1.
Mindaugas
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Mindaugas was the first known Grand Duke of Lithuania and the only King of Lithuania. Little is known of his origins, early life, or rise to power, he is mentioned in a 1219 treaty as an elder duke, the contemporary and modern sources discussing his ascent mention strategic marriages along with banishment or murder of his rivals. He extended his domain into regions southeast of Lithuania proper during the 1230s and 1240s, during the summer of 1253 he was crowned King of Lithuania, ruling between 300,000 and 400,000 subjects. While his ten-year reign was marked by various state-building accomplishments, Mindaugass conflicts with relatives and other dukes continued and his gains in the southeast were challenged by the Tatars. He broke peace with the Livonian Order in 1261, possibly renouncing Christianity and his three immediate successors were assassinated as well. The disorder was not resolved until Traidenis gained the title of Grand Duke c, although his reputation was unsettled during the following centuries and his descendants were not notable, he gained standing during the 19th and 20th centuries. Mindaugas was the only King of Lithuania, while most of the Lithuanian Grand Dukes from Jogaila onward also reigned as Kings of Poland, in the 1990s the historian Edvardas Gudavičius published research supporting an exact coronation date –6 July 1253. This day is now a national holiday, Statehood Day. Contemporary written sources about Mindaugas are very scarce, much what is known about his reign is obtained from the Livonian Rhymed Chronicle and the Hypatian Codex. Both of these chronicles were produced by enemies of Lithuania and thus have anti-Lithuanian bias and they are also incomplete, both of them lack dates and locations even for the most important events. For example, the Livonian Rhymed Chronicle devoted 125 poetry lines to Mindaugas coronation, other important sources are the papal bulls regarding baptism and coronation of Mindaugas. The Lithuanians did not produce any surviving records themselves, except for a series of acts granting lands to the Livonian Order, due to lack of sources, some important questions regarding Mindaugas and his reign cannot be answered. Because written sources covering the era are scarce, Mindaugas origins and his year of birth, sometimes given as c. 1200, is at times left as a question mark. His father is mentioned in the Livonian Rhymed Chronicle as a powerful duke, Dausprungas, mentioned in the text of a 1219 treaty, is presumed to have been his brother, and Dausprungas sons Tautvilas and Gedvydas his nephews. He is thought to have had two sisters, one married to Vykintas and another to Daniel of Halych, Vykintas and his son Treniota played major roles in later power struggles. In addition to Vaišvilkas and his sister, two sons, Ruklys and Rupeikis, are mentioned in written sources, the latter two were assassinated along with Mindaugas. Information on his sons is limited and historians continue to discuss their number and he may have had two other sons whose names were later conflated by scribes into Ruklys and Rupeikis
2.
Teutonic Order
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The Order of Brothers of the German House of Saint Mary in Jerusalem, commonly the Teutonic Order, is a Catholic religious order founded as a military order in the 12th century in Acre. Purely religious since 1929, it still confers limited honorary knighthoods, the order was formed to aid Christians on their pilgrimages to the Holy Land and to establish hospitals. Formed in the year 1190 in Acre, in the Levant, after Christian forces were defeated in the Middle East, the Order moved to Transylvania in 1211 to help defend the South-Eastern borders of the Kingdom of Hungary against the Kipchaks. Starting from there, the Order created the independent Monastic State of the Teutonic Knights, adding continuously the conquered Prussians territory, the Order theoretically lost its main purpose in Europe with the Christianization of Lithuania. However, it initiated numerous campaigns against its Christian neighbours, the Kingdom of Poland, the Grand Duchy of Lithuania, and the Novgorod Republic. The Teutonic Knights had an economic base, and so hired mercenaries from throughout Europe to augment their feudal levies. In 1410, a Polish-Lithuanian army decisively defeated the Order and broke its military power at the Battle of Grunwald, however, the capital of the Teutonic Knights was successfully defended in the following Siege of Marienburg and the Order was saved from collapse. In 1515, Holy Roman Emperor Maximilian I made an alliance with Sigismund I of Poland-Lithuania. Thereafter, the empire did not support the Order against Poland, in 1525, Grand Master Albert of Brandenburg resigned and converted to Lutheranism, becoming Duke of Prussia as a vassal of Poland. Soon after, the Order lost Livonia and its holdings in the Protestant areas of Germany, the Order did keep its considerable holdings in Catholic areas of Germany until 1809, when Napoleon Bonaparte ordered its dissolution and the Order lost its last secular holdings. However, the Order continued to exist as a charitable and ceremonial body and it was outlawed by Adolf Hitler in 1938, but re-established in 1945. Today it operates primarily with charitable aims in Central Europe, the Knights wore white surcoats with a black cross. A cross pattée was sometimes used as their coat of arms, the motto of the Order was, Helfen, Wehren, Heilen. The full name of the Order in German is Orden der Brüder vom Deutschen Haus St. Mariens in Jerusalem or in Latin Ordo domus Sanctæ Mariæ Theutonicorum Hierosolymitanorum, thus, the term Teutonic refers to the German origins of the order in Latin. It is commonly known in German as the Deutscher Orden, historically also as Deutscher Ritterorden, Deutschherrenorden, Deutschritterorden or Die Herren im weißen Mantel. However, based on the model of the Knights Templar, it was transformed into an order in 1198. It received papal orders for crusades to take and hold Jerusalem for Christianity, during the rule of Grand Master Hermann von Salza the Order changed from being a hospice brotherhood for pilgrims to primarily a military order. The Order was founded in Acre, and the Knights purchased Montfort, northeast of Acre, the Order also had a castle at Amouda in Armenia Minor
3.
Papal bull
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A Papal bull is a specific kind of public decree, letters patent, or charter issued by a pope of the Roman Catholic Church. It is named after the seal that was traditionally appended to the end in order to authenticate it. Papal bulls have been in use at least since the 6th century, but the phrase was not used until around the end of the 13th century, and then only internally for unofficial administrative purposes. However, it had become official by the 15th century, when one of the offices of the Apostolic Chancery was named the register of bulls, by the accession of Pope Leo IX in 1048, a clear distinction developed between two classes of bulls of greater and less solemnity. The majority of the bulls now in existence are in the nature of confirmations of property or charters of protection accorded to monasteries. In an epoch when there was much fabrication of such documents, a Papal confirmation, under certain conditions, could be pleaded as itself constituting sufficient evidence of title in cases where the original deed had been lost or destroyed. Since the 12th century, Papal bulls have carried a seal with the heads of the Apostles Saint Peter and Saint Paul on one side. Papal bulls were issued by the Pope for many kinds of communication of a public nature. Papyrus seems to have used almost uniformly as the material for these documents until the early years of the eleventh century. Popularly, the name is used for any Papal document that contains a metal seal, today, the bull is the only written communication in which the Pope will refer to himself as Episcopus Servus Servorum Dei. For example, when Pope Benedict XVI issued a decree in bull form, while Papal bulls always used to bear a metal seal, they now do so only on the most solemn occasions. A Papal bull is today the most formal type of public decree or letters patent issued by the Vatican Chancery in the name of the Pope, the body of the text had no specific conventions for its formatting, it was often very simple in layout. For the most solemn bulls, the Pope signed the document himself, following the signature in this case would be an elaborate monogram, the signatures of any witnesses, and then the seal. Nowadays, a member of the Roman Curia signs the document on behalf of the Pope, usually the Cardinal Secretary of State, and thus the monogram is omitted. The most distinctive characteristic of a bull was the seal, which was usually made of lead. On the obverse it depicted, originally somewhat crudely, the early Fathers of the Church of Rome, the Apostles Saint Peter and Saint Paul, identified by the letters Sanctus PAulus and Sanctus PEtrus. Each head was surrounded by a circle of globetti, and the rim of the seal was surrounded by a ring of such beads. On the reverse was the name of the issuing Pope in the nominative Latin form, with the letters PP, for Pastor Pastorum
4.
Globus cruciger
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The cross represents Christs dominion over the orb of the world, literally held in the hand of an earthly ruler. In the iconography of Western art, when Christ himself holds the globe, he is called Salvator Mundi, holding the world in ones hand, or more ominously, under ones foot, has been used as a symbol since antiquity. To citizens of the Roman Empire, the round globe held by Jupiter represented the world, or the universe. The orbis terrarum was central to the iconography of the Tetrarchy, constantine I claimed to have had a vision of a cross above the sun, with the words In this sign, you shall conquer, at the Battle of Milvian Bridge in 312. His soldiers painted crosses upon their shields, and then defeated their foe, with the growth of Christianity in the 5th century, the orb was topped with a cross, symbolising the Christian Gods dominion over the world. The emperor held the world in his hand, to show that he ruled it on Gods behalf, to non-Christians already familiar with the pagan globe, the surmounting of a cross sent a message about the triumph of Christianity. Although the globe symbolized the entire Earth, its use spread among many Christian rulers who reigned over parts of the earth. The globus cruciger was associated with rulers and celestial beings alike. It first appeared on coins in the early 5th century and remained throughout the Middle Ages in coins, iconography. It may still be seen in the arms of the surviving European monarchies. Even in the era in England, the Sovereigns Orb symbolises both the state and Church of England under the protection and domain of the royal crown. The Ball and the Cross Holy Hand Grenade of Antioch Monde Earth symbol Leslie Brubaker, Dictionary of the Middle Ages, vol 5,564, ISBN 0-684-18161-4 Picture of the 10th century Orb, Scepter and Crown insignia of the Holy Roman Empire
5.
Gothic art
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Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Southern and Central Europe, in the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The earliest Gothic art was monumental sculpture, on the walls of Cathedrals, Christian art was often typological in nature, showing the stories of the New Testament and the Old Testament side by side. Increased literacy and a body of secular vernacular literature encouraged the representation of secular themes in art. Gothic art emerged in Île-de-France, France, in the early 12th century at the Abbey Church of St Denis built by Abbot Suger, monastic orders, especially the Cistercians and the Carthusians, were important builders who disseminated the style and developed distinctive variants of it across Europe. Gothic art was often typological in nature, reflecting a belief that the events of the Old Testament pre-figured those of the New, Old and New Testament scenes were shown side by side in works like the Speculum Humanae Salvationis, and the decoration of churches. The Gothic period coincided with a resurgence in Marian devotion. Images of the Virgin Mary developed from the Byzantine hieratic types, through the Coronation of the Virgin, to human and initimate types. Artists like Giotto, Fra Angelico and Pietro Lorenzetti in Italy, and Early Netherlandish painting, brought realism, Western artists, and their patrons, became much more confident in innovative iconography, and much more originality is seen, although copied formulae were still used by most artists. Even in Last Judgements Christ was now usually shown exposing his chest to show the wounds of his Passion, the word Gothic for art was initially used as a synonym for Barbaric, and was therefore used pejoratively. Its critics saw this type of Medieval art as unrefined and too remote from the aesthetic proportions, Renaissance authors believed that the Sack of Rome by the Gothic tribes in 410 had triggered the demise of the Classical world and all the values they held dear. Gothic art was criticized by French authors such as Boileau, La Bruyère, Rousseau, before becoming a recognized form of art. Molière would famously comment on Gothic, The besotted taste of Gothic monuments, These odious monsters of ignorant centuries, in its beginning, Gothic art was initially called French work, thus attesting the priority of France in the creation of this style. Painting in a style that can be called Gothic did not appear until about 1200, or nearly 50 years after the origins of Gothic architecture and sculpture. Then figures become more animated in pose and facial expression, tend to be smaller in relation to the background of scenes, and are arranged more freely in the pictorial space, where there is room. This transition occurs first in England and France around 1200, in Germany around 1220, painting during the Gothic period was practiced in four primary media, frescos, panel paintings, manuscript illumination and stained glass. Frescoes continued to be used as the pictorial narrative craft on church walls in southern Europe as a continuation of early Christian
6.
Commemorative coins of Lithuania
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The commemorative coins of Lithuania are minted by the Lithuanian mint, headquartered in Vilnius, Lithuania. Bank of Lithuania, Issued commemorative coins
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