1.
Bodleian Library
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The Bodleian Library, the main research library of the University of Oxford, is one of the oldest libraries in Europe. With over 12 million items, it is the second largest library in Britain after the British Library, known to Oxford scholars as Bodley or the Bod, it operates principally as a reference library and, in general, documents may not be removed from the reading rooms. They do, however, participate in OLIS, the Bodleian Libraries online union catalogue, much of the librarys archives were digitized and put online for public access in 2015. Since the 19th century a number of stores have been built. Before being granted access to the library, new readers are required to agree to a formal declaration and this declaration was traditionally an oral oath, but is now usually made by signing a letter to a similar effect. Ceremonies in which readers recite the declaration are still performed for those who wish to take them, external readers are still required to recite the declaration orally prior to admission. The Bodleian Admissions Office has amassed a collection of translations of the declaration allowing those who are not native English speakers to recite it in their first language. Whilst the Bodleian Library, in its current incarnation, has a history dating back to 1602. The first purpose-built library known to have existed in Oxford was founded in the century under the will of Thomas Cobham. This small collection of chained books was situated above the side of the University Church of St Mary the Virgin on the High Street. A suitable room was built above the Divinity School. This room continues to be known as Duke Humfreys Library, after 1488, the university stopped spending money on the librarys upkeep and acquisitions, and manuscripts began to go unreturned to the library. The late sixteenth century saw the library go through a period of decline, the furniture was sold. During the reign of Edward VI, there was a purge of superstitious manuscripts, six of the Oxford University dons were tasked with helping Bodley in refitting the library in March 1658. Duke Humfrey’s Library was refitted, and Bodley donated a number of his own books to furnish it, the library was formally re-opened on 8 November 1602 under the name “Bodleian Library”. There were around two thousand books in the library at this time, with an ornate Benefactors Register displayed prominently, in 1605, Francis Bacon gave the library a copy of The Advancement of Learning and described the Bodleian as an Ark to save learning from deluge. At this time, there were few books written in English held in the library, Thomas James suggested that Bodley should ask the Stationers Company to provide a copy of all books printed to the Bodleian. In 1610, Bodley made an agreement with the Stationers Company in London to put a copy of every book registered with them in the library, the Bodleian collection grew so fast that the building was expanded between 1610–1612, and again in 1634–1637
2.
Middle Ages
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In the history of Europe, the Middle Ages or Medieval Period lasted from the 5th to the 15th century. It began with the fall of the Western Roman Empire and merged into the Renaissance, the Middle Ages is the middle period of the three traditional divisions of Western history, classical antiquity, the medieval period, and the modern period. The medieval period is subdivided into the Early, High. Population decline, counterurbanisation, invasion, and movement of peoples, the large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the seventh century, North Africa and the Middle East—once part of the Byzantine Empire—came under the rule of the Umayyad Caliphate, although there were substantial changes in society and political structures, the break with classical antiquity was not complete. The still-sizeable Byzantine Empire survived in the east and remained a major power, the empires law code, the Corpus Juris Civilis or Code of Justinian, was rediscovered in Northern Italy in 1070 and became widely admired later in the Middle Ages. In the West, most kingdoms incorporated the few extant Roman institutions, monasteries were founded as campaigns to Christianise pagan Europe continued. The Franks, under the Carolingian dynasty, briefly established the Carolingian Empire during the later 8th, the Crusades, first preached in 1095, were military attempts by Western European Christians to regain control of the Holy Land from Muslims. Kings became the heads of centralised nation states, reducing crime and violence, intellectual life was marked by scholasticism, a philosophy that emphasised joining faith to reason, and by the founding of universities. Controversy, heresy, and the Western Schism within the Catholic Church paralleled the conflict, civil strife. Cultural and technological developments transformed European society, concluding the Late Middle Ages, the Middle Ages is one of the three major periods in the most enduring scheme for analysing European history, classical civilisation, or Antiquity, the Middle Ages, and the Modern Period. Medieval writers divided history into periods such as the Six Ages or the Four Empires, when referring to their own times, they spoke of them as being modern. In the 1330s, the humanist and poet Petrarch referred to pre-Christian times as antiqua, leonardo Bruni was the first historian to use tripartite periodisation in his History of the Florentine People. Bruni and later argued that Italy had recovered since Petrarchs time. The Middle Ages first appears in Latin in 1469 as media tempestas or middle season, in early usage, there were many variants, including medium aevum, or middle age, first recorded in 1604, and media saecula, or middle ages, first recorded in 1625. The alternative term medieval derives from medium aevum, tripartite periodisation became standard after the German 17th-century historian Christoph Cellarius divided history into three periods, Ancient, Medieval, and Modern. The most commonly given starting point for the Middle Ages is 476, for Europe as a whole,1500 is often considered to be the end of the Middle Ages, but there is no universally agreed upon end date. English historians often use the Battle of Bosworth Field in 1485 to mark the end of the period
3.
France
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France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
4.
Poetry
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Poetry has a long history, dating back to the Sumerian Epic of Gilgamesh. Early poems evolved from folk songs such as the Chinese Shijing, or from a need to retell oral epics, as with the Sanskrit Vedas, Zoroastrian Gathas, and the Homeric epics, the Iliad and the Odyssey. Ancient attempts to define poetry, such as Aristotles Poetics, focused on the uses of speech in rhetoric, drama, song and comedy. Later attempts concentrated on such as repetition, verse form and rhyme. From the mid-20th century, poetry has sometimes been more generally regarded as a creative act employing language. Poetry uses forms and conventions to suggest differential interpretation to words, devices such as assonance, alliteration, onomatopoeia and rhythm are sometimes used to achieve musical or incantatory effects. The use of ambiguity, symbolism, irony and other elements of poetic diction often leaves a poem open to multiple interpretations. Similarly figures of such as metaphor, simile and metonymy create a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between verses, in their patterns of rhyme or rhythm. Some poetry types are specific to cultures and genres and respond to characteristics of the language in which the poet writes. Much modern poetry reflects a critique of poetic tradition, playing with and testing, among other things, in todays increasingly globalized world, poets often adapt forms, styles and techniques from diverse cultures and languages. Some scholars believe that the art of poetry may predate literacy, others, however, suggest that poetry did not necessarily predate writing. The oldest surviving poem, the Epic of Gilgamesh, comes from the 3rd millennium BCE in Sumer. An example of Egyptian epic poetry is The Story of Sinuhe, other forms of poetry developed directly from folk songs. The earliest entries in the oldest extant collection of Chinese poetry, the efforts of ancient thinkers to determine what makes poetry distinctive as a form, and what distinguishes good poetry from bad, resulted in poetics—the study of the aesthetics of poetry. Some ancient societies, such as Chinas through her Shijing, developed canons of poetic works that had ritual as well as aesthetic importance, Classical thinkers employed classification as a way to define and assess the quality of poetry. Later aestheticians identified three major genres, epic poetry, lyric poetry, and dramatic poetry, treating comedy and tragedy as subgenres of dramatic poetry, Aristotles work was influential throughout the Middle East during the Islamic Golden Age, as well as in Europe during the Renaissance. English Romantic poet John Keats termed this escape from logic Negative Capability and this romantic approach views form as a key element of successful poetry because form is abstract and distinct from the underlying notional logic
5.
Allegory
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As a literary device, an allegory is a metaphor whose vehicle may be a character, place or event, representing real-world issues and occurrences. Many ancient religions are based on astrological allegories, that is, allegories of the movement of the sun, in classical literature two of the best-known allegories are the Cave in Platos Republic and the story of the stomach and its members in the speech of Menenius Agrippa. One of the examples of allegory, Platos Allegory of the Cave. In this allegory, Plato describes a group of people who have lived chained in an all of their lives. The people watch shadows projected on the wall by things passing in front of a fire behind them and begin to ascribe forms to these shadows, using language to identify their world. He tries to tell the people in the cave of his discovery, also allegorical is Ezekiel 16 and 17, wherein the capture of that same vine by the mighty Eagle represents Israels exile to Rome. Allegory has an ability to freeze the temporality of a story, Mediaeval thinking accepted allegory as having a reality underlying any rhetorical or fictional uses. The allegory was as true as the facts of surface appearances, if, then, the Greeks or others say that they were not committed to the care of Peter and his successors, they necessarily confess that they are not of the sheep of Christ. This text also demonstrates the frequent use of allegory in religious texts during the Mediaeval Period, following the tradition, since meaningful stories are nearly always applicable to larger issues, allegories may be read into many stories which the author may not have recognised. This is allegoresis, or the act of reading a story as an allegory. S, lewis and A Kingdom Far and Clear, The Complete Swan Lake Trilogy by Mark Helprin. The story of the apple falling onto Isaac Newtons head is another famous allegory and it simplified the idea of gravity by depicting a simple way it was supposedly discovered. It also made the scientific revelation well known by condensing the theory into a short tale. According to Henry Littlefields 1964 article, L. Yet, George MacDonald emphasised in 1893 that, A fairy tale is not an allegory, I much prefer history – true or feigned– with its varied applicability to the thought and experience of readers. I think that many confuse applicability with allegory, but the one resides in the freedom of the reader, and this further reinforces the idea of forced allegoresis, as allegory is often a matter of interpretation and only sometimes of original artistic intention. Like allegorical stories, allegorical poetry has two meanings – a literal meaning and a symbolic meaning, some unique specimens of allegory can be found in the following works, Edmund Spenser – The Faerie Queene, The several knights in the poem actually stand for several virtues. Nathaniel Hawthorne – Young Goodman Brown, The Devils Staff symbolises defiance of God, the characters names, such as Goodman and Faith, ironically serve as paradox in the conclusion of the story. Nathaniel Hawthorne – The Scarlet Letter, The scarlet letter symbolises many things, the characters, while developed with interiority, are allegorical in that they represent ways of seeing the world. George Orwell – Animal Farm, The pigs stand for political figures of the Russian Revolution, lászló Krasznahorkai - The Melancholy of Resistance and the film Werckmeister Harmonies, It uses a circus to describe an occupying dysfunctional government
6.
Dream vision
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A dream vision or visio is a literary device in which a dream or vision is recounted as having revealed knowledge or a truth that is not available to the dreamer or visionary in a normal waking state. While dreams occur frequently throughout the history of literature, visionary literature as a genre began to flourish suddenly, in both its ancient and medieval form, the dream vision is often felt to be of divine origin. The genre reemerged in the era of Romanticism, when dreams were regarded as creative gateways to imaginative possibilities beyond rational calculation and this genre typically follows a structure whereby a narrator recounts his experience of falling asleep, dreaming, and waking, and the story is often an allegory. The dream, which forms the subject of the poem, is prompted by events in his life that are referred to early in the poem. The ‘vision’ addresses these concerns through the possibilities of the imaginative landscapes offered by the dream-state. In the course of the dream, the narrator, often with the aid of a guide, is offered perspectives that provide potential resolutions to his waking concerns, the poem concludes with the narrator waking, determined to record the dream – thus producing the poem. The dream-vision convention was used in European literature from late Latin times until the 15th century. He is chaperoned in the dream briefly by Scipio the Elder himself and it is written in unrhymed alliterative verse divided into sections called passus
7.
Courtly love
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Courtly love was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and this kind of love is originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love changed and attracted a larger audience. In the high Middle Ages, a game of love developed around these ideas as a set of social practices, loving nobly was considered to be an enriching and improving practice. Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy, the term courtly love was first popularized by Gaston Paris and has since come under a wide variety of definitions and uses. Its interpretation, origins and influences continue to be a matter of critical debate, Paris said amour courtois was an idolization and ennobling discipline. Sexual satisfaction, Paris said, may not have been a goal or even end result, the term and Pariss definition were soon widely accepted and adopted. In addition, other terms and phrases associated with courtliness and love are common throughout the Middle Ages and this presents a clear problem in the understanding of courtliness. The practice of love was developed in the castle life of four regions, Aquitaine, Provence, Champagne and ducal Burgundy. Eleanor of Aquitaine brought ideals of love from Aquitaine first to the court of France, then to England. Her daughter Marie, Countess of Champagne brought courtly behavior to the Count of Champagnes court, Courtly love found its expression in the lyric poems written by troubadours, such as William IX, Duke of Aquitaine, one of the first troubadour poets. The troubadours model of the lady was the wife of his employer or lord. When her husband was away on Crusade or other business she dominated the household and cultural affairs, the lady was rich and powerful and the poet gave voice to the aspirations of the courtier class, for only those who were noble could engage in courtly love. This new kind of love saw nobility not based on wealth and family history, lovers in the context of courtly love need not refer to sex, but rather the act of emotional loving. These lovers had short trysts in secret, which escalated mentally, the rules of courtly love were codified by the late 12th century in Andreas Capellanus highly influential work De Amore. De amore lists such rules as Marriage is no excuse for not loving, He who is not jealous cannot love, No one can be bound by a double love. Much of its structure and its sentiments were derived from Ovids Ars amatoria, given that practices similar to courtly love were already prevalent in Al-Andalus and elsewhere in the Islamic world, it is very likely that Islamic practices influenced the Christian Europeans. William of Aquitane, for example, was involved in the First Crusade, the notions of love for loves sake and exaltation of the beloved lady have been traced back to Arabic literature of the 9th and 10th centuries. The notion of the power of love was developed in the early 11th century by the Persian psychologist and philosopher, Ibn Sina
8.
Romance (love)
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Romance is the expressive and pleasurable feeling from an emotional attraction towards another person often associated with sexual attraction. It is eros rather than agape, philia, or storge, historically, the term romance originates with the medieval ideal of chivalry as set out in its chivalric romance literature. Humans have an inclination to form bonds with one another through social interactions. The debate over an exact definition of love may be found in literature as well as in the works of psychologists, philosophers, biochemists and other professionals. The addition of drama to relationships of close, deep and strong love, psychologist Charles Lindholm defined love to be. an intense attraction that involves the idealization of the other, within an erotic context, with expectation of enduring sometime into the future. The word was originally an adverb of the Latin origin Romanicus, the connecting notion is that European medieval vernacular tales were usually about chivalric adventure, not combining the idea of love until late into the seventeenth century. In primitive societies, tension existed between marriage and the erotic, but this was expressed in taboo regarding the menstrual cycle. Anthropologists such as Claude Lévi-Strauss show that there were forms of courtship in ancient as well as contemporary primitive societies. There may not be evidence, however, that members of such societies formed loving relationships distinct from their established customs in a way that would parallel modern romance, before the 18th century, many marriages were not arranged, but rather developed out of more or less spontaneous relationships. After the 18th century, illicit relationships took on an independent role. In bourgeois marriage, illicitness may have become more formidable and likely to cause tension, in Ladies of the Leisure Class, Rutgers University professor Bonnie G. Smith depicts courtship and marriage rituals that may be viewed as oppressive to modern people. She writes When the young women of the Nord married, they did so without illusions of love and they acted within a framework of concern for the reproduction of bloodlines according to financial, professional, and sometimes political interests. Subsequent sexual revolution has lessened the conflicts arising out of liberalism, anthony Giddens, in his book The Transformation of Intimacy, Sexuality, Love and Eroticism in Modern Society, states that romantic love introduced the idea of a narrative into an individuals life. He adds that telling a story was one of the meanings of romance, according to Giddens, the rise of romantic love more or less coincided with the emergence of the novel. It was then that romantic love, associated with freedom and therefore the ideals of romantic love, for the discourse of intimacy emotional closeness was much more important than passion. This does not mean by any means that intimacy is to replace romance, on the contrary, intimacy and romance coexist. The 21st century has seen the growth of globalization and people now live in a world of transformations that affect almost every aspect of our lives, one example of the changes experienced in relationships was explored by Giddens regarding homosexual relationships. According to Giddens since homosexuals were not able to marry they were forced to more open
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"Roman de la Rose". Encyclopædia Britannica (11th ed.). 1911.
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