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The cope and drag (top and bottom halves, respectively) of a sand mold, with cores in place on the drag.
The cope and drag (top and bottom halves, respectively) of a sand mold, with cores in place on the drag.
Two sets of raw castings (bronze and aluminium), demonstrating the characteristic granular surface texture before finishing. In contemporary design, t
Two sets of raw castings (bronze and aluminium), demonstrating the characteristic granular surface texture before finishing. In contemporary design, this "sand skin" is often preserved for its aesthetic value.
Molten metal in a crucible poured into sand form, with surface oxidation and residue typical of the casting process.
Molten metal in a crucible poured into sand form, with surface oxidation and residue typical of the casting process.
Sand molding tools and books used in Auckland and Nelson, New Zealand, between approximately 1946 and 1960
Sand molding tools and books used in Auckland and Nelson, New Zealand, between approximately 1946 and 1960
A crucible containing bronze is poured into the Green Sand, which contains a hollow shape below, that will become the finished cast.
A crucible containing bronze is poured into the Green Sand, which contains a hollow shape below, that will become the finished cast.