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17th-century painting of the Real Alcázar de Madrid. The southern facade (right) appears in its final 1636 phase by the architect Juan Gómez de Mora.
17th-century painting of the Real Alcázar de Madrid. The southern facade (right) appears in its final 1636 phase by the architect Juan Gómez de Mora. The west facade (left) is from a much older structure, possibly the earliest Muslim castle which formed the basis for the different extensions later undertaken.
Drawing of the old Alcázar by Jan Cornelisz Vermeyen. The image is dated at around 1534, before the extension commissioned by Charles V in 1537 - the
Drawing of the old Alcázar by Jan Cornelisz Vermeyen. The image is dated at around 1534, before the extension commissioned by Charles V in 1537 - the first important work to the building. It is likely that this was the appearance of the Umayyad castle, whose structure was the basis of the royal palace developed by the Emperor.
Part of the 1562 drawing by Anton van den Wyngaerde, in which the building can be seen as it was a year after Philip II chose Madrid as the site of hi
Part of the 1562 drawing by Anton van den Wyngaerde, in which the building can be seen as it was a year after Philip II chose Madrid as the site of his court.
Anonymous drawing of the building c. 1596–1597, when the work commissioned by Philip II was near completion. On the right, the Golden Tower, built by
Anonymous drawing of the building c. 1596–1597, when the work commissioned by Philip II was near completion. On the right, the Golden Tower, built by Juan Bautista of Toledo, can be seen in the southwestern corner of the Alcázar.
Las Meninas, by Diego Velázquez, from Prado in Google Earth
Las Meninas, by Diego Velázquez, from Prado in Google Earth
The Infanta Margaret Theresa (1651–1673), in mourning dress for her father in 1666, by del Mazo. The background figures include her young brother Char
The Infanta Margaret Theresa (1651–1673), in mourning dress for her father in 1666, by del Mazo. The background figures include her young brother Charles II and the dwarf Maria Bárbola, also in Las Meninas. She left Spain for her marriage in Vienna the same year.
Detail showing Philip IV's daughter, the Infanta Margaret Theresa. Most of her left cheek was repainted after being damaged in the fire of 1734.
Detail showing Philip IV's daughter, the Infanta Margaret Theresa. Most of her left cheek was repainted after being damaged in the fire of 1734.
Key to the people represented: see text
Key to the people represented: see text