Saracen was a term used both in Greek and Latin writings between the 5th and 15th centuries to refer to the people who lived in and near what was designated by the Romans as Arabia Petraea and Arabia Deserta. The term's meaning evolved during its history of usage. During the Early Middle Ages, the term came to be associated with the tribes of Arabia.
Use of saracene in Roman-Catholic narrative: Ceiling of church painting with the name "Attacco delle navi saracene", by Julius Schnorr von Caroesfeld, 1822-27
Maugis fighting the Saracen Noiron in Aigremont, in Renaud de Montauban. David Aubert, Bruges, 1462-1470
Saracens landing on a coast, 915
Palermo - Saracenic Domes and Christian Cloisters
Indo-Saracenic architecture was a revivalist architectural style mostly used by British architects in India in the later 19th century, especially in public and government buildings in the British Raj, and the palaces of rulers of the princely states. It drew stylistic and decorative elements from native Indo-Islamic architecture, especially Mughal architecture, which the British regarded as the classic Indian style. The basic layout and structure of the buildings tended to be close to that used in contemporary buildings in other revivalist styles, such as Gothic revival and Neo-Classical, with specific Indian features and decoration added.
Madras High Court buildings are a prime example of Indo-Saracenic architecture, designed by J. W. Brassington under the guidance of British architect Henry Irwin, 1892.
The Victoria Memorial, Kolkata, has very discreet Indo-Saracenic touches, such as the corner chatris, in the Raj metropolis least touched by the style.
The Chhatrapati Shivaji Maharaj Terminus (previously Victoria Terminus) in Mumbai, 1878–88. A mixture of Romanesque, Gothic and Indian elements.
North Block of the Secretariat Building, New Delhi, designed by Herbert Baker.