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Breaking Kayfabe

Breaking Kayfabe is the debut album by Canadian rapper Cadence Weapon, released in 2005 on Upper Class Recordings. It was released in the United States by Anti-Records on March 13, 2007. Breaking kayfabe is a professional wrestling term for "breaking character". Breaking Kayfabe received positive reviews from critics who praised the 8-bit style beats and intellectual lyrics meshing well together; the album was shortlisted for the 2006 Polaris Music Prize. However, it lost to Final Fantasy's He Poos Clouds. Breaking Kayfabe garnered positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 80, based on 9 reviews. Francis Jones of Drowned in Sound praised the songs for having both production and lyrics feel equal and unique, calling it "a record that demands and deserves undivided attention, its creator fashioning a brain-searing patchwork of ragged rap, electronic flourishes and truncated rhythms."

Marisa Brown of AllMusic praised Cadence for crafting electro beats over tracks that carry intelligent lyrics, concluding that "Breaking Kayfabe is a cohesive set of songs, backpacker in the best of senses and witty and provocative and well-produced, but at the same time raw and real-sounding. It's not that a debut does all this correctly. Peter Macia of Pitchfork gave praise to Cadence foregoing hip-hop conventions and instead worked on smart lyricism and video game-inspired production, concluding that it "may not be his masterpiece, but it hints that he may be capable of one." Ian Mathers of Stylus Magazine noted that the production starts to sound droll at first but found it and the lyricism shining bright after a few listens, concluding with, "Too exciting for the underground, too weird for the overground, he deserves to be heard by both.

Sri Sithi Vinayagar Temple

Sri Sithi Vinayagar Temple is a Hindu temple located along Jalan Selangor in Petaling Jaya, Malaysia. It is generally referred to as the PJ Pillaiyar Temple; the resident deity is Ganesha in the form of Sri Sithi Vinayagar. The temple is said to be the largest temple in Malaysia dedicated to Lord Ganesha; the temple was completed in 1964 following Dravidian architecture and remains one of the main Hindu temples serving the religious needs of the Hindu population of Petaling Jaya. It is run by the Petaling Jaya Hindu Association; the history of the Sri Sithi Vinayagar Temple dates back to the early 1950s when Petaling Jaya was established as a residential suburb to ease over-population of fast growing Kuala Lumpur. The new township attracted many residents and soon the Hindu population of Petaling Jaya increased dramatically. At this stage, the pioneer Hindu residents felt the great need for their own place of worship; this temple was one of the first Vinayagar Temple in Malaysia Through the efforts of a pro-tem committee, the Petaling Jaya Hindu Association was registered in 1959 with the main aim of establishing and managing a place of worship for Hindus in Petaling Jaya.

It was unanimously decided that Lord Ganesha in the form of Sri Sithi Vinayagar be enshrined in the proposed temple. The foundation stone for the temple was laid by philanthropist Sri P. Govindasamy Pillai J. P of Singapore on 8 July 1962. Building works progressed on schedule and the 1st Maha Kumbabishegam of the Sri Sithi Vinayagar Temple, Petaling Jaya was held on 8 November 1964 to consecrate the temple. A single-storey block to house the Association's office and residences for the temple employees was included in this initial phase of development; the Hindu population of Petaling Jaya increased tremendously and soon the facilities in the temple were found to be inadequate. Temporary iron-angle extensions were built adjacent to the temple to provide additional space for the increasing number of devotes; the next phase of development was launched in 1972. Permanent extensions, reconstruction of the gopuram with additional sculpture works and an Eluntharuli mandapam were included in this project.

The second Maha Kumbabishegam of the temple was celebrated on 4 September 1972. New quarters for the priest was constructed at the rear of the temple in 1982; the need for proper facilities to conduct various cultural and social activities prompted the PJHA to embark on the next phase of the development – the construction of a multi-purpose wedding hall. Construction of the 2-storey building costing RM 580,000 was carried out in 1985 and 1986; the old office building and staff residence block was demolished. Based on the advice of professional consultants, a resolution was adopted unanimously by the AGM on 24 December 1989,to empower the management committee to undertake the construction of a new temple to replace existing one. Plans were drawn for a new temple and the Baalasthaapanam ceremony was carried out on 4 July 1990. Following the Baalasthaapanam, the PJHA went through a rather turbulent period of two years, during which differences of opinion and technical problems brought the temple construction project to a standstill.

The project was reactivated in 1992. The old temple building and the priest's quarters were dismantled in October 1992; the foundation stone for the new temple was laid on 30 November 1992, in a ceremony officiated by Swami Guhabaktananda of the Divine Life Society. Sixteen sculptors from India under the supervision of a qualified sthapathy worked tirelessly to ensure that work progressed on schedule. Construction of the beautiful new temple with a majestic towering Rajagopuram and twin bell towers was completed on schedule culminating with the Maha Kumbabishegam on 12 June 1994. Following the Kumbabishegam, major renovations were carried out on the multi-purpose hall in 1995; the mandapam was given a facelift and air-conditioned. As required by the Agamic principles, that temples should undergo renovations in cycles of 12 years, the management committee initiated the 4th Maha Kumbabishegam project in December 2006; the Balasthabanam ceremony was held on 3 November 2006. Works to repair and repaint the temple progressed steadily.

The Marathadi Pillaiyar and Sri Durgai Amman Shrines were restructured. Following the completion of the required renovations and repairs to the temple, the 4th Maha Kumbabishegam was conducted on 7 February 2007. Vinayaka is a common name for Ganesha that appears in Buddhist Tantras. Ganesha is revered as the Remover of Obstacles and more as Lord of Beginnings and Lord of Obstacles, patron of arts and sciences, the deva of intellect and wisdom, he is honoured at the beginning of rituals and ceremonies and invoked as Patron of Letters during writing sessions. A prominent name for Ganesha in the Tamil language is Pillaiyar. A. K. Narain differentiates these terms by saying that pille means a "child" while pillaiyar means a "noble child", he adds that the words pallu and pell in the Dravidian family of languages signify "tooth or tusk of an elephant", but more "elephant". Anita Raina Thapan notes that the root word pille in the name Pillaiyar might have meant "the young of the elephant", because the Pali word pillaka means "a young elephant".

In the 1980s due importance was given to the propagation of religion and development of culture, in line with one of the main aims of the PJHA. Religious education and Tamil language classes were conducted for children. Cultural presentations and religious discourses were held in conjunction with Guru-p