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View of the Monastery of San Giorgio Maggiore from the bell tower
View of the Monastery of San Giorgio Maggiore from the bell tower
View of the island
View of the island
San Giorgio Maggiore at Dusk, Claude Monet, 1908–1912
San Giorgio Maggiore at Dusk, Claude Monet, 1908–1912
Palladio
Palladio
Paolo Veronese 008
Paolo Veronese 008
In 1562, the Benedictine monks commissioned Paolo Veronese to realise The Wedding Feast at Cana as a monumental painting (6.77 m × 9.94 m) to occupy t
In 1562, the Benedictine monks commissioned Paolo Veronese to realise The Wedding Feast at Cana as a monumental painting (6.77 m × 9.94 m) to occupy the back wall of the monastery's refectory, at the San Giorgio Monastery, Venice.
The musicians providing ambience for The Wedding Feast at Cana are personified by Veronese (viola da braccio), and the principal painters of the Venet
The musicians providing ambience for The Wedding Feast at Cana are personified by Veronese (viola da braccio), and the principal painters of the Venetian school: Jacopo Bassano (cornetto), Tintoretto (viola da braccio) and Titian (violone); standing beside Titian is the poet Pietro Aretino. (detail, lower centre-plane)
In The Wedding Feast at Cana, Veronese shows the sated guests at the nuptial banquet-table awaiting the dessert-course wine service. The guests awaiti
In The Wedding Feast at Cana, Veronese shows the sated guests at the nuptial banquet-table awaiting the dessert-course wine service. The guests awaiting the new, red wine include Suleiman the Magnificent, an elegant woman discreetly cleaning her teeth with a toothpick, and a woman urging her husband to ask the bride about the new red wine they have been served. (detail, left lower-quarter)