1.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
Single (music)
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45
rpm single record
2.
Kenny Chesney
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Kenneth Arnold Kenny Chesney is an American country music singer, songwriter and record producer. He has recorded 20 albums,14 of which have been certified Gold or higher by the RIAA. He has also produced more than 40 top 10 singles on the U. S. Billboard Hot Country Songs, most of these have also charted high within the top 40 of the Billboard Hot 100 chart, making him one of the few successful crossover country artists. He has sold over 30 million albums worldwide, Chesney co-directed and produced a film for ESPN entitled The Boys of Fall. He has received six Academy of Country Music awards, as well as six awards from the Country Music Association and he is one of the most popular touring acts in country music, regularly selling out the venues in which he performs. His 2007 Flip-Flop Summer Tour was the country road trip of the year. The Country Music Association honored Chesney with the Entertainer of the Year award in 2004,2006,2007, and 2008. Other notable awards he received include the Academy of Country Musics 1997 New Male Vocalist of the Year,2002 Top Male Vocalist of the Year, and he was awarded his fourth consecutive Entertainer of the Year award from the Academy of Country Music on May 18,2008. Chesney was born on March 26,1968, in Knoxville, Tennessee, at St. Marys Medical Center and was raised in Luttrell and he is the son of David Chesney, a former elementary school teacher, and Karen Chandler, a hair stylist in the Knoxville area. Chesney has one sibling, a sister named Jennifer Chandler. In 1986, Chesney graduated from Gibbs High School, where he played baseball and football and he received his first guitar, The Terminor, for Christmas and began teaching himself how to play it. He sold 1,000 copies while performing at the clubs in Johnson City. After graduation from East Tennessee State in 1990, he headed to Nashville and he became the resident performer at The Turf, a honky tonk bar in the citys historic district. In 1992, the head of writer relations at BMI, Clay Bradley, recommended Chesney to his friend at Opryland Music Group, Troy Tomlinson, by saying, I met this kid today from East Tennessee. He’s a good singer, a songwriter, and more than anything, I think you’re going to really like him as a person. ”For the audition for Tomlinson. I thought that he very well too. But more than anything there was a kind of this look in his eyes - I was really drawn in by the fact that he was so set on being successful in this business. Chesney left the audition with a songwriter’s contract, an appearance at a songwriter’s showcase the following year led to a contract with Capricorn Records, which had recently started a country division
Kenny Chesney
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Kenny Chesney performing at the
Klipsch Music Center in
Indianapolis, Indiana in 2013
Kenny Chesney
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Kenny Chesney performing in the
East Room of the
White House on May 16, 2006, at the official dinner for Australian Prime Minister
John Howard and Mrs.
Janette Howard
Kenny Chesney
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Kenny Chesney's Poets and Pirates tour bus in 2008
3.
Pink (singer)
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Alecia Beth Moore, known professionally as Pink, is an American singer, songwriter, dancer, and actress. She was signed to her first record label with original R&B girl group Choice in 1995, the label, LaFace Records saw potential in only Pink, offering her a solo deal. Pink rose as an artist with her solo album, Cant Take Me Home. It was certified double-platinum in the United States and spawned two Billboard Hot 100 top-ten hits, There You Go and Most Girls and she gained further recognition with the Moulin Rouge. Soundtrack Lady Marmalade, which gave Pink her first Grammy Award as well as her first number-one single on the Billboard Hot 100, Pink took control in early 2001 insisting she wanted to work with her childhood hero, Linda Perry. Pink took more control and pursued a pop direction for her second album. It sold more than 15 million copies worldwide and yielded three United States top-ten singles, Get the Party Started, Dont Let Me Get Me, Pinks third album, Try This, generated considerably lower sales, but earned her the Grammy Award for Best Female Rock Vocal Performance. Pink revived her popularity with her fourth and fifth albums, Im Not Dead and Funhouse, with the latter containing her second United States number-one hit. Pink concluded the first decade of her career with the compilation album Greatest Hits, so Far. which featured Fuckin Perfect and the chart-topping single Raise Your Glass. In 2014 Pink recorded an album, Rose Ave. with Canadian musician Dallas Green under a folk music duo named You+Me. Recognized for her signature vocals and acrobatic performances, Pink has sold over 60 million albums worldwide. Her career accolades include three Grammy Awards, a Brit Award, a Daytime Emmy Award and six MTV Video Music Awards, in 2009, Billboard named Pink the Pop Songs Artist of the Decade. Pink was also the second most-played female solo artist in the United Kingdom during the 2000s decade, vH1 ranked her number 10 on their list of the 100 Greatest Women in Music, while Billboard awarded her the Woman of the Year award in 2013. At the 63rd annual BMI Pop Awards, she received the BMI Presidents Award for her achievement in songwriting and global impact on pop culture. Alecia Beth Moore was born on September 8,1979, in Doylestown, Pennsylvania, to nurse Judy and insurance salesman Jim Moore and she has described her background as Irish-German-Lithuanian-Jew. Although a healthy baby at birth, she developed asthma that plagued her through her early years. Pink attended Central Bucks High School West, when Moore was a toddler, her parents began having marital problems, and before she was 10 her parents had divorced. Pink developed her voice early in life, in high school, Pink joined her first band, Middleground, but it disbanded upon losing a battle of the bands competition
Pink (singer)
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Pink performing live during
Truth About Love Tour in April 2013
Pink (singer)
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Pink in 2004
Pink (singer)
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Pink at a secret London performance to promote the Funhouse album, on November 4, 2008
Pink (singer)
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Pink performing "
Just Give Me a Reason " featuring
Nate Ruess.
4.
Country pop
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Country pop is a subgenre of country music and pop music that was developed by members of the Country genre out of a desire to reach a larger, mainstream audience. It is a continuation of efforts that began in the late 1950s originally known as Nashville sound. By the mid-1970s, many artists were transitioning to the pop-country sound which led to some records charting high on mainstream top 40 as well as country Billboard charts. According to Bill Ivey, this genre originated in Nashville, Tennessee. He believes that the Nashville Sound often produced records that sounded more pop than country, after the removal of the fiddle, Patsy Cline, Jim Reeves, and Eddy Arnold were among the most popular artists during this time. This was intended to have country singers gain more success in pop music, the first male artists to come out of this new genre were Jim Reeves and Eddy Arnold, who both grew to have widespread acceptance among both country and pop music listeners. Both Jim Reeves and Eddy Arnold had major influence on their RCA labelmate Elvis Presley, apparent not only in secular songs, the first female country singer to emerge from this new genre was Patsy Cline in the early 1960s. The example she created was followed by female country artists, such as Lynn Anderson, Crystal Gayle and Shania Twain. Country pop found its first widespread acceptance during the 1970s and it started when pop music singers, like Glen Campbell, John Denver, Olivia Newton-John and Anne Murray, began having hits on the country charts. Songs like Campbells Rhinestone Cowboy were among the biggest crossover hits in country music history and these pop-oriented singers thought that they could gain higher record sales and a larger audience if they crossed over into the country world. One of the artists who did this was Olivia Newton-John, who emerged from Australia in the mid-1970s, a group of artists, troubled by this trend, formed the Association of Country Entertainers in 1974. The debate raged into 1975, and reached its apex at that years Country Music Association Awards when reigning Entertainer of the Year Charlie Rich presented the award to his successor, as he read Denvers name, Rich set fire to the envelope with a cigarette lighter. The action was taken in some quarters as a protest against the pop style in country music. However, the ACE would only last two years, its two biggest backers, firm traditionalists George Jones and Tammy Wynette, faced a bitter divorce. In 1979 Barbara Mandrell had her highest crossover hit with her number 1 song I Dont Want to Be Right It charted number 31 on the Billboard Top 40, several of her other hits charted well on the adult contemporary charts and the Bubbling under 100 charts. Mandrell also did countrypolitan style music on her Barbara Mandrell & the Mandrell Sisters show and she had R & B artists, pop artists and country artists featured every week. It was the last successful musical variety show on TV and she is also known for her Blue-Eyed Soul sound. She was given the nickname The Princess of Steel, for her ability at the steel guitar and she was one of country musics most successful crossover artists during the 1970s and 1980s
Country pop
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Lynn Anderson live in concert
Country pop
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Garth Brooks and
Shania Twain were the most successful country pop singers of the 1990s
Country pop
5.
Songwriter
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A songwriter is an individual who writes the lyrics, melodies and chord progressions for songs, typically for a popular music genre such as rock or country music. A songwriter can also be called a composer, although the term tends to be used mainly for individuals from the classical music genre. The pressure from the industry to produce popular hits means that songwriting is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with a gift for creating original melodies, pop songs may be written by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own publishers, while others have outside publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees and college diplomas, a knowledge of modern music technology, songwriting elements and business skills are necessary requirements to make a songwriting career in the 2010s. Several music colleges offer songwriting diplomas and degrees with music business modules, the legal power to grant these permissions may be bought, sold or transferred. This is governed by international copyright law, song pitching can be done on a songwriters behalf by their publisher or independently using tip sheets like RowFax, the MusicRow publication and SongQuarters. Skills associated with song-writing include entrepreneurism and creativity, songwriters who sign an exclusive songwriting agreement with a publisher are called staff writers. In the Nashville country music scene, there is a staff writer culture where contracted writers work normal 9-to-5 hours at the publishing office and are paid a regular salary. This salary is in effect the writers draw, an advance on future earnings, the publisher owns the copyright of songs written during the term of the agreement for a designated period, after which the songwriter can reclaim the copyright. In an interview with HitQuarters, songwriter Dave Berg extolled the benefits of the set-up, unlike contracted writers, some staff writers operate as employees for their respective publishers. Under the terms of work for hire agreements, the compositions created are fully owned by the publisher. In Nashville, young writers are often encouraged to avoid these types of contracts. Staff writers are common across the industry, but without the more office-like working arrangements favored in Nashville. All the major publishers employ writers under contract, songwriter Allan Eshuijs described his staff writer contract at Universal Music Publishing as a starter deal. His success under the arrangement eventually allowed him to found his own publishing company, so that he could. keep as much as possible, songwriters are also often skilled musicians. In addition to selling their songs and musical concepts for other artists to sing, songwriters need to create a number of elements for a song
Songwriter
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Songwriter and singer
Chris de Burgh.
6.
Ross Copperman
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Copperman has also produced for several artists including, Keith Urban, Brett Eldredge, Dierks Bentley, Eli Young Band, Darius Rucker and Jake Owen among others. He was recently honored as 2016 ACM Songwriter of the Year,2016 BMI Songwriter of the Year, copperman was born an grew up in Roanoke, Virginia. He attended Glenvar High School in Roanoke County and he started playing the piano at age 3, and started writing songs in college at James Madison University. The first song he wrote is titled Fly Away, and it appears on his debut album. He says that it was only after the urging of his teacher that he was convinced to take up music professionally, Ross signed with Sony Records in the UK and began working on his debut album in 2006. The first single he released, As I Choke, managed to be the most popular iTunes Single Of The Week in the UK, notching up 36,457 downloads in a one-week period. His second single, All She Wrote, entered the UK top 40 in May 2007, the third single, Found You, was released a few months later. His debut album, Welcome to Reality, was released on May 28,2007. Ross has had numerous major synch placements in TV shows and movies such as, CSI, NY, The Vampire Diaries, The Biggest Loser, NCIS, Nashville, Greys Anatomy among many others. As a producer, Ross has also nominated for the Country Album Of The Year with Dierks Bentleys Riser at the 2015 Grammy Awards. That same year, Drunk on a Plane was also nominated for Single of the Year at the CMAs. In 2016, Ross was awarded 2 CMA Triple Play Awards for being a songwriter on 6 #1 songs in a 12-month period, ACM Songwriter of the Year, and Broadcast Music, Inc.2016 Songwriter of the Year
Ross Copperman
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Ross Copperman
7.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
Record producer
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Alan Parsons in an
ESO 50th anniversary video.
Record producer
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A
Danish recording session
Record producer
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Mixing Console
8.
Country music
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Country music is a genre of United States popular music that originated in the southern United States in the 1920s. It takes its roots from the genre of United States, such as folk music. Blues modes have been used throughout its recorded history. The term country music is used today to many styles and subgenres. In 2009 country music was the most listened to rush hour radio genre during the evening commute, immigrants to the Southern Appalachian Mountains of North America brought the music and instruments of Europe and Africa along with them for nearly 300 years. Country music was introduced to the world as a Southern phenomenon, Bristol, Tennessee, has been formally recognized by the U. S. Congress as the Birthplace of Country Music, based on the historic Bristol recording sessions of 1927. Since 2014, the city has been home to the Birthplace of Country Music Museum, historians have also noted the influence of the less-known Johnson City sessions of 1928 and 1929, and the Knoxville sessions of 1929 and 1930. Prior to these, pioneer settlers, in the Great Smoky Mountains region, had developed a musical heritage. The first generation emerged in the early 1920s, with Atlantas music scene playing a role in launching countrys earliest recording artists. Okeh Records began issuing hillbilly music records by Fiddlin John Carson as early as 1923, followed by Columbia Records in 1924, many hillbilly musicians, such as Cliff Carlisle, recorded blues songs throughout the 1920s. The most important was the Grand Ole Opry, aired starting in 1925 by WSM in Nashville, during the 1930s and 1940s, cowboy songs, or Western music, which had been recorded since the 1920s, were popularized by films made in Hollywood. Bob Wills was another musician from the Lower Great Plains who had become very popular as the leader of a hot string band. His mix of country and jazz, which started out as dance hall music, Wills was one of the first country musicians known to have added an electric guitar to his band, in 1938. Country musicians began recording boogie in 1939, shortly after it had played at Carnegie Hall. Gospel music remained a component of country music. It became known as honky tonk, and had its roots in Western swing and the music of Mexico. By the early 1950s a blend of Western swing, country boogie, rockabilly was most popular with country fans in the 1950s, and 1956 could be called the year of rockabilly in country music. Beginning in the mid-1950s, and reaching its peak during the early 1960s, the late 1960s in American music produced a unique blend as a result of traditionalist backlash within separate genres
Country music
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Jimmie Rodgers
Country music
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Vernon Dalhart
Country music
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Roy Acuff
Country music
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Publicity photo of Roy Rogers and Gail Davis, 1948
9.
Adult contemporary music
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Adult contemporary is rather a continuation of the easy listening and soft rock style that became popular in the 1960s and 1970s with some adjustments that reflect the evolution of pop/rock music. Adult contemporary tends to have lush, soothing and highly polished qualities where emphasis on melody and it is usually melodic enough to get a listeners attention, and is inoffensive and pleasurable enough to work well as background music. Like most of pop music, its songs tend to be written in a basic format employing a verse–chorus structure, the format is heavy on romantic sentimental ballads which mostly use acoustic instruments such as acoustic guitars, pianos, saxophones, and sometimes an orchestral set. The electric guitars are normally faint and high-pitched, however, recent adult contemporary music may usually feature synthesizers. An AC radio station may play mainstream music, but it excludes hip hop, dance tracks, hard rock, and some forms of teen pop, as these are popular among adults. AC radio often targets the 25–44 age group, the demographic that has received the most attention from advertisers since the 1960s, a common practice in recent years of adult contemporary stations is to play less newer music and more hits of the past. This de-emphasis on new songs slows the progression of the AC chart, over the years, AC has spawned subgenres including hot AC, soft AC, urban AC, rhythmic AC, and Christian AC. Some stations play only hot AC, soft AC, or only one of the variety of subgenres, therefore, it is not usually considered a specific genre of music, it is merely an assemblage of selected tracks from musicians of many different genres. Adult contemporary traces its roots to the 1960s easy listening format, a few offered 90% instrumentals, and a handful were entirely instrumental. Billboard first published the Easy Listening chart July 17,1961, with 20 songs, the chart described itself as not too far out in either direction. Initially, the vocalists consisted of such as Frank Sinatra, Doris Day, Johnny Mathis, Connie Francis, Nat King Cole, Perry Como. The custom recordings were usually instrumental versions of current or recent rock and roll or pop hit songs, some stations would also occasionally play earlier big band-era recordings from the 1940s and early 1950s. After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced, better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically. As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the half of the 1960s. Roger Miller, Barbra Streisand and Bobby Vinton were among the charts most popular performers and these middle of the road stations also frequently included older, pre-rock-era adult standards and big band titles to further appeal to adult listeners who had grown up with those songs. Another big impetus for the evolution of the AC radio format was the popularity of easy listening or beautiful music stations, stations with music specifically designed to be purely ambient, hard rock had been established as a mainstream genre by 1965. From the end of the 1960s, it common to divide mainstream rock music into soft and hard rock. Soft rock was often derived from rock, using acoustic instruments and putting more emphasis on melody
Adult contemporary music
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Adult contemporary artist
Celine Dion is one of the biggest international stars in music history, selling more than 220 million
albums worldwide.
Adult contemporary music
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Johnny Mathis concentrated on romantic readings of jazz and pop standards for the adult contemporary audience of the 1960s and 1970s.
Adult contemporary music
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In terms of record sales and career longevity,
Barry Manilow is one of the most successful adult contemporary singers ever and the most best-selling of the 1970s.
Adult contemporary music
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"
Careless Whisper " stayed at the #1 spot in the adult contemporary chart for 18 weeks. The song was
George Michael 's first solo single.
10.
ARIA Charts
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The ARIA Charts are the main Australian music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling singles and albums in various genres in Australia, ARIA became the official Australian music chart in June 1988, succeeding the Kent Music Report which had been Australias national charts since 1974. The Go-Set charts were Australias first national singles and albums charts published from 5 October 1966 until 24 August 1974, succeeding Go-Set, the Kent Music Report began issuing the national top 100 charts in Australia from May 1974. The compiler, David Kent, also published Australias national charts from 1940–1974 in a retrospective fashion using state based data, in mid 1983, the Australian Recording Industry Association commenced licensing the Kent Music Report chart. The first printed national top 50 chart available in record stores, ARIA began compiling its own charts in-house from the chart dated week ending 26 June 1988. Various artists compilation albums were included in the albums chart, as they had been on the Kent Report chart, until 2 July 1989. The ARIA Report, detailing the top 100 singles and albums charts, was first available via subscription in January 1990, the printed top 50 chart ceased publication in June 1998, but resumed publication later in the year. The printed top 50 chart again ceased publication at the end of 2000, the ARIA charts are based on data collected from physical and digital retailers in Australia. Data of physical sales come from such as Sanity and JB Hi-Fi, while data of digital sales come from online retailers such as iTunes, Bandit FM, GetMusic. Since 17 February 1997, all physical sales data contributing towards the chart has been recorded electronically at point of sale. In March 1991, Do the Bartman by The Simpsons was the first single to reach #1 in Australia that was not available on 7 inch vinyl, but cassingle only. Starting from 8 October 2006, due to low physical single sales at the time, in 2006, it was announced that the Brazin retailing group, comprising major retailers HMV, Sanity and Virgin music/DVD stores would no longer contribute sales data to the ARIA charts. However, after an absence, Brazin reportedly re-commenced contributing sales figures to the ARIA Charts on 26 November 2006. The ARIA website publishes the top 50 singles and albums charts, top 40 digital tracks chart, the ARIA Report lists all charts in full and is available via paid e-mail subscription each week. These reports are uploaded to the Pandora Archive periodically, on 5 February 2006, the ARIA Chart Show was a radio program launched on the Nova network and broadcast throughout Australia, playing the official ARIA top 50 singles. The live music program was hosted by Jabba each Sunday afternoon at 3, the show was aired before the top 50 chart, dated for the following Monday, is published on the ARIA website at 6,00 pm. The charts were published online at 6,00 pm each Sunday. The diamond certification was created for albums in November 2015 to mark 500,000 sales/shipments, for music DVDs, a gold accreditation originally represented 7,500 copies shipped, with a platinum accreditation representing 15,000 units shipped. co. uk
ARIA Charts
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ARIA logo
11.
Feel Like a Rock Star
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Feel Like a Rock Star is a song written by Chris Tompkins and Rodney Clawson, and recorded by Kenny Chesney as a duet with Tim McGraw. The song is the first single from Chesneys 2012 album Welcome to the Fishbowl and it is his last single released by BNA Records. Chesney recorded the song as a duet with McGraw and premiered it at the Academy of Country Music awards show, the two toured together in mid-2012. Rodney Clawson and Chris Tompkins wrote the song, Clawson told Taste of Country that Tompkins had begun the song with a bass guitar line, when the two observed that everybody wants to feel like a rock star. Rating it four-and-a-half stars out of five, Billy Dukes of Taste of Country favorably compared it to Young, the song debuted at number 13 on the Hot Country Songs charts dated April 21,2012. It is Chesneys highest debuting single, the previous record-holder being Dont Blink, which debuted at number 16. Despite this high debut, the peaked at number 11 on the May 26,2012 chart. On the following chart, Feel Like a Rock Star fell to number 18 while follow-up single Come Over debuted at number 24, american parody artist Cledus T. Judd released a parody of Feel Like A Rock Star titled Feel Like a Pawn Star on his 2012 album Parodyziac
Feel Like a Rock Star
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"Feel Like a Rock Star"
12.
Billboard Hot 100
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The Billboard Hot 100 is the music industry standard record chart in the United States for singles, published weekly by Billboard magazine. Chart rankings are based on sales, radio play and online streaming, the weekly sales period was originally Monday to Sunday, when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. Radio airplay, which, unlike sales figures and streaming data, is available on a real-time basis. A new chart is compiled and officially released to the public by Billboard on Tuesdays, as of the issue for the week ending on April 15,2017, the Hot 100 has had 1,061 different number one hits. The current number one song is Shape of You by Ed Sheeran, prior to 1955, Billboard did not have a unified, all-encompassing popularity chart, instead measuring songs by individual metrics. At the start of the era in 1955, three such charts existed, Best Sellers in Stores was the first Billboard chart, established in 1936. This chart ranked the biggest selling singles in retail stores, as reported by merchants surveyed throughout the country, Most Played by Jockeys was Billboards original airplay chart. It ranked the most played songs on United States radio stations, as reported by radio disc jockeys, Most Played in Jukeboxes ranked the most played songs in jukeboxes across the United States. On the week ending November 12,1955, Billboard published The Top 100 for the first time, the Top 100 combined all aspects of a singles performance, based on a point system that typically gave sales more weight than radio airplay. The Best Sellers In Stores, Most Played by Jockeys and Most Played in Jukeboxes charts continued to be published concurrently with the new Top 100 chart. The week ending July 28,1958 was the publication of the Most Played By Jockeys and Top 100 charts. On August 4,1958, Billboard premiered one main all-genre singles chart, the Hot 100 quickly became the industry standard and Billboard discontinued the Best Sellers In Stores chart on October 13,1958. The Billboard Hot 100 is still the standard by which a songs popularity is measured in the United States, the Hot 100 is ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data compiled by Nielsen Soundscan and streaming activity provided by online music sources. There are several component charts that contribute to the calculation of the Hot 100. Charts are ranked by number of gross audience impressions, computed by cross-referencing exact times of radio airplay with Arbitron listener data. Hot Singles Sales, the top selling singles compiled from a sample of retail store, mass merchant and internet sales reports collected, compiled. The chart is released weekly and measures sales of commercial singles. With the decline in sales of singles in the US
Billboard Hot 100
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The Billboard logo
13.
Chad Cromwell
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Chad Cromwell is an American rock drummer whose music career has spanned more than 30 years. He is possibly best known for his work with Neil Young, Mark Knopfler, Cromwell was born on June 14,1957, in Paducah, Kentucky. When he was three years old he moved with his parents and siblings to Memphis, Tennessee in 1960, in 1970, he moved to Nashville, Tennessee, and grew up there. He currently lives there with his wife and children and he started playing drums at the age of eight, wearing headphones as he played along to records in an upstairs room of his parents home. By the age of twelve he was playing in bands in the local neighborhood. Cromwell started recording and touring with Joe Walsh in 1986, appearing on two albums, Got Any Gum. and Ordinary Average Guy, in 1987, Cromwell began a collaboration with songwriter Neil Young. The initial sessions became Neil Young & The Bluenotes, since then he has recorded and toured with Young on several occasions, and appears on albums such as Freedom, Prairie Wind Living with War and Chrome Dreams II. He has also appeared in Heart of Gold, a documentary capturing the debut of Neil Youngs album and this was filmed at the Ryman auditorium and directed by Jonathan Demme. Cromwell is also known for his contributions to Mark Knopflers solo albums Golden Heart, Sailing to Philadelphia, The Ragpickers Dream and he was also part of Knopflers band during the tours of his first solo albums. Cromwell toured with Crosby, Stills, Nash & Young in the summer of 2006, in the mid 2000s, Cromwell formed the band Fortunate Sons along with Michael Rhodes, Gary Nicholson, Kenny Greenberg, and Reese Wynans. They released an album in 2004. He is also a member of the touring band, Big Al Anderson and The Balls. In 2012, he appeared on The Beach Boys studio album entitled Thats Why God Made the Radio, in 2013, he was featured on Bonnie Tylers album, Rocks and Honey. In 2014, he provided drums on Drake Bells third studio album, Chad Cromwell, Autobiographical Notes Chad Cromwell, Legends Rock TV Show Chad Cromwell, Discography on Discogs. com
Chad Cromwell
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Cromwell playing drums, with
Neil Young, in 2009.
14.
Drum kit
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A drum kit consists of a mix of drums and idiophones most significantly cymbals but also including the woodblock and cowbell. In the 2000s, some also include electronic instruments and both hybrid and entirely electronic kits are used. If some or all of them are replaced by electronic drums, the drum kit is usually played while seated on a drum stool or throne. The drum kit differs from instruments that can be used to produce pitched melodies or chords, even though drums are often placed musically alongside others that do, such as the piano or guitar. The drum kit is part of the rhythm section used in many types of popular and traditional music styles ranging from rock and pop to blues. Other standard instruments used in the section include the electric bass, electric guitar. Many drummers extend their kits from this pattern, adding more drums, more cymbals. Some performers, such as some rockabilly drummers, use small kits that omit elements from the basic setup, some drum kit players may have other roles in the band, such as providing backup vocals, or less commonly, lead vocals. Thus, in an early 1800s orchestra piece, if the called for bass drum, triangle and cymbals. In the 1840s, percussionists began to experiment with foot pedals as a way to them to play more than one instrument. In the 1860s, percussionists started combining multiple drums into a set, the bass drum, snare drum, cymbals, and other percussion instruments were all played using hand-held drum sticks. Double-drumming was developed to one person to play the bass and snare with sticks. With this approach, the drum was usually played on beats one. This resulted in a swing and dance feel. The drum set was referred to as a trap set. By the 1870s, drummers were using an overhang pedal, most drummers in the 1870s preferred to do double drumming without any pedal to play multiple drums, rather than use an overhang pedal. Companies patented their pedal systems such as Dee Dee Chandler of New Orleans 1904–05, liberating the hands for the first time, this evolution saw the bass drum played with the foot of a standing percussionist. The bass drum became the central piece around which every other percussion instrument would later revolve and it was the golden age of drum building for many famous drum companies, with Ludwig introducing
Drum kit
Drum kit
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South-African jazz drummer
Louis Moholo playing a four-piece kit
Drum kit
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Dance band drummer Stan Farmer at Mark Foy's Empress Ballroom, Sydney, New South Wales, using a kit with bass drum pedal and low sock. Tom Lennon, 23 October 1935
Drum kit
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Drummer in a Memphis "juke joint" orchestra playing a kit with four non-tunable
toms. Marion Post Wolcott, October 1939
15.
Electric guitar
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The vibrations of the strings are sensed by a pickup, of which the most common type is the magnetic pickup, which uses the principle of direct electromagnetic induction. The signal generated by a guitar is too weak to drive a loudspeaker, so it is plugged into a guitar amplifier before being sent to a loudspeaker. The output of a guitar is an electric signal. Invented in 1931, the electric guitar was adopted by jazz guitarists. Early proponents of the guitar on record included Les Paul, Lonnie Johnson, Sister Rosetta Tharpe, T-Bone Walker. During the 1950s and 1960s, the guitar became the most important instrument in pop music. It has evolved into an instrument that is capable of a multitude of sounds and styles in genres ranging from pop and rock to country music, blues and jazz. It served as a component in the development of electric blues, rock and roll, rock music, heavy metal music. Electric guitar design and construction vary greatly in the shape of the body and the configuration of the neck, bridge, Guitars may have a fixed bridge or a spring-loaded hinged bridge that lets players bend the pitch of notes or chords up or down or perform vibrato effects. The sound of a guitar can be modified by new playing techniques such as string bending, tapping, hammering on, using audio feedback, in a small group, such as a power trio, one guitarist switches between both roles. In larger rock and metal bands, there is often a rhythm guitarist, many experiments at electrically amplifying the vibrations of a string instrument were made dating back to the early part of the 20th century. Patents from the 1910s show telephone transmitters were adapted and placed inside violins, hobbyists in the 1920s used carbon button microphones attached to the bridge, however, these detected vibration from the bridge on top of the instrument, resulting in a weak signal. With numerous people experimenting with electrical instruments in the 1920s and early 1930s, Electric guitars were originally designed by acoustic guitar makers and instrument manufacturers. Some of the earliest electric guitars adapted hollow-bodied acoustic instruments and used tungsten pickups, the first electrically amplified guitar was designed in 1931 by George Beauchamp, the general manager of the National Guitar Corporation, with Paul Barth, who was vice president. The maple body prototype for the one-piece cast aluminum frying pan was built by Harry Watson, commercial production began in late summer of 1932 by the Ro-Pat-In Corporation, in Los Angeles, a partnership of Beauchamp, Adolph Rickenbacker, and Paul Barth. In 1934, the company was renamed the Rickenbacker Electro Stringed Instrument Company, in that year Beauchamp applied for a United States patent for an Electrical Stringed Musical Instrument and the patent was issued in 1937. The Electro-Spanish Ken Roberts provided players a full 25 scale, with 17 frets free of the fretboard and it is estimated that fewer than 50 Electro-Spanish Ken Roberts were constructed between 1933 and 1937, fewer than 10 are known to survive today. The need for the guitar became apparent during the big band era as orchestras increased in size, particularly when acoustic guitars had to compete with large
Electric guitar
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A
Kramer XKG-20 electric guitar circa 1980, modified
Electric guitar
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The "Frying Pan", 1932
Electric guitar
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Gibson Les Paul Custom 1954
Electric guitar
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Detail of a Squier-made Fender Stratocaster. Note the vibrato arm, the 3 single-coil pickups, the volume and tone knobs.
16.
Acoustic guitar
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An acoustic guitar is a guitar that produces sound acoustically—by transmitting the vibration of the strings to the air—as opposed to relying on electronic amplification. The sound waves from the strings of an acoustic guitar resonate through the guitars body and this typically involves the use of a sound board and a sound box to strengthen the vibrations of the strings. The main source of sound in a guitar is the string. The string vibrates at a frequency and also creates many harmonics at various different frequencies. The frequencies produced can depend on string length, mass, gitterns, a small plucked guitar were the first small guitar-like instruments created during the Middle Ages with a round back like that of a lute. Modern guitar shaped instruments were not seen until the Renaissance era where the body, the earliest string instruments that related to the guitar and its structure where broadly known as the vihuelas within Spanish musical culture. Vihuelas where string instruments that were seen in the 16th century during the Renaissance. Later, Spanish writers distinguished these instruments into 2 categories of vihuelas, the vihuela de arco was an instrument that mimicked the violin, and the vihuela de penola was played with a plectrum or by hand. When it was played by hand it was known as the vihuela de mano, vihuela de mano shared extreme similarities with the Renaissance guitar as it used hand movement at the sound hole or sound chamber of the instrument to create music. The real production of guitars kicked off in France where the popularity, the production became so large that early famous creators such as Gaspard Duyffooprucgars instruments were being sold as copies by other guitar makers in Lyon. Benoist Lejeune, a maker, offered and sold guitar copies of Duyffoprucgars instruments and was later imprisoned for using his mark and work. During this time, the production was increasing tremendously but it was not until Robert and Claude Denis appeared overproducing the early Renaissance guitar in Paris, as father and son, Robert and Claude produced hundreds of guitars that increased the popularity of the instrument greatly. Because of them and the great many guitar inventors of this time, by 1790 only six-course vihuela guitars were being created and had become the main type and model of guitar used in Spain. Most of the older 5-course guitars where still in use but were also being modified to a six-coursed acoustical guitar, by the 19th century, coursed strings where evolved into 6 single-stringed instruments much like that of the guitar today. It had evolved into the modern look except for size, retaining a smaller frame, the acoustic guitars soundboard, or top, also has a strong effect on the loudness of the guitar. No amplification actually occurs in this process, because no energy is added to increase the loudness of the sound. All the energy is provided by the plucking of the string, but without a soundboard, the string would just cut through the air without actually moving it much. The soundboard increases the surface of the area in a process called mechanical impedance matching
Acoustic guitar
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A
Gibson SJ200 Steel-string acoustic guitar.
Acoustic guitar
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A
C.F. Martin 000-28EC.
Acoustic guitar
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An
Ovation Adamas, whose parabolic shape reduces feedback and increases volume.
Acoustic guitar
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Many acoustic guitars incorporate
rosettes around the
sound hole.
17.
Synthesizer
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A synthesizer is an electronic musical instrument that generates electric signals that are converted to sound through instrument amplifiers and loudspeakers or headphones. Synthesizers may either imitate instruments like piano, Hammond organ, flute, vocals, natural sounds like ocean waves, etc. or generate new electronic timbres. Synthesizers without built-in controllers are called sound modules, and are controlled via USB, MIDI or CV/gate using a controller device. Synthesizers use various methods to generate electronic signals, synthesizers were first used in pop music in the 1960s. In the 1970s, synths were used in disco, especially in the late 1970s, in the 1980s, the invention of the relatively inexpensive, mass market Yamaha DX7 synth made synthesizers widely available. 1980s pop and dance music often made use of synthesizers. In the 2010s, synthesizers are used in genres of pop, rock. Contemporary classical music composers from the 20th and 21st century write compositions for synthesizer, the beginnings of the synthesizer are difficult to trace, as it is difficult to draw a distinction between synthesizers and some early electric or electronic musical instruments. One of the earliest electric musical instruments, the telegraph, was invented in 1876 by American electrical engineer Elisha Gray. He accidentally discovered the sound generation from a self-vibrating electromechanical circuit and this musical telegraph used steel reeds with oscillations created by electromagnets transmitted over a telegraph line. Gray also built a simple loudspeaker device into later models, consisting of a diaphragm in a magnetic field. This instrument was a remote electromechanical musical instrument that used telegraphy, though it lacked an arbitrary sound-synthesis function, some have erroneously called it the first synthesizer. In 1897, Thaddeus Cahill invented the Teleharmonium, which used dynamos, and was capable of additive synthesis like the Hammond organ, however, Cahills business was unsuccessful for various reasons, and similar but more compact instruments were subsequently developed, such as electronic and tonewheel organs. In 1906, American engineer, Lee De Forest ushered in the electronics age and he invented the first amplifying vacuum tube, called the Audion tube. This led to new entertainment technologies, including radio and sound films, ondes Martenot and Trautonium were continuously developed for several decades, finally developing qualities similar to later synthesizers. In the 1920s, Arseny Avraamov developed various systems of graphic sonic art, in 1938, USSR engineer Yevgeny Murzin designed a compositional tool called ANS, one of the earliest real-time additive synthesizers using optoelectronics. The earliest polyphonic synthesizers were developed in Germany and the United States, during the three years that Hammond manufactured this model,1,069 units were shipped, but production was discontinued at the start of World War II. Both instruments were the forerunners of the electronic organs and polyphonic synthesizers
Synthesizer
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Early
Minimoog by R.A. Moog Inc. (ca. 1970)
Synthesizer
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Wolfgang von Kempelen's Speaking Machine in 1769–1791 (replica in 2007–2009)
Synthesizer
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Rudolph Koenig 's sound synthesizer in 1865: consists of
tuning forks,
electromagnets, and
Helmholtz resonators.
Synthesizer
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The
Teleharmonium console (1897) and
Hammond organ (1934).
18.
Bass guitar
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The bass guitar is a stringed instrument played primarily with the fingers or thumb, by plucking, slapping, popping, strumming, tapping, thumping, or picking with a plectrum, often known as a pick. The bass guitar is similar in appearance and construction to a guitar, but with a longer neck and scale length. The four-string bass, by far the most common, is tuned the same as the double bass. The bass guitar is an instrument, as it is notated in bass clef an octave higher than it sounds to avoid excessive ledger lines. Like the electric guitar, the guitar has pickups and it is plugged into an amplifier and speaker on stage, or into a larger PA system using a DI unit. Since the 1960s, the guitar has largely replaced the double bass in popular music as the bass instrument in the rhythm section. While types of basslines vary widely from one style of music to another, many styles of music utilise the bass guitar, including rock, heavy metal, pop, punk rock, country, reggae, gospel, blues, symphonic rock, and jazz. It is often a solo instrument in jazz, jazz fusion, Latin, funk, progressive rock and other rock, the adoption of a guitar form made the instrument easier to hold and transport than any of the existing stringed bass instruments. The addition of frets enabled bassists to play in more easily than on acoustic or electric upright basses. Around 100 of these instruments were made during this period, around 1947, Tutmarcs son, Bud, began marketing a similar bass under the Serenader brand name, prominently advertised in the nationally distributed L. D. Heater Music Company wholesale jobber catalogue of 1948, however, the Tutmarc family inventions did not achieve market success. In the 1950s, Leo Fender, with the help of his employee George Fullerton and his Fender Precision Bass, which began production in October 1951, became a widely copied industry standard. This split pickup, introduced in 1957, appears to have been two mandolin pickups, the pole pieces and leads of the coils were reversed with respect to each other, producing a humbucking effect. Humbucking is a design that electrically cancels the effect of any AC hum, the Fender Bass was a revolutionary new instrument, which could be easily transported, and which was less prone to feedback when amplified than acoustic bass instruments. Monk Montgomery was the first bass player to tour with the Fender bass guitar, roy Johnson, and Shifty Henry with Louis Jordan & His Tympany Five, were other early Fender bass pioneers. Bill Black, playing with Elvis Presley, switched from bass to the Fender Precision Bass around 1957. The bass guitar was intended to appeal to guitarists as well as upright bass players, following Fenders lead, in 1953, Gibson released the first short scale violin-shaped electric bass with extendable end pin, allowing it to be played upright or horizontally. In 1959 these were followed by the more conventional-looking EB-0 Bass, the EB-0 was very similar to a Gibson SG in appearance
Bass guitar
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A
Music Man StingRay bass
Bass guitar
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(a standard tuned 4-string bass guitar)
Bass guitar
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Musical instrument inventor Paul Tutmarc outside his music store in Seattle, Washington
Bass guitar
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Design patent issued to Leo Fender for the second-generation
Precision Bass
19.
Billboard (magazine)
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Billboard is an American entertainment media brand owned by the Hollywood Reporter-Billboard Media Group, a division of Eldridge Industries. It publishes pieces involving news, video, opinion, reviews, events and it is also known for its music charts, including the Billboard Hot 100 and Billboard 200, tracking the most popular singles and albums in different genres. It also hosts events, owns a publishing firm, and operates several TV shows, Billboard was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegens interest in 1900 for $500, in the 1900s, it covered the entertainment industry, such as circuses, fairs and burlesque shows. It also created a service for travelling entertainers. Billboard began focusing more on the industry as the jukebox, phonograph. Many topics it covered were spun-off into different magazines, including Amusement Business in 1961 to cover outdoor entertainment so that it could focus on music. After Donaldson died in 1925, Billboard was passed down to his children and Hennegans children, until it was sold to investors in 1985. The first issue of Billboard was published in Cincinnati, Ohio, on November 1,1894 by William Donaldson, initially, it covered the advertising and bill posting industry and was called Billboard Advertising. At the time, billboards, posters and paper advertisements placed in public spaces were the means of advertising. Donaldson handled editorial and advertising, while Hennegan, who owned Hennegan Printing Co. managed magazine production, the first issues were just eight pages long. The paper had columns like The Bill Room Gossip and The Indefatigable, a department for agricultural fairs was established in 1896. The title was changed to The Billboard in 1897, after a brief departure over editorial differences, Donaldson purchased Hennegans interest in the business in 1900 for $500, to save it from bankruptcy. That May, Donaldson changed it from a monthly to a paper with a greater emphasis on breaking news. He improved editorial quality and opened new offices in New York, Chicago, San Francisco, London and he also re-focused the magazine on outdoor entertainment like fairs, carnivals, circuses, vaudeville and burlesque shows. A section devoted to circuses was introduced in 1900, followed by more prominent coverage of events in 1901. Billboard also covered topics including regulation, a lack of professionalism, economics and it had a stage gossip column covering the private lives of entertainers, a tent show section covering traveling shows and a sub-section called Freaks to order. According to The Seattle Times, Donaldson also published articles attacking censorship, praising productions exhibiting good taste
Billboard (magazine)
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An 1896 issue of Billboard
Billboard (magazine)
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Cover of Billboard (January 26, 2013).
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