The musical instrument known as the regal or regalle
is a small portable organ, furnished with beating reeds and having two bellows. The instrument enjoyed its greatest popularity during the Renaissance. The name "regal" was also sometimes given to the reed stops of a pipe organ, and more especially to the vox humana stop.
Regal, c. 1600, from Frauenfeld Abbey, Switzerland
Regal made in 1988 after an instrument made c. 1600 in the Germanisches Nationalmuseum, Nuremberg
Early Baroque Casket regal (Polish: pozytyw szkatulny), c. 1640, a specific type of regal from the territories of the Polish–Lithuanian Commonwealth, Royal Castle in Warsaw
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ars nova, the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the contenance angloise style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period.
A group of Renaissance musicians in The Concert (1623) by Gerard van Honthorst
San Marco in the evening. The spacious, resonant interior was one of the inspirations for the music of the Venetian School.
Modern French hurdy-gurdy
Musicians from 'Procession in honour of Our Lady of Sablon in Brussels.' Early 17th-century Flemish alta cappella. From left to right: bass dulcian, alto shawm, treble cornett, soprano shawm, alto shawm, tenor sackbut.
