1.
Actor
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An actor is a person who portrays a character in a performance. Simplistically speaking, the person denominated actor or actress is someone beautiful who plays important characters, the actor performs in the flesh in the traditional medium of the theatre, or in modern mediums such as film, radio, and television. The analogous Greek term is ὑποκριτής, literally one who answers, the actors interpretation of their role pertains to the role played, whether based on a real person or fictional character. Interpretation occurs even when the actor is playing themselves, as in forms of experimental performance art, or, more commonly, to act, is to create. Formerly, in societies, only men could become actors. When used for the stage, women played the roles of prepubescent boys. The etymology is a derivation from actor with ess added. However, when referring to more than one performer, of both sexes, actor is preferred as a term for male performers. Actor is also used before the name of a performer as a gender-specific term. Within the profession, the re-adoption of the term dates to the 1950–1960s. As Whoopi Goldberg put it in an interview with the paper, Im an actor – I can play anything. The U. K. performers union Equity has no policy on the use of actor or actress, an Equity spokesperson said that the union does not believe that there is a consensus on the matter and stated that the. subject divides the profession. In 2009, the Los Angeles Times stated that Actress remains the term used in major acting awards given to female recipients. However, player remains in use in the theatre, often incorporated into the name of a group or company, such as the American Players. Also, actors in improvisational theatre may be referred to as players, prior to Thespis act, Grecian stories were only expressed in song, dance, and in third person narrative. In honor of Thespis, actors are commonly called Thespians, the exclusively male actors in the theatre of ancient Greece performed in three types of drama, tragedy, comedy, and the satyr play. Western theatre developed and expanded considerably under the Romans, as the Western Roman Empire fell into decay through the 4th and 5th centuries, the seat of Roman power shifted to Constantinople and the Byzantine Empire. Records show that mime, pantomime, scenes or recitations from tragedies and comedies, dances, from the 5th century, Western Europe was plunged into a period of general disorder
2.
Film director
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A film director is a person who directs the making of a film. Generally, a film director controls a films artistic and dramatic aspects, the director has a key role in choosing the cast members, production design, and the creative aspects of filmmaking. Under European Union law, the director is viewed as the author of the film, the film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized, or noticed. Directors need to be able to mediate differences in creative visions, there are many pathways to becoming a film director. Some film directors started as screenwriters, cinematographers, film editors or actors, other film directors have attended a film school. Some outline a general plotline and let the actors dialogue, while others control every aspect. Some directors also write their own screenplays or collaborate on screenplays with long-standing writing partners, some directors edit or appear in their films, or compose the music score for their films. Film directors create a vision through which a film eventually becomes realized/noticed. Realizing this vision includes overseeing the artistic and technical elements of production, as well as directing the shooting timetable. This entails organizing the crew in such a way as to achieve their vision of the film. This requires skills of leadership, as well as the ability to maintain a singular focus even in the stressful. Moreover, it is necessary to have an eye to frame shots and to give precise feedback to cast and crew, thus. Thus the director ensures that all involved in the film production are working towards an identical vision for the completed film. The set of varying challenges he or she has to tackle has been described as a jigsaw puzzle with egos. It adds to the pressure that the success of a film can influence when, omnipresent are the boundaries of the films budget. Additionally, the director may also have to ensure an intended age rating, thus, the position of film director is widely considered to be a highly stressful and demanding one. It has been said that 20-hour days are not unusual, under European Union law, the film director is considered the author or one of the authors of a film, largely as a result of the influence of auteur theory. Auteur theory is a film criticism concept that holds that a directors film reflects the directors personal creative vision
3.
Auvergne
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Auvergne is a former administrative region of France. Since 1 January 2016, it is part of the new region Auvergne-Rhône-Alpes and it comprises four departments, Allier, Puy-de-Dôme, Cantal and Haute-Loire. The administrative region of Auvergne is larger than the province of Auvergne. The Auvergne region is composed of the old provinces, Auvergne, departments of Puy-de-Dôme, Cantal, northwest of Haute-Loire. The province of Auvergne is entirely contained inside the Auvergne region Bourbonnais, a small part of Bourbonnais is also contained inside the Centre-Val de Loire region. Velay, centre and southeast of department of Haute-Loire, velay is entirely contained inside the Auvergne region. A small part of Gévaudan, extreme southwest of Haute-Loire, Gévaudan is essentially inside the Languedoc-Roussillon region. A small part of Vivarais, extreme southeast of Haute-Loire, Vivarais is essentially inside the Rhône-Alpes region. A small part of Forez, extreme northeast of Haute-Loire, Forez is essentially inside the Rhône-Alpes region. Velay, Gévaudan, and Vivarais are often considered to be sub-provinces of the old province of Languedoc, Forez is also often considered to be a sub-province of Lyonnais. Therefore, the region of Auvergne is composed of the provinces of Auvergne, major part of Bourbonnais. The region is home to a chain of volcanoes known collectively as the chaîne des Puys, the last confirmed eruption was around 4040 BCE. The volcanoes began forming some 70,000 years ago, and most have eroded, Auvergne has a surface area of 26,013 square kilometres equivalent to 4. 8% of Frances total surface area. Auvergne is one of the smallest regions in France, Auvergne is known for its mountain ranges and dormant volcanoes. Together the Monts Dore and the Chaîne des Puys include 80 volcanoes, the Puy de Dôme is the tallest volcano in the region, with an altitude of 1,465 metres. The Sancy Massif in the Monts Dore is the highest point in Auvergne, the northern region is covered in hills while the southern portion is mountainous and dotted with pastures. The Forest of Tronçais covers nearly 11,000 hectares and is the largest oak forest in Europe, the Loire runs through the southeast and borders the northeast, and the Allier runs from north to south down the center of Auvergne, with branches going east and west. Over many years the Allier river has created what are known as the Allier gorges, Auvergne has about 50 freshwater ponds and lakes
4.
Isabelle Huppert
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Isabelle Anne Madeleine Huppert is a French actress who has appeared in more than 100 films and television productions since her debut in 1971. She is the most nominated actress for the César Award, with 16 nominations and she twice won the César Award for Best Actress, for La Cérémonie and for Elle. Huppert was made Chevalier of the Ordre national du Mérite in 1994 and was promoted to Officier in 2005 and she was made a Chevalier of the Legion of Honour in 1999 and was promoted to Officer in 2009. Hupperts first César nomination was for the 1975 film Aloïse, in 1978, she won the BAFTA Award for Most Promising Newcomer for The Lacemaker. Her other films in France include Loulou, La Séparation,8 Women, Gabrielle, Amour, among international films most prolific actresses, Huppert has worked in Italy, Russia, Central Europe, and on the Asian continent. Her English-language films include, Heavens Gate, I Heart Huckabees, The Disappearance of Eleanor Rigby, and Louder Than Bombs. In 2016, Huppert garnered international acclaim for her work in Elle, for which she won a Golden Globe Award, an Independent Spirit Award and a nomination for the Academy Award for Best Actress. She also won Best Actress awards from the National Society of Film Critics, New York Film Critics Circle, Huppert is the most nominated actress for the Molière Award, with 7 nominations. She made her London stage debut in the role of the play Mary Stuart in 1996. She returned to the New York stage in 2009 to perform in Heiner Müllers Quartett, Huppert was born in the 16th arrondissement of Paris, the daughter of Annick, an English teacher, and Raymond Huppert, a safe manufacturer. She has a brother and three sisters, including filmmaker Caroline Huppert and her father was Jewish, his family is from Prešov and Alsace-Lorraine. Huppert was raised in her mothers Catholic faith, Huppert was encouraged by her mother to begin acting at a young age, and became a teenage star in Paris. She later attended Versailles Conservatoire, where she won a prize for her acting and she is also an alumna of the National Conservatory of Dramatic Art of Paris, CNSAD. Huppert made her debut in 1971 with Le Prussien. Her later appearance in the controversial Les Valseuses made her increasingly recognized by the public and her international breakthrough came with La Dentelliere, for which she won a BAFTA award for Most Promising Newcomer to Leading Film Roles. In 1994, Huppert collaborated with American director Hal Hartley on Amateur and she also appeared in Michael Hanekes The Piano Teacher, which is based on a novel of the same name by Austrian author and winner of the Nobel Prize in Literature in 2004, Elfriede Jelinek. In this film, she played a teacher named Erika Kohut. Regarded as one of her most impressive turns, her performance netted the 2001 Best Actress prize in Cannes, in 2004, she starred in Christophe Honorés Ma Mère as Hélène with Louis Garrel
5.
Art film
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An art film is typically a serious, independent film aimed at a niche market rather than a mass market audience. Film scholar David Bordwell describes art cinema as a film genre, art film producers usually present their films at specialty theatres and film festivals. The term art film is more widely used in the United States, the UK and Australia than in Europe. A certain degree of experience and knowledge are required to understand or appreciate such films. One mid-1990s art film was called largely a cerebral experience that one enjoys because of what you know about film and this contrasts sharply with mainstream blockbuster films, which are geared more towards escapism and pure entertainment. Since art films have small initial investment costs, they only need to appeal to a portion of the mainstream viewing audiences to become financially viable. An art film may also be called an art movie, specialty film, art-house film, or, in the collective sense, there is overlap between the categories of art film, independent film and experimental film. The antecedents of art films included D. W. Griffiths Intolerance, the critics of the outside world praised these films. Art films were influenced by films by Spanish avant-garde creators, such as Luis Buñuel and Salvador Dalí. Cinéma Pur, a 1920s and 1930s French avant-garde film movement also influenced the development of the idea of art film, the cinema pur film movement included Dada artists, such as Man Ray, René Clair, and Marcel Duchamp. The Dadaists used film to transcend narrative conventions, bourgeois traditions, pure Cinema was influenced by such German absolute filmmakers as Hans Richter, Walter Ruttmann, and Viking Eggeling. Richter claimed that his 1921 film, Rhythmus 21, was the first abstract film ever created, nevertheless, Richters film Rhythmus 21 is considered an important early abstract film. William Siska argues that Italian neorealist films from the mid- to late-1940s, such as Open City, Paisa, Films shown in these art cinemas included. British, foreign-language, and independent American films, as well as documentaries, Films such as Rossellinis Open City and Mackendricks Tight Little Island, Bicycle Thieves and The Red Shoes were shown to substantial U. S. audiences. In the late 1950s, French filmmakers began to produce films that were influenced by Italian Neorealism and classical Hollywood cinema, auteur theory holds that the director is the author of his films, with a personal signature visible from film to film. The French New Wave movement continued into the 1960s, during the 1960s, the term art film began to be much more widely used in the United States than in Europe. In the U. S. the term is defined very broadly, to include foreign-language auteur films, independent films, experimental films, documentaries. In the 1960s art film became a euphemism in the U. S. for racy Italian, by the 1970s, the term was used to describe sexually explicit European films with artistic structure such as the Swedish film I Am Curious
6.
Albert Camus
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Albert Camus was a French philosopher, author, and journalist. His views contributed to the rise of the known as absurdism. He wrote in his essay The Rebel that his life was devoted to opposing the philosophy of nihilism while still delving deeply into individual freedom. He won the Nobel Prize in Literature in 1957, Camus did not consider himself to be an existentialist despite usually being classified as a follower of it, even in his lifetime. In a 1945 interview, Camus rejected any ideological associations, No, Sartre and I are always surprised to see our names linked. Camus was born in French Algeria to a Pied-Noir family and studied at the University of Algiers, in 1949, Camus founded the Group for International Liaisons to denounce two ideologies found in both the USSR and the USA. Albert Camus was born on 7 November 1913 in Dréan in French Algeria and his mother was of Spanish descent and could only hear out of her left ear. His father, Lucien, an agricultural worker of Alsatian descent, was wounded in the Battle of the Marne in 1914 during World War I. Lucien died from his wounds in an army hospital on 11 October. Camus and his mother, a house cleaner, lived without many basic material possessions during his childhood in the Belcourt section of Algiers. In 1923, Camus was accepted into the Lycée Bugeaud and eventually was admitted to the University of Algiers, after he contracted tuberculosis in 1930, he had to end his football activities, he had been a goalkeeper for a prominent Algerian university team. In addition, he was able to study part-time. To earn money, he took odd jobs, as a tutor, car parts clerk. Camus joined the French Communist Party in early 1935, seeing it as a way to fight inequalities between Europeans and natives in Algeria. He did not suggest he was a Marxist or that he had read Das Kapital, in 1936, the independence-minded Algerian Communist Party was founded. Camus joined the activities of the Algerian Peoples Party, which got him into trouble with his Communist party comrades, Camus then became associated with the French anarchist movement. The anarchist André Prudhommeaux first introduced him at a meeting in 1948 of the Cercle des Étudiants Anarchistes as a sympathiser familiar with anarchist thought, Camus wrote for anarchist publications such as Le Libertaire, La révolution Prolétarienne, and Solidaridad Obrera, the organ of the anarcho-syndicalist CNT. Camus stood with the anarchists when they expressed support for the uprising of 1953 in East Germany and he again allied with the anarchists in 1956, first in support of the workers uprising in Poznań, Poland, and then later in the year with the Hungarian Revolution
7.
Deauville American Film Festival
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The Deauville American Film Festival is a yearly film festival devoted to American cinema, taking place since 1975 in Deauville, France. It was established by Lionel Chouchan, André Halimi, and then Mayor of Deauville Michel dOrnano, although not competitive at its origin, the festival began to award prizes in 1995, for feature films, and 1998 for short films. This award was named Grand Prix spécial Deauville from 1995 to 2007,1989, Torch Song Trilogy by Paul Bogart 1990, Pump Up the Volume by Allan Moyle Tune in Tomorrow by Jon Amiel 1991, Trust by Hal Hartley Hangin with the Homeboys by Joseph B. It carries a grant of 3,000 euros for the awarded director-writer,3,000 euros for the films producer, and 10,000 euros for the French distributor to help promote the film. The award, which is named in honour of the former Mayor of Deauville and co-founder of the festival, thomas for Willy 1er The Revelation Prize is awarded by a Revelation jury composed of up-and-coming actors and filmmakers. 1996, Charlotte Rampling, Sabine Azéma, René Cleitman, Dominique Farrugia, Charlotte Gainsbourg, Chiara Mastroianni, Laura Morante, Ornella Muti, Melvil Poupaud and Alain Rocca. 1997, Sophie Marceau, Élodie Bouchez, Philippe Carcassonne, Étienne Chatiliez, Alain Finkielkraut, John Hurt, Michèle Laroque, Inés Sastre, Nathalie Quintane and Lambert Wilson. 1998, Jean-Paul Rappeneau, Michèle Halberstadt, Sandrine Kiberlain, Virginie Ledoyen, Russell Banks, Maurice Bernart, Alessandro Gassman, Ewan McGregor, Liam Neeson, Éric Serra and Christian Vincent. 1999, Régis Wargnier, Jean-Hugues Anglade, Humbert Balsan, Richard Berry, Gabriel Byrne, Jean-Pierre Dionnet, Marie Gillain, Michel Houellebecq, Marie-France Pisier and Elsa Zylberstein. 2000, Neil Jordan, Guillaume Canet, Clotilde Courau, Tchéky Karyo, Philippe Labro, Samuel Le Bihan, François Ozon, Vincent Perez, Danièle Thompson and Marie Trintignant. 2001, Jean-Jacques Annaud, Sandrine Bonnaire, Marion Cotillard, Arielle Dombasle, Gérard Darmon, Jean-Pierre Jeunet, Darius Khondji, Benoît Poelvoorde and Gabriel Yared. 2002, Pierre Lescure, Chantal Akerman, Richard Anconina, Jean-Marc Barr, Charles Berling, Amira Casar, Julie Gayet, Irène Jacob, Cédric Kahn and Bruno Wolkowitch. 2003, Roman Polanski, Claudia Cardinale, Pawel Edelman, Jacques Fieschi, Ben Kingsley, Anne Parillaud, Zbigniew Preisner, Ludivine Sagnier, Fernando Trueba and Tom Tykwer. 2004, Claude Lelouch, Anouk Aimée, Marie-Josée Croze, Danièle Heymann, Diane Kurys, Jeanne Labrune, Lio, Claudie Ossard, Bettina Rheims and Mathilde Seigner. 2005, Alain Corneau, Enki Bilal, Dominique Blanc, Romane Bohringer, Rachida Brakni, Christophe, Dominik Moll, Melvil Poupaud and Brigitte Roüan. 2006, Nicole Garcia, Maurice Barthélémy, Guillaume Canet, Amira Casar, Emmanuelle Castro, Antoine de Caunes, Julien Clerc, Philippe Djian and Marthe Keller. 2007, André Téchiné, Odile Barski, Xavier Beauvois, Nicolas Cazalé, Charlélie Couture, Émilie Deleuze, Anouk Grinberg,2008, Carole Bouquet, Édouard Baer, Ronit Elkabetz, Diane Fleri, Pierre Jolivet, Cédric Kahn, Cristian Mungiu, Leonor Silveira and Dean Tavoularis. 2009, Jean-Pierre Jeunet, Hiam Abbass, Dany Boon, Jean-Loup Dabadie, Émilie Dequenne, Déborah François, Sandrine Kiberlain, Patrice Leconte, Géraldine Pailhas and Bruno Podalydès
8.
Claude Chabrol
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Claude Henri Jean Chabrol was a French film director and a member of the French New Wave group of filmmakers who first came to prominence at the end of the 1950s. Chabrols career began with Le Beau Serge, inspired by Hitchcocks Shadow of a Doubt, thrillers became something of a trademark for Chabrol, with an approach characterized by a distanced objectivity. This is especially apparent in Les Biches, La Femme infidèle, and Le Boucher – all featuring Stéphane Audran, sometimes characterized as a mainstream New Wave director, Chabrol remained prolific and popular throughout his half-century career. In 1978, he cast Isabelle Huppert as the lead in Violette Nozière, on the strength of that effort, the pair went on to others including the successful Madame Bovary and La Cérémonie. Some of his films become almost private jokes, made to amuse himself. Claude Henri Jean Chabrol was born on 24 June 1930 to Yves Chabrol and Madeleine Delarbre in Sardent, France, Chabrol said that he always thought of himself as a country person, and never as a Parisian. Both Chabrols father and grandfather had been pharmacists, and Chabrol was expected to follow in the family business, but as a child, Chabrol was seized by the demon of cinema and ran a film club in a barn in Sardent between the ages of 12 and 14. At this time, he developed his passion for the genre, detective stories. After World War II, Chabrol moved to Paris to study pharmacology and literature at the Sorbonne, Some biographies also state that he briefly studied law and political science at the École Libre des Sciences Politiques. After graduating, Chabrol served his military service in the French Medical Corps, serving in Germany. Chabrol has claimed that while in the army he worked as a film projectionist, after he was discharged from the army, he joined his friends as a staff writer for Cahiers du Cinéma, who were challenging then-contemporary French films and championing the concept of Auteur theory. He also wrote for Arts magazine during this period, among Chabrols most famous articles were Little Themes, a study of genre films, and The Evolution of Detective Films. In 1956 he helped finance Jacques Rivettes short film Le coup du berger, unlike all of his future New Wave contemporaries, Chabrol never made short film nor did he work as an assistant on other directors work before making his feature film debut. In 1957 Chabrol and Eric Rohmer co-wrote Hitchcock, a study of the films made by director Alfred Hitchcock through the film The Wrong Man. Chabrol had interviewed Hitchcock with François Truffaut in 1954 on the set of To Catch a Thief, years later, when Chabrol and Truffaut had both become successful directors themselves, Hitchcock told Truffaut that he always thought of them when he saw ice cubes in a glass of whiskey. The most prolific of the major New Wave directors, Chabrol averaged almost one film a year from 1958 until his death. In the mid-sixties it was difficult for Chabrol to obtain financing for films so he made a series of commercial potboilers and spy spoofs, Chabrol had married Agnès Goute in 1952 and in 1957 his wife inherited a large sum of money from relatives. In December of that year Chabrol used the money to make his directorial debut with Le Beau Serge. Chabrol spent three months shooting in his hometown of Sardent using a crew and little known actors
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