1.
Geographic coordinate system
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A geographic coordinate system is a coordinate system used in geography that enables every location on Earth to be specified by a set of numbers, letters or symbols. The coordinates are chosen such that one of the numbers represents a vertical position. A common choice of coordinates is latitude, longitude and elevation, to specify a location on a two-dimensional map requires a map projection. The invention of a coordinate system is generally credited to Eratosthenes of Cyrene. Ptolemy credited him with the adoption of longitude and latitude. Ptolemys 2nd-century Geography used the prime meridian but measured latitude from the equator instead. Mathematical cartography resumed in Europe following Maximus Planudes recovery of Ptolemys text a little before 1300, in 1884, the United States hosted the International Meridian Conference, attended by representatives from twenty-five nations. Twenty-two of them agreed to adopt the longitude of the Royal Observatory in Greenwich, the Dominican Republic voted against the motion, while France and Brazil abstained. France adopted Greenwich Mean Time in place of local determinations by the Paris Observatory in 1911, the latitude of a point on Earths surface is the angle between the equatorial plane and the straight line that passes through that point and through the center of the Earth. Lines joining points of the same latitude trace circles on the surface of Earth called parallels, as they are parallel to the equator, the north pole is 90° N, the south pole is 90° S. The 0° parallel of latitude is designated the equator, the plane of all geographic coordinate systems. The equator divides the globe into Northern and Southern Hemispheres, the longitude of a point on Earths surface is the angle east or west of a reference meridian to another meridian that passes through that point. All meridians are halves of great ellipses, which converge at the north and south poles, the prime meridian determines the proper Eastern and Western Hemispheres, although maps often divide these hemispheres further west in order to keep the Old World on a single side. The antipodal meridian of Greenwich is both 180°W and 180°E, the combination of these two components specifies the position of any location on the surface of Earth, without consideration of altitude or depth. The grid formed by lines of latitude and longitude is known as a graticule, the origin/zero point of this system is located in the Gulf of Guinea about 625 km south of Tema, Ghana. To completely specify a location of a feature on, in, or above Earth. Earth is not a sphere, but a shape approximating a biaxial ellipsoid. It is nearly spherical, but has an equatorial bulge making the radius at the equator about 0. 3% larger than the radius measured through the poles, the shorter axis approximately coincides with the axis of rotation
2.
Grand Canal (Venice)
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The Grand Canal is a canal in Venice, Italy. It forms one of the major corridors in the city. Public transport is provided by buses and private water taxis. It is 3.8 km long, and 30 to 90 m wide, with an average depth of five meters. The banks of the Grand Canal are lined with more than 170 buildings, most of which date from the 13th to the 18th century, and demonstrate the welfare and art created by the Republic of Venice. The noble Venetian families faced huge expenses to show off their richness in suitable palazzos, this contest reveals the citizens’ pride and the deep bond with the lagoon. Amongst the many are the Palazzi Barbaro, Ca Rezzonico, Ca dOro, Palazzo Dario, Ca Foscari, Palazzo Barbarigo and to Palazzo Venier dei Leoni, the churches along the canal include the basilica of Santa Maria della Salute. Centuries-old traditions, such as the Historical Regatta, are perpetuated every year along the Canal, because most of the citys traffic goes along the Canal rather than across it, only one bridge crossed the canal until the 19th century, the Rialto Bridge. Most of the palaces emerge from water without pavement, consequently, one can only tour past the fronts of the buildings on the grand canal by boat. The Grand Canal probably follows the course of an ancient river flowing into the lagoon, adriatic Veneti groups already lived beside the formerly-named Rio Businiacus before the Roman age. They lived in houses and on fishing and commerce. Increasing trade followed the doge and found in the deep Grand Canal a safe, drainage reveals that the city became more compact over time, at that time the Canal was wider and flowed between small, tide-subjected islands connected by wooden bridges. Along the Canal, the number of houses increased, buildings combining the warehouse. A portico covers the bank and facilitates the ships unloading, from the portico a corridor flanked by storerooms reaches a posterior courtyard. Similarly, on the first floor a loggia as large as the portico illuminates the hall into which open the merchants rooms, the façade is thereby divided into an airy central part and two more solid sides. A low mezzanine with offices divides the two floors, the fondaco house often had lateral defensive towers, as in the Fondaco dei Turchi. More public buildings were built along the Canal at Rialto, palaces for commercial and financial Benches, in 1181 Nicolò Barattieri constructed a pontoon bridge connecting Rialto to Mercerie area, which was later replaced by a wooden bridge with shops on it. Warehouses for flour and salt were more peripheral, from the Byzantine empire, goods arrived together with sculptures, friezes, columns and capitals to decorate the fondaco houses of patrician families
3.
Venice
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Venice is a city in northeastern Italy and the capital of the Veneto region. It is situated across a group of 118 small islands that are separated by canals and these are located in the shallow Venetian Lagoon, an enclosed bay that lies between the mouths of the Po and the Piave Rivers. Parts of Venice are renowned for the beauty of their settings, their architecture, the lagoon and a part of the city are listed as a World Heritage Site. In 2014,264,579 people resided in Comune di Venezia, together with Padua and Treviso, the city is included in the Padua-Treviso-Venice Metropolitan Area, with a total population of 2.6 million. PATREVE is a metropolitan area without any degree of autonomy. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC, the city was historically the capital of the Republic of Venice. Venice has been known as the La Dominante, Serenissima, Queen of the Adriatic, City of Water, City of Masks, City of Bridges, The Floating City, and City of Canals. The City State of Venice is considered to have been the first real international financial center which gradually emerged from the 9th century to its peak in the 14th century and this made Venice a wealthy city throughout most of its history. It is also known for its several important artistic movements, especially the Renaissance period, Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi. Venice has been ranked the most beautiful city in the world as of 2016, the name Venetia, however, derives from the Roman name for the people known as the Veneti, and called by the Greeks Eneti. The meaning of the word is uncertain, although there are other Indo-European tribes with similar-sounding names, such as the Celtic Veneti, Baltic Veneti, and the Slavic Wends. Linguists suggest that the name is based on an Indo-European root *wen, so that *wenetoi would mean beloved, lovable, a connection with the Latin word venetus, meaning the color sea-blue, is also possible. The alternative obsolete form is Vinegia, some late Roman sources reveal the existence of fishermen on the islands in the original marshy lagoons. They were referred to as incolae lacunae, the traditional founding is identified with the dedication of the first church, that of San Giacomo on the islet of Rialto — said to have taken place at the stroke of noon on 25 March 421. Beginning as early as AD166 to 168, the Quadi and Marcomanni destroyed the center in the area. The Roman defences were again overthrown in the early 5th century by the Visigoths and, some 50 years later, New ports were built, including those at Malamocco and Torcello in the Venetian lagoon. The tribuni maiores, the earliest central standing governing committee of the islands in the Lagoon, the traditional first doge of Venice, Paolo Lucio Anafesto, was actually Exarch Paul, and his successor, Marcello Tegalliano, was Pauls magister militum. In 726 the soldiers and citizens of the Exarchate rose in a rebellion over the controversy at the urging of Pope Gregory II
4.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
5.
Arch bridge
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An arch bridge is a bridge with abutments at each end shaped as a curved arch. Arch bridges work by transferring the weight of the bridge and its loads partially into a horizontal thrust restrained by the abutments at either side, a viaduct may be made from a series of arches, although other more economical structures are typically used today. Possibly the oldest existing bridge is the Mycenaean Arkadiko bridge in Greece from about 1300 BC. The stone corbel arch bridge is used by the local populace. The well-preserved Hellenistic Eleutherna Bridge has a corbel arch. The 4th century BC Rhodes Footbridge rests on an early voussoir arch, a more complete survey by the Italian scholar Vittorio Galliazzo found 931 Roman bridges, mostly of stone, in as many as 26 different countries. Roman arch bridges were usually semicircular, although a number were segmental arch bridges, generally, Roman bridges featured wedge-shaped primary arch stones of the same in size and shape. The Romans built both single spans and lengthy multiple arch aqueducts, such as the Pont du Gard and Segovia Aqueduct. Their bridges featured from an early time onwards flood openings in the piers, e. g. in the Pons Fabricius in Rome, Roman engineers were the first and until the industrial revolution the only ones to construct bridges with concrete, which they called Opus caementicium. The outside was covered with brick or ashlar, as in the Alcántara bridge. The Romans also introduced segmental arch bridges into bridge construction, trajans bridge over the Danube featured open-spandrel segmental arches made of wood. This was to be the longest arch bridge for a thousand years both in terms of overall and individual span length, while the longest extant Roman bridge is the 790 m long Puente Romano at Mérida. The late Roman Karamagara Bridge in Cappadocia may represent the earliest surviving bridge featuring a pointed arch, in medieval Europe, bridge builders improved on the Roman structures by using narrower piers, thinner arch barrels and lower span-rise ratios on bridges. Gothic pointed arches were introduced, reducing lateral thrust. The 14th century in particular saw bridge building reaching new heights, the bridge at Trezzo sullAdda, destroyed in the 15th century, even featured a span length of 72 m, not matched until 1796. Constructions such as the acclaimed Florentine segmental arch bridge Ponte Vecchio combined sound engineering with aesthetical appeal, the three elegant arches of the Renaissance Ponte Santa Trinita constitute the oldest elliptic arch bridge worldwide. In China, the oldest existing bridge is the Zhaozhou Bridge of 605 AD. The Zhaozhou Bridge, with a length of 167 feet and span of 123 feet, is the worlds first wholly stone open-spandrel segmental arch bridge, Bridges with perforated spandrels can be found worldwide, such as in China
6.
Italian language
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By most measures, Italian, together with Sardinian, is the closest to Latin of the Romance languages. Italian is a language in Italy, Switzerland, San Marino, Vatican City. Italian is spoken by minorities in places such as France, Montenegro, Bosnia & Herzegovina, Crimea and Tunisia and by large expatriate communities in the Americas. Many speakers are native bilinguals of both standardized Italian and other regional languages, Italian is the fourth most studied language in the world. Italian is a major European language, being one of the languages of the Organisation for Security and Cooperation in Europe. It is the third most widely spoken first language in the European Union with 65 million native speakers, including Italian speakers in non-EU European countries and on other continents, the total number of speakers is around 85 million. Italian is the working language of the Holy See, serving as the lingua franca in the Roman Catholic hierarchy as well as the official language of the Sovereign Military Order of Malta. Italian is known as the language of music because of its use in musical terminology and its influence is also widespread in the arts and in the luxury goods market. Italian has been reported as the fourth or fifth most frequently taught foreign language in the world, Italian was adopted by the state after the Unification of Italy, having previously been a literary language based on Tuscan as spoken mostly by the upper class of Florentine society. Its development was influenced by other Italian languages and to some minor extent. Its vowels are the second-closest to Latin after Sardinian, unlike most other Romance languages, Italian retains Latins contrast between short and long consonants. As in most Romance languages, stress is distinctive, however, Italian as a language used in Italy and some surrounding regions has a longer history. What would come to be thought of as Italian was first formalized in the early 14th century through the works of Tuscan writer Dante Alighieri, written in his native Florentine. Dante is still credited with standardizing the Italian language, and thus the dialect of Florence became the basis for what would become the language of Italy. Italian was also one of the recognised languages in the Austro-Hungarian Empire. Italy has always had a dialect for each city, because the cities. Those dialects now have considerable variety, as Tuscan-derived Italian came to be used throughout Italy, features of local speech were naturally adopted, producing various versions of Regional Italian. Even in the case of Northern Italian languages, however, scholars are not to overstate the effects of outsiders on the natural indigenous developments of the languages
7.
Bridge
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A bridge is a structure built to span physical obstacles without closing the way underneath such as a body of water, valley, or road, for the purpose of providing passage over the obstacle. There are many different designs that each serve a particular purpose, the Oxford English Dictionary traces the origin of the word bridge to an Old English word brycg, of the same meaning. The word can be traced back to Proto-Indo-European *bʰrēw-. The word for the game of the same name has a different origin. The first bridges made by humans were probably spans of cut wooden logs or planks and eventually stones, using a simple support, some early Americans used trees or bamboo poles to cross small caverns or wells to get from one place to another. Dating to the Greek Bronze Age, it is one of the oldest arch bridges still in existence, several intact arched stone bridges from the Hellenistic era can be found in the Peloponnese. The greatest bridge builders of antiquity were the ancient Romans, the Romans built arch bridges and aqueducts that could stand in conditions that would damage or destroy earlier designs. An example is the Alcántara Bridge, built over the river Tagus, the Romans also used cement, which reduced the variation of strength found in natural stone. One type of cement, called pozzolana, consisted of water, lime, sand, brick and mortar bridges were built after the Roman era, as the technology for cement was lost. In India, the Arthashastra treatise by Kautilya mentions the construction of dams, a Mauryan bridge near Girnar was surveyed by James Princep. The bridge was swept away during a flood, and later repaired by Puspagupta, the use of stronger bridges using plaited bamboo and iron chain was visible in India by about the 4th century. A number of bridges, both for military and commercial purposes, were constructed by the Mughal administration in India and this bridge is also historically significant as it is the worlds oldest open-spandrel stone segmental arch bridge. European segmental arch bridges date back to at least the Alconétar Bridge, rope bridges, a simple type of suspension bridge, were used by the Inca civilization in the Andes mountains of South America, just prior to European colonization in the 16th century. During the 18th century there were innovations in the design of timber bridges by Hans Ulrich Grubenmann, Johannes Grubenmann. The first book on bridge engineering was written by Hubert Gautier in 1716, a major breakthrough in bridge technology came with the erection of the Iron Bridge in Shropshire, England in 1779. It used cast iron for the first time as arches to cross the river Severn, with the Industrial Revolution in the 19th century, truss systems of wrought iron were developed for larger bridges, but iron does not have the tensile strength to support large loads. With the advent of steel, which has a tensile strength, much larger bridges were built. In 1927 welding pioneer Stefan Bryła designed the first welded bridge in the world
8.
San Marco
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San Marco is one of the six sestieri of Venice, lying in the heart of the city as the main place of Venice. San Marco also includes the island of San Giorgio Maggiore, although the district includes Saint Marks Square, that was never administered as part of the sestiere. The area is built and was the location of Venices government. It is now heavily touristed and there are hotels, banks. San Marco is also a place which is used in video games such as in Tekken, Assassins Creed II
9.
Pontoon bridge
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A pontoon bridge, also known as a floating bridge, uses floats or shallow-draft boats to support a continuous deck for pedestrian and vehicle travel. The buoyancy of the limits the maximum load they can carry. Most pontoon bridges are temporary, used in wartime and civil emergencies, permanent floating bridges are useful for sheltered water-crossings where it is not considered economically feasible to suspend a bridge from anchored piers. Such bridges can require a section that is elevated, or can be raised or removed, a pontoon bridge is a collection of specialized, shallow draft boats or floats, connected together to cross a river or canal, with a track or deck attached on top. The water buoyancy supports the boats, limiting the load to the total. The supporting boats or floats can be open or closed, temporary or permanent in installation, the decking may be temporary or permanent, and constructed out of wood, modular metal, or asphalt or concrete over a metal frame. The spelling ponton in English dates from at least 1870, the use continued in references found in U. S. patents during the 1890s. It continued to be spelled in that fashion through World War II, U. S. combat engineers commonly pronounced the word ponton rather than pontoon and U. S. military manuals spelled it using a single o. The original word was derived from Old French ponton, from Latin ponto, when designing a pontoon bridge, the civil engineer must take into consideration the Archimedes principle looking at the maximum amount of load that it is intended to support. Each pontoon can support an equal to the mass of the water that it displaces. If the maximum load of a section is exceeded, one or more pontoons become submerged. The roadway across the pontoons must also be able to support the load, survey to determine the best location. The connection to shore often causes problems, requiring the design of approaches that are not too steep, keep the bank from crumbling, Floating bridges were typically constructed using wood. Such a wooden floating bridge could be built in a series of sections, Pontoons were formed using boats, several barrels lashed together, rafts of timbers, or some combination of these. Each bridge section consisted of one or more pontoons, which were maneuvered into position and then anchored, using underwater and these pontoons were then linked together using wooden stringers called balks. The balks were then covered by a series of cross planks called chesses to form a surface. Some bridges have been designed and survived much longer, in Hobart a long pontoon bridge built in 1943 was only replaced after 21 years. The fourth Galata Bridge that spans the Golden Horn in Istanbul, Turkey was built in 1912, precautions are needed to protect a pontoon bridge from becoming damaged
10.
Rialto
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The Rialto is a central area of Venice, Italy, in the sestiere of San Polo. It is and has been for centuries the financial and commercial heart of the city. Rialto is known for its prominent markets as well as for the monumental Rialto Bridge across the Grand Canal. The area was settled by the century, when a small area in the middle of the Realtine Islands on either side of the Rio Businiacus was known as the Rivoaltus. Eventually the Businiacus became known as the Grand Canal, and the district the Rialto, the Rialto became an important district in 1097, when Venices market moved there, and in the following century a boat bridge was set up across the Grand Canal providing access to it. This was soon replaced by the Rialto Bridge, the bridge has since then become iconic, appearing for example in the seal of Rialto, California. The market grew, both as a retail and as a wholesale market, warehouses were built, including the famous Fondaco dei Tedeschi on the other side of the bridge. Meanwhile, shops selling goods, banks and insurance agencies appeared. The citys abattoir was also in the Rialto, most of the buildings in the Rialto were destroyed in a fire in 1514, the sole survivor being the church San Giacomo di Rialto, while the rest of the area was gradually rebuilt. The Fabriche Vechie dates from period, while the Fabbriche Nuove is only slightly more recent. The statue Il Gobbo di Rialto was also sculpted in the sixteenth century, the area is still a busy retail quarter, with the daily Erberia greengrocer market, and the fish market on the Campo della Pescheria. In Sonnets from the Portuguese Sonnet 19, Elizabeth Barrett Browning writes that The souls Rialto hath its merchandise
11.
Lumber
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Lumber, or timber is wood that has been processed into beams and planks, a stage in the process of wood production. Lumber may also refer to currently un-needed furniture, as in Lumber room, or an awkward gait, ultimately derived from the look of unfashionable, Lumber may be supplied either rough-sawn, or surfaced on one or more of its faces. Besides pulpwood, rough lumber is the raw material for furniture-making and it is available in many species, usually hardwoods, but it is also readily available in softwoods, such as white pine and red pine, because of their low cost. Lumber is mainly used for structural purposes but has other uses as well. It is classified more commonly as a softwood than as a hardwood, in Australia, Ireland, New Zealand and Britain, the term timber describes sawn wood products, such as floor boards. In the United States and Canada, generally timber describes standing or felled trees, before they are milled into boards, Timber there also describes sawn lumber not less than 5 inches in its smallest dimension. The latter includes the often partly finished lumber used in timber-frame construction, remanufactured lumber is the result of secondary or tertiary processing/cutting of previously milled lumber. Specifically, it is cut for industrial or wood-packaging use. Lumber is cut by ripsaw or resaw to create dimensions that are not usually processed by a primary sawmill, resawing is the splitting of 1-inch through 12-inch hardwood or softwood lumber into two or more thinner pieces of full-length boards. For example, splitting a ten-foot 2×4 into two ten-foot 1×4s is considered resawing, structural lumber may also be produced from recycled plastic and new plastic stock. Its introduction has been opposed by the forestry industry. Blending fiberglass in plastic lumber enhances its strength, durability, logs are converted into timber by being sawn, hewn, or split. Sawing with a rip saw is the most common method, because sawing allows logs of lower quality, with grain and large knots. There are various types of sawing, Plain sawn —A log sawn through without adjusting the position of the log, quarter sawn and rift sawn—These terms have been confused in history but generally mean lumber sawn so the annual rings are reasonably perpendicular to the sides of the lumber. Boxed heart—The pith remains within the piece with some allowance for exposure, heart center—the center core of a log. Free of heart center —A side-cut timber without any pith, free of knots —No knots are present. Dimensional lumber is lumber that is cut to standardized width and depth, carpenters extensively use dimensional lumber in framing wooden buildings. Common sizes include 2×4, 2×6, and 4×4, the length of a board is usually specified separately from the width and depth
12.
Rebellion
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Rebellion, uprising, or insurrection is a refusal of obedience or order. It refers to the resistance against the orders of an established authority. The term comes from the Latin verb rebellō, I renew war (from re- + bellō, the rebel is the individual that partakes in rebellion or rebellious activities, particularly when armed. Thus, the rebellion also refers to the ensemble of rebels in a state of revolt. A rebellion originates from a sentiment of indignation and disapproval of a situation, Rebellion can be individual or collective, peaceful or violent In political terms, rebellion and revolt are often distinguished by their different aims. If rebellion generally seeks to evade an oppressive power, a revolt seeks to overthrow and destroy that power, the goal of rebellion is resistance while a revolt seeks a revolution. As power shifts relative to the adversary, or power shifts within a mixed coalition, or positions harden or soften on either side. The following theories broadly build on the Marxist interpretation of rebellion and they explore the causes of rebellion from a wide lens perspective. Marx writes about the structure of society that must be elucidated through an examination of the direct relationship of the owners of the conditions of production to the direct producers. The mismatch, between one mode of production, between the forces and the social ownership of the production, is at the origin of the revolution. The inner imbalance within these modes of production is derived from the modes of organization, such as capitalism within feudalism. The dynamics engineered by these class frictions help class consciousness root itself in the collective imaginary, for example, the development of the bourgeoisie class went from oppressed merchant class to urban independence, eventually gaining enough power to represent the state as a whole. Social movements, thus, are determined by a set of circumstances. The proletariat must also, according to Marx, go through the process of self-determination which can only be achieved by friction against the bourgeoisie. In Marxs theory revolutions are the locomotives of history, it is because rebellion has for ultimate goal to overthrow the ruling class and its antiquated mode of production. Later, rebellion attempts to replace it with a new system of political economy, one that is suited to the new ruling class. The cycle of rebellion, thus, replaces one mode of production by another through the constant class friction, in his book Why Men Rebel, Ted Gurr looks at the roots of political violence itself applied to a rebellion framework. He defines political violence as, all collective attacks within a political community against the political regime, the concept represents a set of events, a common property of which is the actual or threatened use of violence
13.
Jacopo Sansovino
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Jacopo dAntonio Sansovino was an Italian sculptor and architect, known best for his works around the Piazza San Marco in Venice. Andrea Palladio, in the Preface to his Quattro Libri was of the opinion that Sansovinos Biblioteca Marciana was the best building erected since Antiquity, giorgio Vasari uniquely printed his Vita of Sansovino separately. He was born in Florence and apprenticed with Andrea Sansovino whose name he subsequently adopted, in Rome he attracted the notice of Bramante and Raphael and made a wax model of the Deposition of Christ for Perugino to use. He returned to Florence in 1511 where he received commissions for sculptures of St. James for the Duomo. In the period of 1510-17 he shared a studio with the painter Andrea del Sarto, like all sixteenth-century Italian architects, Sansovino devoted considerable energy to elaborate but temporary structures related to courtly ritual. The triumphant entry of Pope Leo X into Florence in 1515 was a highpoint of this genre and he subsequently returned to Rome where he stayed for nine years, leaving for Venice in the year of the Sack of Rome. In 1529, Sansovino became chief architect and superintendent of properties to the Procurators of San Marco, the appointment came with a salary of 80 ducats and an apartment near the clocktower in San Marco. Within a year his salary was raised to 180 ducats per year, among palaces and buildings are the Scuola Grande della Misericordia, Ca de Dio, Palazzo Dolfin Manin, Palazzo Corner, Palazzo Moro, and the Fabbriche Nuove di Rialto. His masterpiece is the Library of Saint Marks, the Biblioteca Marciana, one of Venices most richly decorated Renaissance structures, construction spanned fifty years and cost over 30,000 ducats. In it he made the architectural language of classicism, traditionally associated with severity and restraint. This paved the way for the architecture of Andrea Palladio. He died in Venice and his sepulchre is in the Baptistery of St and his most important follower in the medium of sculpture was Alessandro Vittoria, another disciple was the architect and sculptor Danese Cataneo. Jacopo Sansovinos works Renaissance Classicism Boucher, Bruce, monograph and catalogue raisonné of the sculpture. Jacopo Sansovino Architecture and Patronage in Renaissance Venice
14.
Andrea Palladio
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Andrea Palladio was an Italian architect active in the Republic of Venice. Palladio, influenced by Roman and Greek architecture, primarily by Vitruvius, is considered to be the most influential individual in the history of architecture. All of his buildings are located in what was the Venetian Republic, the city of Vicenza and the Palladian Villas of the Veneto are UNESCO World Heritage Sites. Palladio was born on 30 November 1508 in Padua and was given the name and his father, Pietro, called Della Gondola, was a miller. From early on, Andrea Palladio was introduced into the work of building, in Padua he gained his first experiences as a stonecutter in the sculpture workshop of Bartolomeo Cavazza da Sossano, who is said to have imposed particularly hard working conditions. At the age of sixteen he moved to Vicenza where he would reside for most of his life, here he became an assistant in the Pedemuro studio, a leading workshop of stonecutters and masons. He joined a guild of stonemasons and bricklayers and he was employed as a stonemason to make monuments and decorative sculptures. These sculptures reflected the Mannerist style of the architect Michele Sanmicheli, perhaps the key moment that sparked Palladios career was being employed by the Humanist poet and scholar, Gian Giorgio Trissino, from 1538 to 1539. While Trissino was reconstructing the Villa Cricoli, he took interest in Palladios work, Trissino was heavily influenced by the studies of Vitruvius, who later influenced Palladios own ideals and attitudes toward classical architecture. It was also Trissino who gave him the name by which he became known, Palladio, indeed, the word Palladio means Wise one. The powerful Barbaros introduced Palladio to Venice, where he finally became Proto della Serenissima after Jacopo Sansovino, in addition to the Barbaros, the Corner, Foscari, and Pisani families supported Palladios career. Andrea Palladio began to develop his own architectural style around 1541, the Palladian style, named after him, adhered to classical Roman principles he rediscovered, applied, and explained in his works. Andrea Palladio is known to be one of the most influential architects in Western architecture and his architectural works have been valued for centuries as the quintessence of High Renaissance calm and harmony. He designed many palaces, villas, and churches, but Palladios reputation, initially, the palladian villas are located mainly in the province of Vicenza, while the palazzi are concentrated in the city of Vicenza and the churches in Venice. A number of his works are now protected as part of the World Heritage Site City of Vicenza, other buildings by Palladio are to be found within the Venice and its Lagoon World Heritage Site. Palladios first major public project began when his designs for building the loggias for the town hall and he proposed an addition of two-storey stone buttresses reflecting the Gothic style of the existing hall while using classical proportions. The construction was completed in 1617 after Palladios death, aside from Palladios designs, his publications contributed to Palladianism. During the second half of his life, Palladio published many books, above all, Palladio is most known for his designs of villas and palaces as well as his books
15.
Giacomo Barozzi da Vignola
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Giacomo Barozzi da Vignola was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits Church of the Gesù in Rome, the three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Serlio and Palladio. Giacomo Barozzi was born at Vignola, near Modena and he began his career as architect in Bologna, supporting himself by painting and making perspective templates for inlay craftsmen. He made a first trip to Rome in 1536 to make measured drawings of Roman temples, then François I called him to Fontainebleau, where he spent the years 1541–1543. Here he probably met his fellow Bolognese, the architect Sebastiano Serlio, after his return to Italy, he designed the Palazzo Bocchi in Bologna. Here he worked for Pope Julius III and, after the death, he was taken up by the papal family of the Farnese and worked with Michelangelo. In 1558, he was in Piacenza to revise the designs of Palazzo Farnese, commissioned by Margaret of Austria, wife of the Duke Ottavio Farnese, from 1564 Vignola carried on Michelangelos work at St Peters Basilica, and constructed the two subordinate domes according to Michelangelos plans. Giacomo Barozzi died in Rome in 1573, in 1973 his remains were reburied in the Pantheon, Rome. Vignolas main works include, Villa Giulia for Pope Julius III, here Vignola was working with Ammanati, who designed the nymphaeum and other garden features under the general direction of Vasari, with guidance from the knowledgeable pope and Michelangelo. A medal of 1553 shows Vignolas main villa substantially as it was completed, Palazzo dei Banchi, Bologna Palazzo Farnese, Piacenza. This was a project of a vast palace on a scale paralleled only by the Vatican Palace in Italy. Ten arches on the sides and seven on the short are sustained by pilasters with Tuscan style ornamentation that rise from high plinths. A simple frieze with triglyphs and metopes separates the lower from the upper levels. Like many other architects, Vignola submitted his plans for completing the facade of San Petronio, the clarity and ease of use of Vignolas treatise caused it to become in succeeding centuries the most published book in architectural history. Vignolas second treatise, the posthumously-published Due regole della prospettiva pratica, Vignola presented— without theoretical obscurities— practical applications which could be understood by a prospective patron. Egnatio Danti, Les deux règles de la pratique de Vignole,1583, Pascal Dubourg Glatigny, Paris,2003. Website Architectura, Centre détudes supérieures de la Renaissance, Tours Brief biographical sketch Paolo Zauli on Vignola from a Bolognese perspective Vignolas effect on garden design
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Michelangelo
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Michelangelo di Lodovico Buonarroti Simoni was an Italian sculptor, painter, architect, and poet of the High Renaissance who exerted an unparalleled influence on the development of Western art. Considered to be the greatest living artist during his lifetime, he has since described as one of the greatest artists of all time. A number of Michelangelos works of painting, sculpture, and architecture rank among the most famous in existence and he sculpted two of his best-known works, the Pietà and David, before the age of thirty. As an architect, Michelangelo pioneered the Mannerist style at the Laurentian Library, at the age of 74, he succeeded Antonio da Sangallo the Younger as the architect of St. Peters Basilica. Michelangelo transformed the plan so that the end was finished to his design, as was the dome, with some modification. Michelangelo was unique as the first Western artist whose biography was published while he was alive, in his lifetime he was often called Il Divino. One of the qualities most admired by his contemporaries was his terribilità, the attempts by subsequent artists to imitate Michelangelos impassioned and highly personal style resulted in Mannerism, the next major movement in Western art after the High Renaissance. Michelangelo was born on 6 March 1475 in Caprese near Arezzo, at the time of Michelangelos birth, his father was the Judicial administrator of the small town of Caprese and local administrator of Chiusi. Michelangelos mother was Francesca di Neri del Miniato di Siena, the Buonarrotis claimed to descend from the Countess Mathilde of Canossa, this claim remains unproven, but Michelangelo himself believed it. Several months after Michelangelos birth, the returned to Florence. There Michelangelo gained his love for marble, as Giorgio Vasari quotes him, If there is good in me. Along with the milk of my nurse I received the knack of handling chisel and hammer, as a young boy, Michelangelo was sent to Florence to study grammar under the Humanist Francesco da Urbino. The young artist, however, showed no interest in his schooling, preferring to copy paintings from churches, the city of Florence was at that time the greatest centre of the arts and learning in Italy. Art was sponsored by the Signoria, by the merchant guilds and by patrons such as the Medici. The Renaissance, a renewal of Classical scholarship and the arts, had its first flowering in Florence, the sculptor Lorenzo Ghiberti had laboured for fifty years to create the bronze doors of the Baptistry, which Michelangelo was to describe as The Gates of Paradise. The exterior niches of the Church of Orsanmichele contained a gallery of works by the most acclaimed sculptors of Florence – Donatello, Ghiberti, Andrea del Verrocchio, and Nanni di Banco. The interiors of the churches were covered with frescos, begun by Giotto. During Michelangelos childhood, a team of painters had been called from Florence to the Vatican, among them was Domenico Ghirlandaio, a master in fresco painting, perspective, figure drawing, and portraiture who had the largest workshop in Florence at that period
17.
Rock (geology)
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Rock or stone is a natural substance, a solid aggregate of one or more minerals or mineraloids. For example, granite, a rock, is a combination of the minerals quartz, feldspar. The Earths outer solid layer, the lithosphere, is made of rock, rock has been used by mankind throughout history. The minerals and metals found in rocks have been essential to human civilization, three major groups of rocks are defined, igneous, sedimentary, and metamorphic. The scientific study of rocks is called petrology, which is a component of geology. At a granular level, rocks are composed of grains of minerals, the aggregate minerals forming the rock are held together by chemical bonds. The types and abundance of minerals in a rock are determined by the manner in which the rock was formed, many rocks contain silica, a compound of silicon and oxygen that forms 74. 3% of the Earths crust. This material forms crystals with other compounds in the rock, the proportion of silica in rocks and minerals is a major factor in determining their name and properties. Rocks are geologically classified according to such as mineral and chemical composition, permeability, the texture of the constituent particles. These physical properties are the end result of the processes that formed the rocks, over the course of time, rocks can transform from one type into another, as described by the geological model called the rock cycle. These events produce three general classes of rock, igneous, sedimentary, and metamorphic, the three classes of rocks are subdivided into many groups. However, there are no hard and fast boundaries between allied rocks, hence the definitions adopted in establishing rock nomenclature merely correspond to more or less arbitrary selected points in a continuously graduated series. Igneous rock forms through the cooling and solidification of magma or lava and this magma can be derived from partial melts of pre-existing rocks in either a planets mantle or crust. Typically, the melting of rocks is caused by one or more of three processes, an increase in temperature, a decrease in pressure, or a change in composition, igneous rocks are divided into two main categories, plutonic rock and volcanic. Plutonic or intrusive rocks result when magma cools and crystallizes slowly within the Earths crust, a common example of this type is granite. Volcanic or extrusive rocks result from magma reaching the surface either as lava or fragmental ejecta, the chemical abundance and the rate of cooling of magma typically forms a sequence known as Bowens reaction series. Most major igneous rocks are found along this scale, about 64. 7% of the Earths crust by volume consists of igneous rocks, making it the most plentiful category. Of these, 66% are basalts and gabbros, 16% are granite, only 0. 6% are syenites and 0. 3% peridotites and dunites
18.
Antonio da Ponte
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Antonio da Ponte was a Venetian architect and engineer, most famous for his rebuilding of the Rialto Bridge in Venice. Da Ponte was head architect of the rebuilding of the Ducal Palace that was damaged by fire in 1574. After the original structure of the Rialto Bridge had collapsed repeatedly. Between 1588 and 1591 da Ponte rebuilt the Rialto Bridge to a design to which he had contributed, the design was selected in a contest held by the local authorities under Doge of Venice Pasquale Cicogna. Though Da Ponte is relatively unknown otherwise, the design for the Venice landmark defeated submissions by noted architects of the time, the engineering of the bridge throws considerable weight on its foundations. It was considered so audacious that architect Vincenzo Scamozzi predicted future ruin, however the bridge has defied its critics to become one of the architectural icons of Venice. In the construction of this work Antonio was helped by his nephew Antonio Contino, in 1841, the Parisian architect Antoine Rondelet wrote about the suspicious similarities between Antonio da Pontes project and the one by Vincenzo Scamozzi
19.
Portico
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A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was used in Ancient Greece and has influenced many cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome, porticos are sometimes topped with pediments. Bologna, Italy, is famous for its porticos, in total, there are over 45 km of arcades, some 38 in the city center. The longest portico in the world, about 3.5 km, in Bologna, Italy, porticos stretch for 18 km. Palladio was a pioneer of using temple-fronts for secular buildings, in the UK, the temple-front applied to The Vyne, Hampshire was the first portico applied to an English country house. A pronaos is the area of the portico of a Greek or Roman temple. Roman temples commonly had an open pronaos, usually with only columns and no walls, the word pronaos is Greek for before a temple. In Latin, a pronaos is also referred to as an anticum or prodomus, the different variants of porticos are named by the number of columns they have. The style suffix comes from the Greek στῦλος, column, the tetrastyle has four columns, it was commonly employed by the Greeks and the Etruscans for small structures such as public buildings and amphiprostyles. Roman provincial capitals also manifested tetrastyle construction, such as the Capitoline Temple in Volubilis, the North Portico of the White House is perhaps the most notable four-columned portico in the United States. Hexastyle buildings had six columns and were the standard façade in canonical Greek Doric architecture between the archaic period 600–550 BC up to the Age of Pericles 450–430 BC. With the colonization by the Greeks of Southern Italy, hexastyle was adopted by the Etruscans, Roman taste favoured narrow pseudoperipteral and amphiprostyle buildings with tall columns, raised on podiums for the added pomp and grandeur conferred by considerable height. The Maison Carrée at Nîmes, France, is the best-preserved Roman hexastyle temple surviving from antiquity, octastyle buildings had eight columns, they were considerably rarer than the hexastyle ones in the classical Greek architectural canon. The best-known octastyle buildings surviving from antiquity are the Parthenon in Athens, built during the Age of Pericles, and the Pantheon in Rome. The destroyed Temple of Divus Augustus in Rome, the centre of the Augustan cult, is shown on Roman coins of the 2nd century AD as having built in octastyle. The decastyle has ten columns, as in the temple of Apollo Didymaeus at Miletus, the temple of Venus and Rome, built by Hadrian in Rome about 130 A. D. was decastyle, the only known example in Roman architecture. Classical architecture List of classical architecture terms Hypostyle Loggia Stoa Greek architecture, Encyclopædia Britannica,1968 Stierlin, Greece, From Mycenae to the Parthenon, TASCHEN,2004, Editor-in-chief Angelika Taschen, Cologne, ISBN 3-8228-1225-0 Stierlin, Henri
20.
Vincenzo Scamozzi
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Vincenzo Scamozzi was an Italian architect and a writer on architecture, active mainly in Vicenza and Republic of Venice area in the second half of the 16th century. He was perhaps the most important figure there between Andrea Palladio, whose unfinished projects he inherited at Palladios death in 1580, and Baldassarre Longhena, Scamozzis only pupil. The great public project of Palladios that Scamozzi inherited early in the process of construction was the Teatro Olimpico at Vicenza, which Palladio had designed in the last months of his life. His father was the surveyor and building contractor Gian Domenico Scamozzi, he was Scamozzis first teacher, imbuing him with the principles of Sebastiano Serlio, vincenzo visited Rome in 1579–1580, and then moved to Venice in 1581. In 1600, he visited France and left a record of his impressions of French architecture. Scamozzi is famous for having inherited several unfinished projects from Andrea Palladio at the time of Palladios death in 1580 and it was originally published with woodcut illustrations at Venice in 1615. Scamozzi depended for sections of his treatment of Vitruvius on Daniele Barbaros commentary, published in 1556 with illustrations by Palladio, at that time, such treatises were becoming a vehicle for self-promotion. His first book entitled Discorsi sopra Lantichita di Roma had been cobbled together with some illustrated commentary on the ruins of Rome. According to his preface to the volumes, the images were stock productions that already existed, over half were copied from a volume published by Hieronymus Cock in Antwerp in 1551. His major book came out one year before his death and was too late to influence his own success, Scamozzis practice is sometimes spoken of as being a source of the neo-Palladian architecture as it was introduced by Inigo Jones, another follower of Andrea Palladios own example. Rudolf Wittkower referred to him as among the father of neo-classicism. Scamozzi moved to Venice in 1581, where he had invited to design the Procuratie Nuove on the Piazza San Marco itself. Eleven bays of this project were completed, and later were extended by Baldassare Longhena to fill the south flank of the piazza. The A. Everett Austin House in Hartford, Connecticut, U. S. A. is an homage to the Villa Ferreti. cesr. univ-tours. fr/Traite/Auteur/Scamozzi. asp
21.
Tourism
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Tourism is travel for pleasure or business, also the theory and practice of touring, the business of attracting, accommodating, and entertaining tourists, and the business of operating tours. Tourism may be international, or within the travellers country, Tourism can be domestic or international, and international tourism has both incoming and outgoing implications on a countrys balance of payments. Today, tourism is a source of income for many countries. International tourism receipts grew to US$1.03 trillion in 2011, the ITB Berlin is the worlds leading tourism trade fair. The word tourist was used by 1772 and tourism by 1811. It is formed from the tour, which is derived from Old English turian, from Old French torner, from Latin tornare, to turn on a lathe. Tourism is an important, even vital, source of income for many regions and it also creates opportunities for employment in the service sector of the economy associated with tourism. This is in addition to goods bought by tourists, including souvenirs, in 1936, the League of Nations defined a foreign tourist as someone traveling abroad for at least twenty-four hours. Its successor, the United Nations, amended this definition in 1945 and it includes movements for all purposes. In 1981, the International Association of Scientific Experts in Tourism defined tourism in terms of particular activities chosen and undertaken outside the home, in this context, travel has a similar definition to tourism, but implies a more purposeful journey. The terms tourism and tourist are sometimes used pejoratively, to imply a shallow interest in the cultures or locations visited, by contrast, traveler is often used as a sign of distinction. The sociology of tourism has studied the values underpinning these distinctions. International tourist arrivals reached 1.035 billion in 2012, up from over 996 million in 2011, the World Tourism Organization reports the following ten destinations as the most visited in terms of the number of international travellers in 2016. International tourism receipts grew to US$1.2 trillion in 2014, based upon air traffic, the MasterCard Global Destination Cities Index reports the following cities as the top ten most popular destinations of international tourism worldwide. MasterCard reports the following cities as the top ten biggest earners on international tourism worldwide in 2015, as early as Shulgi, however, kings praised themselves for protecting roads and building waystations for travelers. During the Roman Republic, spas and coastal resorts such as Baiae were popular among the rich, pausanias wrote his Description of Greece in the 2nd century AD. In ancient China, nobles sometimes made a point of visiting Mount Tai and, on occasion, the Islamic hajj is still central to its faith and Chaucers Canterbury Tales and Wu Chengens Journey to the West remain classics of English and Chinese literature. The 10th- to 13th-century Song dynasty also saw secular travel writers such as Su Shi, under the Ming, Xu Xiake continued the practice
22.
Shylock
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Shylock is a character in William Shakespeares play The Merchant of Venice. A Venetian Jewish moneylender, Shylock is the principal antagonist. His defeat and conversion to Christianity forms the climax of the story, Shylock is not a Jewish name. However, some believe it probably derives from the biblical name Shalah. Shalah is the grandson of Shem and the father of Eber, all the names of Jewish characters in the play derive from minor figures listed in genealogies in the Book of Genesis. It is possible that Shakespeare originally intended the name to be pronounced with a short i, the modern pronunciation has changed because the standard spelling with a y signifies to readers a long i pronunciation. In The Merchant of Venice, Shylock is a Jewish moneylender who lends money to his Christian rival, Antonio, when a bankrupt Antonio defaults on the loan, Shylock demands the pound of flesh. Meanwhile, Shylocks daughter, Jessica, falls in love with Antonios friend Lorenzo and converts to Christianity, which adds to Shylocks rage and hardens his resolve for revenge. In the end - due to the efforts of Antonios well-wisher, Portia - Shylock is charged with attempted murder of a Christian, carrying a death penalty. Shylock is then ordered to surrender half of his wealth and property to the state and the other half to Antonio. However, as an act of mercy, Antonio modifies the verdict, Shylock is forced to agree to these terms, and he exits citing illness. In Shakespeares time, no Jews had been present in England for several hundred years. However, stereotypes of Jews as money lenders remained from the Middle Ages, at the same time, most Christian kings forbade Jews to own land for farming or to serve in the government, and craft guilds usually refused to admit Jews as artisans. Thus money lending was one of the few occupations open to Jews. Hyam Maccoby argues that the play is based on medieval morality plays, in which the Virgin Mary argues for the forgiveness of human souls, Jacob Adler and others report that the tradition of playing Shylock sympathetically began in the first half of the 19th century with Edmund Kean. Previously the role had been played by a comedian as a clown or, alternatively. Keans Shylock established his reputation as an actor, since Keans time, many other actors who have played the role have chosen a sympathetic approach to the character. Edwin Booth was an exception, playing him as a simple villain
23.
Robert Browning
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Robert Browning was an English poet and playwright whose mastery of the dramatic monologue made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humour, social commentary, historical settings, Brownings early career began promisingly, but was not a success. His reputation took more than a decade to recover, during which time he moved away from the Shelleyan forms of his early period, in 1846 Browning married the older poet Elizabeth Barrett, who at the time was considerably better known than himself. So started one of historys most famous literary marriages and they went to live in Italy, a country he called my university, and which features frequently in his work. By the time of her death in 1861, he had published the crucial collection Men and Women, the collection Dramatis Personae and the book-length epic poem The Ring and the Book followed, and made him a leading British poet. He continued to write prolifically, but his reputation rests largely on the poetry he wrote in this middle period. Unusually for a poet, societies for the study of his work were founded while he was still alive, such Browning Societies remained common in Britain and the United States until the early 20th century. Brownings admirers have tended to temper their praise with reservations about the length and difficulty of his most ambitious poems, particularly The Ring and the Book. Nevertheless, they have included such eminent writers as Henry James, Oscar Wilde, George Bernard Shaw, G. K. Chesterton, Ezra Pound, Jorge Luis Borges, among living writers, Stephen Kings The Dark Tower series and A. S. Byatts Possession refer directly to Brownings work, today Brownings critically most esteemed poems include the monologues Childe Roland to the Dark Tower Came, Fra Lippo Lippi, Andrea Del Sarto, and My Last Duchess. Robert Browning was born in Walworth in the parish of Camberwell, Surrey and he was baptized on 14 June 1812, at Locks Fields Independent Chapel, York Street, Walworth, the only son of Sarah Anna and Robert Browning. His father was a clerk for the Bank of England. Brownings paternal grandfather was an owner in Saint Kitts, West Indies. Brownings father had sent to the West Indies to work on a sugar plantation. Brownings mother was the daughter of a German shipowner who had settled in Dundee in Scotland, the evidence, however, is inconclusive either way. Roberts father, a collector, amassed a library of around 6,000 books. As such, Robert was raised in a household of significant literary resources and his mother, to whom he was very close, was a devout nonconformist and a talented musician. His younger sister, Sarianna, also gifted, became her brothers companion in his later years and his father encouraged his childrens interest in literature and the arts
24.
A Toccata of Galuppi's
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A Toccata of Galuppis is a poem by Robert Browning, originally published in the 1855 collection Men and Women. The title refers to the fact that the speaker is playing or listening to a toccata by the 18th-century Venetian composer Baldassare Galuppi. The poem consists of fifteen rhymed tercets, its meter is trochaic octameter catalectic. Commentators have remarked on the musicality of the poem, Browning was trained extensively in music, both in composition and musical theory. Professional musicians and musicologists have been dismissive of his use of musical terms, david Parkinson identifies a link between each syllable of the poem and the musical notes of a scale. Stephen H. Ford contends that the poem is constructed on a double octave form. Marc R. Plamondon argues that Brownings subjective interpretation produces not just a commentary on music, schweik argues that the poem does not require the reader to know Galuppis music, and that Browning does not provide any description of what the music is really like. The speaker, more interested in science than the arts, even gives Galuppi the wrong first name. After the speakers fanciful and superficial evocation of old Venice, in stanzas I to IX, in stanza X, the speaker ponders on the deaths of Galuppis original audiences, and in the following stanzas he contemplates his own mortality. By the final stanza, XV, the speaker has come so far from his original complacency as to have empathy with the people of 18th-century Venice. The poem inspired a 1989 setting, in modern idiom but with quotations from Galuppis works. Dominick Argentos A Toccata of Galuppis, A critical analysis of the work, the poem A Toccata of Galuppis by Robert Browning
25.
Google Books
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Books are provided either by publishers and authors, through the Google Books Partner Program, or by Googles library partners, through the Library Project. Additionally, Google has partnered with a number of publishers to digitize their archives. The Publisher Program was first known as Google Print when it was introduced at the Frankfurt Book Fair in October 2004, the Google Books Library Project, which scans works in the collections of library partners and adds them to the digital inventory, was announced in December 2004. But it has also criticized for potential copyright violations. As of October 2015, the number of scanned book titles was over 25 million, Google estimated in 2010 that there were about 130 million distinct titles in the world, and stated that it intended to scan all of them. Results from Google Books show up in both the universal Google Search as well as in the dedicated Google Books search website, if Google believes the book is still under copyright, a user sees snippets of text around the queried search terms. All instances of the terms in the book text appear with a yellow highlight. The four access levels used on Google Books are, Full view, Books in the domain are available for full view. In-print books acquired through the Partner Program are also available for full view if the publisher has given permission, usually, the publisher can set the percentage of the book available for preview. Users are restricted from copying, downloading or printing book previews, a watermark reading Copyrighted material appears at the bottom of pages. All books acquired through the Partner Program are available for preview and this could be because Google cannot identify the owner or the owner declined permission. If a search term appears many times in a book, Google displays no more than three snippets, thus preventing the user from viewing too much of the book. Also, Google does not display any snippets for certain reference books, such as dictionaries, Google maintains that no permission is required under copyright law to display the snippet view. No preview, Google also displays search results for books that have not been digitized, in effect, this is similar to an online library card catalog. Google also stated that it would not scan any in-copyright books between August and 1 November 2005, to provide the owners with the opportunity to decide which books to exclude from the Project. It can let Google scan the book under the Library Project and it can opt out of the Library Project, in which case Google will not scan the book. If the book has already been scanned, Google will reset its access level as No preview and this information is collated through automated methods, and sometimes data from third-party sources is used. This information provides an insight into the book, particularly useful when only a view is available
26.
The New York Times
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The New York Times is an American daily newspaper, founded and continuously published in New York City since September 18,1851, by The New York Times Company. The New York Times has won 119 Pulitzer Prizes, more than any other newspaper, the papers print version in 2013 had the second-largest circulation, behind The Wall Street Journal, and the largest circulation among the metropolitan newspapers in the US. The New York Times is ranked 18th in the world by circulation, following industry trends, its weekday circulation had fallen in 2009 to fewer than one million. Nicknamed The Gray Lady, The New York Times has long been regarded within the industry as a newspaper of record. The New York Times international version, formerly the International Herald Tribune, is now called the New York Times International Edition, the papers motto, All the News Thats Fit to Print, appears in the upper left-hand corner of the front page. On Sunday, The New York Times is supplemented by the Sunday Review, The New York Times Book Review, The New York Times Magazine and T, some other early investors of the company were Edwin B. Morgan and Edward B. We do not believe that everything in Society is either right or exactly wrong, —what is good we desire to preserve and improve, —what is evil, to exterminate. In 1852, the started a western division, The Times of California that arrived whenever a mail boat got to California. However, when local California newspapers came into prominence, the effort failed, the newspaper shortened its name to The New-York Times in 1857. It dropped the hyphen in the city name in the 1890s, One of the earliest public controversies it was involved with was the Mortara Affair, the subject of twenty editorials it published alone. At Newspaper Row, across from City Hall, Henry Raymond, owner and editor of The New York Times, averted the rioters with Gatling guns, in 1869, Raymond died, and George Jones took over as publisher. Tweed offered The New York Times five million dollars to not publish the story, in the 1880s, The New York Times transitioned gradually from editorially supporting Republican Party candidates to becoming more politically independent and analytical. In 1884, the paper supported Democrat Grover Cleveland in his first presidential campaign, while this move cost The New York Times readership among its more progressive and Republican readers, the paper eventually regained most of its lost ground within a few years. However, the newspaper was financially crippled by the Panic of 1893, the paper slowly acquired a reputation for even-handedness and accurate modern reporting, especially by the 1890s under the guidance of Ochs. Under Ochs guidance, continuing and expanding upon the Henry Raymond tradition, The New York Times achieved international scope, circulation, in 1910, the first air delivery of The New York Times to Philadelphia began. The New York Times first trans-Atlantic delivery by air to London occurred in 1919 by dirigible, airplane Edition was sent by plane to Chicago so it could be in the hands of Republican convention delegates by evening. In the 1940s, the extended its breadth and reach. The crossword began appearing regularly in 1942, and the section in 1946
27.
Venetian Arsenal
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The Venetian Arsenal is a complex of former shipyards and armories clustered together in the city of Venice in northern Italy. Owned by the state, the Arsenal was responsible for the bulk of the Venetian republics naval power during the part of the second millennium AD. It was one of the earliest large-scale industrial enterprises in history, construction of the Arsenal began around 1104, during Venices republican era. It became the largest industrial complex in Europe before the Industrial Revolution, spanning an area of about 45 hectares, surrounded by a 2-mile rampart, laborers and shipbuilders regularly worked within the Arsenal, building ships that sailed from the citys port. These parts could then be assembled into a ship in as little as one day, an exclusive forest owned by the Arsenal navy, in the Montello hills area of Veneto, provided the Arsenals wood supply. It is located in the Castello district of Venice, and it is now owned by the state and it definitely existed by the early 13th century. Initially the state dockyard worked merely to maintain privately built naval ships and it enabled all the states navy and the larger merchant ships to be both constructed and maintained in one place. The Arsenal incidentally became an important center for manufacture. Venice developed methods of mass-producing warships in the Arsenal, including the frame-first system to replace the Roman hull-first practice and this new system was much faster and required less wood. The muzzle velocity of handguns was improved beyond that of the crossbow, the Arsenals main gate, the Porta Magna, was built around 1460 and was the first Classical revival structure built in Venice. It was perhaps built by Antonio Gambello from a design by Jacopo Bellini, two lions taken from Greece situated beside it were added in 1687. One of the lions, known as the Piraeus Lion, has runic defacements carved in it by invading Scandinavian mercenaries during the 11th century, in the late 16th century, the Arsenals designers experimented with larger ships as platforms for heavy naval guns. The largest was the galleass, already used at the Battle of Lepanto against the Ottoman Turks and it was huge, propelled by both sails and oars, with guns mounted on wheeled carriages along the sides in the modern fashion. It was slow and unwieldy in battle, however, and few were ever built, the galleon, also developed at the Arsenal, was an armed sailing ship, a slimmer version of the merchant round ship. It was useful in naval battles, but not in the small bays. Significant parts of the Arsenal were destroyed under Napoleonic rule, and it is also used as a research center and an exhibition venue during the Venice Biennale, and is home to a historic boat preservation center. The Arsenal was something different, a harbinger of future times, the Venetian Arsenal was not the mass production facility that it was to be until about 1320 with the creation of the Arsenale Nuovo. The Arsenale Nuovo was simply a larger and more efficient version of the original, prior to this time the Arsenal had served mainly as a place to maintain privately built ships
28.
Bridge of Sighs
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The Bridge of Sighs is a bridge located in Venice, northern Italy. The enclosed bridge is made of limestone, has windows with stone bars. It was designed by Antonio Contino and was built in 1600, the view from the Bridge of Sighs was the last view of Venice that convicts saw before their imprisonment. In reality, the days of inquisitions and summary executions were over by the time the bridge was built, in addition, little could be seen from inside the bridge due to the stone grills covering the windows. According to a legend, lovers will be granted eternal love and bliss if they kiss on a gondola at sunset, under the Bridge of Sighs. This legend served as a line for the movie A Little Romance, featuring Laurence Olivier. The name Bridge of Sighs has since been applied by association to other bridges and around the world, the 1861 opera Le pont des soupirs by Jacques Offenbach features the bridge. Ponte dei Sospiri, Venezia, Italy Bridge of Sighs, Venice Bridge of Sighs at Structurae Bridge of Sighs, The
29.
Ca' d'Oro
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Ca dOro is a palace on the Grand Canal in Venice, northern Italy. One of the palaces in the city, it is known as Ca dOro due to the gilt. The palace was built between 1428 and 1430 for the Contarini family, who provided Venice with eight Doges between 1043 and 1676, the architects of the Ca dOro were Giovanni Bon and his son Bartolomeo Bon. Following the fall of the Venetian Republic in 1797, the palace changed ownership several times, one 19th century owner, the ballet dancer Marie Taglioni, removed the Gothic stairway from the inner courtyard and destroyed the ornate balconies overlooking the court. In 1916, Franchetti bequeathed the Ca dOro to the Italian State and it is now open to the public as a gallery, Galleria Giorgio Franchetti alla Ca dOro. The principal façade of Ca dOro facing onto the Grand Canal is built in the Bons Venetian floral Gothic style, other nearby buildings in this style are Palazzo Barbaro and the Palazzo Giustinian. This linear style favoured by the Venetian architects was not totally superseded by the Baroque one until the end of the 16th century, on the ground floor, a recessed colonnaded loggia gives access to the entrance hall directly from the canal. Above this colonnade is the balcony of the principal salon on the piano nobile. The columns and arches of this balcony have capitals which in turn support a row of quatrefoil windows, the palace has a small inner courtyard. Galleria Giorgio Franchetti Satellite image from Google Maps Ca dOro on Smarthistory
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Ca' Foscari
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Ca Foscari, the palace of the Foscari family, is a Gothic building on the waterfront of the Grand Canal in the Dorsoduro sestieri of Venice, Italy. It was built for the doge Francesco Foscari in 1453, and it is now the main seat of Ca Foscari University of Venice. The palace is located on the widest bend of the Grand Canal, previously a Byzantine palace, known as the House with the two Towers, stood on the site. This was bought by the Republic of Venice in 1429 from Bernardo Giustinian, to be the residence of the vice-captain of the Republic, Gianfrancesco Gonzaga. The palace consisted of two flanking a lower, central block and was used for entertaining illustrious guests of the Republic, including kings. In 1439, the palace was given to captain, Francesco Sforza. However, In 1447, Francesco Sforza betrayed the Republic and was deprived of the residence, Foscari immediately set about rebuilding the palace in a manner befitting his status, he moved the site of the new palace forward on to the bank of the Grand Canal. The huge new palace could hardly have been finished when Foscari was disgraced in 1457, in 1574 king Henry III of France was housed in the second floor of the building. The most recent restoration of Ca Foscari and Ca Giustinian was commissioned in 2004, work lasted from January 2004 until the summer of 2006. Presently the palace is the headquarters of the Ca Foscari University, which has made accessible to the some of the most beautiful halls, such as the Aula Baratto. Ca Foscari is an example of the residence of the Venetian nobles. The structure is one of the most imposing buildings of the city, in common with other palaces, Ca Foscaris principal and most decorated facade and entrance faced the Grand Canal - the citys main thoroughfare. At Ca Foscari, the tops of each column are decorated with carved quatrefoil patterns, the practical function of Venetian palaces differed from those in other Italian cities. The nobility didnt derive their income from landed estates as elsewhere, as a result, their fondaco houses had to serve not only as residences but also as the headquarters for their trading ventures. The main features of these palaces were two-storey arcades or loggias along the waterfront. The portal often led into a hall or portigo used for business negotiations, with storerooms and offices on either side. The living quarters were upstairs, with the leading off great T-shaped central room, a well. There were low towers at each end of the façade, the House of the two Towers too used to have this structure, before Francesco Foscari decided to destroy it and rebuild it in Gothic style
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Ca' Pesaro
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The Ca Pesaro is a Baroque marble palace facing the Grand Canal of Venice, Italy. Originally designed by Baldassarre Longhena in the century, the construction was completed by Gian Antonio Gaspari in 1710. Today it is one of the 11 museums run by the Fondazione Musei Civici di Venezia system, works began in 1659 starting from the landside, the courtyard was completed by 1676. By 1679, the façade on the Grand Canal had already reached the floor, but when Longhena died 3 years after. The Pesaro family then entrusted its completion to Gian Antonio Gaspari who concluded it in 1710, Longhena was inspired by Sansovinian classicism when designing Ca’ Pesaro, creating expressions of a new and sumptuous harmony, with its complex and powerful composition, yet well-balanced. The Sansovinian motif is more explicit on the first floor, with the rhythm of the arches. On the second floor, the façade is enriched by ornamentation in the pendentives, the entrance-hall, laid out along the axis of the entire building, contrasts with the clarity of the courtyard, articulated around the monumental well and enclosed by a terrace and an ashlar-arcade. The palace still conserves some of the fresco and oil decorations of the ceilings by artists such as Bambini, Pittoni, Crosato, Trevisani and Girolamo Brusaferro. This great heritage was dispersed by 1830, the year of the death of the last Pesaro family member. The palace was passed on firstly to the Gradenigo family and then to the Armenian Mechitarist Fathers and it was finally bought by the Bevilacqua family, and became the property of Duchess Felicita Bevilacqua La Masa. It was she who decreed the present usage of the building, bequeathing it to the city in 1898, the collection was enriched over the years by further acquisitions and donations. Ca Pesaro houses 19th and 20th century collections of paintings and sculptures, room 2, This room brings together 19th century Italian works, there are paintings by Signorini, Giovanni Fattori, De Nittis, Pellizza, Gaetano Previati, and Angelo Morbelli. The city of Venice was stirred by the presence of artists at the citys Biennale to acquire their works. The collection of sculptures by Medardo Rosso is also of special importance, central Hall, The central hall displays works from the very first Venice Biennale up to the 1950s. These works give an idea of the Biennale’s role in promoting “salon-art”, finally, works from the museum’s graphic art collection and sculptures are also on display, together with some renowned paintings by Pierre Bonnard and Marc Chagall. Room 3, This room is devoted to Adolfo Wildts sculptures, the Milanese artist was a protagonist of the Symbolism, but also of a period of experimentalism and innovation that influenced later generations. Room 4, The De Lisi bequest, exhibited in this room, was donated to the museum in 1961, there are paintings by Felice Casorati, Mario Sironi, and Alberto Martini. Other artists present in this room include Carrà, Filippo De Pisis, Giorgio Morandi, Massimo Campigli, Ottone Rosai, and Giorgio de Chirico
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Ca' Rezzonico
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Ca Rezzonico is a palazzo on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. Today, it is a museum dedicated to 18th-century Venice. Ca Rezzonico stands on the bank of the canal, at the point where it is joined by the Rio di San Barnaba. The site was occupied by two houses belonging to the Bon family, one of Venices patrician families. In 1649 the head of the family, Filippo Bon decided to build a large palazzo on the site, however, neither architect nor client was to see the completion of the Palazzo Bon, Longhena died in 1682, and Filippo Bon suffered a financial collapse. The design was for a three-story marble façade facing the canal, the ground floor rusticated, containing a central recessed portico of three bays without a pediment, symmetrically flanked by windows in two bays. Above this the piano nobile of seven bays of arched windows, separated by pilasters, above this the piano nobile was near identical. The slight projection of the two tiers of balconies to the piano nobili accentuate the decoration and design of the building. The unfinished palazzo had been bought from the impoverished Bon family by Giambattista Rezzonico and his family, like their friends at the Palazzo Labia, had bought their noble Venetian status in the mid-17th century following a war with Turkey, when the Venetian state coffers were depleted. Hence the mere rich, as opposed to the aristocracy, could make a large donation to the Serene Republic, thus purchasing patents of nobility. A Canaletto painting of the early 18th century shows only the floor and first piano nobile completed. The completion of the palazzo symbolised the completion of the Rezzonicos upward social journey, Ludovico later became the procurator of St. By 1810 the family had died out, leaving only their palazzo to preserve the Rezzonico name, in 1758, the newly completed palazzo was enhanced further, by the addition of frescos to the ceilings of the state rooms on the piano nobile overlooking the rio di San Barnaba. The artists selected for this task were Jacopo Guarana, Gaspare Diziani and these frescos remaining today are among the finest preserved in Venice. The Palazzos principal rooms are arranged on the 1st piano nobile, on each side of the building a suite of four state rooms lead from the grand canal facade to the largest room in the palazzo - the magnificent ballroom at the rear. This room, created by Massari, is of double height, the walls are decorated in trompe loeil by the Lombard Pietro Visconti. The images are of a nature, which create the feeling that the large room is even more massive than it is. The ceiling, painted by Giovanni Battista Crosato, depicts Apollo riding his carriage between Europe, Asia, Africa and The Americas, the Ballroom and following state rooms are reached by the vast staircase of honour, its marble balustrades decorated with statuary by Giusto Le Court
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Ca' Vendramin Calergi
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Ca Vendramin Calergi is a palace on the Grand Canal in the sestiere of Cannaregio in Venice, northern Italy. Other names by which it is include, Palazzo Vendramin Calergi, Palazzo Loredan Vendramin Calergi. The architecturally distinguished building was the home of prominent people through history. Currently, it is home to the Venice Casino and the Wagner Museum, Ca Vendramin Calergi was designed in the late 15th century by Mauro Codussi, architect of Chiesa di San Zaccaria and other noteworthy churches and private residences in Venice. Construction began in 1481 and was finished after his death by the Bottega dei Lombardo in 1509, the twenty-eight-year period it took to complete construction is considered short based on the technology available at that time. The spacious Renaissance-style palace stands three-stories high with direct access to the Grand Canal available by gondolas, the beauty and balance of the buildings façade are exceptional. Classically inspired columns divide each level facing the canal, two pairs of tall French doors divided by a single column topped by arches and a trefoil window rest above the doors on the piano nobile and upper levels. Opulent paintings, sculptures, and architectural details originally filled the buildings interior, baroque master Mattia Bortoloni decorated the ceilings of many rooms. The palace is known by the nickname Non Nobis Domine. Andrea Loredan, a connoisseur of the arts, commissioned the palace. In 1581, the Loredan family suffered financial difficulties and sold it for 50,000 ducats to Julius, Duke of Brunswick-Lüneburg, who had deep affection for Venice. However, the duke kept it only two years before selling it to Guglielmo I Gonzaga, Marquis of Mantua, who sold it to Vittore Calergi. Calergi greatly expanded the building in 1614 with an addition by architect Vincenzo Scamozzi called the White Wing which included windows overlooking a garden courtyard. In 1739, the palace was inherited through marriage by the Vendramins, a patrician family of merchants, bankers, religious leaders, and politicians. In the turmoil of the Risorgimento, they were forced to sell the palace to Carolines grandson, Henry, Count de Bardi, Count de Bardi and his wife Infanta Adelgundes and the related Dukes of Grazia maintained the home and hosted many famous names of the day. The City Council of Venice purchased Ca Vendramin Calergi in 1946, since 1959, it has been the winter home to the celebrated Venice Casino. The composer Richard Wagner stayed in Venice six times between 1858 and his death and he arrived in Italy on his final trip not long after performances of his opera Parsifal premiered at the second Bayreuth Festival. Wagner died of an attack in the palace on 13 February 1883 at age 69
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Doge's Palace
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The Doges Palace is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace was the residence of the Doge of Venice, the authority of the former Republic of Venice. Today, it is one of the 11 museums run by the Fondazione Musei Civici di Venezia. In 810, Doge Angelo Partecipazio moved the seat of government from the island of Malamocco to the area of the present-day Rialto, when it was decided a palatium duci, a ducal palace, should be built. However, no remains of that 9th-century building as the palace was partially destroyed in the 10th century by a fire. The following reconstruction works were undertaken at the behest of Doge Sebastiano Ziani, a great reformer, he would drastically change the entire layout of the St. The new palace was built out of fortresses, one façade to the Piazzetta, political changes in the mid-13th century led to the need to re-think the palaces structure due to the considerable increase in the number of the Great Councils members. The new Gothic palaces constructions started around 1340, focusing mostly on the side of the building facing the lagoon, in 1483, a violent fire broke out in the side of the palace overlooking the canal, where the Doges Apartments were. Once again, an important reconstruction became necessary and was commissioned from Antonio Rizzo, another huge fire in 1547 destroyed some of the rooms on the second floor, but fortunately without undermining the structure as a whole. However, there are some classical features — for example, since the 16th century, as well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed. Venice was subjected first to French rule, then to Austrian, over this period, the palace was occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city. In 1923, the Italian State, owner of the building, since 1996, the Doge’s Palace has been part of the Venetian museums network, which has been under the management of the Fondazione Musei Civici di Venezia since 2008. The ground floor arcade and the loggia above are decorated with 14th- and 15th-century capitals, in 1438–1442, Giovanni Bon and Bartolomeo Bon built and adorned the Porta della Carta, which served as the ceremonial entrance to the building. In the space above the cornice, there is a portrait of the Doge Francesco Foscari kneeling before the St. This is, however, a 19th-century work by Luigi Ferrari, nowadays, the public entrance to the Doges Palace is via the Porta del Frumento, on the waterfront side of the building. The north side of the courtyard is closed by the junction between the palace and St, mark’s Basilica, which used to be the Doge’s chapel. At the center of the courtyard stand two well-heads dating from the mid-16th century, in 1485, the Great Council decided that a ceremonial staircase should be built within the courtyard. Since 1567, the Giants’ Staircase is guarded by Sansovino’s two colossal statues of Mars and Neptune, which represents Venice’s power by land and by sea, members of the Senate gathered before government meetings in the Senator’s Courtyard, to the right of the Giants’ Staircase
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Gallerie dell'Accademia
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The Gallerie dellAccademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the bank of the Grand Canal. The two institutions remained in the building until 2004, when the art school moved to the Ospedale degli Incurabili. The Accademia di Belle Arti di Venezia was founded on 24 September 1750, the first director was Giovanni Battista Piazzetta, Gianbattista Tiepolo became the first president after his return from Würzburg. It was one of the first institutions to study art restoration starting in 1777 with Pietro Edwards, in 1807 the academy was re-founded by Napoleonic decree. The collections of the Accademia were first opened to the public on 10 August 1817, the Gallerie dellAccademia became independent from the Accademia di Belle Arti di Venezia in 1879. Like other state museums in Italy, it falls under the Ministero per i Beni e le Attività Culturali, the Napoleonic administration had disbanded many institutions in Venice including some churches, convents and Scuole. The Scuola della Carità, the Convento dei Canonici Lateranensi and the church of Santa Maria della Carità thus became the home of the Accademia. The Scuola della Carità was the oldest of the six Scuole Grandi, the Convento dei Canonici Lateranensi was started in 1561 by Andrea Palladio, though it was never fully completed. The facade of Santa Maria della Carità was completed in 1441 by Bartolomeo Bon, the Gallerie dell’Accademia contains masterpieces of Venetian painting up to the 18th century, generally arranged chronologically though some thematic displays are evident. Media related to Gallerie dellAccademia at Wikimedia Commons
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Punta della Dogana
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Adjacent to each other are the Dogana da Mar, Patriarchal Seminary, and Santa Maria della Salute. It is diagonal from the Piazza San Marco, the point was used for docking and customs as early as the beginning of the 15th century. The temporary structures built to store merchandise and customs workers were replaced by the Punta della Dogana, the museums art is housed in and around the Dogana da Mar building. It was built between 1678 and 1682 as a customs house, the arcade styles reflect their construction in different eras. Atop the building are statues of Atlas, built to represent the supremacy of the Republic of Venice, the two slaves hold a golden ball upon which Giuseppe Benonis Fortune stands. The 17th-century statue turns in the wind, the last renovation of the building was done by Alvise Pigazzi in 1838. The building was restored by Tadao Ando from January 2008 to March 2009, funded by François Pinault and he signed a 33-year agreement with the city. The building had been empty for decades prior, with failed plans to turn it into apartments or a hotel, Dogana da Mars stuccoed brick exterior was restored without additions, and is the only part of the original structure left intact. Cosmetic imperfections and the stucco were repaired, and bad areas were reinforced with stainless steel anchors, the interiors were left bare without surface treatment, and bricks were replaced sparingly. The room partitions from the last two centuries were replaced with parallel, rectangular halls, the roof was replaced by a similar roof with timber gables, with added skylights. The new floors are made of exposed and polished concrete, in places covered with linoleum. Frank Peter Jäger called these smooth surfaces Andos trademark, along with glass and he added that, for Ando, this combination symbolizes the union of past, present, and future, the building, his architecture, and the art within it, respectively. Ando wanted to make the western entrances face out of concrete slabs, exibarts Jacqueline Ceresoli described the building as having industrial and minimalist soul with red brick walls. Complexs Elisa Carmichael called Punta della Doganas Prima Materia show of about 80 works from the Pinault Collection an absolute must-see outside of the 2013 Venice Biennale, exibarts Jacqueline Ceresoli had similar praise for the show. Pinault commissioned a statue for the tip of Punta della Dogana from Charles Ray upon receiving approval from the city to start the museum, Ray made an eight-foot-tall boy holding a frog by its leg intended as a public sculpture called Boy with Frog. The sculptures permit was set to be negotiated four times annually, Boy with Frog was originally encased upon the museums July 2009 opening after protests following its installation. The city moved in early 2013 to replace the statue with a reproduction of the streetlamp once situated there and its spokesperson said that the sculptures installation was designed to be temporary. Ray refused an offer to relocate the sculpture to Palazzo Grassi, independent curator Francesco Bonami wrote in La Stampa that the removal was administrative cowardice and the lamppost represented cultural darkness
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Il Redentore
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The Non Basilica del Santissimo Redentore, commonly known as Il Redentore, is a 16th-century Roman Catholic church located on Giudecca in the sestiere of Dorsoduro, in the city of Venice, Italy. It was designed by the architect Andrea Palladio and built as a church to thank God for the deliverance of the city from a major outbreak of the plague. Located on the waterfront of the Canale della Giudecca, it dominates the skyline of the island of Giudecca and it is a member of the Chorus Association of Venetian churches and contains a number of paintings by artists including Tintoretto, Paolo Veronese and Francesco Bassano. Il Redentore was built as a church in thanksgiving for deliverance from a major outbreak of the plague that decimated Venice between 1575 and 1576, in which some 46,000 people died. The Senate of the Republic of Venice commissioned the architect Andrea Palladio to design the votive church, though the Senate wished the Church to be square plan, Palladio designed a single nave church with three chapels on either side. Its prominent position on the Canale della Giudecca gave Palladio the opportunity to design a facade inspired by the Pantheon of Rome, the cornerstone was laid by the Patriarch of Venice Giovanni Trevisano on May 3,1577 and the building was consecrated in 1592. At the urgent solicitations of Pope Gregory XIII, after consecration the church was placed in charge of the Order of Friars Minor Capuchin, a small number of Friars reside in the monastery attached to the church. Every year the doge and senators walked across a specially constructed pontoon bridge from the Zattere to Giudecca to attend Mass in the church, the Festa del Redentore remains a major festival in the Venetian calendar, celebrated on the third Sunday in July. A huge firework display on the evening is followed by a mass procession across the pontoon bridge. Il Redentore has one of the most prominent sites of any of Palladios structures and it is a large, white building with a dome crowned by a statue of the Redeemer. On the façade a central triangular pediment overlies a larger, lower one and this classical feature recalls Palladios façade for San Francesco della Vigna, where he used an adaptation of a triumphal arch. Palladio is known for applying rigorous geometric proportions to his façades, the overall height is four-fifths that of its overall width whilst the width of the central portion is five-sixths of its height. It has been suggested there are some Turkish influences in the exterior. As a pilgrimage church, the building was expected to have a long nave, the result is a somewhat eclectic building, the white stucco and gray stone interior combines the nave with a domed crossing in spaces that are clearly articulated yet unified. An uninterrupted Corinthian order makes its way around the entire interior, the sacristy also contains a series of wax heads of Franciscans made in 1710. The church was painted by Canaletto a number of times, including one held at Woburn Abbey, England
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San Giorgio Maggiore (church), Venice
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San Giorgio Maggiore is a 16th-century Benedictine church on the island of the same name in Venice, northern Italy, designed by Andrea Palladio, and built between 1566 and 1610. The first church on the island was built about 790, and in 982, the Benedictines founded a monastery there, but in 1223, all the buildings on the island were destroyed by an earthquake. The church and monastery were rebuilt after the earthquake, the church, which had a nave with side chapels, was not in the same position as the present church, but farther back at the side of a small campo or square. There were cloisters in front of it, which were demolished in 1516, the monks were considering the rebuilding of the church from 1521. Palladio arrived in Venice in 1560, when the refectory of the monastery was being rebuilt and he made great improvements to this and in 1565, was asked to prepare a model for a new church. The model was completed and approved in 1566 and the stone was laid in the presence of the Pope in the same year. The work was not finished before the death of Palladio in 1580, but the body of the church was complete by 1575, except for the choir behind the altar, the decoration of the interior was completed subsequently. The choir appears to have designed in essentials by Palladio before his death and was built between 1580 and 1589. The façade, initially under the superintendence of Simone Sorella, was not commenced until 1599, the stonemasons contract provided that it was to follow Palladios model and there were only minor changes. The campanile, first built in 1467, fell in 1774 and it was ascended by easy ramps and there is now also a lift. There is a view across Venice from the top. This solution is similar to Palladios slightly earlier facade for San Francesco della Vigna, on either side of the central portal are statues of Saint George and of Saint Stephen, to whom the church is also dedicated. The interior of the church is very bright, with engaged columns. The interior combines a long nave with a cruciform plan with transepts. Two very large paintings by Tintoretto relate to the institution of the eucharist and are placed on side of the presbytery. These are The Last Supper and The Fall of Manna, in the Cappella dei Morti is a painting of the Entombment of Christ, also by Jacopo Tintoretto. The Benedictine monks kept control of chapels in the church and did not sell them to families to decorate and embellish as they pleased and they had income from property and were in a stronger position. Some altars were given over to distinguished families but the decoration was controlled by the monks, the chapel to the right of the high altar belonged to the Bollani family
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Santa Maria della Salute
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Santa Maria della Salute, commonly known simply as the Salute, is a Roman Catholic church and minor basilica located at Punta della Dogana in the Dorsoduro sestiere of the city of Venice, Italy. The Salute is part of the parish of the Gesuati and is the most recent of the so-called plague churches, in 1630, Venice experienced an unusually devastating outbreak of the plague. As a votive offering for the deliverance from the pestilence. The church was designed in the then fashionable baroque style by Baldassare Longhena, most of the objects of art housed in the church bear references to the Black Death. Beginning in the summer of 1630, a wave of the plague assaulted Venice, in the city,46,000 people died whilst in the lagoons the number was far higher, some 94,000. Repeated displays of the sacrament, as well as prayers and processions to churches dedicated to San Rocco and San Lorenzo Giustiniani had failed to stem the epidemic. It was not to be dedicated to a plague or patron saint, but to the Virgin Mary. It was also decided that the Senate would visit the church each year and this involved crossing the Grand Canal on a specially constructed pontoon bridge and is still a major event in Venice. The desire to create a monument at a place that allows for easy processional access from Piazza San Marco led senators to select the present site from among eight potential locations. The location was partially due to its relationship to San Giorgio, San Marco. The Salute, emblematic of the piety, stands adjacent to the rusticated single story customs house or Dogana da Mar, the emblem of its maritime commerce. A dispute with the patriarch, owner of the church and seminary at the site, was resolved, a competition was held to design the building. Of the eleven submissions, only two were chosen for the final round, the architect Baldassare Longhena was selected to design the new church. It was finally completed in 1681 the year before Longhenas death, the other design to make it to the final round was by Antonio Smeraldi and Zambattista Rubertini. Longhenas proposal was an architectural plan, detailing the structure. He wrote, I have created a church in the form of a rotunda, a work of new invention, not built in Venice, a work very worthy and desired by many. This church, having the mystery of its dedication, being dedicated to the Blessed Virgin, made me think, the Salute, while novel in many ways, still shows the influence of Palladian classicism and the domes of Venice. The Venetian Senate voted 66 in favor,29 against with 2 abstentions to authorize the designs of the 26-year-old Longhena
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Santa Maria Gloriosa dei Frari
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The Basilica di Santa Maria Gloriosa dei Frari, usually just called the Frari, is a church in Venice, northern Italy. One of the greatest churches in the city, it has the status of a minor basilica and it stands on the Campo dei Frari at the heart of the San Polo district. The church is dedicated to the Assumption, the Franciscans were granted land to build a church in 1250, but the building was not completed until 1338. Work almost immediately began on its larger replacement, the current church. The campanile, the second tallest in the city after that of San Marco, was completed in 1396, the imposing edifice is built of brick, and is one of the citys three notable churches built in the Italian Gothic style. As with many Venetian churches, the exterior is rather plain, the interior contains the only rood screen still in place in Venice. The Frari is a church of the Vicariate of San Polo-Santa Croce-Dorsoduro. The other churches of the parish are San Barnaba, San Ludovico Vescovo, Santa Maria del Soccorso, titian, the most important member of the 16th-century Venetian school of painting, is interred in the Frari
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Santi Giovanni e Paolo, Venice
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The Basilica di San Giovanni e Paolo, known in Venetian as San Zanipolo, is a church in the Castello sestiere of Venice, Italy. One of the largest churches in the city, it has the status of a minor basilica, after the 15th century the funeral services of all of Venices doges were held here, and twenty-five doges are buried in the church. The huge brick edifice was designed in the Italian Gothic style and it is the principal Dominican church of Venice, and as such was built to hold large congregations. In 1246, Doge Jacopo Tiepolo donated some swampland to the Dominicans after dreaming of a flock of white doves flying over it, the first church was demolished in 1333, when the current church was begun. It was not completed until 1430, San Giovanni e Paolo is a parish church of the Vicariate of San Marco-Castello. Other churches of the parish are San Lazzaro dei Mendicanti, the Ospedaletto, the Renaissance Equestrian Statue of Bartolomeo Colleoni, by Andrea del Verrocchio, is located next to the church. The belltower has 3 bells in D major, the famous The Feast in the House of Levi, painted for the refectory, is now in the Accademia Gallery. After the 15th century the funeral services of all of Venices doges were held in San Giovanni e Paolo
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St Mark's Basilica
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The Patriarchal Cathedral Basilica of Saint Mark, commonly known as Saint Marks Basilica, is the cathedral church of the Roman Catholic Archdiocese of Venice, northern Italy. It is the most famous of the churches and one of the best known examples of Italo-Byzantine architecture. It lies at the end of the Piazza San Marco, adjacent. For its opulent design, gold mosaics, and its status as a symbol of Venetian wealth and power. The church was burned in a rebellion in 976, when the populace locked Pietro IV Candiano inside to kill him, nothing certain is known of the form of these early churches. From perhaps 1063 the present basilica was constructed, the consecration is variously recorded as being in 1084-5,1093,1102 and 1117, probably reflecting a series of consecrations of different parts. In 1094 the supposed body of Saint Mark was rediscovered in a pillar by Vitale Faliero, the building also incorporates a low tower, believed by some to have been part of the original Doges Palace. The Pala dOro ordered from Constantinople was installed on the altar in 1105. The main features of the present structure were all in place by then, except for the narthex or porch, and the facade. — The basic structure of the building has not been much altered. Its decoration has changed greatly over time, though the impression of the interior with a dazzling display of gold ground mosaics on all ceilings. Gradually, the exterior brickwork became covered with marble cladding and carvings, some older than the building itself. The latest structural additions include the closing-off of the Baptistery and St Isidors Chapel, the carvings on the facade and the Sacristy. During the 13th century the emphasis of the churchs function seems to have changed from being the chapel of the Doge to that of a state church. The transfer of the see was ordered by Napoleon during his period of control of Venice, before this, Venices cathedral from 1451 was the much less grand San Pietro di Castello. The procurators, an important organ of the Republic of Venice, were in charge of administration, their seats were the Procuratie, all building and restoring works were directed by the protos, great architects such as Jacopo Sansovino and Baldassarre Longhena held the office. The doge himself appointed a group of clergy led by the primicerio. Procurators and protos still exist and perform the tasks for the Patriarchate. The exterior of the west facade of the basilica is divided in three registers, lower, upper, and domes, in the lower register of the façade, five round-arched portals, enveloped by polychrome marble columns, open into the narthex through bronze-fashioned doors
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