Richard Samuel was an English portrait painter who won several prestigious medals in the 1770s in London. He is known for a small number of paintings including what came to be known as The Nine Living Muses of Great Britain of 1778 in which he painted the nine leading blue stocking women of his time.
Robert Pollard by Richard Samuel, 1784. National Portrait Gallery, London.
The 1777 print showing Britannia rather than Apollo.
The Blue Stockings Society was an informal women's social and educational movement in England in the mid-18th century that emphasised education and mutual cooperation. It was founded in the early 1750s by Elizabeth Montagu, Elizabeth Vesey and others as a literary discussion group, a step away from traditional, non-intellectual women's activities. Both men and women were invited to attend, including the botanist, translator and publisher Benjamin Stillingfleet, who, due to his financial standing, did not dress for the occasion as formally as was customary and deemed "proper," in consequence appearing in everyday blue worsted stockings.
Portraits in the Characters of the Muses in the Temple of Apollo, 1778, 130 cm × 150 cm (52 in × 61 in), by Richard Samuel. The sitters are: Anna Letitia Barbauld (1743–1825), poet and writer; Elizabeth Carter (1717–1806), scholar and writer; Elizabeth Griffith (1727–1793), playwright and novelist; Angelica Kauffmann (1741–1807), painter; Charlotte Lennox (1720–1804), writer; Catharine Macaulay (1731–1791), historian and political polemicist; Elizabeth Montagu (1718–1800);
The centre house, 16 Royal Crescent, Bath, was used as a residence and to host Blue Stockings Society events by Elizabeth Montagu
Satiric drawing by Thomas Rowlandson (1756–1827), "Breaking Up of the Blue Stocking Club" (1815)
