American Regionalism is an American realist modern art movement that included paintings, murals, lithographs, and illustrations depicting realistic scenes of rural and small-town America primarily in the Midwest. It arose in the 1930s as a response to the Great Depression, and ended in the 1940s due to the end of World War II and a lack of development within the movement. It reached its height of popularity from 1930 to 1935, as it was widely appreciated for its reassuring images of the American heartland during the Great Depression. Despite major stylistic differences between specific artists, Regionalist art in general was in a relatively conservative and traditionalist style that appealed to popular American sensibilities, while strictly opposing the perceived domination of French art.
The Midnight Ride of Paul Revere (1931) by Grant Wood, Metropolitan Museum of Art, New York City, NY
Grant Wood, American Gothic, 1930, Art Institute of Chicago, Chicago, IL
Thomas Hart Benton, People of Chilmark (Figure Composition), 1920, Hirshhorn Museum and Sculpture Garden, Washington, DC
John Steuart Curry, Tragic Prelude, 1938–1940, Kansas State Capitol, Topeka
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The realist painters rejected Romanticism, which had come to dominate French literature and art, with roots in the late 18th century.
Bonjour, Monsieur Courbet (1854) – a Realist painting by Gustave Courbet
Francisco Goya, Charles IV of Spain and His Family, 1800–01
Eilif Peterssen, The Salmon Fisher, 1889
Henri Biva, c. 1905–06, Matin à Villeneuve (From Waters Edge), oil on canvas, 151.1 x 125.1 cm