Sandpainting is the art of pouring coloured sands, and powdered pigments from minerals or crystals, or pigments from other natural or synthetic sources onto a surface to make a fixed or unfixed sand painting. Unfixed sand paintings have a long established cultural history in numerous social groupings around the globe, and are often temporary, ritual paintings prepared for religious or healing ceremonies. This form of art is also referred to as drypainting.
Rangoli, a popular form of Indian sand paintings, in Singapore.
SLNSW 75764 Warriors in Ambush series 49 Aboriginal Mystic Bora Ceremony
Navajo sandpainting, photogravure by Edward S. Curtis, 1907, Library of Congress
Navajo sandpainting, photo by H.S. Poley, published c. 1890–1908, Library of Congress
The Ashtamangala is a sacred suite of Eight Auspicious Signs featured in a number of Indian religions such as Hinduism, Jainism, and Buddhism. The symbols or "symbolic attributes" are yidam and teaching tools. Not only do these attributes point to qualities of enlightened mindstream, but they are the investiture that ornaments these enlightened "qualities". Many cultural enumerations and variations of the Ashtamangala are extant.
Ashtamangala: first row (left to right): parasol, pair of golden fish, conch; second row: treasure vase, lotus; Last row: infinite knot, victory banner and wheel.
Carved wooden door with 8 auspicious signs (Ashtamangala) in Nepal
Auspicious symbol – conch Rewalsar
Auspicious symbol. Two Golden Fish. Likir Monastery, Ladakh