaluating musical research objects". Among the criteria used to classify musical genres are the trichotomy of art and traditional musics. Alternatively, music can be divided on three variables: arousal and depth.
Arousal reflects the energy level of the music. These three variables help explain why many people like similar songs from different traditionally segregated genres. Musicologists have sometimes classified music according to a trichotomic distinction such as Philip Tagg's "axiomatic triangle consisting of'folk','art' and'popular' musics", he explains that each of these three is distinguishable from the others according to certain criteria. The term art music refers to classical traditions, including both contemporary and historical classical music forms. Art music exists in many parts of the world, it emphasizes formal styles that invite technical and detailed deconstruction and criticism, demand focused attention from the listener. In Western practice, art music is considered a written musical tradition, preserved in some form of music notation rather than being transmitted orally, by rote, or in recordings, as popular and traditional music are. Most western art music has been written down using the standard forms of music notation that evolved in Europe, beginning well before the Renaissance and reaching its maturity in the Romantic period.
The identity of a "work" or "piece" of art music is defined by the notated version rather than by a particular performance, is associated with the composer rather than the performer. This is so in the case of western classical music. Art music may include certain forms of jazz, though some feel that jazz is a form of popular music. Sacred Christian music forms an important part of the classical music tradition and repertoire, but can be considered to have an identity of its own; the term popular music refers to any musical style accessible to the general public and disseminated by the mass media. Musicologist and popular music specialist Philip Tagg defined the notion in the light of sociocultural and economical aspects: Popular music, unlike art music, is conceived for mass distribution to large and socioculturally heterogeneous groups of listeners and distributed in non-written form, only possible in an industrial monetary economy where it becomes a commodity and in capitalist societies, subject to the laws of'free' enterprise... it should ideally sell as much as possible.
Popular music is found on most commercial and public service radio stations, in most commercial music retailers and department stores, in movie and television soundtracks. It is noted on the Billboard charts and, in addition to singer-songwriters and composers, it involves music producers more than other genres do; the distinction between classical and popular music has sometimes been blurred in marginal areas such as minimalist music and light classics. Background music for films/movies draws on both traditions. In this respect, music is like fiction, which draws a distinction between literary fiction and popular fiction, not always precise. Country music known as country and western, hillbilly music, is a genre of popular music that originated in the southern United States in the early 1920s; the polka is a Czech dance and genre of dance music familiar throughout Europe and the Americas. Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, developed into a range of different styles in the 1960s and particular
"Rebelde" is a song recorded by the Mexican pop group RBD. It was released as the first single off their debut album Rebelde in 2004. "Rebelde" became 2005's major hit in Mexico and was the song which started the band's successful career. The single is considered to be the group's signature song since RBD is short for Rebelde; the song was used extensively in the soap opera Rebelde during its first season. RBD along with some cast members from the sopa opera Rebelde arrive at a house for an exclusive party. Throughout the video, the different cast members and RBD party throughout the house, they keep rebelling throughout the music video though their parents are around. At the end of the video they are led into the woods by a man to take away their sins
Solo Quédate En Silencio
"Sólo Quédate En Silencio" is the second single released from RBD's debut album Rebelde. The second single was first meant to be "Un Poco De Tu Amor", but due to the heavy rotation of "Sólo Quédate En Silencio", it was chosen as the second single; the song became RBD's first successful single internationally, charting in the U. S; the song peaked at number two in Billboard's Hot Latin Tracks, as well as number twenty-three on the U. S. Hot Ringtones number one in Hot Latin Pop Airplay chart; the Brazilian version of the song peaked at number 2 in Billboard's Hot Latin Tracks. It received good reviews by critics and gave RBD mainstream radio airplay in the U. S, it was used to promote the first season of their soap opera Rebelde. An English version of the song was recorded in 2006; the song appears on RBD's first English studio album, Rebels. The song called "Fique Em Silêncio" and was a single on Brazil; this makes the song the only from RBD, along with "Sálvame", "Tenerte Y Quererte", "Nuestro Amor" and "Dame" to have three versions: in Spanish and Portuguese.
In November 2008, "Sólo Quédate En Silencio" promotes in the Latin-American countries of Argentina and Uruguay, besides Equatorial Guinea, in Africa. The video was the second RBD video directed by Pedro Damián. Similar to "Rebelde," it was shot in Desierto de los Leones in Mexico. While the band was shooting the music video for "Rebelde," they shot some takes of "Sólo Quédate en Silencio" in addition; the video features the band performing on a famous avenue in Mexico City, extra footage from their radio station concerts, different scenes of them in various parts of Mexico performing. Year: 2004. Director: Pedro Damián. Place: Desierto De Los Leones. Brazilian promotional single Fique Em Silêncio - 03:37 Salva-me - 03:43American 2004 single Sólo Quédate En Silencio - 03:37 Sólo Quédate En Silencio - 03:43International single Sólo Quédate En Silencio Fique Em Silêncio Keep It Down Low All tracks are 3:37. 1: as "Fique em Silêncio", a Brazilian version of the song
Los Angeles the City of Los Angeles and known by its initials L. A. is the most populous city in California, the second most populous city in the United States, after New York City, the third most populous city in North America. With an estimated population of four million, Los Angeles is the cultural and commercial center of Southern California; the city is known for its Mediterranean climate, ethnic diversity and the entertainment industry, its sprawling metropolis. Los Angeles is the largest city on the West Coast of North America. Los Angeles is in a large basin bounded by the Pacific Ocean on one side and by mountains as high as 10,000 feet on the other; the city proper, which covers about 469 square miles, is the seat of Los Angeles County, the most populated county in the country. Los Angeles is the principal city of the Los Angeles metropolitan area, the second largest in the United States after that of New York City, with a population of 13.1 million. It is part of the Los Angeles-Long Beach combined statistical area the nation's second most populous area with a 2015 estimated population of 18.7 million.
Los Angeles is one of the most substantial economic engines within the United States, with a diverse economy in a broad range of professional and cultural fields. Los Angeles is famous as the home of Hollywood, a major center of the world entertainment industry. A global city, it has been ranked 6th in the Global Cities Index and 9th in the Global Economic Power Index; the Los Angeles metropolitan area has a gross metropolitan product of $1.044 trillion, making it the third-largest in the world, after the Tokyo and New York metropolitan areas. Los Angeles hosted the 1932 and 1984 Summer Olympics and will host the event for a third time in 2028; the city hosted the Miss Universe pageant twice, in 1990 and 2006, was one of 9 American cities to host the 1994 FIFA men's soccer World Cup and one of 8 to host the 1999 FIFA women's soccer World Cup, hosting the final match for both tournaments. Home to the Chumash and Tongva, Los Angeles was claimed by Juan Rodríguez Cabrillo for Spain in 1542 along with the rest of what would become Alta California.
The city was founded on September 4, 1781, by Spanish governor Felipe de Neve. It became a part of Mexico in 1821 following the Mexican War of Independence. In 1848, at the end of the Mexican–American War, Los Angeles and the rest of California were purchased as part of the Treaty of Guadalupe Hidalgo, becoming part of the United States. Los Angeles was incorporated as a municipality on April 4, 1850, five months before California achieved statehood; the discovery of oil in the 1890s brought rapid growth to the city. The completion of the Los Angeles Aqueduct in 1913, delivering water from Eastern California assured the city's continued rapid growth; the Los Angeles coastal area was settled by the Chumash tribes. A Gabrieleño settlement in the area was called iyáangẚ, meaning "poison oak place". Maritime explorer Juan Rodríguez Cabrillo claimed the area of southern California for the Spanish Empire in 1542 while on an official military exploring expedition moving north along the Pacific coast from earlier colonizing bases of New Spain in Central and South America.
Gaspar de Portolà and Franciscan missionary Juan Crespí, reached the present site of Los Angeles on August 2, 1769. In 1771, Franciscan friar Junípero Serra directed the building of the Mission San Gabriel Arcángel, the first mission in the area. On September 4, 1781, a group of forty-four settlers known as "Los Pobladores" founded the pueblo they called El Pueblo de Nuestra Señora la Reina de los Ángeles,'The Town of Our Lady the Queen of the Angels'; the present-day city has the largest Roman Catholic Archdiocese in the United States. Two-thirds of the Mexican or settlers were mestizo or mulatto, a mixture of African and European ancestry; the settlement remained a small ranch town for decades, but by 1820, the population had increased to about 650 residents. Today, the pueblo is commemorated in the historic district of Los Angeles Pueblo Plaza and Olvera Street, the oldest part of Los Angeles. New Spain achieved its independence from the Spanish Empire in 1821, the pueblo continued as a part of Mexico.
During Mexican rule, Governor Pío Pico made Los Angeles Alta California's regional capital. Mexican rule ended during the Mexican–American War: Americans took control from the Californios after a series of battles, culminating with the signing of the Treaty of Cahuenga on January 13, 1847. Railroads arrived with the completion of the transcontinental Southern Pacific line to Los Angeles in 1876 and the Santa Fe Railroad in 1885. Petroleum was discovered in the city and surrounding area in 1892, by 1923, the discoveries had helped California become the country's largest oil producer, accounting for about one-quarter of the world's petroleum output. By 1900, the population had grown to more than 102,000; the completion of the Los Angeles Aqueduct in 1913, under the supervision of William Mulholland, assured the continued growth of the city. Due to clauses in the city's charter that prevented the City of Los Angeles from selling or providing water from the aqueduct to any area outside its borders, many adjacent city and communities became compelled to annex themselves into Los Angeles.
Los Angeles created the first municipal zoning ordinance in the United States. On September 14, 1908, the Los Angeles City Council promulgated residential and industrial land use zones; the new ordinance established three residential zones of a single type, where industrial uses were