Richard Parkes Bonington was an English Romantic landscape painter, who moved to France at the age of 14 and can also be considered as a French artist, and an intermediary bringing aspects of English style to France. Becoming, after his early death, one of the most influential British artists of his time, the facility of his style was inspired by the old masters, yet was entirely modern in its application. His landscapes were mostly of coastal scenes, with a low horizon and large sky, showing a brilliant handling of light and atmosphere. He also painted small historical cabinet paintings in a freely-handled version of the troubadour style.
Portrait of Richard Parkes Bonington by Margaret Sarah Carpenter
François I and Marguerite de Navarre (45.7 by 34.5 cm), based on the discovery of a scratched inscription on a window at the Château de Chambord
Landscape near Quilleboeuf, c. 1824–1825. Yale Center for British Art
Church of St. Wulfran, Abbeville—North Door of the West Front (1824)
Taking its name from medieval troubadours, the Troubadour Style is a rather derisive term, in English usually applied to French historical painting of the early 19th century with idealised depictions of the Middle Ages and the Renaissance. In French it also refers to the equivalent architectural styles. It can be seen as an aspect of Romanticism and a reaction against Neoclassicism, which was coming to an end at the end of the Consulate, and became particularly associated with Josephine Bonaparte and Caroline Ferdinande Louise, duchesse de Berry. In architecture the style was an exuberant French equivalent to the Gothic Revival of the Germanic and Anglophone countries. The style related to contemporary developments in French literature, and music, but the term is usually restricted to painting and architecture.
Pierre-Henri Révoil, René d'Anjou and Palamède de Forbin, c. 1827, a typically inconsequential anecdotal scene, in this case commissioned by a descendant of Forbin, whose features conveniently were recorded on a relief.
Richard Parkes Bonington, Henri III of France
Jean-Baptiste Goyet, Héloïse et Abailard, oil on copper, 1829.
Pharamond lifted on a shield by the Franks, by Pierre-Henri Révoil and Michel Philibert Genod, 1845