Semar is a character in Javanese mythology who frequently appears in wayang shadow plays. He is one of the punokawan (clowns) but is divine and very wise. He is the dhanyang of Java, and is regarded by some as the most sacred figure of the wayang set. He is said to be the god Sang Hyang Ismaya in human form.
Semar
Mask of Semar for traditional Javanese theater performance.
A decorative kris with a figure of Semar as the handle
Sundanese wayang adaptation of Semar.
Wayang, also known as wajang, is a traditional form of puppet theatre play originating from the Indonesian island of Java. Wayang refers to the entire dramatic show. Sometimes the leather puppet itself is referred to as wayang. Performances of wayang puppet theatre are accompanied by a gamelan orchestra in Java, and by gender wayang in Bali. The dramatic stories depict mythologies, such as episodes from the Hindu epics the Ramayana and the Mahabharata, as well as local adaptations of cultural legends. Traditionally, a wayang is played out in a ritualized midnight-to-dawn show by a dalang, an artist and spiritual leader; people watch the show from both sides of the screen.
Wayang
Wayang kulit performance by the famous Indonesian dalang (puppet master) Manteb Soedharsono, with the story "Gathutkaca Winisuda", in Bentara Budaya Jakarta, Indonesia, on 31 July 2010
Blencong, a Javanese oil lamp in the form of the mythical Garuda bird for wayang kulit performances, before 1924
Palm leaves manuscript of kakawin Arjunawiwaha is written by Mpu Kanwa in 1035 CE