1.
Denis Mandarino
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Denis Mandarino is a Brazilian composer, artist and writer, and a disciple of Hans-Joachim Koellreutter in choral conducting and aesthetics. He proposed a theory about four-dimensional perception, which states the concepts behind the renaissance perspective involving four dimensions instead of three assigned to it. These studies culminated in the development of the method of the four-dimensional perspective, new ideas are hard to identify, hard to assimilate, and only detachment may be able to evaluate them in a more open way. – Interview about the Versatilist Manifesto After spending four years writing the Theory of four-dimensional perception, Mandarino developed a new method, in the perspective of four dimensions, the observer is not a static element, as one sees in traditional processes. In Observation in time can be found nine different vanishing points and horizon lines, representing different moments of an observer who turns his head and this kind of painting admits curved or spherical canvas. –2010 Reconstruções –2011 Tributo 2 –2012 Versátil –2013 Design 24 Horas, Interview with Denis Mandarino about the Versatilist Manifesto – Podcast. Archived from the original on October 16,2014, the golden ratio in the Mona Lisas eyes. Archived from the original on February 19,2015
2.
Rio de Janeiro
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Rio de Janeiro, or simply Rio, is the second-most populous municipality in Brazil and the sixth-most populous in the Americas. The metropolis is anchor to the Rio de Janeiro metropolitan area, Rio de Janeiro is the capital of the state of Rio de Janeiro, Brazils third-most populous state. Part of the city has designated as a World Heritage Site, named Rio de Janeiro. Founded in 1565 by the Portuguese, the city was initially the seat of the Captaincy of Rio de Janeiro, later, in 1763, it became the capital of the State of Brazil, a state of the Portuguese Empire. Rio stayed the capital of the pluricontinental Lusitanian monarchy until 1822 and this is one of the few instances in history that the capital of a colonising country officially shifted to a city in one of its colonies. Rio de Janeiro has the second largest municipal GDP in the country, the home of many universities and institutes, it is the second-largest center of research and development in Brazil, accounting for 17% of national scientific output according to 2005 data. The Maracanã Stadium held the finals of the 1950 and 2014 FIFA World Cups, the 2013 FIFA Confederations Cup, the city is divided into 33 administrative regions. Europeans first encountered Guanabara Bay on 1 January 1502, by a Portuguese expedition under explorer Gaspar de Lemos captain of a ship in Pedro Álvares Cabrals fleet, allegedly the Florentine explorer Amerigo Vespucci participated as observer at the invitation of King Manuel I in the same expedition. The region of Rio was inhabited by the Tupi, Puri, Botocudo, in 1555, one of the islands of Guanabara Bay, now called Villegagnon Island, was occupied by 500 French colonists under the French admiral Nicolas Durand de Villegaignon. Consequently, Villegagnon built Fort Coligny on the island when attempting to establish the France Antarctique colony, Rio de Janeiro was the name of Guanabara Bay. Until early in the 18th century, the city was threatened or invaded by several, mostly French, pirates and buccaneers, such as Jean-François Duclerc, on 27 January 1763, the colonial administration in Portuguese America was moved from Salvador to Rio de Janeiro. The kingdoms capital was transferred to the city, which, thus, as there was no physical space or urban structure to accommodate hundreds of noblemen who arrived suddenly, many inhabitants were simply evicted from their homes. The first printed newspaper in Brazil, the Gazeta do Rio de Janeiro, from the colonial period until the first independent decades, Rio de Janeiro was a city of slaves. There was an influx of African slaves to Rio de Janeiro, in 1819. In 1840, the number of slaves reached 220,000 people, the Port of Rio de Janeiro was the largest port of slaves in America. As a political center of the country, Rio concentrated the political-partisan life of the Empire and it was the main stage of the abolitionist and republican movements in the last half of the 19th century. Rio continued as the capital of Brazil after 1889, when the monarchy was replaced by a republic, until the early years of the 20th century, the city was largely limited to the neighbourhood now known as the historic city centre, on the mouth of Guanabara Bay. Expansion of the city to the north and south was facilitated by the consolidation and electrification of Rios streetcar transit system after 1905, though many thought that it was just campaign rhetoric, Kubitschek managed to have Brasília built, at great cost, by 1960
3.
Rio de Janeiro (state)
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Rio de Janeiro is one of the 27 states of Brazil. It has the second largest economy of Brazil, with the largest being that of the state of São Paulo, the state of Rio de Janeiro is located within the Brazilian geopolitical region classified as the Southeast. Rio de Janeiro shares borders with all the states in the same Southeast macroregion, Minas Gerais, Espírito Santo. It is bounded on the east and south by the Atlantic Ocean, Rio de Janeiro has an area of 43,653 km². The archaic demonym meaning for the Rio de Janeiro State is fluminense, taken from the Latin word flumen, from 1783 and during all the Imperial Regime, carioca remained only as a nickname by which other Brazilians called the inhabitants of Rio. During the first years of the Brazilian Republic, carioca was the given to those who lived in the slums or a pejorative way to refer the bureaucratic elite of the Federal District. Only when the City of Rio lost its status as Federal District and became a Brazilian State when the capital was moved to Brasilia, carioca was made a co-official demonym with guanabarino. In 1975, the Guanabara State was extinct by President Geisel becoming the present City of Rio de Janeiro, nowadays, social movements like Somos Todos Cariocas try to achieve the official recognition of carioca as a co-official demonym of Rio de Janeiro State. Rio de Janeiro is the smallest state in the Southeast macroregion, in the Brazilian flag, the state is represented by the Beta star in the Southern Cross. European presence in Rio de Janeiro is as old as Brazil itself, Rio de Janeiro originated from parts of the captainships of de Tomé and São Vicente. Between 1555 and 1567, the territory was occupied by the French, aiming to prevent the occupation of the Frenchmen, in March 1565, the city of Rio de Janeiro was established by Estácio de Sá. In 1763, Rio de Janeiro became the capital of Colonial Brazil, with the flight of the Portuguese royal family from Portugal to Brazil in 1808, the region soon benefited from urban reforms to house the Portuguese. The following years witnessed the creation of the Jardim Botânico and the Academia Real Militar, during this same time, the Escola Real de Ciências, Artes e Ofícios was founded as well. In 1834, the city of Rio de Janeiro was transformed into a city, remaining as capital of the state, while the captainships became provinces, with headquarters in Niterói. In 1889, the city became the capital of the Republic, the city became the federal district. In 1894, Petrópolis became the capital of Rio de Janeiro, with the relocation of the federal capital to Brasília in 1960, the city of Rio de Janeiro became Guanabara State. Niterói remained the capital for Rio de Janeiro state, while Rio de Janeiro served the same status for Guanabara. In 1975, the states of Guanabara and Rio de Janeiro were merged under the name of Rio de Janeiro, the symbols of the former State of Rio de Janeiro were preserved, while the symbols of Guanabara were kept by the city of Rio de Janeiro
4.
Brazil
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Brazil, officially the Federative Republic of Brazil, is the largest country in both South America and Latin America. As the worlds fifth-largest country by area and population, it is the largest country to have Portuguese as an official language. Its Amazon River basin includes a vast tropical forest, home to wildlife, a variety of ecological systems. This unique environmental heritage makes Brazil one of 17 megadiverse countries, Brazil was inhabited by numerous tribal nations prior to the landing in 1500 of explorer Pedro Álvares Cabral, who claimed the area for the Portuguese Empire. Brazil remained a Portuguese colony until 1808, when the capital of the empire was transferred from Lisbon to Rio de Janeiro, in 1815, the colony was elevated to the rank of kingdom upon the formation of the United Kingdom of Portugal, Brazil and the Algarves. Independence was achieved in 1822 with the creation of the Empire of Brazil, a state governed under a constitutional monarchy. The ratification of the first constitution in 1824 led to the formation of a bicameral legislature, the country became a presidential republic in 1889 following a military coup détat. An authoritarian military junta came to power in 1964 and ruled until 1985, Brazils current constitution, formulated in 1988, defines it as a democratic federal republic. The federation is composed of the union of the Federal District, the 26 states, Brazils economy is the worlds ninth-largest by nominal GDP and seventh-largest by GDP as of 2015. A member of the BRICS group, Brazil until 2010 had one of the worlds fastest growing economies, with its economic reforms giving the country new international recognition. Brazils national development bank plays an important role for the economic growth. Brazil is a member of the United Nations, the G20, BRICS, Unasul, Mercosul, Organization of American States, Organization of Ibero-American States, CPLP. Brazil is a power in Latin America and a middle power in international affairs. One of the worlds major breadbaskets, Brazil has been the largest producer of coffee for the last 150 years and it is likely that the word Brazil comes from the Portuguese word for brazilwood, a tree that once grew plentifully along the Brazilian coast. In Portuguese, brazilwood is called pau-brasil, with the word brasil commonly given the etymology red like an ember, formed from Latin brasa and the suffix -il. As brazilwood produces a red dye, it was highly valued by the European cloth industry and was the earliest commercially exploited product from Brazil. The popular appellation eclipsed and eventually supplanted the official Portuguese name, early sailors sometimes also called it the Land of Parrots. In the Guarani language, a language of Paraguay, Brazil is called Pindorama
5.
Federal University of Rio de Janeiro
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The Federal University of Rio de Janeiro or University of Brazil is a public university in the state of Rio de Janeiro, Brazil. UFRJ is the largest federal university in the country and is one of the Brazilian centers of excellence in teaching, in 2015 the Ranking Universitário Folha ranked UFRJ as the second best university in Brazil and the best Federal University in the country. Its history and identity are closely tied to the Brazilian ambitions of forging a modern, competitive, the university is located mainly in Rio de Janeiro, with ramifications spreading to other ten cities. UFRJ is one of the culprits in the formation of the Brazilian intellectual elite, contributing significantly to build not only the history of Rio de Janeiro. The Federal University of Rio de Janeiro is direct descendent of Brazils first higher education courses, created on September 7,1920 by president Epitácio Pessoa through the Law Decree 14343, the institution was initially named University of Rio de Janeiro. Its history, however, is much vaster and parallel to that of the cultural, economic. In its inception, the university was composed by the Escola Politécnica, to these initial units many others were progressively added, such as the Escola Nacional de Belas Artes and the Faculdade Nacional de Filosofia. Due to the tradition of its pioneering courses, the university functioned as the scholar mill upon which most of Brazils subsequent higher education institutions were molded. In 1937, Getúlio Vargass minister of education, Gustavo Capanema, announced a reform of the education system, the change reflected the governments aim of controlling the quality of the national higher education system - mainly by setting a standard by which all other universities would have to conform. International interexchange and partnerships are profuse, leading to reformist tendencies that most of times successfully coexist with the strong traditional ties. The request was deferred, so it is correct to address the university by either names, the university manages an ambitious program for extension courses, consisting mostly in providing full-time education to financially debilitated non-students of varying education backgrounds. In 2010, the institution achieved a good evaluation and a maximum score in the Ministry of Educations General Index of College Courses. Its clear emphasis on research alludes to the motto of one of its most famous and distinguished scientists, In a university. The Federal University of Rio de Janeiro is an autarchy and a public institution linked to the Ministry of Education, the institution is also directed by a vice-rector and six other pro-rectors. The rectors are nominated and chosen by the Ministry of Education from a three-candidate list formed by an election every four years. In general, the MEC respects the decision, choosing the most voted candidate. The current rector is Carlos Antônio Levi da Conceição, with Antônio José Ledo Alves da Cunha as vice-rector, according to its yearly statistical report, the university controls 52 units and supplementary departments, each linked to one of six academic centers. It has a total of 48454 active undergraduate students plus 7333 students in online courses
6.
Singer-songwriter
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Singer-songwriters are musicians who write, compose, and perform their own musical material, including lyrics and melodies. The genre began with the folk-acoustic tradition, singer-songwriters often provide the sole accompaniment to an entire composition or song, typically using a guitar or piano. Singer-songwriter is used to define popular music artists who write and perform their own material, such an artist performs the roles of composer, lyricist, vocalist, instrumentalist, and often self-manager. Most records by artists have a similarly straightforward and spare sound that placed emphasis on the song itself. The term has also used to describe songwriters in the rock, folk, and pop music genres including Henry Russell, Aristide Bruant, Hank Williams. Song topics include political protest, as in the case of the Almanac Singers, Pete Seeger, the concept of a singer-songwriter can be traced to ancient bardic oral tradition, which has existed in various forms throughout the world. Poems would be performed as chant or song, sometimes accompanied by a harp or other similar instrument, after the invention of printing, songs would be written and performed by ballad sellers. Usually these would be versions of existing tunes and lyrics, which were constantly evolving and this developed into the singer-songwriting traditions of folk culture. The term singer-songwriter in North America can be traced back to singers who developed works in the blues and folk music style. Early to mid-20th century American singer-songwriters include Lead Belly, Jimmie Rodgers, Blind Lemon Jefferson, T-Bone Walker, Blind Willie McTell, Lightnin Hopkins, Son House, the tradition of writing topical songs was established by this group of musicians. This focus on social issues has greatly influenced the singer-songwriter genre, artists who had been primarily songwriters, notably Carole King, Townes Van Zandt, and Neil Diamond, also began releasing work as performers. In contrast to the approach of most prior country and folk music. The adjectives confessional and sensitive were often used singer-songwriter style, in the rock band era, members were not technically singer-songwriters as solo acts. However, many were singer-songwriters who created songs with band members. Many others like Eric Clapton found success as singer-songwriters in their later careers, there were hints of cross-pollination, but rock and folk music had remained largely separate genres, often with different audiences. An early attempt at fusing elements of folk and rock was highlighted in the Animals House of the Rising Sun, dylan plugged an entire generation into the milieu of the singer-songwriter. In the mid- to late 1960s, bands and singer-songwriters began to proliferate the underground New York art/music scene. Lotti Golden, in her Atlantic debut album Motor-Cycle, chronicled her life in NYCs East Village in the late 60s counterculture, visiting subjects such as gender identity, kate Bush remained distinctive throughout with her idiosyncratic style
7.
Classical guitar
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The classical guitar is the member of the guitar family used in classical music. It is an acoustical wooden guitar with strings made of nylon, the traditional classical guitar has twelve frets clear of the body and is held on the left leg, so that the hand that plucks or strums the strings does so near the back of the soundhole. The modern steel string guitar, on the hand, usually has fourteen frets clear of the body and is commonly played off the hip. Examples of early guitars include the early romantic guitar. Classical guitar strings once made of catgut are now made of polymers as nylon. A guitar family tree may be identified, the flamenco guitar derives from the modern classical, but has differences in material, construction and sound. Todays modern classical guitar was established by the designs of the 19th-century Spanish luthier. Cultural baroque court music, 19th century opera and its influences, 19th century folk songs, Latin American music, thus over recent decades we have become accustomed to specialist artists with expertise in the art of vihuela, lute, Baroque guitar, 19th-century guitar, etc. Different types of guitars have different sound aesthetics, e. g. different colour-spectrum characteristics, different response and these guitars in turn sound different from the Torres models used by Segovia, that are suited for interpretations of romantic-modern works such as Moreno Torroba. When considering the guitar from a perspective, the musical instrument used is just as important as the musical language. As an example, It is impossible to play a historically informed de Visee or Corbetta on a classical guitar. The reason is that the guitar used courses, which are two strings close together, that are plucked together. This gives baroque guitars an unmistakable sound characteristic and tonal texture that is an part of an interpretation. Additionally the sound aesthetic of the guitar is very different from modern classical type guitars. However, they are considered to emphasize the fundamental too heavily for earlier repertoire, Some attribute this to the popularity of Segovia, considering him the catalyst for change toward the Spanish design and the so-called modern school in the 1920s and beyond. Some people consider it to have been influence of Segovia. It was the 19th century classical guitarist Francisco Tárrega who first popularized the Torres design as a solo instrument. Vihuela, renaissance guitars and baroque guitars have a bright sound - rich in overtones -, later in Spain a style of music emerged that favored a stronger fundamental, With the change of music a stronger fundamental was demanded and the fan bracing system was approached
8.
Poetry
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Poetry has a long history, dating back to the Sumerian Epic of Gilgamesh. Early poems evolved from folk songs such as the Chinese Shijing, or from a need to retell oral epics, as with the Sanskrit Vedas, Zoroastrian Gathas, and the Homeric epics, the Iliad and the Odyssey. Ancient attempts to define poetry, such as Aristotles Poetics, focused on the uses of speech in rhetoric, drama, song and comedy. Later attempts concentrated on such as repetition, verse form and rhyme. From the mid-20th century, poetry has sometimes been more generally regarded as a creative act employing language. Poetry uses forms and conventions to suggest differential interpretation to words, devices such as assonance, alliteration, onomatopoeia and rhythm are sometimes used to achieve musical or incantatory effects. The use of ambiguity, symbolism, irony and other elements of poetic diction often leaves a poem open to multiple interpretations. Similarly figures of such as metaphor, simile and metonymy create a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between verses, in their patterns of rhyme or rhythm. Some poetry types are specific to cultures and genres and respond to characteristics of the language in which the poet writes. Much modern poetry reflects a critique of poetic tradition, playing with and testing, among other things, in todays increasingly globalized world, poets often adapt forms, styles and techniques from diverse cultures and languages. Some scholars believe that the art of poetry may predate literacy, others, however, suggest that poetry did not necessarily predate writing. The oldest surviving poem, the Epic of Gilgamesh, comes from the 3rd millennium BCE in Sumer. An example of Egyptian epic poetry is The Story of Sinuhe, other forms of poetry developed directly from folk songs. The earliest entries in the oldest extant collection of Chinese poetry, the efforts of ancient thinkers to determine what makes poetry distinctive as a form, and what distinguishes good poetry from bad, resulted in poetics—the study of the aesthetics of poetry. Some ancient societies, such as Chinas through her Shijing, developed canons of poetic works that had ritual as well as aesthetic importance, Classical thinkers employed classification as a way to define and assess the quality of poetry. Later aestheticians identified three major genres, epic poetry, lyric poetry, and dramatic poetry, treating comedy and tragedy as subgenres of dramatic poetry, Aristotles work was influential throughout the Middle East during the Islamic Golden Age, as well as in Europe during the Renaissance. English Romantic poet John Keats termed this escape from logic Negative Capability and this romantic approach views form as a key element of successful poetry because form is abstract and distinct from the underlying notional logic
9.
Acting
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Acting involves a broad range of skills, including a well-developed imagination, emotional facility, physical expressivity, vocal projection, clarity of speech, and the ability to interpret drama. Acting also demands an ability to employ dialects, accents, improvisation, observation and emulation, mime, many actors train at length in specialist programmes or colleges to develop these skills. The vast majority of actors have undergone extensive training. Actors and actresses will often have many instructors and teachers for a range of training involving singing, scene-work, audition techniques. Most early sources in the West that examine the art of acting discuss it as part of rhetoric, one of the first actors is believed to have been an ancient Greek called Thespis of Icaria. Writing two centuries after the event, Aristotle in his Poetics suggests that Thespis stepped out of the dithyrambic chorus, when Thespis stepped out from the chorus, he spoke as if he was the character. To distinguish between different modes of storytelling—enactment and narration—Aristotle uses the terms mimesis and diegesis. From Thespis name derives the word thespian, a professional actor is someone who is paid to act. Professional actors sometimes undertake unpaid work for a variety of reasons, amateur actors are those who do not receive payment for performances. Not all people working as actors in film, television, or theatre are professionally trained, bob Hoskins, for example, had no formal training before becoming an actor. Conservatories and drama schools typically offer two- to four-year training on all aspects of acting, universities mostly offer three- to four-year programs, in which a student is often able to choose to focus on acting, whilst continuing to learn about other aspects of theatre. Other approaches may include a more physically based orientation, such as that promoted by practitioners as diverse as Anne Bogart, Jacques Lecoq, Jerzy Grotowski. Classes may also include psychotechnique, mask work, physical theatre, improvisation, regardless of a schools approach, students should expect intensive training in textual interpretation, voice, and movement. Applications to drama programmes and conservatories usually involve extensive auditions, anybody over the age of 18 can usually apply. Training may also start at a young age. Acting classes and professional schools targeted at under-18s are widespread and these classes introduce young actors to different aspects of acting and theatre, including scene study. Increased training and exposure to public speaking allows humans to maintain calmer, by measuring a public speaker’s heart rate maybe one of the easiest ways to judge shifts in stress as the heart rate increases with anxiety. As actors increase performances, heart rate and other evidence of stress can decrease and this is very important in training for actors, as adaptive strategies gained from increased exposure to public speaking can regulate implicit and explicit anxiety
10.
Progressive rock
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Progressive rock is a broad subgenre of rock music that developed in the United Kingdom and United States throughout the mid to late 1960s. Prog is based on fusions of styles, approaches and genres, Prog saw a high level of popularity in the early-to-mid 1970s, but faded soon after. Conventional wisdom holds that the rise of rock caused this. Music critics, who labelled the concepts as pretentious and the sounds as pompous and overblown. Early groups who exhibited progressive features are described as proto-prog. In 1967, progressive rock constituted a diversity of loosely associated style codes, the Canterbury scene, originating in the late 1960s, denoted a subset of prog bands who emphasised the use of wind instruments, complex chord changes and long improvisations. Rock in Opposition, from the late 1970s, was more avant-garde, in the 1980s, a new subgenre, neo-progressive rock, enjoyed some commercial success, although it was also accused of being derivative and lacking in innovation. Post-progressive draws upon newer developments in music and the avant-garde since the mid 1970s. The term progressive rock is synonymous with art rock, classical rock, historically, art rock has been used to describe at least two related, but distinct, types of rock music. Similarities between the two terms are that they describe a mostly British attempt to elevate rock music to new levels of artistic credibility. However, art rock is likely to have experimental or avant-garde influences. Prog was devised in the 1990s as a term, but later became a transferable adjective. Although a unidirectional English progressive style emerged in the late 1960s, by 1967, critics of the genre often limit its scope to a stereotype of long solos, overlong albums, fantasy lyrics, grandiose stage sets and costumes, and an obsessive dedication to technical skill. Author Kevin Holm-Hudson believes that rock is a style far more diverse than what is heard from its mainstream groups. They each do so largely unconsciously, academic John S. Cotner contests Macans view that progressive rock cannot exist without the continuous and overt assimilation of classical music into rock. Debate about the criteria and scope of the genre continues in the 2010s. In early references to the music, progressive was partly related to progressive politics, Cotner also says that progressive rock incorporates both formal and eclectic elements, It consists of a combination of factors – some of them intramusical, others extramusical or social. One way of conceptualising rock and roll in relation to music is that progressive music pushed the genre into greater complexity while retracing the roots of romantic
11.
Garage rock
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Garage rock is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada. The term derives from the perception that groups were made up of young amateurs who rehearsed in the family garage. The style, a precursor to rock, is characterized by aggressive and unsophisticated lyrics and delivery. In the US and Canada, surf rock—and later the Beatles, hundreds of acts produced regional hits, and some had national hits. Though largely associated with North America, counterparts were present elsewhere as part of the beat boom of the era. As critics of the period began to prescribe a scope for genre, they used the term punk rock. Garage rock has experienced various revivals in the years and continues to influence acts who prefer a back to basics. In the early- to mid-1980s, several garage revival scenes sprung up featuring acts that consciously attempted to replicate the look, in the 2000s, a wave of garage rock revival acts associated with the post-punk revival emerged, and a handful achieved airplay and commercial success. The term garage rock comes from the perception that its performers were young and amateurish, while numerous bands were made up of middle-class teenagers from the suburbs, others were from rural or urban areas or were composed of professional musicians in their twenties. The term garage band often refers to acts in this genre. Garage bands performed in a variety of venues, less-established groups typically played at parties, school dances, and teen clubs. For acts of legal age, bars, nightclubs, and college fraternity socials also provided regular engagements, occasionally, local groups had the opportunity to open at shows for famous touring acts. Some garage rock bands went on tour, particularly better-known acts, groups often competed in battles of the bands, which gave musicians an opportunity to gain exposure and a chance to win a prize, such as free recording time in a local studio. Battles of the bands were held, locally, regionally and nationally, and two of the most prestigious contests were held annually by the Tea Council of the U. S. A. and the Music Circus. Performances often sounded amateurish, naïve or intentionally raw, with typical themes revolving around the traumas of high school life, instrumentation was characterized by electric guitars often distorted through a fuzzbox, teamed with bass and drums. Guitarists sometimes played using aggressive-sounding bar chord riffs, sometimes referred to as power chords, organs such as the Farfisa were commonly used as well as mouth harmonicas or hand-held percussion such as tambourines. Occasionally, the tempo sped up in certain passages, sometimes referred to as raveups, Garage rock acts were diverse in both musical ability and in style, ranging from crude two- and three-chord music to near-studio musician quality. There were also variations in flourishing scenes, such as in California
12.
Pessimism
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Pessimists also tend to focus on the negatives of life in general or a given situation. The most common example of this phenomenon is the Is the glass half empty or half full, in this situation a pessimist is said to see the glass as half empty while an optimist is said to see the glass as half full. Throughout history, the pessimistic disposition has had effects on all areas of thinking. Philosophical pessimism is the idea that views the world in a strictly anti-optimistic fashion. This form of pessimism is not a disposition as the term commonly connotes. Instead, it is a philosophy or worldview that directly challenges the notion of progress, philosophical pessimists are often existential nihilists believing that life has no intrinsic meaning or value. Their responses to this condition, however, are widely varied, the term pessimism derives from the Latin word pessimus meaning the worst. It was first used by Jesuit critics of Voltaires 1759 novel Candide, Voltaire was satirizing the philosophy of Leibniz who maintained that this was the best of all possible worlds. In their attacks on Voltaire, the Jesuits of the Revue de Trévoux accused him of pessimisme, philosophical pessimists see the self-consciousness of man as bound up with his consciousness of time and that this leads to greater suffering than mere physical pain. While many organisms live in the present, humans and certain species of animals can contemplate the past and future, the philosophical pessimistic view of the effect of historical progress tends to be more negative than positive. The philosophical pessimist does not deny that certain areas like science can progress, in this sense it could be said that the pessimist views history as ironic, while seemingly getting better, it is mostly in fact not improving at all, or getting worse. This is most clearly seen in Rousseaus critique of enlightenment civil society and his preference for man in the primitive, for Rousseau, our souls have become corrupted to the extent that our sciences and our arts have advanced towards perfection. The pessimistic view of the condition is that it is in a sense absurd. The idea that thought would lead to human flourishing can be traced to Socrates and is at the root of most forms of western optimistic philosophies. Pessimism turns the idea on its head, it faults the human freedom to reason as the feature that misaligned humanity from our world, the responses to this predicament of the human condition by pessimists are varied. Some philosophers, mainly Schopenhauer, recommend a form of resignation, some followers tend to believe that expecting the worst leads to the best. Rene Descartes even believed that life was better if emotional reactions to negative events were removed, Albert Camus indicated that the common responses to the absurdity of life are often, Suicide, a leap of faith, or recognition/rebellion. Camus rejected all but the last option as unacceptable and inauthentic responses, philosophical pessimism has often been tied to the arts and literature
