1.
Soul jazz
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Soul jazz is a development of jazz incorporating strong influences from blues, soul, gospel and rhythm and blues in music for small groups, often an organ trio featuring a Hammond organ. Soul jazz is often associated with hard bop, “Hard bop was an “opening out” in many directions. Gridley, writing for the All Music Guide to Jazz, explains that soul jazz more specifically refers to music with an earthy, bluesy melodic concept and repetitive, dance-like rhythms. Note that some listeners make no distinction between soul-jazz and funky hard bop, and many dont consider soul-jazz to be continuous with hard bop. Roy Carr describes soul jazz as an outgrowth of hard bop, and soul appearing in a jazz context as early as the mid-1950s to describe gospel-informed, down-home, call-and-response blues. Carr also notes the influence of Ray Charles small group recordings with Horace Silver, Art Blakey, Cannonball Adderley and Milt Jackson. ”“F. Scott Fitzgerald famously dubbed the 1920’s the Jazz Age. ”Soul jazz developed in the late 1950s. Cannonball Adderley noted, We were pressured quite heavily by Riverside Records when they discovered there was a word called soul and we became, from an image point of view, soul jazz artists. They kept promoting us that way and I kept deliberately fighting it, while soul jazz was most popular during the mid-to-late 1960s, many soul jazz performers, and elements of the music, remain popular. The Jazz Crusaders, for example, evolved from jazz to soul music. Carr places David Sanborn and Maceo Parker in a line of alto saxophonists that includes Earl Bostic and Tab Smith, with Adderley, followed by Lou Donaldson, as the strongest links in the chain. Les McCann and Eddie Harriss album Swiss Movement was a hit record, as was the accompanying single Compared to What, list of soul-jazz musicians Category, Soul-jazz musicians Soul jazz at AllMusic Soul-Jazz, Where Jazz, Blues And Gospel Meet at NPR Music
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African Methodist Episcopal Church
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The African Methodist Episcopal Church, usually called the A. M. E. Church, is a predominantly African-American Methodist denomination based in the United States and it is the oldest independent Protestant denomination founded by black people in the world. It was founded by the Rt, Rev. Richard Allen in Philadelphia, Pennsylvania, in 1816 from several black Methodist congregations in the mid-Atlantic area that wanted independence from white Methodists. Allen was consecrated its first bishop in 1816 and it began with 8 clergy and 5 churches, and by 1846 had grown to 176 clergy,296 churches, and 17,375 members. The 20,000 members in 1856 were located primarily in the North, AME national membership jumped from 70,000 in 1866 to 207,000 in 1876. The church was not founded in Africa, nor is it exclusively for people of African descent and it is open and welcoming to people of all ethnic groups, origins, nationalities, and colors, although its congregations are predominantly made of up Black Americans. Methodist The churchs roots are in the Methodist church, members of St. Georges Methodist Church left the congregation when faced with racial discrimination, but continued with the Methodist doctrine and the order of worship. Episcopal The AME Church operates under a form of church government. The denomination leaders are bishops of the church, the AME Church grew out of the Free African Society, which Richard Allen, Absalom Jones, and other free blacks established in Philadelphia in 1787. They left St. Georges Methodist Episcopal Church because of discrimination, although Allen and Jones were both accepted as preachers, they were limited to black congregations. In addition, the blacks were made to sit in a gallery built in the church when their portion of the congregation increased. These former members of St. Georges made plans to transform their mutual aid society into an African congregation, although the group was originally non-denominational, eventually members wanted to affiliate with existing denominations. Allen led a group who resolved to remain Methodist. They formed the Bethel African Methodist Episcopal Church in 1793, in general, they adopted the doctrines and form of government of the Methodist Episcopal Church. In 1794 Bethel AME was dedicated with Allen as pastor and it began with 8 clergy and 5 churches, and by 1846 had grown to 176 clergy,296 churches, and 17,375 members The 20,000 members in 1856 were located primarily in the North. AME national membership jumped from 70,000 in 1866 to 207,000 in 1876 AME put a premium on education. By 1880, AME operated over 2,000 schools, chiefly in the South, with 155,000 students, after the Civil War Bishop Henry McNeal Turner was a major leader of the AME and played a role in Republican Party politics. In 1863 during the Civil War, Turner was appointed as the first black chaplain in the United States Colored Troops, afterward, he was appointed to the Freedmens Bureau in Georgia
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New Jersey
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New Jersey is a state in the Northeastern and mid-Atlantic regions of the United States. It is bordered on the north and east by New York, on the southeast and south by the Atlantic Ocean, on the west by Pennsylvania, New Jersey is the fourth-smallest state but the 11th-most populous and the most densely populated of the 50 United States. New Jersey lies entirely within the statistical areas of New York City. New Jersey was inhabited by Native Americans for more than 2,800 years, in the early 17th century, the Dutch and the Swedes made the first European settlements. New Jersey was the site of decisive battles during the American Revolutionary War in the 18th century. In the 19th century, factories in cities such as Camden, Paterson, Newark, Trenton, around 180 million years ago, during the Jurassic Period, New Jersey bordered North Africa. The pressure of the collision between North America and Africa gave rise to the Appalachian Mountains, around 18,000 years ago, the Ice Age resulted in glaciers that reached New Jersey. As the glaciers retreated, they left behind Lake Passaic, as well as rivers, swamps. New Jersey was originally settled by Native Americans, with the Lenni-Lenape being dominant at the time of contact, scheyichbi is the Lenape name for the land that is now New Jersey. The Lenape society was divided into clans that were based upon common female ancestors. These clans were organized into three distinct phratries identified by their animal sign, Turtle, Turkey, and Wolf and they first encountered the Dutch in the early 17th century, and their primary relationship with the Europeans was through fur trade. The Dutch became the first Europeans to lay claim to lands in New Jersey, the Dutch colony of New Netherland consisted of parts of modern Middle Atlantic states. Although the European principle of ownership was not recognized by the Lenape. The first to do so was Michiel Pauw who established a patronship called Pavonia in 1630 along the North River which eventually became the Bergen, peter Minuits purchase of lands along the Delaware River established the colony of New Sweden. During the English Civil War, the Channel Island of Jersey remained loyal to the British Crown and it was from the Royal Square in St. Helier that Charles II of England was proclaimed King in 1649, following the execution of his father, Charles I. The North American lands were divided by Charles II, who gave his brother, the Duke of York, the region between New England and Maryland as a proprietary colony. James then granted the land between the Hudson River and the Delaware River to two friends who had remained loyal through the English Civil War, Sir George Carteret and Lord Berkeley of Stratton, the area was named the Province of New Jersey. Since the states inception, New Jersey has been characterized by ethnic, New England Congregationalists settled alongside Scots Presbyterians and Dutch Reformed migrants
4.
Manhattan School of Music
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The Manhattan School of Music is a major music conservatory located on the Upper West Side of New York City. The school offers degrees on the bachelors, masters, and doctoral levels in the areas of classical and jazz performance, founded in 1917, the school is located on Claremont Avenue in the Morningside Heights neighborhood of New York City, adjacent to Broadway and West 122nd Street. The MSM campus was originally the home to The Institute of Musical Art until Juilliard migrated to the Lincoln Center area of Midtown Manhattan, the property was originally owned by the Bloomingdale Insane Asylum until The Institute of Musical Art purchased it in 1910. The campus of Columbia University resides close by, where it has been since 1895, many of the students live in the schools residence hall, Andersen Hall. As of 2011,75 percent of the come from outside New York State and 31 percent from outside the United States. The Manhattan School of Music was founded in 1917–1918, by the pianist and philanthropist Janet D. Schenck, eventually, its name was changed to Manhattan School of Music. In 1943, the artistic and academic growth of the resulted in a charter amendment to grant the bachelor of music degree. Two subsequent amendments authorized the offering in 1947 of the master of music degree and, in 1974, in 1956, Dr. Schenck retired and Metropolitan Opera baritone John Brownlee was appointed director, a title later revised to president. President Brownlee initiated the idea of relocating the school to the Morningside Heights neighborhood, in 1969, George Schick, Metropolitan Opera conductor, accompanist, and opera coach, succeeded Brownlee as president and led the schools move to its present location. He created the program, while all other major school functions were managed by Senior Director Stanley Bednar. John O. Crosby, founder and general director of the Santa Fe Opera, was appointed president in 1976 and he was followed by Gideon W. Waldrop, who was appointed in 1986, and Peter C. Simon in 1989. On July 1,1992, Marta Casals Istomin was named president, Dr. Robert Sirota, former director of the Peabody Institute of the Johns Hopkins University, took over the presidency in 2005. He was succeeded by James Gandre, formerly of Roosevelt University, Manhattan School of Music offers a wide variety of live audience performance experiences for its students. There are three orchestras, The MSM Symphony, the Philharmonia, and the Chamber Sinfonia. In addition, many ensembles are assembled for orchestral chamber music. The MSM Wind Ensemble also performs throughout the year, the Jazz Arts Program also contains various ensembles, such as the Jazz Philharmonic, the Jazz Orchestra, Concert Jazz Band, Afro-Cuban Jazz Orchestra, and Chamber Jazz Ensemble. Tactus, the ensemble for chamber music, is made up of graduate students in the schools Contemporary Performance Program. The school also holds an annual competition with which the winner is offered the opportunity to perform with the Symphony Orchestra
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Barefoot
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Barefoot is the most common term for the state of not wearing any footwear. Wearing shoes and keeping the feet protected against the environment has been the state in urbanized civilizations since early antiquity. This is particularly the case in urban surroundings, where going barefoot is rather unusual and these implications are frequently used for religious purposes, where they are deliberately sought out, but also translate to secular situations. Nowadays going barefoot normally happens by ones own choice while there are certain situations where it can be involuntary. Presently this can be the case in situations of imprisonment and formerly also enslavement and this is mostly done to put captives at a physical disadvantage against their keepers, to display their situational inferiority and also to humble or intimidate them. In the situations mentioned going barefoot is not optional and usually a permanent fixture the unfree person cannot dismiss or change on his or her own. While the forcibly barefooted individual is rendered much more vulnerable and susceptible to outside influences, this often results in varying degrees of physical and psychological discomfort. As a result, the person usually is constantly aware of being restricted in his or her freedom of action, in cases of captivity or imprisonment being barefooted is at this typically and entirely involuntary. It can therefore even involve a degree of reluctance against this circumstance. Wearing footwear is a human characteristic, however some animals held by humans are also issued with footwear, such as horses, more rarely dogs. There are health benefits and risks associated with going barefoot, however, shoes can limit the flexibility, strength and mobility of the foot and can lead to higher incidences of flexible flat foot, bunions, hammer toe and Mortons neuroma. There are many sports that are performed barefoot, most notably gymnastics and martial arts, in modern language, someone who tends not to wear shoes in public or is participating in the aforementioned sports may be described as a barefooter. People in ancient times, such as the Egyptians, Hindus and Greeks often went barefoot, the Egyptians and Hindus made some use of ornamental footwear, such as a soleless sandal known as a Cleopatra, which did not provide any practical protection for the foot. Athletes in the Ancient Olympic Games participated barefoot and generally unclothed, even the gods and heroes were primarily depicted barefoot, the hoplite warriors fought battles in bare feet, and Alexander the Great operated barefoot armies. The Romans, who conquered the Greeks and adopted many aspects of their culture, did not adopt the Greek perception of footwear. Roman clothing explicitly including footwear was seen as a sign of power and as a necessity of living in a civilized world, there are many references to shoes being worn in the Bible. During weddings of this period, a father would give his son-in-law a pair of shoes to symbolize the transfer of authority, going barefoot was seen as a marker of poverty and the lowest social class, as well as being the mark of a prisoner. In the 15th century, chopines were created in Turkey and were usually 7-8 inches high and these shoes became popular in Venice and throughout Europe as a status symbol revealing wealth and social standing
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France
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France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
7.
Prestige Records
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Prestige Records was a jazz record company and label founded in 1949 by Bob Weinstock in New York City. The company recorded hundreds of albums by many of the jazz musicians of the day. In 1971, the company was sold to Fantasy, which was absorbed by Concord. Weinstock opened a store for collectors in 1948 while still a teenager. The store was adjacent to the Metropole Jazz Club in New York City, Jazz musicians hung out and rehearsed at the club, and then moved upstairs adjacent to Weinstocks store. Weinstock got the idea to record these jazz stars by offering them cash payments, Prestige office was located at 446 West 50th Street, New York City. The labels name was initially New Jazz, but changed to Prestige Records the following year and its catalogue included Gene Ammons, John Coltrane, Miles Davis, Stan Getz, Wardell Gray, Thelonious Monk, and Sonny Rollins. Weinstock stated a desire for an authentic, spontaneous sound, unlike Blue Note, Prestige would not pay musicians for rehearsals and discouraged repeated takes. Another Weinstock practice, of rewinding the tapes after bad takes, has resulted in very few alternate takes surfacing from the classic Prestige years, audio engineer Rudy Van Gelder was in charge of recording many albums in the 1950s. Prestige created new labels in 1960, Swingsville, Moodsville, and Bluesville, musicians recording for the label at this time included Jaki Byard and Booker Ervin, while Prestige remained commercially viable by recording a number of soul jazz artists like Charles Earland. In the mid-sixties the companys headquarters were located at 203 South Washington Avenue in Bergenfield, Bob Weinstock has been criticized over the years for allegedly exploitive business practices. Jackie McLean in A. B. Spellmans Four Lives in the Bebop Business is particularly outspoken and he resented Weinstocks economic exploitation, but appreciated the chance Weinstock gave him when his career was at its low point. The company was sold to Fantasy Records in 1971, and original releases on the label formed a significant proportion of their Original Jazz Classics line, Fantasy was purchased by Concord Records in 2005. Prestige – official site Prestige discography at Discogs Prestige discography at JazzDisco
8.
Barclay Records
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Barclay Records is a French record company and label founded by Eddie Barclay in 1953. Barclay was a bandleader, pianist, producer, and nightclub owner, with his wife, Nicole, who was the vocalist in his band, he started Barclay. The catalogue included the work of Stéphane Grappelli, Lionel Hampton, in 1978 the label was sold to Polygram Records. Barclay also had operations outside France, most notably in the U. S. Barclay Records is currently owned and distributed by Universal Music Group
9.
Kenny Clarke
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Kenneth Spearman Clarke, nicknamed Klook and later known as Liaqat Ali Salaam, was a jazz drummer and bandleader. He was an innovator of the bebop style of drumming. As the house drummer at Mintons Playhouse in the early 1940s, he participated in the after hours jams that led to the birth of Be-Bop and he spent his later life in Paris. Clarke was born in Pittsburgh, Pennsylvania, in 1914, coming from a musical family, he studied multiple instruments, including vibes and trombone, as well as music theory and composition, while still in high school. As a teenager, Clarke played in the bands of Leroy Bradley and he toured around the Midwest for several years with the Jeter-Pillars band, which also featured bassist Jimmy Blanton and guitarist Charlie Christian. By 1935, Clarke was more frequently in New York, where he eventually moved and he worked in groups led by Edgar Hayes and Lonnie Smith, and began developing the rhythmic concepts that would later define his contribution to the music. After being discharged from the US Army, Clarke converted to Islam and this new approach incorporated the bombs, or syncopated accents on the bass drum, developed by Jo Jones, while further freeing up the left hand to play more syncopated figures. This nickname was enshrined in Oop Bop ShBam, recorded by Dizzy Gillespie in 1946 with Clarke on drums, where the scat lyric to the bebop tune goes oop bop shbam a klook a mop. The combination of the improvised accents on the snare and bass drum, and this is the tonal fabric of bebop jazz. Clarkes innovation set the stage for the development of the bebop combo, for this, every drummer Ed Thigpen said, owes him a debt of gratitude. While playing at Mintons, Clarke made many recordings, most notably as the drummer for Savoy Records. When the musicians from the Mintons band moved to different projects, Clarke began working with a young pianist and composer John Lewis, Clarke had toured Europe numerous times going all the way back to a stint in the Army during the mid-1940s. He was undoubtedly attracted to the pay he could earn in France. Ira Gitler quotes him as saying, I earn a good living and it is also possible that, like many African American expatriate musicians and writers, he was attracted to the better social treatment he received there. As soon as he moved to Paris, he worked with visiting American musicians, including Miles Davis on the soundtrack for Ascenseur pour léchafaud. Clarke also formed a trio, known as The Three Bosses, with pianist Bud Powell, another Paris resident, and bassist Pierre Michelot. In 1963 The Three Bosses recorded the classic album Our Man in Paris with tenor saxophone great Dexter Gordon, the big band, which had been the idea of Italian producer Gigi Campi, lasted for eleven years. After 1968 Kenny Clarke played and recorded with the French composer, Clarke continued recording and playing with both visiting U. S. musicians and his regular French band mates until his death
