The Salon des Refusés, French for "exhibition of rejects", is generally known as an exhibition of works rejected by the jury of the official Paris Salon, but the term is most famously used to refer to the Salon des Refusés of 1863.
Salon des Refusés
Salon des Refusés
The Palais de l'Industrie, where the event took place. Photo by Édouard Baldus.
The Salon, or rarely Paris Salon, beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. From 1881 onward, it was managed by the Société des Artistes Français.
Formally dressed patrons at the Salon in 1890. 'Un Jour de vernissage au palais des Champs-Élysées by Jean-André Rixens featuring Tigresse apportant un paon à ses petits by Auguste Cain.
Charles X Distributing Awards to Artists for the salon of 1824. An 1827 painting by François Joseph Heim, now in the Louvre.
This portrait by John Singer Sargent of Virginie Amélie Avegno Gautreau depicting her cleavage caused considerable controversy when it was displayed at the 1884 Salon.
Salon of 1753
