1.
France
–
France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
France
–
One of the
Lascaux paintings: a horse –
Dordogne, approximately 18,000 BC
France
–
Flag
France
–
The
Maison Carrée was a temple of the
Gallo-Roman city of Nemausus (present-day
Nîmes) and is one of the best preserved vestiges of the
Roman Empire.
France
–
With
Clovis ' conversion to Catholicism in 498, the
Frankish monarchy,
elective and
secular until then, became
hereditary and of
divine right.
2.
Italy
–
Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
Italy
–
The
Colosseum in Rome, built c. 70 – 80 AD, is considered one of the greatest works of
architecture and
engineering of ancient history.
Italy
–
Flag
Italy
–
The
Iron Crown of Lombardy, for centuries symbol of the
Kings of Italy.
Italy
–
Castel del Monte, built by German Emperor
Frederick II,
UNESCO World Heritage site
3.
Rome
–
Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
Rome
Rome
Rome
Rome
4.
Geographic coordinate system
–
A geographic coordinate system is a coordinate system used in geography that enables every location on Earth to be specified by a set of numbers, letters or symbols. The coordinates are chosen such that one of the numbers represents a vertical position. A common choice of coordinates is latitude, longitude and elevation, to specify a location on a two-dimensional map requires a map projection. The invention of a coordinate system is generally credited to Eratosthenes of Cyrene. Ptolemy credited him with the adoption of longitude and latitude. Ptolemys 2nd-century Geography used the prime meridian but measured latitude from the equator instead. Mathematical cartography resumed in Europe following Maximus Planudes recovery of Ptolemys text a little before 1300, in 1884, the United States hosted the International Meridian Conference, attended by representatives from twenty-five nations. Twenty-two of them agreed to adopt the longitude of the Royal Observatory in Greenwich, the Dominican Republic voted against the motion, while France and Brazil abstained. France adopted Greenwich Mean Time in place of local determinations by the Paris Observatory in 1911, the latitude of a point on Earths surface is the angle between the equatorial plane and the straight line that passes through that point and through the center of the Earth. Lines joining points of the same latitude trace circles on the surface of Earth called parallels, as they are parallel to the equator, the north pole is 90° N, the south pole is 90° S. The 0° parallel of latitude is designated the equator, the plane of all geographic coordinate systems. The equator divides the globe into Northern and Southern Hemispheres, the longitude of a point on Earths surface is the angle east or west of a reference meridian to another meridian that passes through that point. All meridians are halves of great ellipses, which converge at the north and south poles, the prime meridian determines the proper Eastern and Western Hemispheres, although maps often divide these hemispheres further west in order to keep the Old World on a single side. The antipodal meridian of Greenwich is both 180°W and 180°E, the combination of these two components specifies the position of any location on the surface of Earth, without consideration of altitude or depth. The grid formed by lines of latitude and longitude is known as a graticule, the origin/zero point of this system is located in the Gulf of Guinea about 625 km south of Tema, Ghana. To completely specify a location of a feature on, in, or above Earth. Earth is not a sphere, but a shape approximating a biaxial ellipsoid. It is nearly spherical, but has an equatorial bulge making the radius at the equator about 0. 3% larger than the radius measured through the poles, the shorter axis approximately coincides with the axis of rotation
Geographic coordinate system
–
Longitude lines are perpendicular and latitude lines are parallel to the equator.
5.
List of religions and spiritual traditions
–
Religion is a collection of cultural systems, beliefs and world views that establishes symbols that relate humanity to spirituality and, sometimes to moral values. While religion is hard to define, one model of religion, used in religious studies courses, was proposed by Clifford Geertz. A critique of Geertzs model by Talal Asad categorized religion as an anthropological category, many religions have narratives, symbols, traditions and sacred histories that are intended to give meaning to life or to explain the origin of life or the universe. They tend to derive morality, ethics, religious laws, or a preferred lifestyle from their ideas about the cosmos, according to some estimates, there are roughly 4,200 religions in the world. The word religion is sometimes used interchangeably with faith or belief system, Certain religions also have a sacred language often used in liturgical services. Religious beliefs have also used to explain parapsychological phenomena such as out-of-body experiences, near-death experiences and reincarnation. A group of monotheistic traditions sometimes grouped with one another for comparative purposes, oriental Orthodox Churches, Includes the Armenian Apostolic, Coptic, Syrian Orthodox, Ethiopian and Eritrean Orthodox Churches, as well as a portion of the St. Thomas Christians in India. Greek Old Calendarists Russian Old Believers Bezpopovtsy Popovtsy Spiritual Christianity Doukhobor Molokan Certain Christian groups are difficult to classify as Eastern or Western, irenaeus wrote polemics against them from the standpoint of the then-unified Catholic Church. They are definitely of ancient Israelite origin, but their status as Jews is disputed, falasha or Beta Israel Noahidism Noahidism is a monotheistic ideology based on the Seven Laws of Noah, and on their traditional interpretations within Rabbinic Judaism. According to Jewish law, non-Jews are not obligated to convert to Judaism and they derive from African traditional religions, especially of West and Central Africa, showing similarities to the Yoruba religion in particular. co. uk section on major world religions
List of religions and spiritual traditions
–
Religious symbols in clock-wise order:
Judaism,
Christianity,
Islam,
Bahá'í Faith,
Hinduism,
Taoism,
Buddhism,
Sikhism,
Slavic neopaganism,
Celtic polytheism,
Heathenism (German paganism),
Semitic neopaganism,
Wicca,
Kemetism (Egyptian paganism),
Hellenism,
Italo-Roman neopaganism.
6.
Roman Catholic
–
The Catholic Church, also known as the Roman Catholic Church or the Universal Church, is the largest Christian church, with more than 1.28 billion members worldwide. As one of the oldest religious institutions in the world, it has played a prominent role in the history, headed by the Bishop of Rome, known as the Pope, the churchs doctrines are summarised in the Nicene Creed and the Apostles Creed. Its central administration is located in Vatican City, enclaved within Rome, the Catholic Church is notable within Western Christianity for its sacred tradition and seven sacraments. It teaches that it is the one church founded by Jesus Christ, that its bishops are the successors of Christs apostles. The Catholic Church maintains that the doctrine on faith and morals that it declares as definitive is infallible. The Latin Church, the Eastern Catholic Churches, as well as such as mendicant orders and enclosed monastic orders. Among the sacraments, the one is the Eucharist, celebrated liturgically in the Mass. The church teaches that through consecration by a priest the sacrificial bread and wine become the body, the Catholic Church practises closed communion, with only baptised members in a state of grace ordinarily permitted to receive the Eucharist. The Virgin Mary is venerated in the Catholic Church as Queen of Heaven and is honoured in numerous Marian devotions. The Catholic Church has influenced Western philosophy, science, art and culture, Catholic spiritual teaching includes spreading the Gospel while Catholic social teaching emphasises support for the sick, the poor and the afflicted through the corporal and spiritual works of mercy. The Catholic Church is the largest non-government provider of education and medical services in the world, from the late 20th century, the Catholic Church has been criticised for its doctrines on sexuality, its refusal to ordain women and its handling of sexual abuse cases. Catholic was first used to describe the church in the early 2nd century, the first known use of the phrase the catholic church occurred in the letter from Saint Ignatius of Antioch to the Smyrnaeans, written about 110 AD. In the Catechetical Discourses of Saint Cyril of Jerusalem, the name Catholic Church was used to distinguish it from other groups that call themselves the church. The use of the adjective Roman to describe the Church as governed especially by the Bishop of Rome became more widespread after the Fall of the Western Roman Empire and into the Early Middle Ages. Catholic Church is the name used in the Catechism of the Catholic Church. The Catholic Church follows an episcopal polity, led by bishops who have received the sacrament of Holy Orders who are given formal jurisdictions of governance within the church. Ultimately leading the entire Catholic Church is the Bishop of Rome, commonly called the pope, in parallel to the diocesan structure are a variety of religious institutes that function autonomously, often subject only to the authority of the pope, though sometimes subject to the local bishop. Most religious institutes only have male or female members but some have both, additionally, lay members aid many liturgical functions during worship services
Roman Catholic
–
Saint Peter's Basilica,
Vatican City
Roman Catholic
–
St. Peter's Basilica,
Vatican City
Roman Catholic
–
Pope Francis, elected in the
papal conclave, 2013
Roman Catholic
–
Traditional graphic representation of the Trinity: The earliest attested version of the diagram, from a manuscript of
Peter of Poitiers ' writings, c. 1210
7.
Andre Vingt-Trois
–
André Armand Vingt-Trois is a French cardinal of the Catholic Church. He currently serves as Archbishop of Paris, having served as Archbishop of Tours from 1999 to 2005. He was elevated to the cardinalate in 2007, andré Vingt-Trois was born in Paris to Armand Vingt-Trois and Paulette. His surname, which is French for twenty-three, is probably from an ancestor who, as a child or baby, was abandoned, Vingt-Trois completed his secondary studies at the Lycée Henri IV and entered the Seminary of Saint-Sulpice at Issy-les-Moulineaux in 1962. He then attended the Institut Catholique de Paris, from where he obtained his licentiate in moral theology, from 1964 to 1965, Vingt-Trois performed his military service in Germany. He was ordained to the diaconate by Bishop Daniel Pezeril in October 1968, during his priestly ministry, he worked especially in parochial catechetics and the formation of the laity. From 1974 to 1981, Vingt-Trois was vicar at the Parisian parish of Sainte-Jeanne de Chantal and he then served as director of his alma mater of the Seminary of Saint-Sulpice until 1988, also teaching moral and sacramental theology there. Vingt-Trois participated in different pastoral movements, including the Centre de préparation au mariage, on 25 June 1988, Vingt-Trois was appointed Auxiliary Bishop of Paris and Titular Bishop of Thibilis by Pope John Paul II. He received his consecration on the following 14 October in Notre-Dame Cathedral from Cardinal Jean-Marie Lustiger, with Bishops Pézeril. Vingt-Trois was appointed Archbishop of Tours on 21 April 1999, and he was installed in Paris on the following 5 March and additionally appointed Ordinary of French Catholics of the Eastern Rites on 14 March. On 5 November 2007, he was elected President of the French Episcopal Conference for a term of three years, Pope Benedict XVI created him Cardinal-Priest of S. Luigi dei Francesi in the consistory of 23 November 2007. Vingt-Trois will be eligible to participate in any future papal conclaves until he reaches the age of 80, on 7 March 2012 he was appointed a member of the Congregation for the Oriental Churches. In October 2012, he took part in the 13th Ordinary General Assembly of the Synod of Bishops and he was one of the cardinal electors who participated in the 2013 papal conclave that selected Pope Francis. The cardinal has been an opponent of efforts to introduce same-sex marriage in France. In 2013, he warned that it could incite violence and split society in France, society has lost its capacity of integration and especially its ability to blend differences in a common project. He insisted that unless the government was not listening to French citizens, cardinals of the Holy Roman Church Catholic-Hierarchy Catholic-pages
Andre Vingt-Trois
–
Vingt-Trois presiding at Mass in
Notre-Dame Cathedral, 8 November 2012
Andre Vingt-Trois
–
André Vingt-Trois at the May 2012 inauguration ceremony of
Francois Hollande as President of France, at the
Élysée Palace in Paris.
8.
Architect
–
An architect is someone who plans, designs, and reviews the construction of buildings. Etymologically, architect derives from the Latin architectus, which derives from the Greek, practical, technical, and academic requirements for becoming an architect vary by jurisdiction. The terms architect and architecture are used in the disciplines of landscape architecture, naval architecture. In most jurisdictions, the professional and commercial uses of the terms architect, throughout ancient and medieval history, most architectural design and construction was carried out by artisans—such as stone masons and carpenters, rising to the role of master builder. Until modern times, there was no distinction between architect and engineer. In Europe, the architect and engineer were primarily geographical variations that referred to the same person. It is suggested that various developments in technology and mathematics allowed the development of the gentleman architect. Paper was not used in Europe for drawing until the 15th century, pencils were used more often for drawing by 1600. The availability of both allowed pre-construction drawings to be made by professionals, until the 18th-century, buildings continued to be designed and set out by craftsmen with the exception of high-status projects. In most developed countries, only qualified people with appropriate license, certification, or registration with a relevant body, such licensure usually requires an accredited university degree, successful completion of exams, and a training period. To practice architecture implies the ability to independently of supervision. In many places, independent, non-licensed individuals may perform design services outside the professional restrictions, such design houses, in the architectural profession, technical and environmental knowledge, design and construction management, and an understanding of business are as important as design. However, design is the force throughout the project and beyond. An architect accepts a commission from a client, the commission might involve preparing feasibility reports, building audits, the design of a building or of several buildings, structures, and the spaces among them. The architect participates in developing the requirements the client wants in the building, throughout the project, the architect co-ordinates a design team. Structural, mechanical, and electrical engineers and other specialists, are hired by the client or the architect, the architect hired by a client is responsible for creating a design concept that meets the requirements of that client and provides a facility suitable to the required use. In that, the architect must meet with and question the client to ascertain all the requirements, often the full brief is not entirely clear at the beginning, entailing a degree of risk in the design undertaking. The architect may make proposals to the client which may rework the terms of the brief
Architect
–
Filippo Brunelleschi is revered to be one of the most inventive and gifted architects in history.
Architect
–
An architect at work, 1893.
Architect
–
Architect
Rem Koolhaas inspecting a model of the
Seattle Central Library
9.
Giacomo della Porta
–
Giacomo della Porta was an Italian architect and sculptor, who worked on many important buildings in Rome, including St. Peters Basilica. He was born at Porlezza, Lombardy and died in Rome, della Porta was influenced by and collaborated with Michelangelo, and Giacomo Barozzi da Vignola, his teacher of architecture. After the death of Vignola in 1573, he continued the construction of Il Gesù, the church of the Jesuit order. From 1573 he was in charge of the construction of St. Peters Basilica. Trinità de Monti Fontana di Piazza alli Monti Cupola of St. Peters Basilica Fountains at the Piazza di Santa Maria in Campitelli Fountains opposite SS. Venanzio e Ansovino Fontana della Terrina Sculpture Christ delivering the keys of Heaven to St. Peter, altar of the St. Jan Birksted, 183-201
Giacomo della Porta
–
Façade of the church of Gesù in Rome.
Giacomo della Porta
–
"Christ delivering the keys of Heaven to St. Peter" (1594),
Santa Pudenziana, Rome
10.
Domenico Fontana
–
Domenico Fontana was an Italian architect of the late Renaissance, born in todays Ticino. He worked primarily in Italy, at Rome and Naples and he was born at Melide, a village on the Lake Lugano, at that time joint possession of Swiss cantons of the old Swiss Confederacy, and presently part of Ticino, Switzerland, and died at Naples. He went to Rome in 1563, before the death of Michelangelo and it is a marvellously well-balanced structure, notwithstanding the profusion of detail and overloading of rich ornamentation, which in no way interferes with the main architectural scheme. It is crowned by a dome in the style of S. Mario at Montepulciano. After the cardinals accession as Sixtus V, he appointed Fontana Architect Of St. Peters, bestowing him, among other distinctions. He added the lantern to the dome of St. Peters, Fontana also designed the transverse arms separating the courts of the Vatican. In 1586 he erected the 327 ton obelisk in the Square of St. Peters and this feat of engineering took the concerted effort of 900 men,75 horses and countless pulleys and meters of rope. He gives an account of it in Della transportatione dellobelisco Vaticano e delle fabriche di Sisto V. The astronomer Ignazio Danti is known to have assisted Fontana in this work, after his patrons death, he continued for some time in the service of his successor, Pope Clement VIII. Soon, however, dissatisfaction with his style, envy, and the charge that he had misappropriated public moneys, caused him to be dismissed from his post, there he accepted the appointment of architect to the Viceroy, the count of Miranda. In addition to designing canals, he erected the Palazzo Reale and he died in 1607, and was buried in the church of SantAnna dei Lombardi. Domenicos brother Giovanni Fontana was also an architect, and his son Giulio Cesare succeeded him as Royal Architect in Naples, Della transportatione dellobelisco Vaticano e delle fabriche di Sisto V. Online edition, from New York Public Library, online edition, from Rare Book Room
Domenico Fontana
–
Re-erection of the obelisk on Saint Peter's Square in 1586.
Domenico Fontana
–
Domenico Fontana
Domenico Fontana
–
Fountain in the pedestal of the
Lateran obelisk, designed by Fontana
Domenico Fontana
–
San Giovanni: north facade.
11.
Church (building)
–
A church building, often simply called a church, is a building used for Christian religious activities, particularly worship services. The term in its sense is most often used by Christians to refer to their religious buildings. In traditional Christian architecture, the church is arranged in the shape of a Christian cross. When viewed from plan view the longest part of a cross is represented by the aisle, towers or domes are often added with the intention of directing the eye of the viewer towards the heavens and inspiring church visitors. The earliest identified Christian church was a church founded between 233 and 256. During the 11th through 14th centuries, a wave of building of cathedrals, a cathedral is a church, usually Roman Catholic, Anglican, Oriental Orthodox or Eastern Orthodox, housing the seat of a bishop. In standard Greek usage, the word ecclesia was retained to signify both a specific edifice of Christian worship, and the overall community of the faithful. This usage was retained in Latin and the languages derived from Latin, as well as in the Celtic languages. In the Germanic and some Slavic languages, the word kyriak-ós/-ē/-ón was adopted instead, in Old English the sequence of derivation started as cirice, then churche, and eventually church in its current pronunciation. German Kirche, Scottish kirk, Russian церковь, etc. are all similarly derived, according to the New Testament, the earliest Christians did not build church buildings. Instead, they gathered in homes or in Jewish worship places like the Second Temple or synagogues, the earliest archeologically identified Christian church is a house church, the Dura-Europos church, founded between 233 and 256. During the 11th through 14th centuries, a wave of building of cathedrals, in addition to being a place of worship, the cathedral or parish church was used by the community in other ways. It could serve as a place for guilds or a hall for banquets. Mystery plays were performed in cathedrals, and cathedrals might also be used for fairs. The church could be used as a place to thresh and store grain, a common architecture for churches is the shape of a cross. These churches also often have a dome or other large vaulted space in the interior to represent or draw attention to the heavens. Other common shapes for churches include a circle, to represent eternity, or an octagon or similar star shape, another common feature is the spire, a tall tower on the west end of the church or over the crossing. The Latin word basilica was used to describe a Roman public building
Church (building)
–
La Madeleine, a
Neoclassical,
Catholic church in
Paris, France.
Church (building)
–
The
Church of Saint Simeon Stylites in
Aleppo, Syria is considered to be one of the oldest surviving church buildings in the world.
Church (building)
–
Evangelical (
Lutheran) church in
Štrba (
Slovakia) - a typical village church in
Europe.
Church (building)
–
The
Frauenkirche in
Munich is a largely
Gothic, medieval church.
12.
Architectural style
–
An architectural style is characterized by the features that make a building or other structure notable or historically identifiable. A style may include such elements as form, method of construction, building materials, styles therefore emerge from the history of a society. They are documented in the subject of architectural history, at any time several styles may be fashionable, and when a style changes it usually does so gradually, as architects learn and adapt to new ideas. Styles often spread to places, so that the style at its source continues to develop in new ways while other countries follow with their own twist. A style may also spread through colonialism, either by foreign colonies learning from their home country, one example is the Spanish missions in California, brought by Spanish priests in the late 18th century and built in a unique style. After a style has gone out of fashion, revivals and re-interpretations may occur, for instance, classicism has been revived many times and found new life as neoclassicism. Each time it is revived, it is different, the Spanish mission style was revived 100 years later as the Mission Revival, and that soon evolved into the Spanish Colonial Revival. Vernacular architecture works slightly differently and is listed separately and it is the native method of construction used by local people, usually using labour-intensive methods and local materials, and usually for small structures such as rural cottages. It varies from region to region even within a country, as western society has developed, vernacular styles have mostly become outmoded due to new technology and to national building standards. Paul Jacobsthal and Josef Strzygowski are among the art historians who followed Riegl in proposing grand schemes tracing the transmission of elements of styles across great ranges in time and this type of art history is also known as formalism, or the study of forms or shapes in art. Terms originated to describe architectural periods were often applied to other areas of the visual arts, and then more widely still to music, literature. In architecture stylistic change often follows, and is possible by. While many architectural styles explore harmonious ideals, Mannerism wants to take style a step further and explores the aesthetics of hyperbole, Mannerism is notable for its intellectual sophistication as well as its artificial qualities. Mannerism favours compositional tension and instability rather than balance and clarity, the definition of Mannerism, and the phases within it, continues to be the subject of debate among art historians. An example of mannerist architecture is the Villa Farnese at Caprarola. in the country side outside of Rome. The proliferation of engravers during the 16th century spread Mannerist styles more quickly than any previous styles, a center of Mannerist design was Antwerp during its 16th-century boom. Through Antwerp, Renaissance and Mannerist styles were introduced in England, Germany. During the Mannerist Renaissance period, architects experimented with using architectural forms to emphasize solid, the Renaissance ideal of harmony gave way to freer and more imaginative rhythms
Architectural style
–
The Architect's Dream by Thomas Cole (1840) shows a vision of buildings in the historical styles of the Western tradition, from Ancient Egypt through to Classical Revival
Architectural style
–
The rhyolitic
tuff portal of the "church house" at
Colditz Castle,
Saxony, designed by Andreas Walther II (1584), is an example of the exuberance of "Antwerp Mannerism".
Architectural style
–
Town Hall of
Zamość by
Bernardo Morando.
13.
Baroque
–
The style began around 1600 in Rome and Italy, and spread to most of Europe. The aristocracy viewed the dramatic style of Baroque art and architecture as a means of impressing visitors by projecting triumph, power, Baroque palaces are built around an entrance of courts, grand staircases, and reception rooms of sequentially increasing opulence. However, baroque has a resonance and application that extend beyond a reduction to either a style or period. It is also yields the Italian barocco and modern Spanish barroco, German Barock, Dutch Barok, others derive it from the mnemonic term Baroco, a supposedly laboured form of syllogism in logical Scholastica. The Latin root can be found in bis-roca, in informal usage, the word baroque can simply mean that something is elaborate, with many details, without reference to the Baroque styles of the 17th and 18th centuries. The word Baroque, like most periodic or stylistic designations, was invented by later critics rather than practitioners of the arts in the 17th, the term Baroque was initially used in a derogatory sense, to underline the excesses of its emphasis. In particular, the term was used to describe its eccentric redundancy and noisy abundance of details, although it was long thought that the word as a critical term was first applied to architecture, in fact it appears earlier in reference to music. Another hypothesis says that the word comes from precursors of the style, Giacomo Barozzi da Vignola and he did not make the distinctions between Mannerism and Baroque that modern writers do, and he ignored the later phase, the academic Baroque that lasted into the 18th century. Long despised, Baroque art and architecture became fashionable between the two World Wars, and has remained in critical favour. In painting the gradual rise in popular esteem of Caravaggio has been the best barometer of modern taste, William Watson describes a late phase of Shang-dynasty Chinese ritual bronzes of the 11th century BC as baroque. The term Baroque may still be used, usually pejoratively, describing works of art, craft, the appeal of Baroque style turned consciously from the witty, intellectual qualities of 16th-century Mannerist art to a visceral appeal aimed at the senses. It employed an iconography that was direct, simple, obvious, germinal ideas of the Baroque can also be found in the work of Michelangelo. Even more generalised parallels perceived by some experts in philosophy, prose style, see the Neapolitan palace of Caserta, a Baroque palace whose construction began in 1752. In paintings Baroque gestures are broader than Mannerist gestures, less ambiguous, less arcane and mysterious, more like the stage gestures of opera, Baroque poses depend on contrapposto, the tension within the figures that move the planes of shoulders and hips in counterdirections. Baroque is a style of unity imposed upon rich, heavy detail, Baroque style featured exaggerated lighting, intense emotions, release from restraint, and even a kind of artistic sensationalism. There were highly diverse strands of Italian baroque painting, from Caravaggio to Cortona, the most prominent Spanish painter of the Baroque was Diego Velázquez. The later Baroque style gradually gave way to a more decorative Rococo, while the Baroque nature of Rembrandts art is clear, the label is less often used for Vermeer and many other Dutch artists. Flemish Baroque painting shared a part in this trend, while continuing to produce the traditional categories
Baroque
–
The Triumph of the Immaculate by
Paolo de Matteis
Baroque
–
The Church of
Sant'Andrea al Quirinale, designed by
Gian Lorenzo Bernini
Baroque
–
Brooch of an African,
Walters Art Museum
Baroque
–
Aeneas Flees Burning Troy,
Federico Barocci, 1598
14.
Nave
–
The nave /ˈneɪv/ is the central aisle of a basilica church, or the main body of a church between its western wall and its chancel. It is the zone of a church accessible by the laity, the nave extends from the entry — which may have a separate vestibule — to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave and it provides the central approach to the high altar. The term nave is from medieval Latin navis, a ship was an early Christian symbol. The term may also have suggested by the keel shape of the vaulting of a church. The earliest churches were built when builders were familiar with the form of the Roman basilica and it had a wide central area, with aisles separated by columns, and with windows near the ceiling. Old St. Peters Basilica in Rome is a church which had this form. It was built in the 4th century on the orders of Roman emperor Constantine I, the nave, the main body of the building, is the section set apart for the laity, while the chancel is reserved for the clergy. In medieval churches the nave was separated from the chancel by the rood screen, medieval naves were divided into bays, the repetition of form giving an effect of great length, and the vertical element of the nave was emphasized. During the Renaissance, in place of dramatic effects there were more balanced proportions, longest nave in Denmark, Aarhus Cathedral,93 metres. Longest nave in England, St Albans Cathedral, St Albans,84 metres, longest nave in Ireland, St Patricks Cathedral, Dublin,91 metres. Longest nave in France, Bourges Cathedral,91 metres, including choir where a crossing would be if there were transepts, longest nave in Germany, Cologne cathedral,58 metres, including two bays between the towers. Longest nave in Italy, St Peters Basilica in Rome,91 metres, longest nave in Spain, Seville,60 metres, in five bays. Longest nave in the United States, Cathedral of Saint John the Divine, New York City, highest vaulted nave, Beauvais Cathedral, France,48 metres high but only one bay of the nave was actually built but choir and transepts were completed to the same height. Highest completed nave, Rome, St. Peters, Italy,46 metres high, abbey, with architectural discussion and groundplans Cathedral architecture Cathedral diagram List of highest church naves
Nave
–
The nave of the
Saint-Sulpice Church in Paris, France
Nave
–
Schematical illustration of a plan view of a cathedral, with the coloured area showing the nave.
Nave
–
The Romanesque nave of the abbey church of
Saint-Georges-de-Boscherville, Normandy, France, has a triforium passage above the aisle vaulting.
Nave
–
A fresco showing Old St Peter's Basilica, built in the 4th century: the central area, illuminated by high windows, is flanked by aisles.
15.
Italian language
–
By most measures, Italian, together with Sardinian, is the closest to Latin of the Romance languages. Italian is a language in Italy, Switzerland, San Marino, Vatican City. Italian is spoken by minorities in places such as France, Montenegro, Bosnia & Herzegovina, Crimea and Tunisia and by large expatriate communities in the Americas. Many speakers are native bilinguals of both standardized Italian and other regional languages, Italian is the fourth most studied language in the world. Italian is a major European language, being one of the languages of the Organisation for Security and Cooperation in Europe. It is the third most widely spoken first language in the European Union with 65 million native speakers, including Italian speakers in non-EU European countries and on other continents, the total number of speakers is around 85 million. Italian is the working language of the Holy See, serving as the lingua franca in the Roman Catholic hierarchy as well as the official language of the Sovereign Military Order of Malta. Italian is known as the language of music because of its use in musical terminology and its influence is also widespread in the arts and in the luxury goods market. Italian has been reported as the fourth or fifth most frequently taught foreign language in the world, Italian was adopted by the state after the Unification of Italy, having previously been a literary language based on Tuscan as spoken mostly by the upper class of Florentine society. Its development was influenced by other Italian languages and to some minor extent. Its vowels are the second-closest to Latin after Sardinian, unlike most other Romance languages, Italian retains Latins contrast between short and long consonants. As in most Romance languages, stress is distinctive, however, Italian as a language used in Italy and some surrounding regions has a longer history. What would come to be thought of as Italian was first formalized in the early 14th century through the works of Tuscan writer Dante Alighieri, written in his native Florentine. Dante is still credited with standardizing the Italian language, and thus the dialect of Florence became the basis for what would become the language of Italy. Italian was also one of the recognised languages in the Austro-Hungarian Empire. Italy has always had a dialect for each city, because the cities. Those dialects now have considerable variety, as Tuscan-derived Italian came to be used throughout Italy, features of local speech were naturally adopted, producing various versions of Regional Italian. Even in the case of Northern Italian languages, however, scholars are not to overstate the effects of outsiders on the natural indigenous developments of the languages
Italian language
–
Dante Alighieri (above) and
Petrarch (below) were influential in establishing their
Tuscan dialect as the most prominent literary language in all of
Italy in the
Late Middle Ages
Italian language
–
The geographic distribution of the Italian language in the world: large Italian-speaking communities are shown in green; light blue indicates areas where the Italian language was used officially during the Italian colonial period.
Italian language
Italian language
–
Pietro Bembo was an influential figure in the development of the Italian language from the Tuscan dialect, as a literary medium, codifying the language for standard modern usage
16.
French language
–
French is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages, French has evolved from Gallo-Romance, the spoken Latin in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues doïl—languages historically spoken in northern France and in southern Belgium, French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the Frankish language of the post-Roman Frankish invaders. Today, owing to Frances past overseas expansion, there are numerous French-based creole languages, a French-speaking person or nation may be referred to as Francophone in both English and French. French is a language in 29 countries, most of which are members of la francophonie. As of 2015, 40% of the population is in Europe, 35% in sub-Saharan Africa, 15% in North Africa and the Middle East, 8% in the Americas. French is the fourth-most widely spoken mother tongue in the European Union, 1/5 of Europeans who do not have French as a mother tongue speak French as a second language. As a result of French and Belgian colonialism from the 17th and 18th century onward, French was introduced to new territories in the Americas, Africa, most second-language speakers reside in Francophone Africa, in particular Gabon, Algeria, Mauritius, Senegal and Ivory Coast. In 2015, French was estimated to have 77 to 110 million native speakers, approximately 274 million people are able to speak the language. The Organisation internationale de la Francophonie estimates 700 million by 2050, in 2011, Bloomberg Businessweek ranked French the third most useful language for business, after English and Standard Mandarin Chinese. Under the Constitution of France, French has been the language of the Republic since 1992. France mandates the use of French in official government publications, public education except in specific cases, French is one of the four official languages of Switzerland and is spoken in the western part of Switzerland called Romandie, of which Geneva is the largest city. French is the language of about 23% of the Swiss population. French is also a language of Luxembourg, Monaco, and Aosta Valley, while French dialects remain spoken by minorities on the Channel Islands. A plurality of the worlds French-speaking population lives in Africa and this number does not include the people living in non-Francophone African countries who have learned French as a foreign language. Due to the rise of French in Africa, the total French-speaking population worldwide is expected to reach 700 million people in 2050, French is the fastest growing language on the continent. French is mostly a language in Africa, but it has become a first language in some urban areas, such as the region of Abidjan, Ivory Coast and in Libreville. There is not a single African French, but multiple forms that diverged through contact with various indigenous African languages, sub-Saharan Africa is the region where the French language is most likely to expand, because of the expansion of education and rapid population growth
French language
–
The
"arrêt" signs (French for "stop") are used in
Canada while the international stop, which is also a valid French word, is used in France as well as other French-speaking countries and regions.
French language
–
Regions where French is the main language
French language
–
Town sign in
Standard Arabic and French at the entrance of
Rechmaya in
Lebanon.
French language
–
An obsolete 100
Lebanese pound note with the French language inscriptions "Banque du Liban" and "Cent livres".
17.
Latin language
–
Latin is a classical language belonging to the Italic branch of the Indo-European languages. The Latin alphabet is derived from the Etruscan and Greek alphabets, Latin was originally spoken in Latium, in the Italian Peninsula. Through the power of the Roman Republic, it became the dominant language, Vulgar Latin developed into the Romance languages, such as Italian, Portuguese, Spanish, French, and Romanian. Latin, Italian and French have contributed many words to the English language, Latin and Ancient Greek roots are used in theology, biology, and medicine. By the late Roman Republic, Old Latin had been standardised into Classical Latin, Vulgar Latin was the colloquial form spoken during the same time and attested in inscriptions and the works of comic playwrights like Plautus and Terence. Late Latin is the language from the 3rd century. Later, Early Modern Latin and Modern Latin evolved, Latin was used as the language of international communication, scholarship, and science until well into the 18th century, when it began to be supplanted by vernaculars. Ecclesiastical Latin remains the language of the Holy See and the Roman Rite of the Catholic Church. Today, many students, scholars and members of the Catholic clergy speak Latin fluently and it is taught in primary, secondary and postsecondary educational institutions around the world. The language has been passed down through various forms, some inscriptions have been published in an internationally agreed, monumental, multivolume series, the Corpus Inscriptionum Latinarum. Authors and publishers vary, but the format is about the same, volumes detailing inscriptions with a critical apparatus stating the provenance, the reading and interpretation of these inscriptions is the subject matter of the field of epigraphy. The works of several hundred ancient authors who wrote in Latin have survived in whole or in part and they are in part the subject matter of the field of classics. The Cat in the Hat, and a book of fairy tales, additional resources include phrasebooks and resources for rendering everyday phrases and concepts into Latin, such as Meissners Latin Phrasebook. The Latin influence in English has been significant at all stages of its insular development. From the 16th to the 18th centuries, English writers cobbled together huge numbers of new words from Latin and Greek words, dubbed inkhorn terms, as if they had spilled from a pot of ink. Many of these words were used once by the author and then forgotten, many of the most common polysyllabic English words are of Latin origin through the medium of Old French. Romance words make respectively 59%, 20% and 14% of English, German and those figures can rise dramatically when only non-compound and non-derived words are included. Accordingly, Romance words make roughly 35% of the vocabulary of Dutch, Roman engineering had the same effect on scientific terminology as a whole
Latin language
–
Latin inscription, in the
Colosseum
Latin language
–
Julius Caesar 's
Commentarii de Bello Gallico is one of the most famous classical Latin texts of the Golden Age of Latin. The unvarnished, journalistic style of this
patrician general has long been taught as a model of the urbane Latin officially spoken and written in the floruit of the
Roman republic.
Latin language
–
A multi-volume Latin dictionary in the
University Library of Graz
Latin language
–
Latin and Ancient Greek Language - Culture - Linguistics at
Duke University in 2014.
18.
Piazza Navona
–
Piazza Navona is a piazza in Rome, Italy. It is built on the site of the Stadium of Domitian, built in 1st century AD, the ancient Romans went there to watch the agones, and hence it was known as Circus Agonalis. It is believed that time the name changed to in avone to navone. Piazza Navona has two other fountains, at the southern end is the Fontana del Moro with a basin and four Tritons sculpted by Giacomo della Porta to which, in 1673, Bernini added a statue of a Moor, or African, wrestling with a dolphin. At the northern end is the Fountain of Neptune also created by Giacomo della Porta, during its history, the piazza has hosted theatrical events and other ephemeral activities. From 1652 until 1866, when the festival was suppressed, it was flooded on every Saturday and Sunday in August in elaborate celebrations of the Pamphilj family. The pavement level was raised in the 19th century, and in 1869 the market was moved to the nearby Campo de Fiori, a Christmas market is held in the piazza. During June 2008, Ron Howard directed several scenes of the adaptation of Angels & Demons on the southern section of the piazza. The piazza is featured in scenes of director Mike Nichols 1970 adaptation of Joseph Hellers novel. The Fontana dei Quattro Fiumi was used in the 1990 film Coins in the Fountain, the characters threw coins into the fountain as they made wishes. The Trevi Fountain was used in the 1954 version of the film, the piazza is featured in Eugene Levys Once Upon A Crime film. In the early hours of 3 September 2011, the Fontana del Moro was damaged by a vandal, roth, Leland M. Understanding Architecture, Its Elements, History, and Meaning. Birds eye view of Piazza Navona, virtual Tour of Piazza Navona Bernini Fountains Video Introduction
Piazza Navona
–
Piazza Navona 2013
Piazza Navona
–
Fontana dei Quattro Fiumi on Piazza Navona 2013
Piazza Navona
–
The Piazza looking south
Piazza Navona
–
Fountain of the four Rivers with Egyptian
obelisk, in the middle of Piazza Navona
19.
Louis IX of France
–
Louis IX, commonly known as Saint Louis, was King of France from 1226 until his death. Louis was crowned in Reims at the age of 12, following the death of his father Louis VIII the Lion, although his mother, Blanche of Castile, ruled the kingdom until he reached maturity. During Louiss childhood, Blanche dealt with the opposition of rebellious vassals, as an adult, Louis IX faced recurring conflicts with some of the most powerful nobles, such as Hugh X of Lusignan and Peter of Dreux. Simultaneously, Henry III of England tried to restore his continental possessions and his reign saw the annexation of several provinces, notably Normandy, Maine and Provence. Louis IX was a reformer and developed French royal justice, in which the king is the judge to whom anyone is able to appeal to seek the amendment of a judgment. He banned trials by ordeal, tried to prevent the private wars that were plaguing the country, to enforce the correct application of this new legal system, Louis IX created provosts and bailiffs. According to his vow made after an illness, and confirmed after a miraculous cure. He was succeeded by his son Philip III, Louiss actions were inspired by Christian values and Catholic devotion. He decided to punish blasphemy, gambling, interest-bearing loans and prostitution and he also expanded the scope of the Inquisition and ordered the burning of Talmuds. He is the only canonized king of France, and there are many places named after him. Much of what is known of Louiss life comes from Jean de Joinvilles famous Life of Saint Louis, two other important biographies were written by the kings confessor, Geoffrey of Beaulieu, and his chaplain, William of Chartres. The fourth important source of information is William of Saint-Parthus biography, while several individuals wrote biographies in the decades following the kings death, only Jean of Joinville, Geoffrey of Beaulieu, and William of Chartres wrote from personal knowledge of the king. Louis was born on 25 April 1214 at Poissy, near Paris, the son of Prince Louis the Lion and Princess Blanche, and baptised in La Collégiale Notre-Dame church. His grandfather on his fathers side was Philip II, king of France, while his grandfather on his mothers side was Alfonso VIII, tutors of Blanches choosing taught him most of what a king must know—Latin, public speaking, writing, military arts, and government. He was 9 years old when his grandfather Philip II died, a member of the House of Capet, Louis was twelve years old when his father died on 8 November 1226. He was crowned king within the month at Reims cathedral, because of Louiss youth, his mother ruled France as regent during his minority. Louis mother trained him to be a leader and a good Christian. She used to say, I love you, my son, as much as a mother can love her child
Louis IX of France
–
Representation of Saint Louis considered to be true to life, early 14th century. Statue from the church of
Mainneville, Eure, France.
Louis IX of France
–
Coin of Saint Louis,
Cabinet des Médailles. – The Latin inscription reads LVDOVICVS (i.e. "Louis") DEI GRACIA (i.e. "
by the Grace of God ", where Latin gratia was spelt gracia) FRANCOR REX (i.e. "
King of the Franks ", where Francor. is the abbreviation of Francorum).
Louis IX of France
–
Equestrian statue of King Saint Louis at the
Sacré-Cœur
Louis IX of France
–
Death of Saint Louis: On 25 August 1270, Saint Louis dies under his fleurdelisé tent before the city of Tunis. Illuminated by
Jean Fouquet,
Grandes Chroniques de France (1455–1460)
20.
Cardinal-Priest
–
A cardinal is a senior ecclesiastical leader, considered a Prince of the Church, and usually an ordained bishop of the Roman Catholic Church. The cardinals of the Church are collectively known as the College of Cardinals, the duties of the cardinals include attending the meetings of the College and making themselves available individually or in groups to the Pope as requested. Most have additional duties, such as leading a diocese or archdiocese or managing a department of the Roman Curia, a cardinals primary duty is electing the pope when the see becomes vacant. During the sede vacante, the governance of the Holy See is in the hands of the College of Cardinals. The right to enter the conclave of cardinals where the pope is elected is limited to those who have not reached the age of 80 years by the day the vacancy occurs. In 1059, the right of electing the pope was reserved to the clergy of Rome. The term was applied in this sense as early as the century to the priests of the tituli of the diocese of Rome. The Church of England retains an instance of this origin of the title, which is held by the two senior members of the College of Minor Canons of St Pauls Cathedral. In Rome the first persons to be called cardinals were the deacons of the seven regions of the city at the beginning of the 6th century, when the word began to mean principal, eminent, or superior. The name was given to the senior priest in each of the title churches of Rome. By the 8th century the Roman cardinals constituted a class among the Roman clergy. They took part in the administration of the church of Rome, by decree of a synod of 769, only a cardinal was eligible to become pope. In 1059, during the pontificate of Nicholas II, cardinals were given the right to elect the pope under the Papal Bull In nomine Domini. For a time this power was assigned exclusively to the cardinal bishops, Cardinals were granted the privilege of wearing the red hat by Pope Innocent IV in 1244. In cities other than Rome, the name began to be applied to certain church men as a mark of honour. This meaning of the word spread rapidly, and from the 9th century various episcopal cities had a class among the clergy known as cardinals. The use of the title was reserved for the cardinals of Rome in 1567 by Pius V, in the year 1563 the influential Ecumenical Council of Trent, headed by Pope Pius IV, wrote about the importance of selecting good Cardinals. The earlier influence of temporal rulers, notably the French kings, in early modern times, cardinals often had important roles in secular affairs
Cardinal-Priest
–
Saint Peter
Cardinal-Priest
–
Cardinal Richelieu, chief minister of
France
Cardinal-Priest
–
Cardinal Innitzer,
Archbishop of Vienna and Cardinal-Priest of
San Crisogono
Cardinal-Priest
–
Choir dress of a cardinal.
21.
Saracens
–
Saracen was a term widely used among Christian writers in Europe during the Middle Ages. The terms meaning evolved during its history, in Europe during the Early Medieval era, the term came to be associated with Arab tribes as well. By the 12th century, Saracen had become synonymous with Muslim in Medieval Latin literature, such expansion in the meaning of the term had begun centuries earlier among the Byzantine Romans, as evidenced in documents from the 8th century. In the Western languages before the 16th century, Saracen was commonly used to refer to Muslim Arabs, the term Saraceni might be derived from the Semitic triliteral root srq signifies to steal, rob, plunder. The noun sāriq - sariqīn means, ptolemys 2nd century work, Geography, describes Sarakēnē as a region in the northern Sinai Peninsula. Ptolemy also mentions a people called the Sarakēnoi living in the northwestern Arabian Peninsula, the Augustan History also refers to an attack by Saraceni on Pescennius Nigers army in Egypt in 193, but provides little information as to identifying them. Both Hippolytus of Rome and Uranius mention three distinct peoples in Arabia during the first half of the century, the Saraceni, the Taeni. The Taeni, later identified with the Arabic-speaking people called Tayy, were located around Khaybar, the Saraceni were placed north of them. These Saracens, located in the northern Hejaz, were described as people with a certain military ability who were opponents of the Roman Empire, the Saracens are described as forming the equites from Phoenicia and Thamud. In one document the defeated enemies of Diocletians campaign in the Syrian Desert are described as Saracens. Other 4th century military reports make no mention of Arabs but refer to as Saracens groups ranging as far east as Mesopotamia that were involved in battles on both the Sasanian and Roman sides. The Saracens were named in the Roman administrative document Notitia Dignitatum—dating from the time of Theodosius I in the 4th century—as comprising distinctive units in the Roman army and they were distinguished in the document from Arabs. Beginning no later than the fifth century, Christian writers began to equate Saracens with Arabs. Saracens were associated with Ishmaelites in some strands of Jewish, Christian and this claim was popular during the Middle Ages, but derives more from Paul’s allegory in the New Testament letter to the Galatians than from historical data. The name Saracen was not indigenous among the populations so described but was applied to them by Greco-Roman historians based on Greek place names. As the Middle Ages progressed, usage of the term in the Latin West changed, but its connotation remained negative, associated with opponents of Christianity, in an 8th-century polemical work, John of Damascus criticized the Saracens as followers of a false prophet and forerunner to the Antichrist. By the 12th century, Medieval Europeans had more specific conceptions of Islam and used the term Saracen as an ethnic, in some Medieval literature, Saracens—that is, Muslims—were described as black-skinned, while Christians were lighter-skinned. An example is in The King of Tars, a medieval romance, the Song of Roland, an Old French 11th-century heroic poem, refers to the black skin of Saracens as their only exotic feature
Saracens
–
A 12th-century Byzantine manuscript illumination depicting Byzantine Greeks executing Cretan Saracens in the 9th century. From the
Madrid Skylitzes by
John Skylitzes.
Saracens
–
A depiction of Saracens in a 15th-century woodcut
22.
Abbey of Farfa
–
Farfa Abbey is a territorial abbey in northern Lazio, central Italy. It is one of the most famous abbeys of Europe and it belongs to the Benedictine Order and is located about 60 km from Rome, in the commune of Fara Sabina, of which is also a hamlet. Archaeological discoveries in 1888 find strong evidence that the first monastic establishment was built on the ruins of a pagan temple and this first monastery was devastated by the Vandals in the fifth century. Only a handful of sixth-century finds document the presence of the monastic community. In the seventh century, a wave of Irish monasticism spread over Italy, the foundation the Abbey of Saint Columbanus in Bobbio. and of Farfa by monks from Gaul, about 681, heralded a revival of the great Benedictine tradition in Italy. While in prayer before the Holy Sepulchre, the Virgin Mary in a vision warned him to return to Italy, and restore Farfa, faroald II, who had also had a vision, was commanded to aid in this work. Thomas died in 720, and for more than a century Frankish abbots ruled at Farfa, the Lombard chiefs, and later the Carolingians, succeeded in withdrawing Farfa from obedience to the Bishops of Rieti, and in securing many immunities and privileges for the monastery. In 898, the abbey was sacked by Saracens who then burned it, campo was exiled, and a holy monk with the Merovingian name of Dagibert took his place. At the end of five years, he died by poison —. The monks robbed the altars of their ornaments, and led lives of unbridled vice, owing to the protection of the Emperor Otho, the abbot John III, who had been consecrated circa 967 by the pope, succeeded in re-establishing a semblance of order. But the great reformer of Farfa was Hugues and his nomination as abbot was not secured without simony — but the success of his government palliates the vice of his election. At this instance, abbots Odilo of Cluny and William of Dijon, visited Farfa, the Consuetudines Farfenses drawn up about 1010 under the supervision of Guido, successor to Hugues of Farfa, bear witness to the care with which Hugues organized the monastic life at Farfa. These works are important for the historian of the period. One of Hugues successors, Berard I, abbot from 1049 to 1089, the monk Gregory of Catino arranged the archives. In 1103, Gregory wrote the Largitorium, or Liber Notarius sive emphiteuticus, Gregory was a man of real learning, remarkable in that, as early as the eleventh century, he wrote history with accuracy of view-point, and a great wealth of information. The monks of Farfa owned 683 churches or convents, two towns, Centumcellæ and Alatri,132 castles,16 strongholds,7 seaports,8 salt mines,14 villages,82 mills,315 hamlets, all this wealth was a hindrance to the religious life once more. Between 1119 and 1125, Farfa was troubled by the rivalries between Abbot Guido, and the monk Berard who aimed at being abbot, during the Investiture conflict, Farfa was, more or less, on the side of the Ghibellines. The monks issued an Orthodoxa defensio imperialis in support of the Ghibelline party
Abbey of Farfa
–
The Abbey of Farfa.
Abbey of Farfa
–
View of the abbey from Monte Acuziano
Abbey of Farfa
–
Abbey's tower.
Abbey of Farfa
–
The main street of the hamlet below the abbey
23.
Otto III
–
Otto III was Holy Roman Emperor from 996 until his early death in 1002. A member of the Ottonian dynasty, Otto III was the son of the Emperor Otto II. Otto III was crowned as King of Germany in 983 at the age of three, shortly after his fathers death in southern Italy while campaigning against the Byzantine Empire, though the nominal ruler of Germany, Otto IIIs minor status ensured his various regents held power over the Empire. His cousin Henry II, Duke of Bavaria, initially claimed regency over the young king, Otto III was then still a child, so his grandmother, the Dowager Empress Adelaide of Italy, served as regent until 994. In 996, Otto III marched to Italy to claim the titles King of Italy and Holy Roman Emperor, Otto III also sought to reestablish Imperial control over the city of Rome, which had revolted under the leadership of Crescentius II, and through it the papacy. Crowned as Emperor, Otto III put down the Roman rebellion and installed his cousin as Pope Gregory V, after the Emperor had pardoned him and left the city, Crescentius II again rebelled, deposing Gregory V and installing John XVI as Pope. Otto III returned to the city in 998, reinstalled Gregory V, when Gregory V died in 999, Otto III installed Sylvester II as the new Pope. Otto IIIs actions throughout his life further strengthened imperial control over the Catholic Church, from the beginning of his reign, Otto III faced opposition from the Slavs along the eastern frontier. Following the death of his father in 983, the Slavs rebelled against imperial control, Otto III would fight to regain the Empires lost territories throughout his reign with only limited success. While in the east, Otto III strengthened the Empires relations with Poland, Bohemia, returning to Rome in 1001, Otto III faced a rebellion by the Roman aristocracy, which forced him to flee the city. While marching to reclaim the city in 1002, however, Otto III suffered a sudden fever, with no clear heir to succeed him, his early death threw the Empire into political crisis. Otto III was born in June or July 980 somewhere between Aachen and Nijmegen, the only son of Emperor Otto II and his wife Theophanu, Otto III was the youngest of the couples four children. Immediately prior to Otto IIIs birth, his father had completed military campaigns in France against King Lothar, on 14 July 982, Otto IIs army suffered a crushing defeat against the Muslim Emirate of Sicily at the Battle of Stilo. Otto II had been campaigning in southern Italy with hopes of annexing the whole of Italy into the Holy Roman Empire, Otto II himself escaped the battle unharmed but many important imperial officials were among the battles casualties. This was the first time a German ruler had been elected on Italian soil, after the assembly was concluded, Otto III and his mother Theophanu travelled across the Alps in order for Otto to be crowned at Aix, the traditional location of the coronation of the German kings. Otto II stayed behind to address military action against the Muslims, while still in central Italy, however, Otto II suddenly died on 7 November 983, and was buried in St. Peters Basilica in Rome. Otto III was crowned as king on Christmas Day 983, three weeks after his fathers death, by Willigis, the Archbishop of Mainz, and by John, news of Otto IIs death first reached Germany shortly after his sons coronation. The unresolved problems in southern Italy and the Slavic uprising on the Empires eastern border made the Empires political situation extremely unstable, with a minor on the throne, the Empire was thrown into confusion and Otto IIIs mother Theophanu assumed the role of regent for her young son
Otto III
–
Otto III from the
Gospels of Otto III
Otto III
–
Henry II, Duke of Bavaria, served as Otto III's regent from 983 to 984. Following a failed rebellion to claim the throne from himself, Henry II was forced to pass the regency to Otto III's mother
Theophanu.
Otto III
–
Otto III's mother
Theophanu served as his regent from 984 until her death in 991.
Otto III
–
The
Imperial Crown of the Holy Roman Empire. Otto III was crowned as Emperor in 994 by
Pope Gregory V.
24.
Medici
–
The family originated in the Mugello region of the Tuscan countryside, gradually rising until they were able to fund the Medici Bank. The bank was the largest in Europe during the 15th century, the Medici produced three Popes of the Catholic Church—Pope Leo X, Pope Clement VII, and Pope Leo XI, two regent queens of France—Catherine de Medici and Marie de Medici. In 1531, the family became hereditary Dukes of Florence, in 1569, the duchy was elevated to a grand duchy after territorial expansion. They ruled the Grand Duchy of Tuscany from its inception until 1737, the grand duchy witnessed degrees of economic growth under the earlier grand dukes, but by the time of Cosimo III de Medici, Tuscany was fiscally bankrupt. Their wealth and influence initially derived from the textile trade guided by the guild of the Arte della Lana. They, along with families of Italy—such as the Visconti and Sforza of Milan, the Este of Ferrara. The Medici Bank was one of the most prosperous and most respected institutions in Europe, there are some estimates that the Medici family were the wealthiest family in Europe for a time. From this base, they acquired political power initially in Florence and later in wider Italy, a notable contribution to the profession of accounting was the improvement of the general ledger system through the development of the double-entry bookkeeping system for tracking credits and debits. The Medici family were among the earliest businesses to use the system, the Medici family came from the agricultural Mugello region, north of Florence, being mentioned for the first time in a document of 1230. The origin of the name is uncertain, Medici is the plural of medico, also written del medico or delmedigo, meaning, medical doctor. It has been suggested that the derived from one Medico di Potrone, a castellan of Potrone in the late 11th century. The dynasty began with the founding of the Medici Bank, until the late 14th century, prior to the Medici, the leading family of Florence was the House of Albizzi. In 1293 the Ordinances of Justice were enacted, which became the constitution of the republic of Florence throughout the Italian Renaissance. The citys numerous luxurious palazzi were becoming surrounded by townhouses, built by the ever prospering merchant class. In 1298, one of the leading banking families of Europe, the main challengers to the Albizzi family were the Medicis, first under Giovanni de Medici, later under his son Cosimo di Giovanni de Medici and great-grandson, Lorenzo de Medici. The Medici controlled the Medici bank—then Europes largest bank—and an array of other enterprises in Florence, in 1433, the Albizzi managed to have Cosimo exiled. The next year, however, a pro-Medici Signoria was elected, the Medici became the citys leading family, a position they would hold for the next three centuries. Cosimo and Lorenzo rarely held official posts but were the unquestioned leaders, some examples of these families include the Bardi, Salviati, Cavalcanti, and the Tornabuoni
Medici
–
Giovanni di Bicci de' Medici, founder of the Medici bank.
Medici
–
Medici
Medici
–
The Confirmation of the Rule by
Domenico Ghirlandaio.
Medici
–
Cosimo I the Great, founder of the
Grand Duchy of Tuscany
25.
Loreto (AN)
–
Loreto is a hilltown and comune of the Italian province of Ancona, in the Marche. It is most commonly known as the seat of the Basilica della Santa Casa, Loreto is located 127 metres above sea level on the right bank of the Musone river. It is 22 kilometres by rail south-southeast of Ancona, like many places in the Marche, it provides good views from the Apennines to the Adriatic. The city has also a line of walls designed by Antonio da Sangallo the Younger. Notes Official website Official website of the sanctuary Catholic Encyclopedia article Loreto
Loreto (AN)
–
Piazza della Madonna with façade of the Basilica
Loreto (AN)
–
The Basilica della Santa Casa from behind
Loreto (AN)
–
The Basilica della Santa Casa
26.
Holy See
–
The Holy See, also referred to as the See of Rome, is the ecclesiastical jurisdiction of the Catholic Church in Rome, the episcopal see of the Pope, and an independent sovereign entity. It serves as the point of reference for the Catholic Church everywhere. Today, it is responsible for the governance of all Catholics, organised in their Particular Churches, Patriarchates, as an independent sovereign entity, holding the Vatican City enclave in Rome as sovereign territory, it maintains diplomatic relations with other states. Diplomatically, the Holy See acts and speaks for the whole church and it is also recognised by other subjects of international law as a sovereign entity, headed by the Pope, with which diplomatic relations can be maintained. The creation of the Vatican City state was meant to ensure the diplomatic, in Greek, the adjective holy or sacred is constantly applied to all such sees as a matter of course. The word see comes from the Latin word sedes, meaning seat, while Saint Peters basilica in Vatican City is perhaps the church most associated with the Papacy, the actual cathedral of the Holy See is the church of Saint John Lateran within the city of Rome. The Pope governs the Catholic Church through the Roman Curia, the Secretariat of State, under the Cardinal Secretary of State, directs and coordinates the Curia. The incumbent, Archbishop Pietro Parolin, is the Sees equivalent of a prime minister, Archbishop Paul Gallagher, Secretary of the Section for Relations with States of the Secretariat of State, acts as the Holy Sees minister of foreign affairs. Parolin was named in his role by Pope Francis On 31 August 2013, mamberti was named in his role by Pope Benedict XVI in September 2006. The Secretariat of State is the body of the Curia that is situated within Vatican City. The others are in buildings in different parts of Rome that have rights similar to those of embassies. The Roman Rota handles normal judicial appeals, the most numerous being those that concern alleged nullity of marriage and it also oversees the work of other ecclesiastical tribunals at all levels. The most important of these is the Administration of the Patrimony of the Apostolic See, the Prefecture of the Papal Household is responsible for the organization of the papal household, audiences, and ceremonies. The Holy See does not dissolve upon a Popes death or resignation and it instead operates under a different set of laws sede vacante. The government of the See, and therefore of the Catholic Church, canon law prohibits the College and the Camerlengo from introducing any innovations or novelties in the government of the Church during this period. In 2001, the Holy See had a revenue of 422.098 billion Italian lire, the Guardian newspaper described Mennini and his role in the following manner. Paolo Mennini, who is in effect the popes merchant banker, Mennini heads a special unit inside the Vatican called the extraordinary division of APSA – Amministrazione del Patrimonio della Sede Apostolica – which handles the patrimony of the Holy See. The Holy See has been recognized, both in practice and in the writing of modern legal scholars, as a subject of public international law, with rights
Holy See
–
The
papal throne (
cathedra), in the apse of
Archbasilica of St. John Lateran, symbolises the Holy See.
27.
Charlemagne
–
Charlemagne or Charles the Great, numbered Charles I, was the King of the Franks from 768, King of the Lombards from 774 and Emperor of the Romans from 800. He united much of Europe during the early Middle Ages and he was the first recognised emperor in western Europe since the fall of the Western Roman Empire three centuries earlier. The expanded Frankish state which Charlemagne founded was called the Carolingian Empire, Charlemagne was the oldest son of Pepin the Short and Bertrada of Laon. He became king in 768 following his fathers death, initially as co-ruler with his brother Carloman I, carlomans sudden death in 771 in unexplained circumstances left Charlemagne as the undisputed ruler of the Frankish Kingdom. He continued his fathers policy towards the papacy and became its protector, removing the Lombards from power in northern Italy and he campaigned against the Saxons to his east, Christianising them upon penalty of death and leading to events such as the Massacre of Verden. Charlemagne reached the height of his power in 800 when he was crowned Emperor of the Romans by Pope Leo III on Christmas Day at Old St. Peters Basilica. Charlemagne has been called the Father of Europe, as he united most of Western Europe for the first time since the Roman Empire and his rule spurred the Carolingian Renaissance, a period of energetic cultural and intellectual activity within the Western Church. All Holy Roman Emperors considered their kingdoms to be descendants of Charlemagnes empire, up to the last Emperor Francis II and these and other machinations led to the eventual split of Rome and Constantinople in the Great Schism of 1054. Charlemagne died in 814, having ruled as emperor for thirteen years and he was laid to rest in his imperial capital of Aachen in what is today Germany. He married at least four times and had three sons, but only his son Louis the Pious survived to succeed him. By the 6th century, the western Germanic Franks had been Christianised, Francia, ruled by the Merovingians, was the most powerful of the kingdoms that succeeded the Western Roman Empire. Following the Battle of Tertry the Merovingians declined into powerlessness, for which they have dubbed the rois fainéants. Almost all government powers were exercised by their chief officer, the mayor of the palace, in 687, Pepin of Herstal, mayor of the palace of Austrasia, ended the strife between various kings and their mayors with his victory at Tertry. He became the governor of the entire Frankish kingdom. Pepin was the grandson of two important figures of the Austrasian Kingdom, Saint Arnulf of Metz and Pepin of Landen, Pepin of Herstal was eventually succeeded by his illegitimate son Charles, later known as Charles Martel. After 737, Charles governed the Franks in lieu of a king, Charles was succeeded in 741 by his sons Carloman and Pepin the Short, the father of Charlemagne. In 743, the brothers placed Childeric III on the throne to curb separatism in the periphery and he was the last Merovingian king. Carloman resigned office in 746, preferring to enter the church as a monk, Pepin brought the question of the kingship before Pope Zachary, asking whether it was logical for a king to have no royal power
Charlemagne
–
A coin of Charlemagne with the inscription KAROLVS IMP AVG (Karolus Imperator Augustus)
Charlemagne
–
Francia, early 8th century
Charlemagne
–
External video
Charlemagne
–
Moorish Hispania in 732
28.
St. Clothilde
–
Clotilde was born at the Burgundian court of Lyon, the daughter of King Chilperic II of Burgundy. After the death of Chilperic, her mother seems to have made her home with Godegisil at Geneva, soon after the death of Chilperic, Clovis asked and obtained the hand of Clotilda. They were married in the same year, the marriage produced the following children, Ingomer. Chlodomer, King of the Franks at Orléans from 511, Childebert I, King of the Franks at Paris from 511. Chlothar I, King of the Franks at Soissons from 511, Clotilde, married Amalaric, King of the Visigoths. Clotilde was brought up in the Catholic faith and did not rest until her husband had abjured Arianism, according to Gregory of Tours Historia Francorum, when Clotilde had their first child baptised, he died soon after. Clovis upbraided her, but when Chlodomer was born, she insisted on baptising him also, although Chlodomer did indeed fall ill, he soon after recovered. Clotildes victory came in 496, when Clovis converted to Catholicism, according to tradition, on the eve of the Battle of Tolbiac against the Alamanni, Clovis prayed to God, swearing to be baptised if he emerged victorious on the battlefield. When he did indeed triumph, Clovis readily took the faith, with him Clotilde built at Paris the Church of the Holy Apostles, afterwards known as the Abbey of St Genevieve. After Clovis death in 511, she retired to the Abbey of St. Martin at Tours, in 523 Clotildes sons went to war against her cousin, King Sigismund of Burgundy, the son of Gundobad, which led to Sigismunds deposition and imprisonment. Sigismund was assassinated the year and his body thrown down a well in symbolic retaliation for the deaths of Clotildes parents. Subsequently, her eldest son Chlodomer was killed during the following Burgundian campaign under Sigismunds successor King Godomar at the Battle of Vézeronce and her daughter, also named Clotilde, also died about this time. Clotilde tried in vain to protect the rights of her three grandsons, the children of Chlodomer, against the claims of her surviving sons Childebert, Chlothar had two of them killed, while only Clodoald managed to escape and later chose an ecclesiastical career. She was equally unsuccessful in her efforts to prevent the civil discords between her children, after these failures, Clotilde appeared to dedicate herself to a saintly life. She occupied herself with the building of churches and monasteries, preferring to distance herself from the struggles of the court. Churches associated with her are located at Laon, and Rouen, Clotilde died in 544 or 545 at Tours, of natural causes, she was buried at her husbands side, in the Church of the Holy Apostles. Clotildes cult made her the patron of queens, widows, brides, in Normandy especially she was venerated as guarding the lame and those who suffered violent death and ill-tempered husbands. In art she is often depicted presiding over the baptism of Clovis, several fine images of her remain, particularly in the 16th century stained glass window at Andelys
St. Clothilde
–
A sculpture of Saint Clotilde, Notre-Dame de Corbeil, 12th century
St. Clothilde
–
St Clotilde at prayer (illuminated initial)
St. Clothilde
–
Clotilde and her sons, Grandes Chroniques de Saint-Denis
29.
Joan of France, Duchess of Berry
–
Joan of France, was briefly Queen of France as wife of King Louis XII, in between the death of her brother, King Charles VIII, and the annulment of her marriage. After that, she retired to her domain, where she founded the monastic Order of the Sisters of the Annunciation of Mary. From this Order later sprang the religious congregation of the Apostolic Sisters of the Annunciation and she was canonized on 28 May 1950 and is known in the Roman Catholic Church as Saint Joan of Valois, O. Ann. M. Joan was born on 23 April 1464 in the castle of Pierre II de Brézé and she was the second daughter of King Louis XI of France and of his second wife Charlotte of Savoy, her surviving siblings were King Charles VIII of France and Anne of France. Shortly after her birth, the signed an agreement to marry her to his second cousin Louis, the Duke of Orléans, later King Louis XII of France. Jeanne was born sickly and deformed, in Women Saints – Lives of Faith and Courage, Kathleen Jones says that Jeanne had a hump on her back and walked with a limp, suggesting that she had curvature of the spine. Often away on duties, King Louis entrusted his daughters, Joan and Anne, to the Baron François de Linières and his wife. The couple, who were childless, lavished affection on Joan, taking charge of her education, they had her taught both poetry and mathematics, painting, embroidery and how to play the lute. The couple were also faithful Catholics and instilled in the members of their household a solid grounding in the faith, at a young age, her father asked her to name the confessor she wanted. She gave him the name she knew, that of Friar Jean de La Fontaine. The king approved her choice and appointed the friar to this post, despite the distance between them, he would travel regularly to hear the princesss confession. Joan began to develop a strong pleasure in prayer, and would pass long periods in the castle chapel, the baron supported her in this and had a path paved between the castle and the chapel built for easier walking in poor weather. Under the friars guidance she was admitted into the Third Order of St. Francis, in 1471 King Louis XI ordered the practice of praying the Hail Mary throughout the kingdom for peace. Joan had an attachment to this particular prayer. She would later write that it was in same year that she had received a prophecy from the Virgin Mary that some day she would found a religious community in honor of Our Lady. In 1473 King Louis had signed contracts for his daughters. On 8 September 1476, at the age of 12, Joan was married to the young Louis, Louis of Orléans was compelled to be married to his handicapped and supposedly sterile cousin Joan. By doing so, Louis XI hoped to extinguish the Orléans cadet branch of the House of Valois, Louis was displeased at the forced marriage, and his treatment of his new wife reflected this
Joan of France, Duchess of Berry
–
Saint Joan of Valois, O.Ann.M.
Joan of France, Duchess of Berry
–
A contemporary portrait of Joan of France.
30.
Charles-Joseph Natoire
–
Charles-Joseph Natoire was a French painter in the Rococo manner, a pupil of François Lemoyne and director of the French Academy in Rome, 1751-1775. Considered during his lifetime the equal of François Boucher, he played a prominent role in the life of France. In 1721 he obtained the Prix de Rome with a Sacrifice of Manoah to obtain a son, on 30 June 1723 he was appointed a pensionnaire at the French Academy in Rome, at the time lodged in the Palazzo Mancini, where he arrived in October. During his stay he executed a copy of Pietro da Cortonas Rape of the Sabine Women, in December 1725 he won a first prize from the Accademia di San Luca with a Moses Returning from Sinai. In 1728 he painted for the French ambassador, the prince de Polignac, Natoire returned to Paris via Venice in the early part of 1729. He was received into the Académie royale de peinture et de sculpture on 30 September 1730 and his reputation was quickly established, and he received major commissions. From 1731 to 1740 he provided several suites of canvasses for Philibert Orry, contrôleur général des finances, during the same period, in 1732 he provided three overdoors on Old Testament subjects for the duc dAntin in Paris. In June 1734, Natoire submitted to an Exposition de la Jeunesse in place Dauphine a Galatea, in 1737 he received the commission at the Hôtel de Soubise. From 1741, he produced a series of cartoons for the History of Mark Anthony woven at the Gobelins, in 1747, he painted the portrait of Louis, Dauphin of France. In a more familiar vein, he provided a Saint Stephen, a major loss was his illusionistic decor for the chapel in the Hôpital des Enfants-Trouvés, built by Germain Boffrand but demolished in the 19th century. Also in 1747 he participated in the organized by the new general director of the Bâtiments du Roi, Le Normant de Tournehem, with the Triumph of Bacchus. In 1751, Natoire was appointed director of the French Academy in Rome, a prestigious position, far from court, Natoire witnessed his rivals Carle Van Loo, then François Boucher named premier peintre du Roi in turn. His own fresco of the Apotheosis of Saint Louis for the French national Church of San Luigi dei Francesi, 1754–1756, Natoires late work, in the two decades that remained to him was largely confined to numerous drawings of the Campagna for his own pleasure, and few canvasses. The new general director of the Bâtiments, the comte dAngiviller retired Natoire from office in June 1775 and he withdrew to Castel Gandolfo, where he died. This article depends in part on a translation from French Wikipedia
Charles-Joseph Natoire
–
Gustaf Lundberg 's portrait of Charles-Joseph Natoire (
Musée du Louvre).
Charles-Joseph Natoire
–
Sibylle
Charles-Joseph Natoire
–
Portrait of French bishop and theologian Jean-Joseph Languet de Gergy.
Charles-Joseph Natoire
–
Venus Demanding Arms from Vulcan for Aeneas.
31.
Saint Louis IX
–
Louis IX, commonly known as Saint Louis, was King of France from 1226 until his death. Louis was crowned in Reims at the age of 12, following the death of his father Louis VIII the Lion, although his mother, Blanche of Castile, ruled the kingdom until he reached maturity. During Louiss childhood, Blanche dealt with the opposition of rebellious vassals, as an adult, Louis IX faced recurring conflicts with some of the most powerful nobles, such as Hugh X of Lusignan and Peter of Dreux. Simultaneously, Henry III of England tried to restore his continental possessions and his reign saw the annexation of several provinces, notably Normandy, Maine and Provence. Louis IX was a reformer and developed French royal justice, in which the king is the judge to whom anyone is able to appeal to seek the amendment of a judgment. He banned trials by ordeal, tried to prevent the private wars that were plaguing the country, to enforce the correct application of this new legal system, Louis IX created provosts and bailiffs. According to his vow made after an illness, and confirmed after a miraculous cure. He was succeeded by his son Philip III, Louiss actions were inspired by Christian values and Catholic devotion. He decided to punish blasphemy, gambling, interest-bearing loans and prostitution and he also expanded the scope of the Inquisition and ordered the burning of Talmuds. He is the only canonized king of France, and there are many places named after him. Much of what is known of Louiss life comes from Jean de Joinvilles famous Life of Saint Louis, two other important biographies were written by the kings confessor, Geoffrey of Beaulieu, and his chaplain, William of Chartres. The fourth important source of information is William of Saint-Parthus biography, while several individuals wrote biographies in the decades following the kings death, only Jean of Joinville, Geoffrey of Beaulieu, and William of Chartres wrote from personal knowledge of the king. Louis was born on 25 April 1214 at Poissy, near Paris, the son of Prince Louis the Lion and Princess Blanche, and baptised in La Collégiale Notre-Dame church. His grandfather on his fathers side was Philip II, king of France, while his grandfather on his mothers side was Alfonso VIII, tutors of Blanches choosing taught him most of what a king must know—Latin, public speaking, writing, military arts, and government. He was 9 years old when his grandfather Philip II died, a member of the House of Capet, Louis was twelve years old when his father died on 8 November 1226. He was crowned king within the month at Reims cathedral, because of Louiss youth, his mother ruled France as regent during his minority. Louis mother trained him to be a leader and a good Christian. She used to say, I love you, my son, as much as a mother can love her child
Saint Louis IX
–
Representation of Saint Louis considered to be true to life, early 14th century. Statue from the church of
Mainneville, Eure, France.
Saint Louis IX
–
Coin of Saint Louis,
Cabinet des Médailles. – The Latin inscription reads LVDOVICVS (i.e. "Louis") DEI GRACIA (i.e. "
by the Grace of God ", where Latin gratia was spelt gracia) FRANCOR REX (i.e. "
King of the Franks ", where Francor. is the abbreviation of Francorum).
Saint Louis IX
–
Equestrian statue of King Saint Louis at the
Sacré-Cœur
Saint Louis IX
–
Death of Saint Louis: On 25 August 1270, Saint Louis dies under his fleurdelisé tent before the city of Tunis. Illuminated by
Jean Fouquet,
Grandes Chroniques de France (1455–1460)
32.
Clovis I
–
He is considered to have been the founder of the Merovingian dynasty, which ruled the Frankish kingdom for the next two centuries. Clovis was the son of Childeric I, a Merovingian king of the Salian Franks, and Basina, in 481, at the age of fifteen, Clovis succeeded his father. Clovis is important in the historiography of France as the first king of what would become France and his name is Germanic, composed of the elements hlod and wig, and is the origin of the later French given name Louis, borne by 18 kings of France. Dutch, the most closely related language to Frankish, reborrowed the name as Lodewijk from German in the 12th century. Clovis was baptized on Christmas Day in 508, numerous small Frankish kingdoms existed during the 5th century. After the collapse of Roman power in the last days of 406 the Salian Franks had expanded to the south of the military highway Boulogne-Cologne. The powerbase of Clovis father was the area around Tournai, in the current province of Hainault, upon the death of his father, Merovech in 457 Childeric I, Clovis father, became king of the subgroup of the Salian Franks based around Tournai. In 463 he fought in conjunction with Aegidius, the magister militum of northern Gaul, Childeric died in 481 and was buried in Tournai, Clovis succeeded him as king, aged just 15. Under Clovis, the Salian Franks came to dominate their neighbours, historians believe that Childeric and Clovis were both commanders of the Roman military in the Province of Belgica Secunda and were subordinate to the magister militum. Clovis then had the Frankish king Chararic imprisoned and executed, a few years later, he killed Ragnachar, the Frankish king of Cambrai, along with his brothers. Another victory followed in 491 over a group of Thuringians to the east. By this time Clovis had conquered all the Frankish kingdoms to the west of the River Maas and he secured an alliance with the Ostrogoths through the marriage of his sister Audofleda to their king, Theodoric the Great. With the help of the Ripuarian Franks he narrowly defeated the Alamanni in the Battle of Tolbiac in 496 and he made Paris his capital and established an abbey dedicated to Saints Peter and Paul on the south bank of the Seine. In 500 Clovis fought a battle with the Burgundian kingdom at Dijon but was unable to subdue them, the battle added most of Aquitaine to Clovis kingdom and resulted in the death of the Visigothic king Alaric II. According to Gregory of Tours, following the Battle of Vouillé, since Clovis name does not appear in the consular lists, it is likely he was granted a suffect consulship. Clovis became the first king of all Franks in 508, after he had conquered Cologne and this contrasted with Catholicism, whose followers believe that God the Father, Jesus and the Holy Spirit are three persons of one being. By the time of the ascension of Clovis, Gothic Arians dominated Christian Gaul and this included his wife, Clotilde, a Burgundian princess who was a Catholic in spite of the Arianism that surrounded her at court. Clotilde evangelized Clovis to convert to Catholicism, which he initially resisted, Clotilde had wanted her son to be baptized, but Clovis refused to allow it, so Clotilde had the child baptized without Cloviss knowledge
Clovis I
–
Clovis roi des Francs by
François-Louis Dejuinne (1786–1844)
Clovis I
–
Clovis I leading the Franks to victory in the
Battle of Tolbiac, in
Ary Scheffer 's 19th-century painting
Clovis I
–
Frankish territories at the time of Clovis' death
Clovis I
–
Tomb of Clovis I at the
Basilica of St Denis in
Saint Denis
33.
Domenichino
–
Domenico Zampieri, known as Domenichino for his shortness, was an Italian Baroque painter of the Bolognese or Carracci School of painters. Domenichino was born in Bologna, son of a shoemaker, and he left Bologna for Rome in 1602 and became one of the most talented apprentices to emerge from Annibale Carraccis supervision. As a young artist in Rome he lived with his slightly older Bolognese colleagues Albani and Guido Reni, and worked alongside Lanfranco, meanwhile, he had completed frescoes c. Following Annibale Carraccis death in 1609, Annibales Bolognese pupils, foremost Domenichino, Albani, Reni and Lanfranco, became the leading painters in Rome. One of Domenichinos masterpieces, his frescoes of Scenes of the Life of Saint Cecilia in the Polet Chapel of San Luigi dei Francesi, was commissioned in 1612 and completed in 1615. Concurrently he painted his first, and most celebrated, altarpiece and it subsequently would be judged as being comparable to Raphaels great Transfiguration and even as the best picture in the world. With the election of a Bolognese pope in 1621, Domenichino returned to Rome, appointed Papal Architect, he nonetheless continued to be most active as a painter, obtaining many commissions for altarpieces in Roman churches. His Scenes from the Life of San Gennaro occupied him for the rest of his life and he painted four large lunettes, four pendentives, and twelve scenes in the soffits of the arches, all in fresco, plus three large altarpieces in oil on copper. He died, perhaps by poison at the hands of the jealous Cabal of Naples, before completing the fourth altarpiece or the cupola, at the time of his death, Domenichinos chief assistant was an obscure painter from Assisi, Francesco Raspantino, who inherited his masters studio. Earlier, Domenichinos principal pupils were Alessandro Fortuna, Giovanni Battista Ruggieri, Antonio Alberti called Barbalonga, Francesco Cozza, Andrea Camassei, others who studied in his studio include Poussin, Pietro Testa, and his future biographer, Giovanni Pietro Bellori. The portrait of Agucchi in York used to be attributed to Domenichino, Imitation in this sense is not copying but a creative process inspired by rhetorical theory whereby revered models are not only emulated but surpassed. Jerome from an altarpiece of the subject in Bologna by his former teacher. Like Domenichinos paintings, its sources were in ancient models and aimed at clarity of expression capable of moving its audience, as the Florentine composer Giulio Caccini held and Domenichino surely believed, the aim of the composer/artist was to move the passion of the mind. To achieve that goal, Domenichino paid particular attention to expressive gestures, Domenichinos composite score of 58 nonetheless was surpassed only by Raphael and Rubens, and it equalled that of the Carracci. The Balance reflects Domenichinos high standing in the history of European taste— until John Ruskin in the 1840s wrote his devastating attacks on Bolognese Baroque painting in his Modern Painters, the Carracci and their followers were condemned by Ruskin as being insincere. For Ruskin, there was no entirely sincere nor any great art from the seventeenth century, in 1996 the first major exhibition of his work was held at the Palazzo Venezia in Rome. 1620, Royal Collection, Hampton Court Madonna of Loreto with Saints John the Baptist, Paterniano, 1618–19, North Carolina Museum of Art) Rinaldo and Armida, c. 1620–21, Louvre, Paris Martyrdom of St Peter Martyr, c, 1622-23, Louvre, Paris Saint Ignatius de Loyola’s Vision of Christ and God the Father, c
Domenichino
–
St. John the Evangelist, c. 1621–29
Domenichino
–
Domenichino (Domenico Zampieri) The Way to Calvary
Domenichino
–
Domenico Zampieri, The Adoration of the Shepherds, c. 1607-10, Oil on canvas, 143 x 115cm, National Gallery of Scotland
Domenichino
–
Domenichino - Landscape with Tobias
34.
Saint Cecilia
–
Saint Cecilia is the patroness of musicians. It is written that as the musicians played at her wedding she sang in her heart to the Lord and her feast day is celebrated in the Latin Catholic, Eastern Catholic, Anglican, and Eastern Orthodox churches on November 22. She is one of seven women, excluding the Blessed Virgin, while the details of her story appear to be fictional, her existence and martyrdom are considered a historical fact. She is said to have been beheaded with a sword, an early Roman Christian church, Santa Cecilia, was founded in the fourth century in the Trastevere section of Rome, reputedly on the site of the house in which she lived. A number of compositions are dedicated to her, and her feast day, November 22, became the occasion for concerts. St. Cecilia is one of the most famous of the Roman martyrs, according to Johann Peter Kirsch, while it is a pious romance, like so many others compiled in the fifth and sixth century, the existence of the martyrs, however, is a historical fact. The relation between St. Cecilia and Valerianus, Tiburtius, and Maximus, mentioned in the Acts of the Martyrs, has some historical foundation. Her feast day has been celebrated since about the fourth century, the research of Giovanni Battista de Rossi agrees with the statement of Venantius Fortunatus, Bishop of Poitiers, that she perished in Sicily under Emperor Marcus Aurelius between 176 and 180. According to the story, despite her vow of virginity, she was forced by her parents to marry a nobleman named Valerian. During the wedding, Cecilia sat apart singing to God in her heart, when Valerian asked to see the angel, Cecilia replied that he could if he would go to the third milestone on the Via Appia and be baptized by Pope Urban I. After following Cecilias advice, he saw the angel standing beside her, the martyrdom of Cecilia is said to have followed that of her husband Valerian and his brother at the hands of the prefect Turcius Almachius. The legend about Cecilia’s death says that after being three times on the neck with a sword, she lived for three days, and asked the pope to convert her home into a church. Cecilia was buried at the Catacombs of St. Callistus, in 1599, her body was found still incorrupt, seeming to be asleep. There is no mention of Cecilia in the Depositio Martyrum, but there is a record of an early Roman church founded by a lady of this name, the church of Santa Cecilia in Trastevere is reputedly built on the site of the house in which she lived. The original church was constructed in the century, during the ninth century. In 1599, while leading a renovation of the church, Cardinal Paolo Emilio Sfondrati had the remains, the name Cecilia was shared by all women of the Roman gens known as the Caecilii, whose name may be related to the root of caecus. Legends and hagiographies, mistaking it for a name, suggest fanciful etymologies. The first record of a festival in her honor was held at Évreux in Normandy in 1570
Saint Cecilia
–
Saint Cecilia by
Guido Reni, 1606
Saint Cecilia
–
Domenichino, A head study for the fresco of "Saint Cecilia playing the Organ" at the abbey of
Grottaferrata, 1608–10
Saint Cecilia
–
John William Waterhouse - Saint Cecilia, 1895: "In a clear walled city on the sea. Near gilded organ pipes – slept St. Cecily"
Saint Cecilia
–
Saint Cecilia with an Angel, Gentileschi
35.
Francesco da Bassano the Younger
–
Francesco Bassano the Younger, also called Francesco Giambattista da Ponte or Francesco da Ponte the Younger, was an Italian painter of the Renaissance period. He was born at Bassano del Grappa near Venice, the eldest son of Jacopo Bassano and he studied with his father and worked in the Bassano family workshop along with his three brothers, including Giambattista and Girolamo. He moved to Venice where he ran the branch of the business. He was prone to hypochondria, which exasperated his other ailments and his third brother Leandro Bassano continued the family legacy of painting. Walter Armstrong & Robert Edmund Graves, ed, dictionary of Painters and Engravers, Biographical and Critical. York St. #4, Covent Garden, London, Original from Fogg Library, Digitized May 18,2007, George Bell and Sons
Francesco da Bassano the Younger
–
Summer,
Hermitage Museum, St. Petersburg (1570-1580).
Francesco da Bassano the Younger
–
Adoration of the Shephards
36.
Girolamo Muziano
–
Girolamo Muziano, was one of the most prominent Italian painters, active in the mid-to-late sixteenth century. He was born in Acquafredda, near Brescia, but active mainly in Rome, the accounts from the 16th to 20th centuries regarding Muzianos life said he began work under the tutelage of Romanino, an imitator of Titian. He then spent time in Venice until 1549, but moved permanently to Rome about 1550 and he was known there as Il giovane dei paesi, but although he continued to draw and paint landscapes throughout his career, he aspired instead to grand manner figure painting. He painted historical painting in a style based largely on Michelangelo, giving prominence to the monumental anatomy of his figures. His Resurrection of Lazarus was painted for the Colonna palace in Subiaco and it established his fame, Michelangelo himself pronounced its author one of the first artists of that age. The painting was placed in the church of Santa Maria Maggiore above the artists tomb, it was afterwards transferred to the Quirinal Palace. The painting returns to an organization and narrative composition more typical of the High Renaissance than of Muzianos Mannerist contemporaries. Muziano came to be the leading artist in Rome during the 1570-80s and he worked for Cardinal Ippolito II dEste from 1560–66, and his frescoes for the Cardinals villas in Tivoli could be seen in Villa dEste. This last painting was one of two altarpieces that Muziano painted for St. Peters Basilica during the time when Muziano served as superintendent of works for Pope Gregory XIII. Muziano also designed mosaics for the Gregorian Chapel in the basilica and his works can also be seen Santa Caterina dei Funari, the Galleria Colonna, in Orvieto, and in the church of San Francesco in Frascati. He died in 1592, and was buried in the church of Santa Maria Maggiore, among his pupils was Paolo Rossetti of Cento. Cristo riceve gli ambasciatori del Battista - Museo antico Tesoro- Loreto Landscape with waterfall Three paintings Attribution Chisholm, Hugh, ed. Muziano, freedberg, Sydney J. Pelican History of Art, ed. Italy cyberguide entry Brief bio of Muziano from the Web Gallery of Art This article incorporates text from a now in the public domain, Chisholm, Hugh, ed. Muziano
Girolamo Muziano
–
Resurrection of Lazarus, 1556.
Museo dell'Opera del Duomo,
Orvieto
Girolamo Muziano
–
Hercules slaying Nemean Lion – First Labor (1565),
Villa d'Este, Tivoli.
Girolamo Muziano
–
Hercules slaying Lernaean Hydra – Second Labor (1565),
Villa d'Este, Tivoli.
Girolamo Muziano
–
Hercules steals the Apples of the Hesperides – Twelfth Labor (1565),
Villa d'Este, Tivoli.
37.
Giovanni Baglione
–
Giovanni Baglione was an Italian Late Mannerist and Early Baroque painter and art historian. He was born and died in Rome, but from his own account came from a family of Perugia. A pupil of the obscure Florentine artist working in Rome, Francesco Morelli, he worked mainly in Rome, to Rudolf Wittkower, his style vacillated between progressive trends, without absorbing them fully. He spent 1621–1622 in Mantua as the court artist of Duke Ferdinando Gonzaga, otherwise he remained in Rome, where he was long successful in attracting commissions from the Papal court and aristocracy. His paintings have been described by the art historian Steven F, the quality of his work declined sharply in the 1630s, by which time he was in his late sixties. He was a member of the Accademia from 1593 until his death, apart from the regular later title of first historian of the Roman Baroque, in his lifetime he was also nicknamed Il Sordo del Barozzo as he suffered from deafness. He died in Rome on 30 December 1643 at the age of 77 and he published two books, The nine churches of Rome, and The Lives of Painters, Sculptors, Architects and Engravers, active from 1572–1642. The latter is seen as an important historical source for artists living in Rome during the lifetime of Baglione. It marks a watershed in the literature of Rome-the turning point between the older tradition of devotional guidebooks. and the modern tradition of artistic guides. His biographies cover over two hundred artists in various media, all of whom had worked in Rome and were dead by the time he published. He carefully notes information about the status and progress of his subjects. He recorded all signs of status, including houses, dress, collections, permission to wear a sword, splendid funerals. Running throughout Le vite, in words, is an abiding concern with the honor of the profession-with the elevated status. As far as possible, his descriptions of works concentrated on those accessible to the public, bagliones best known painting, Sacred Love and Profane Love, was a direct response to Caravaggios Amor Vincit Omnia. Bagliones painting exists in two versions, the earlier in the Gemäldegalerie, Berlin and the later in the Galleria Nazionale dArte Antica at Palazzo Barberini in Rome. Both show Sacred Love as a winged figure interrupting a meeting between Cupid, shown as in the Caravaggio as a smaller and naked winged figure. In the later Rome version the devil is portrayed with the features of Caravaggio. What in the two brothers was probably a family joke reflected serious rivalry between the artists concerned
Giovanni Baglione
–
Engraving by
Ottavio Leoni, 1625
Giovanni Baglione
–
Drawing of Saint Catherine, Carried up to Heaven by Angels, c. 1625
Giovanni Baglione
–
Giovanni Baglione, Sacred Love and Profane Love, 1602. Oil on canvas, 240 x 143 cm. Rome,
Galleria Nazionale d'Arte Antica di
Palazzo Barberini.
Giovanni Baglione
–
Michelangelo Merisi da Caravaggio,
Amor Vincit Omnia, ca 1602. Oil on canvas, 156.5 x 113.3 cm.
Gemäldegalerie, Berlin.
38.
Girolamo Siciolante da Sermoneta
–
Girolamo Siciolante da Sermoneta began his career as an Italian Mannerist painter but later adopted the reformist naturalism of Girolamo Muziano in the 1560s and 70s. He was active in Rome in the mid 16th century, native to Sermoneta, he was reputed to have been a pupil of Leonardo da Pistoia. His first known work is a once in the Valvisciolo Abbey. In Piacenza he painted a Holy Family with Saint Michael, in 1548, he painted a Madonna with Six Saints for San Martino Maggiore in Bologna. In the 1560s, he painted a Life of the Virgin for San Tommaso dei Cenci and he was one of many Mannerist contributors to the Sala Regia of the Palazzo Quirinale. Also in Rome, he painted a Transfiguration for Santa Maria in Aracoeli, a Nativity for Santa Maria della Pace, and he painted a Virgin enthroned with saints for the church of San Bartolomeo at Ancona. He painted a series of highly ornate frescoes for the Palazzo Baronale at Cisterna di Latina, freedberg, Sydney J. Pelican History of Art, ed. Ralph Nicholson Wornum, ed. Biographical catalogue of the principal Italian painters, woodfall & Kinder, Angel Court, Skinner Street, London, Digitized by Googlebooks from Oxford University copy on Jun 27,2006. This article incorporates text from a now in the public domain, Chisholm, Hugh
Girolamo Siciolante da Sermoneta
–
Girolamo Siciolante da Sermoneta, Saint Lucia and Saint Agathe, mural in the Basilica
Santa Maria sopra Minerva
39.
Jacopino del Conte
–
Jacopino del Conte was an Italian Mannerist painter, active in both Rome and Florence. The Preaching fresco was based on a drawing by Perin del Vaga, in 1547–48, in collaboration with Siciolante da Sermoneta, Conte completed the fresco decoration of the chapel of San Remigio in San Luigi dei Francesi. In 1552, he painted another work for the San Giovanni Decollato Oratory, although the specific dates of his birth and death were not documented, in his final year Jacopino del Conte would have been 89 years old. Freedberg, Sydney J. Pelican History of Art, ed, image of The Virgin and Child with St Elizabeth and the infant Baptist, by Conte at The Fitzwilliam Museum in UK
Jacopino del Conte
–
Frescoes in the Oratory of San Giovanni Decollato (detail).
40.
Pellegrino Tibaldi
–
Pellegrino Tibaldi, also known as Pellegrino di Tibaldo de Pellegrini, was an Italian mannerist architect, sculptor, and mural painter. Tibaldi was born in Puria di Valsolda, then part of the duchy of Milan and he may have apprenticed with Bagnacavallo or Innocenzo da Imola. His first documented painting was likely as at 15 years of age, in 1547, he went to Rome to study under Perin del Vaga. He was employed in the decoration of the Sala del Consiglio of Castel SantAngelo, when Perino died in 1547, Tibaldi became the leader in the large scale fresco painting of the chambers and doorways. The frescoes are described as Michelangelesque in influence, other works were for Cardinal Giovanni Poggi in Bologna, and he carried out numerous commissions for him. Tibaldi painted frescoes of the Story of Ulysses in the Palazzo Poggi, scenes from the life of the Baptist in the Poggi chapel, and scenes from the Life of Moses in the Palazzo Sacchetti in Rome. He constructed a chapel for his patron, in the church of S. Giacomo Maggiore, and painted for it a St. John preaching in the Wilderness, and he lived in Ancona between 1558 and 1561. Here he painted frescoes for Loggia dei Mercanti and Palazzo Ferretti, in Milan he worked also as a civil architect, projecting the Spinola, Erba Odescalchi and Prospero Visconti palaces. In 1575 he was commissioned by Cardinal Tolomeo Gallio the construction of Villa dEste on the shores of Lake Como, in 1586 he went to Spain, where he followed and replaced Federico Zuccari as main court painter. He painted in the cloisters of El Escorial at the request of King Philip II. His greatest work were frescoes in the library, after nine years, he returned to Italy and was appointed architect of the Duomo of Milan until his death in Milan in 1592. Pellegrinos brother, Domenico Pellegrino Tibaldi was an active in Bologna. Among his pupils were Orazio Samacchini, Lorenzo Sabbatini, and Girolamo Miruoli and his son Domenico Tibaldi is known mainly as an architect in Bologna. Marriage of St. Michael – El Escorial, Madrid Martyrdom of St. J, Pellegrino Tibaldi – Catholic Encyclopedia article Bryan, Michael. Walter Armstrong & Robert Edmund Graves, ed, dictionary of Painters and Engravers, Biographical and Critical. York St. #4, Covent Garden, London, Original from Fogg Library, Digitized May 18,2007, George Bell and Sons
Pellegrino Tibaldi
–
Holy Family with St. Elizabeth, at the
Hermitage Museum,
Saint Petersburg.
Pellegrino Tibaldi
–
San Sebastiano (Milan)
41.
Antoine Derizet
–
Antoine Dérizet, of Lyon, was an experimentally classicizing French Late Baroque architect who spent much of his career in Rome, where he designed the churches of Church of SS. He also provided designs for the marble revetment and stuccoes added to the interior of San Luigi dei Francesi, Dérizet lectured at the Accademia di San Luca on his theory of proportional harmonies between music and architecture. Quarenghi studied with Dérizet for about a year just before the latter died of apoplexy, a close friend was the painter-collector Adrien Manglard, his compatriot at the Accademia. There is a caricature of Dérizet by Pier Leone Ghezzi
Antoine Derizet
–
Dérizet 's
Church of SS. Claudius and Andrew of the Burgundian, Rome
Antoine Derizet
–
Saint Andrew in a niche
42.
Contarelli Chapel
–
The Contarelli Chapel is located within the church of San Luigi dei Francesi in Rome. It is famous for housing three paintings on the theme of Saint Matthew the Evangelist by the Baroque master Caravaggio, the chapel commemorates the French cardinal Matthieu Cointerel. Cointerels executor, Virglio Cresenzi, commissioned a Flemish sculptor, Jacques Cobaert, to make a statue of Matthew. Giuseppe Cesari, one of the foremost artists then active in Rome, was contracted to fresco the two walls and the vault. Cesaris side walls would show, on the right, Saint Matthew in his house, suitably dressed, rising to go to Our Lord. On the left, Matthew at the moment of his martyrdom, celebrating Mass at the altar, with a crowd of men and women, young and old and children. some appalled and others pitying. Cesari finished the vault by 1593, but then his attention, in 1597 the money for the project was transferred to the Fabbrica di San Pietro, which administered the Churchs buildings, yet still nothing happened. In 1599 preparations began for a Jubilee, France. is not yet suffiently cleansed from the thorns and weeds of heresy and corruption, the Pope had told his French bishops. The new French king, Henry IV, had converted from Protestantism to Catholicism. Conversion, no less than martyrdom, was to be the Popes theme with regard to France, Rome would be crowded with French pilgrims, the clergy in charge of San Luigi became alarmed. The contracts with Caravaggio were signed on 23 July 1599, despite agonisings over the composition of the second painting, Caravaggios The Calling of Saint Matthew and The Martyrdom of Saint Matthew were installed by July 1600. This was later than the contract called for, but after more than two decades it must have been a relief to have anything at all. Moreover, the two caused a sensation, and became the talk of Rome with their dramatic yet realistic approach to the familiar story from the Gospels. In the second version on view today the angel keeps a distance. Caravaggios solution to decorating a typically gloomy Roman church interior was revolutionary, visitors to the Contarelli Chapel today are confronted with paintings that use the gloom instead of fighting against it. Caravaggio also considered the lighting in the chapel, each of the two paintings is lit by a beam of light coming from the same direction as the natural lighting in the chapel itself. The decorative cycle began with the painting on the side of the chapel. It is a panel of the Calling of St. Matthew
Contarelli Chapel
–
The Calling of Saint Matthew, Caravaggio, 1599-1600
Contarelli Chapel
–
The Inspiration of Saint Matthew, Caravaggio, 1599-1600
Contarelli Chapel
–
Paintings in situ
43.
Caravaggio
–
Michelangelo Merisi da Caravaggio was an Italian painter active in Rome, Naples, Malta, and Sicily between 1592 and 1610. His paintings, which combine a realistic observation of the human state, in scarcely a year or so’s sojourn in Naples, he rapidly established himself once more as the most prominent painter, exploiting high-ranking connections. It was not long before these connections gave him an opening to travel on in 1607 to Malta, governed by the Order of Knights Hospitallers, Caravaggio probably hoped that the Knights would provide a channel whereby he could obtain a pardon from the Papacy. Once more his talents made an instant impression, along with the support of noble patrons and his hopes dashed, he contrived to escape and flee once, which before the end of 1608 led to his cancellation from the rolls of the Order. He made for Syracuse in Sicily, where he was received as a guest by a friend from his Roman days, the painter’s face was disfigured and rumours started to circulate of his death. Various commentators have formulated opinions about his state from works supposedly executed at this period. In fact, Caravaggio’s end is shrouded in mystery, mystery that is rendered only denser by conflicting hypotheses, some speak of a natural death from a persistent fever, others of an assassination by emissaries of the Knights of Malta. The loss of the paintings put the deal and his future in doubt, there is evidence that dogged by a serious fever, he was tended by a local religious confraternity near Porto Ercole, then in the Grand Duchy of Tuscany, but succumbed. His death was certified by them as taking place on 18 July 1610, if the story to this point is exact, it is likely he was buried in a paupers’ common grave. As to the place, though this continues to be contested. Famous while he lived, Caravaggio was forgotten almost immediately after his death, despite this, his influence on the new Baroque style that eventually emerged from the ruins of Mannerism was profound. The 20th-century art historian André Berne-Joffroy claimed, What begins in the work of Caravaggio is, quite simply, modern painting. Caravaggio was born in Milan where his father, Fermo, was an administrator and architect-decorator to the Marchese of Caravaggio. His mother, Lucia Aratori, came from a family of the same district. In 1576 the family moved to Caravaggio to escape a plague which ravaged Milan, Caravaggios mother died in 1584, the same year he began his four-year apprenticeship to the Milanese painter Simone Peterzano, described in the contract of apprenticeship as a pupil of Titian. Following his initial training under Simone Peterzano, in 1592 Caravaggio left Milan for Rome, in flight after certain quarrels, in Rome, where there was a demand for paintings to fill the many huge new churches and palazzos being built at the time. It was also a period when the Church was searching for an alternative to Mannerism in religious art that was tasked to counter the threat of Protestantism. Caravaggios innovation was a radical naturalism that combined close observation with a dramatic, even theatrical
Caravaggio
–
Chalk portrait of Caravaggio by
Ottavio Leoni, circa 1621.
Caravaggio
–
Saint Francis of Assisi in Ecstasy (c.1595)
Caravaggio
–
The Musicians, 1595–1596,
Metropolitan Museum of Art,
New York.
Caravaggio
–
Basket of Fruit, c. 1595–1596, oil on canvas,
Pinacoteca Ambrosiana,
Milan.
44.
Saint Matthew
–
Matthew the Apostle was, according to the Christian Bible, one of the twelve apostles of Jesus and, according to Christian tradition, one of the four Evangelists. Matthew may have collected taxes from the Hebrew people for Herod Antipas, Matthew is also listed among the twelve, but without identification of his background, in Mark 3,18, Luke 6,15 and Acts 1,13. Matthew was a 1st-century Galilean, the son of Alpheus, as a tax collector he would have been literate in Aramaic and Greek. His fellow Jews would have despised him for what was seen as collaborating with the Roman occupation force, after his call, Matthew invited Jesus home for a feast. On seeing this, the Scribes and the Pharisees criticized Jesus for eating with tax collectors and sinners and this prompted Jesus to answer, I came not to call the righteous, but sinners to repentance. The New Testament records that as a disciple, he followed Jesus, and was one of the witnesses of the Resurrection, afterwards, the disciples withdrew to an upper room in Jerusalem. The disciples remained in and about Jerusalem and proclaimed that Jesus was the promised Messiah, in the Babylonian Talmud Mattai is one of five disciples of Jeshu. Later Church fathers such as Irenaeus and Clement of Alexandria claim that Matthew preached the Gospel to the Jewish community in Judea, ancient writers are not agreed as to what these other countries are. The Roman Catholic Church and the Orthodox Church each hold the tradition that Matthew died as a martyr, the Gospel of Matthew is anonymous, the author is not named within the text, and the superscription according to Matthew was added some time in the second century. The consensus is that Papias does not describe the Gospel of Matthew as we know it, in the 3rd-century Jewish–Christian gospels attributed to Matthew were used by Jewish–Christian groups such as the Nazarenes and Ebionites. Fragments of these survive in quotations by Jerome, Epiphanius. Most academic study follows the distinction of Gospel of the Nazarenes, Gospel of the Ebionites, critical commentators generally regard these texts as having been composed in Greek and related to Greek Matthew. A minority of commentators consider them to be fragments of a lost Aramaic or Hebrew language original, the Infancy Gospel of Matthew is a 7th-century compilation of three other texts, the Protevangelium of James, the Flight into Egypt, and the Infancy Gospel of Thomas. Origen said the first Gospel was written by Matthew and this Gospel was composed in Hebrew near Jerusalem for Hebrew Christians and translated into Greek, but the Greek copy was lost. The Hebrew original was kept at the Library of Caesarea, the Nazarene Community transcribed a copy for Jerome which he used in his work. Matthews Gospel was called the Gospel according to the Hebrews or sometimes the Gospel of the Apostles, however, this has been challenged by modern biblical scholars such as Bart Ehrman and James R. Edwards. This Gospel has been preserved in the writings of the Church Fathers. Epiphanius does not make his own the claim about a Gospel of the Hebrews written by Matthew, Matthew is recognized as a saint in the Roman Catholic, Eastern Orthodox, Lutheran and Anglican churches
Saint Matthew
–
St. Matthew by
Frans Hals
Saint Matthew
–
Matthew in a painted miniature from a volume of Armenian Gospels dated 1609, held by the
Bodleian Library
Saint Matthew
–
Saint Matthew and the Angel by
Rembrandt
Saint Matthew
–
The statue of St. Matthew at the
Archbasilica of St. John Lateran in the
Vatican by
Camillo Rusconi
45.
The Calling of St Matthew (Caravaggio)
–
The Calling of Saint Matthew is a masterpiece by Michelangelo Merisi da Caravaggio, depicting the moment at which Jesus Christ inspires Matthew to follow him. It was completed in 1599–1600 for the Contarelli Chapel in the church of the French congregation, San Luigi dei Francesi in Rome and it hangs alongside two other paintings of Matthew by Caravaggio, The Martyrdom of Saint Matthew and The Inspiration of Saint Matthew. Over a decade before, Cardinal Matthieu Cointerel had left in his will funds and specific instructions for the decoration of a chapel based on themes related to his namesake, St Matthew. The dome of the chapel was decorated with frescoes by the late Mannerist artist Cavalier DArpino, Caravaggios former employer, the Calling hangs opposite The Martyrdom of Saint Matthew. While the Martyrdom was probably the first to be started, the Calling was, by report, the commission for these two lateral paintings — the Calling and the Martyrdom — is dated July 1599, and final payment was made in July 1600. Between the two, at the altar, is The Inspiration of Saint Matthew. The painting depicts the story from the Gospel of Matthew, Jesus saw a man named Matthew at his seat in the house, and said to him, Follow me. Caravaggio depicts Matthew the tax collector sitting at a table with four other men, Jesus Christ and Saint Peter have entered the room, and Jesus is pointing at Matthew. A beam of light illuminates the faces of the men at the table who are looking at Jesus Christ, there is some debate over which man in the picture is Saint Matthew, as the surprised gesture of the bearded man at the table can be read in two ways. Most writers on the Calling assume Saint Matthew to be the bearded man and this theory is strengthened when one takes into consideration the other two works in this series, The Inspiration of Saint Matthew, and the The Martyrdom of Saint Matthew. The bearded man who models as Saint Matthew appears in all three works, with him playing the role of Saint Matthew in both the Inspiration and the Martyrdom. A more recent interpretation proposes that the man is in fact pointing at the young man at the end of the table. In this reading, the man is asking Him. in response to Christs summons. Other writers describe the painting as deliberately ambiguous, in this painting, the gloom and the canvassed window appears to situate the table indoors. Christ brings the light to the dark space of the sitting tax-collectors. This painting records the collision of two worlds — the ineluctable power of the faith, and the mundane, foppish. Jesus spears him with a beam of light, with an apparent effortless hand gesture he exerts an inescapable sublime gravity, Jesus bare feet are classical simplicity in contrast with the dandified accountants, being barefoot may also symbolize holiness, as if one is on holy ground. Similarly to his treatment of Paul in the Conversion on the Way to Damascus, around the man to become Matthew are either the unperceptive or unperturbed bystanders
The Calling of St Matthew (Caravaggio)
–
The Calling of Saint Matthew
46.
The Inspiration of Saint Matthew
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The Inspiration of Saint Matthew is a painting by the Italian Baroque master Caravaggio. Commissioned by the French Cardinal Matteo Contarelli, the canvas hangs in Contarelli chapel altar in the church of the French congregation San Luigi dei Francesi in Rome, Italy. It is one of three Caravaggio canvases in the chapel, hanging between the larger earlier canvases of The Martyrdom of Saint Matthew, and The Calling of Saint Matthew. This was not a commission for Caravaggio, and at least two of the three paintings had to be either replaced or repainted to satisfy his patron, the Cardinal Del Monte. It is instructive to compare the two versions of the painting to see how provocative and controversial Caravaggio was in his time. Unfortunately, the first, rejected, version of this theme was destroyed in World War II, in the first version, Saint Matthew and the Angel, the angel stands close to Matthew the Evangelist personal space and engages in what appears more direct intervention than divine inspiration. The angel intertwines with the old man, apparently whispering inspiration into his ear, the rejected painting can be compared to the earlier Caravaggio canvas of the Rest on the Flight into Egypt. In the work featured on the altar, the angel belongs to an aerial and sublime dimension, the restless Matthew leans to work, as the angel enumerates for him the work to come. All is darkness but for the two large figures, Matthew appears to have rushed to his desk, his stool teetering into our space. It is thought the contemporary styles of Caravaggio and Carracci were at odds with each other, in this light it is instructive to compare and contrast a similar canvas, by Carraccis pupil, Giovanni Lanfranco presently in Piacenza as well as a painting on a similar theme by Rembrandt
The Inspiration of Saint Matthew
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The Inspiration of Saint Matthew
47.
The Martyrdom of Saint Matthew (Caravaggio)
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The Martyrdom of Saint Matthew is a painting by the Italian master Michelangelo Merisi da Caravaggio. It was the first of the three to be installed in the chapel, in July 1600, the painting shows the martyrdom of Saint Matthew the Evangelist, author of the Gospel of Matthew. According to tradition, the saint was killed on the orders of the king of Ethiopia while celebrating Mass at the altar, the king lusted after his own niece, and had been rebuked by Matthew, for the girl was a nun, and therefore the bride of Christ. The commission, caused Caravaggio considerable difficulty, as he had never painted so large a canvas, nor one with so many figures. The first version revealed by the x-rays is in the Mannerist style of the most admired artist in Rome at the time, Giuseppe Cesari and it must have seemed static and distanced. The second version turned to Raphael for a model, adding a crowd of onlookers displaying fear and pity, at this point Caravaggio left off the Martydom and turned his attention to the companion piece, the Calling. This drew on his own earlier genre-pieces, Cardsharps and The Fortune Teller, apparently re-inspired, or perhaps with renewed self-confidence, Caravaggio turned back to the Martydom, but this time working in his own idiom. This painting marks the moment when the Mannerist orthodoxy of the late 16th century – rational, intellectual, federico Zuccari, one of the most eminent painters in Rome and a champion of Mannerism, came to see, and sniffed that it was nothing. But the younger artists were totally won over, and Caravaggio became suddenly the most famous artist in Rome and it takes concentration to understand that the confused melee is a victory of sainthood. Saint Matthew appears to recoil as he falls before the naked fury of his executioner, burning in the glare of light, who readies his sword to strike. Around the saint are persons showing varied emotions, as required by Contarelli, terror, awe, confusion about the image can be alleviated by understanding that Matthew is not quailing in fear at the executioners strike, instead he reaches for the angels gift. The executioners grasp and the reach are two parallel paths. Only Matthew is privy to the angelic visitation, viewed as such, this is a painting not about a moment of general terror, but the death of a saint as the personal handshake of the divine. Italian Baroque painting and sculpture of the time commonly depicted martyrdoms not as moments of fear and they were, and are, dark and narrow. The figure in the background, about left-centre and behind the assassin, is a self-portrait by Caravaggio, conversion on the Way to Damascus
The Martyrdom of Saint Matthew (Caravaggio)
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The Martyrdom of Saint Matthew
48.
The Calling of St. Matthew
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According to the Gospel of Matthew, As Jesus went on from there, he saw a man named Matthew sitting at the tax collectors booth. Follow me, he told him, and Matthew got up, the Greek, τὸ τελώνιον is often translated as the tax collectors booth or tax office. The King James Version says Matthew was sitting at the receipt of custom, wycliffes translation was sitting in a tollbooth, and the Expanded Bible suggests that the telōnion was probably a tariff booth for taxing goods in transit. In the Gospels of Mark and Luke, the person called is called Levi, also in all three synoptic accounts Jesus is then invited to a banquet, with a crowd of tax collectors and others. The Pharisees then complain, Why do you eat and drink with tax collectors and sinners, Jesus answered them, It is not the healthy who need a doctor, but the sick. I have not come to call the righteous, but sinners to repentance
The Calling of St. Matthew
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The Calling of St. Matthew, by
Vittore Carpaccio, 1502.
49.
Louis XV of France
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Louis XV, known as Louis the Beloved, was a monarch of the House of Bourbon who ruled as King of France and Navarre from 1 September 1715 until his death. He succeeded his great-grandfather Louis XIV at the age of five, Cardinal Fleury was his chief minister from 1726 until the Cardinals death in 1743, at which time the young king took sole control of the kingdom. During his reign, Louis returned the Austrian Netherlands, territory won at the Battle of Fontenoy of 1745, Louis also ceded New France in North America to Spain and Great Britain at the conclusion of the Seven Years War in 1763. He incorporated the territories of Lorraine and Corsica into the kingdom of France and he was succeeded by his grandson Louis XVI in 1774. French culture and influence were at their height in the first half of the eighteenth century, however, many scholars believe that Louis XVs decisions damaged the power of France, weakened the treasury, discredited the absolute monarchy, and made it more vulnerable to distrust and destruction. Evidence for this view is provided by the French Revolution, which broke out 15 years after his death, norman Davies characterized Louis XVs reign as one of debilitating stagnation, characterized by lost wars, endless clashes between the Court and Parliament, and religious feuds. A few scholars defend Louis, arguing that his negative reputation was based on propaganda meant to justify the French Revolution. Jerome Blum described him as a perpetual adolescent called to do a mans job, Louis XV was born in the Palace of Versailles on 15 February 1710 during the reign of Louis XIV. His grandfather, Louis Le Grand Dauphin, had three sons with his wife Marie Anne Victoire of Bavaria, Louis, Duke of Burgundy, Philippe, Duke of Anjou, and Charles, Duke of Berry. Louis XV was the son of the Duke of Burgundy and his wife Marie Adélaïde of Savoy, the eldest daughter of Victor Amadeus II, Duke of Savoy. At birth, Louis XV received a title for younger sons of the French royal family. In April 1711, Louis Le Grand Dauphin suddenly died, making Louis XVs father, the Duke of Burgundy, at that time, Burgundy had two living sons, Louis, Duke of Brittany and his youngest son, the future Louis XV. A year later, Marie Adélaïde, Duchess of Burgundy, contracted smallpox and her husband, said to be heartbroken by her death, died the same week, also having contracted smallpox. Within a week of his death, it was clear that the two children had also been infected. The elder son was treated by bloodletting in an unsuccessful effort to save him. Fearing that the Dauphin would die, the Court had both the Dauphin and the Duke of Anjou baptised, the Dauphin died the same day,8 March 1712. His younger brother, the Duke of Anjou, was treated by his governess, Madame de Ventadour. The two year old Dauphin survived the smallpox, on 1 September 1715, Louis XIV died of gangrene, having reigned for 72 years
Louis XV of France
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Louis XV by
Hyacinthe Rigaud (1730)
Louis XV of France
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Signature
Louis XV of France
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The duke of Brittany with his father Louis, Duke of Burgundy, his grandfather Louis, Le Grand Dauphin and his great-grandfather King Louis XIV in 1709. The future Louis XV, not yet born, is not on the painting.
Louis XV of France
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Two
Louis d'or, 1717, depicting a very young Louis XV
50.
Louis XVI of France
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Louis XVI, born Louis-Auguste, was the last King of France and Navarre before the French Revolution, during which he was also known as Louis Capet. In 1765, at the death of his father, Louis, Dauphin of France, son and heir apparent of Louis XV of France, Louis XVI was guillotined on 21 January 1793. The first part of his reign was marked by attempts to reform France in accordance with Enlightenment ideas and these included efforts to abolish serfdom, remove the taille, and increase tolerance toward non-Catholics. The French nobility reacted to the reforms with hostility. Louis implemented deregulation of the market, advocated by his liberal minister Turgot. In periods of bad harvests, it would lead to food scarcity which would prompt the masses to revolt, from 1776, Louis XVI actively supported the North American colonists, who were seeking their independence from Great Britain, which was realized in the 1783 Treaty of Paris. The ensuing debt and financial crisis contributed to the unpopularity of the Ancien Régime and this led to the convening of the Estates-General of 1789. In 1789, the storming of the Bastille during riots in Paris marked the beginning of the French Revolution. Louiss indecisiveness and conservatism led some elements of the people of France to view him as a symbol of the tyranny of the Ancien Régime. The credibility of the king was deeply undermined, and the abolition of the monarchy, Louis XVI was the only King of France ever to be executed, and his death brought an end to more than a thousand years of continuous French monarchy. Louis-Auguste de France, who was given the title Duc de Berry at birth, was born in the Palace of Versailles. Out of seven children, he was the son of Louis, the Dauphin of France. His mother was Marie-Josèphe of Saxony, the daughter of Frederick Augustus II of Saxony, Prince-Elector of Saxony and King of Poland. A strong and healthy boy, but very shy, Louis-Auguste excelled in his studies and had a taste for Latin, history, geography, and astronomy. He enjoyed physical activities such as hunting with his grandfather, and rough-playing with his brothers, Louis-Stanislas, comte de Provence. From an early age, Louis-Auguste had been encouraged in another of his hobbies, locksmithing, upon the death of his father, who died of tuberculosis on 20 December 1765, the eleven-year-old Louis-Auguste became the new Dauphin. His mother never recovered from the loss of her husband, and died on 13 March 1767, throughout his education, Louis-Auguste received a mixture of studies particular to religion, morality, and humanities. His instructors may have also had a hand in shaping Louis-Auguste into the indecisive king that he became
Louis XVI of France
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King Louis XVI by
Antoine-François Callet
Louis XVI of France
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Marie Antoinette Queen of France with her three eldest children,
Marie-Thérèse,
Louis-Charles and
Louis-Joseph. By
Marie Louise Élisabeth Vigée-Lebrun
Louis XVI of France
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Louis XVI at the age of 20
Louis XVI of France
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Louis-Charles, the dauphin of France and future Louis XVII. By
Marie Louise Élisabeth Vigée-Lebrun.
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Goyau, Georges (1913). "Abbey of Farfa". In Herbermann, Charles. Catholic Encyclopedia. New York: Robert Appleton Company. 
Goyau, Georges (1913). "
