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Diploma of membership of the Samuel Pepys Club for Sir Edmund Gosse. Aquatint photogravure (1905) after an oil painting by John Hayls (1666). CC The National Portrait Gallery, London.
Diploma of membership of the Samuel Pepys Club for Sir Edmund Gosse. Aquatint photogravure (1905) after an oil painting by John Hayls (1666). CC The N
Portrait by John Hayls, 1666
Portrait by John Hayls, 1666
Bookplate, c. 1680–1690, with arms of Samuel Pepys: Quarterly 1st & 4th: Sable, on a bend or between two nag's heads erased argent three fleurs-de-lis
Bookplate, c. 1680–1690, with arms of Samuel Pepys: Quarterly 1st & 4th: Sable, on a bend or between two nag's heads erased argent three fleurs-de-lis of the field (Pepys); 2nd & 3rd: Gules, a lion rampant within a bordure engrailed or (Talbot). Samuel Pepys was descended from John Pepys who married Elizabeth Talbot, the heiress of Cottenham in Cambridgeshire. The Pepys arms are borne by the Pepys family, Earls of Cottenham.
Elisabeth de St Michel, Pepys' wife. Stipple engraving by James Thomson, after a 1666 painting (now destroyed) by John Hayls.
Elisabeth de St Michel, Pepys' wife. Stipple engraving by James Thomson, after a 1666 painting (now destroyed) by John Hayls.
Samuel Pepys' bookplate. The motto reads Mens cujusque is est Quisque – "Mind Makes the Man".
Samuel Pepys' bookplate. The motto reads Mens cujusque is est Quisque – "Mind Makes the Man".