1.
Social realism
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While the movements characteristics vary from nation to nation, it almost always utilizes a form of descriptive or critical realism. Social realism traces back to 19th-century European Realism, including the art of Honoré Daumier, Gustave Courbet, in Russia Peredvizhniki or Social Realism was critical of the social environment that caused the conditions pictured, and denounced the evil Tsarist period. Ilya Repin, said that his art work was aimed “To criticize all the monstrosities of our vile society” of the Tsarist period, similar concerns were addressed in 20th-century Britain by the Artists International Association, Mass Observation and the Kitchen sink school. Social realist photography draws from the traditions of the late 19th century, such as the work of Jacob A. Riis. In about 1900, a group of Realist artists led by Robert Henri challenged the American Impressionism and academics, the term was suggested by a drawing by George Bellows, captioned Disappointments of the Ash Can, which appeared in the Philadelphia Record in April 1915. In paintings, illustrations, etchings, and lithographs, Ashcan artists concentrated on portraying New Yorks vitality, with a eye on current events. Barbara Weinberg of The Metropolitan Museum of Art has described the artists as documenting an unsettling, transitional time that was marked by confidence and doubt, excitement and trepidation. Ignoring or registering only gently harsh new realities such as the problems of immigration and urban poverty, notable Ashcan works include George Luks’ Breaker Boy and John Sloan’s Sixth Avenue Elevated at Third Street. The Ashcan school influenced the art of the Depression era, including Thomas Hart Benton’s mural City Activity with Subway, Social Realism with roots in European Realism became an important art movement during the Great Depression in the United States in the 1930s. As an American artistic movement it is related to American scene painting. In Mexico the painter Frida Kahlo is associated with the realism movement. The Mexican muralist movement is characterized by its political undertones, the majority of which are of a Marxist nature, diego Rivera, David Alfaro Siqueiros, José Clemente Orozco, and Rufino Tamayo are the best known proponents of the movement. Santiago Martínez Delgado, Jorge González Camarena, Roberto Montenegro, Federico Cantú Garza, the term dates on a broader scale to the Realist movement in French art during the mid-19th century. The social realist style fell out of fashion in the 1960s but is influential in thinking. Many artists who subscribed to social realism were painters with socialist political views, in certain contexts, socialist realism has been described as a specific branch of social realism. Social realism has been summarized as follows, Social Realism developed as a reaction against idealism, consequences of the Industrial Revolution became apparent, urban centers grew, slums proliferated on a new scale contrasting with the display of wealth of the upper classes. With a new sense of consciousness, the Social Realists pledged to “fight the beautiful art”. They focused on the realities of contemporary life and sympathized with working-class people
2.
Abstract art
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Abstract art uses a visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective, the arts of cultures other than the European had become accessible and showed alternative ways of describing visual experience to the artist. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, Abstract art, non-figurative art, non-objective art, and nonrepresentational art are loosely related terms. They are similar, but perhaps not of identical meaning, Abstraction indicates a departure from reality in depiction of imagery in art. This departure from accurate representation can be slight, partial, or complete, even art that aims for verisimilitude of the highest degree can be said to be abstract, at least theoretically, since perfect representation is likely to be exceedingly elusive. Artwork which takes liberties, altering for instance color and form in ways that are conspicuous, total abstraction bears no trace of any reference to anything recognizable. In geometric abstraction, for instance, one is unlikely to find references to naturalistic entities, Figurative art and total abstraction are almost mutually exclusive. But figurative and representational art often contains partial abstraction, both geometric abstraction and lyrical abstraction are often totally abstract. It is at level of visual meaning that abstract art communicates. One can enjoy the beauty of Chinese calligraphy or Islamic calligraphy without being able to read it, in Chinese painting, abstraction can be traced to the Tang dynasty painter Wang Mo, who is credited to have invented the splashed-ink painting style. While none of his paintings remain, this style is seen in some Song Dynasty Paintings. A late Song painter named Yu Jian, adept to Tiantai buddhism and his paintings show heavily misty mountains in which the shapes of the objects are barely visible and extremely simplified. This type of painting was continued by Sesshu Toyo in his later years, another instance of abstraction in Chinese painting is seen in Zhu Deruns Cosmic Circle. The painting is a reflection of the Daoist metaphysics in which chaos, in Tokugawa Japan some zen monk-painters created Enso, a circle who represents the absolute enlightenment. Usually made in one spontaneous brush stroke, it became the paradigm of the minimalist aesthetic that guided part of the zen painting, three art movements which contributed to the development of abstract art were Romanticism, Impressionism and Expressionism. Artistic independence for artists was advanced during the 19th century, patronage from the church diminished and private patronage from the public became more capable of providing a livelihood for artists. Expressionist painters explored the use of paint surface, drawing distortions and exaggerations
3.
Expressionism
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Expressionism was a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, Expressionist artists sought to express the meaning of emotional experience rather than physical reality. Expressionism was developed as an avant-garde style before the First World War and it remained popular during the Weimar Republic, particularly in Berlin. The style extended to a range of the arts, including expressionist architecture, painting, literature, theatre, dance, film. The term is sometimes suggestive of angst, in a general sense, painters such as Matthias Grünewald and El Greco are sometimes termed expressionist, though in practice the term is applied mainly to 20th-century works. The Expressionist emphasis on individual perspective has been characterized as a reaction to positivism, though an alternate view is that the term was coined by the Czech art historian Antonin Matějček in 1910, as the opposite of impressionism, An Expressionist wishes, above all, to express himself. Immediate perception and builds on more complex psychic structures, in 1905, a group of four German artists, led by Ernst Ludwig Kirchner, formed Die Brücke in the city of Dresden. This was arguably the founding organization for the German Expressionist movement, a few years later, in 1911, a like-minded group of young artists formed Der Blaue Reiter in Munich. The name came from Wassily Kandinskys Der Blaue Reiter painting of 1903, among their members were Kandinsky, Franz Marc, Paul Klee, and Auguste Macke. However, the term Expressionism did not firmly establish itself until 1913, though mainly a German artistic movement initially and most predominant in painting, poetry and the theatre between 1910–30, most precursors of the movement were not German. Expressionism is notoriously difficult to define, in part because it overlapped with other major isms of the modernist period, with Futurism, Vorticism, Cubism, Surrealism, more explicitly, that the expressionists rejected the ideology of realism. The term refers to a style in which the artist seeks to depict not objective reality but rather the subjective emotions. It is arguable that all artists are expressive but there are examples of art production in Europe from the 15th century onward which emphasize extreme emotion. Expressionism has been likened to Baroque by critics such as art historian Michel Ragon, according to Alberto Arbasino, a difference between the two is that Expressionism doesnt shun the violently unpleasant effect, while Baroque does. Expressionism throws some terrific fuck yous, Baroque doesnt, brazil, Anita Malfatti, Cândido Portinari, Di Cavalcanti, Iberê Camargo and Lasar Segall. Estonia, Konrad Mägi, Eduard Wiiralt Finland, Tyko Sallinen, Alvar Cawén, Juho Mäkelä, there were a number of groups of expressionist painters, including Der Blaue Reiter and Die Brücke. Der Blaue Reiter was based in Munich and Die Brücke was based originally in Dresden, Die Brücke was active for a longer period than Der Blaue Reiter, which was only together for a year. The Expressionists had many influences, among them Edvard Munch, Vincent van Gogh and they were also aware of the work being done by the Fauves in Paris, who influenced Expressionisms tendency toward arbitrary colours and jarring compositions
4.
Oil paint
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Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. The viscosity of the paint may be modified by the addition of a solvent such as turpentine or white spirit, Oil paints have been used in Europe since the 12th century for simple decoration, but were not widely adopted as an artistic medium until the early 15th century. Common modern applications of oil paint are in finishing and protection of wood in buildings and exposed metal structures such as ships and its hard-wearing properties and luminous colors make it desirable for both interior and exterior use on wood and metal. Due to its properties, it has recently been used in paint-on-glass animation. Thickness of coat has considerable bearing on time required for drying, the literature abounds with incorrect theories and information, in general, anything published before 1952 is suspect. Until 1991 nothing was known about the aspect of cave paintings from the Paleolithic era. Many assumptions were made about the chemistry of the binders, the oldest known oil paintings date from 650 AD, found in 2008 in caves in Afghanistans Bamiyan Valley, using walnut and poppy seed oils. Though the ancient Mediterranean civilizations of Greece, Rome, and Egypt used vegetable oils, indeed, linseed oil was not used as a medium because of its tendency to dry very slowly, darken, and crack, unlike mastic and wax. Greek writers such as Aetius Amidenus recorded recipes involving the use of oils for drying, such as walnut, poppy, hempseed, pine nut, castor, when thickened, the oils became resinous and could be used as varnish to seal and protect paintings from water. Additionally, when yellow pigment was added to oil, it could be spread over tin foil as an expensive alternative to gold leaf. Early Christian monks maintained these records and used the techniques in their own artworks, theophilus Presbyter, a 12th-century German monk, recommended linseed oil but advocated against the use of olive oil due to its long drying time. Oil paint was used as it is today in house decoration, as a tough waterproof cover for exposed woodwork. In the 13th century, oil was used to detail tempera paintings, in the 14th century, Cennino Cennini described a painting technique utilizing tempera painting covered by light layers of oil. The slow-drying properties of organic oils were commonly known to early painters, however, the difficulty in acquiring and working the materials meant that they were rarely used. As public preference for naturalism increased, the quick-drying tempera paints became insufficient to achieve the very detailed and precise effects that oil could achieve. Van Eyck’s mixture may have consisted of piled glass, calcined bones, the new mixture had a honey-like consistency and better drying properties. This mixture was known as oglio cotto—cooked oil, leonardo da Vinci later improved these techniques by cooking the mixture at a very low temperature and adding 5 to 10% beeswax, which prevented darkening of the paint. Giorgione, Titian, and Tintoretto each may have altered this recipe for their own purposes, the use of any cooked oils or Litharge darkens an oil painting rapidly
5.
Watercolor
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Watercolor or watercolour, also aquarelle, a diminutive of the Latin for water, is a painting method in which the paints are made of pigments suspended in a water-based solution. Watercolor refers to both the medium and the resulting artwork, the traditional and most common support—material to which the paint is applied—for watercolor paintings is paper. Other supports include papyrus, bark papers, plastics, vellum, leather, fabric, wood, Watercolor paper is often made entirely or partially with cotton, which gives a good texture and minimizes distortion when wet. Watercolors are usually translucent, and appear luminous because the pigments are laid down in a form with few fillers obscuring the pigment colors. Watercolors can also be made opaque by adding Chinese white, in East Asia, watercolor painting with inks is referred to as brush painting or scroll painting. In Chinese, Korean and Japanese painting it has been the dominant medium, india, Ethiopia and other countries have long watercolor painting traditions as well. Fingerpainting with watercolor paints originated in mainland China, however, its continuous history as an art medium begins with the Renaissance. The German Northern Renaissance artist Albrecht Dürer, who painted several fine botanical, wildlife, an important school of watercolor painting in Germany was led by Hans Bol as part of the Dürer Renaissance. Despite this early start, watercolors were used by Baroque easel painters only for sketches, copies or cartoons. Notable early practitioners of watercolor painting were Van Dyck, Claude Lorrain, Giovanni Benedetto Castiglione, however, botanical illustration and wildlife illustration perhaps form the oldest and most important traditions in watercolor painting. Botanical illustrations became popular during the Renaissance, both as hand-tinted woodblock illustrations in books or broadsheets and as tinted ink drawings on vellum or paper. Wildlife illustration reached its peak in the 19th century with such as John James Audubon. Several factors contributed to the spread of watercolor painting during the 18th century, Watercolor artists were commonly brought with the geological or archaeological expeditions, funded by the Society of Dilettanti, to document discoveries in the Mediterranean, Asia, and the New World. This example popularized watercolors as a form of personal tourist journal, the confluence of these cultural, engineering, scientific, tourist, and amateur interests culminated in the celebration and promotion of watercolor as a distinctly English national art. William Blake published several books of hand-tinted engraved poetry, provided illustrations to Dantes Inferno, from the late 18th century through the 19th century, the market for printed books and domestic art contributed substantially to the growth of the medium. Satirical broadsides by Thomas Rowlandson, many published by Rudolph Ackermann, were extremely popular. Among the important and highly talented contemporaries of Turner and Girtin, were John Varley, John Sell Cotman, Anthony Copley Fielding, Samuel Palmer, William Havell, the Swiss painter Louis Ducros was also widely known for his large format, romantic paintings in watercolor. These societies provided annual exhibitions and buyer referrals for many artists, in particular, the graceful, lapidary, and atmospheric watercolors by Richard Parkes Bonington created an international fad for watercolor painting, especially in England and France in the 1820s
6.
Acrylic paint
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Acrylic paint is a fast-drying paint made of pigment suspended in acrylic polymer emulsion. Acrylic paints are water-soluble, but become water-resistant when dry, acrylic paint is typically used for crafting, or in art classes in schools because it does not require any chemicals, and rinses away with just water. It also is likely to leave a stain on clothes than oil paint. As early as 1934, the first usable acrylic resin dispersion was developed by German chemical company BASF, the synthetic paint was first used in the 1940s, combining some of the properties of oil and watercolor. Between 1946 and 1949, Leonard Bocour and Sam Golden invented a solution acrylic paint under the brand Magna paint, acrylics were made commercially available in the 1950s. Following that development, Golden came up with an acrylic paint called Aquatec. Otto Röhm invented acrylic resin, which was transformed into acrylic paint. These two product lines were the very first acrylic emulsion artists paints, water-based acrylic paints were subsequently sold as latex house paints, as latex is the technical term for a suspension of polymer microparticles in water. Interior latex house paints tend to be a combination of binder, filler, pigment, exterior latex house paints may also be a co-polymer blend, but the best exterior water-based paints are 100% acrylic, due to elasticity and other factors. Vinyl, however, costs half of what 100% acrylic resins cost, soon after the water-based acrylic binders were introduced as house paints, artists and companies alike began to explore the potential of the new binders. Water-soluble artists acrylic paints were sold commercially by Liquitex beginning in the 1950s, in 1963, Rowney was the first manufacturer to introduce artist’s acrylic paints in Europe, under the brand name Cryla. Before the 19th century, artists mixed their own paints, which allowed them to achieve the color and thickness. While suitable media and raw pigments are available for the production of acrylic paint, hand mixing may not be practical because of the fast drying time. Acrylic painters can modify the appearance, hardness, flexibility, texture, watercolor and oil painters also use various media, but the range of acrylic media is much greater. Acrylics have the ability to bond to many different surfaces, in these cases it is recommended that the surface first be sealed with an appropriate sealer. Acrylics can be applied in layers or washes to create effects that resemble watercolors. They can also be used to build layers of paint—gel and molding paste media are sometimes used to create paintings with relief features that are, quite literally. Acrylic paints are used in hobbies such as train, car, house
7.
Wax
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Waxes are a diverse class of organic compounds that are hydrophobic, malleable solids near ambient temperatures. They include higher alkanes and lipids, typically with melting points above about 40 °C, waxes are insoluble in water but soluble in organic, nonpolar solvents. Natural waxes of different types are produced by plants and animals, waxes are organic compounds that characteristically consist of long alkyl chains. They may also include various groups such as fatty acids, primary and secondary long chain alcohols, unsaturated bonds, aromatics, amides, ketones. They frequently contain fatty acid esters as well, synthetic waxes are often long-chain hydrocarbons that lack functional groups. Waxes are synthesized by plants and animals. Those of animal origin typically consist of wax esters derived from a variety of carboxylic acids, in waxes of plant origin characteristic mixtures of unesterified hydrocarbons may predominate over esters. The composition depends not only on species, but also on location of the organism. The most commonly known animal wax is beeswax, but other insects secrete waxes, a major component of the beeswax used in constructing honeycombs is the ester myricyl palmitate which is an ester of triacontanol and palmitic acid. Its melting point is 62-65 °C, spermaceti occurs in large amounts in the head oil of the sperm whale. One of its constituents is cetyl palmitate, another ester of a fatty acid. Lanolin is a wax obtained from wool, consisting of esters of sterols, plants secrete waxes into and on the surface of their cuticles as a way to control evaporation, wettability and hydration. From the commercial perspective, the most important plant wax is carnauba wax, containing the ester myricyl cerotate, it has many applications, such as confectionery and other food coatings, car and furniture polish, floss coating, and surfboard wax. Other more specialized vegetable waxes include candelilla wax and ouricury wax, plant and animal based waxes or oils can undergo selective chemical modifications to produce waxes with more desirable properties than are available in the unmodified starting material. This approach has relied on green chemistry approaches including olefin metathesis and enzymatic reactions, although many natural waxes contain esters, paraffin waxes are hydrocarbons, mixtures of alkanes usually in a homologous series of chain lengths. These materials represent a significant fraction of petroleum and they are refined by vacuum distillation. Paraffin waxes are mixtures of saturated n- and iso- alkanes, naphthenes, a typical alkane paraffin wax chemical composition comprises hydrocarbons with the general formula CnH2n+2, such as Hentriacontane, C31H64. The degree of branching has an important influence on the properties, millions of tons of paraffin waxes are produced annually
8.
New York City
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The City of New York, often called New York City or simply New York, is the most populous city in the United States. With an estimated 2015 population of 8,550,405 distributed over an area of about 302.6 square miles. Located at the tip of the state of New York. Home to the headquarters of the United Nations, New York is an important center for international diplomacy and has described as the cultural and financial capital of the world. Situated on one of the worlds largest natural harbors, New York City consists of five boroughs, the five boroughs – Brooklyn, Queens, Manhattan, The Bronx, and Staten Island – were consolidated into a single city in 1898. In 2013, the MSA produced a gross metropolitan product of nearly US$1.39 trillion, in 2012, the CSA generated a GMP of over US$1.55 trillion. NYCs MSA and CSA GDP are higher than all but 11 and 12 countries, New York City traces its origin to its 1624 founding in Lower Manhattan as a trading post by colonists of the Dutch Republic and was named New Amsterdam in 1626. The city and its surroundings came under English control in 1664 and were renamed New York after King Charles II of England granted the lands to his brother, New York served as the capital of the United States from 1785 until 1790. It has been the countrys largest city since 1790, the Statue of Liberty greeted millions of immigrants as they came to the Americas by ship in the late 19th and early 20th centuries and is a symbol of the United States and its democracy. In the 21st century, New York has emerged as a node of creativity and entrepreneurship, social tolerance. Several sources have ranked New York the most photographed city in the world, the names of many of the citys bridges, tapered skyscrapers, and parks are known around the world. Manhattans real estate market is among the most expensive in the world, Manhattans Chinatown incorporates the highest concentration of Chinese people in the Western Hemisphere, with multiple signature Chinatowns developing across the city. Providing continuous 24/7 service, the New York City Subway is one of the most extensive metro systems worldwide, with 472 stations in operation. Over 120 colleges and universities are located in New York City, including Columbia University, New York University, and Rockefeller University, during the Wisconsinan glaciation, the New York City region was situated at the edge of a large ice sheet over 1,000 feet in depth. The ice sheet scraped away large amounts of soil, leaving the bedrock that serves as the foundation for much of New York City today. Later on, movement of the ice sheet would contribute to the separation of what are now Long Island and Staten Island. The first documented visit by a European was in 1524 by Giovanni da Verrazzano, a Florentine explorer in the service of the French crown and he claimed the area for France and named it Nouvelle Angoulême. Heavy ice kept him from further exploration, and he returned to Spain in August and he proceeded to sail up what the Dutch would name the North River, named first by Hudson as the Mauritius after Maurice, Prince of Orange
9.
Art Students League of New York
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The Art Students League of New York is an art school located on West 57th Street in Manhattan, New York City, New York. Although artists may study full-time, there have never been any degree programs or grades, the League also maintains a significant permanent collection of student and faculty work, and publishes an online journal of writing on art-related topics, entitled LINEA. The breakaway group of students included women, and was originally housed in rented rooms at 16th Street. Influential board members from this period included painter Thomas Eakins. Membership continued to increase, forcing the League to relocate to larger spaces. In 1889, the League participated in the founding of the American Fine Arts Society, together with the Society of American Artists, the American Fine Arts Building at 215 West 57th Street, constructed as their joint headquarters, has continued to house the League since 1892. In the late 1890s and early 1900s an increasing number of artists came to study. Among them was a young Miss Wilhelmina Weber Furlong and eventually her husband Thomas Furlong, the avant-garde couple served the league in executive and administrative roles and as student members throughout the American modernism movement. Alice Van Vechten Brown, who would later develop some of the first art programs in American higher education, in the years after World War II, the G. I. Bill played an important role in the history of the League by enabling returning veterans to attend classes. As of 2010, the League remains an important part of New York City art life, from 1906 until 1922, and again after the end of World War II from 1947 until 1979, the League operated a summer school of painting at Woodstock, New York. In 1995, the Leagues facilities expanded to include the Vytlacil campus in Sparkill, New York, named after and based upon a gift of the property, since its inception, the Art Students League has employed notable professional artists as instructors and lecturers. Most engagements have been for a year or two, and some, like those of sculptor George Grey Barnard, were quite brief. Others have taught for decades, notably Frank DuMond and George Bridgman, bridgmans successor was Robert Beverly Hale. In 1988, Robert Cenedella took over the George Grosz Chair, luis Mora, Robert Neffson, Maxfield Parrish, Jules Pascin, Joseph Pennell, Richard C. Pionk, Larry Poons, Richard Pousette-Dart, Abraham Rattner, Peter Reginato, Frank J. Alden Weir, and William Zorach
10.
National Academy Museum and School
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Durand, Thomas Cole, Martin E. Thompson, and others to promote the fine arts in America through instruction and exhibition. The Academy is an honorary organization, a school. The school offers instruction, master classes, intensive critiques, various workshops. The museum houses a collection of over 7,000 works of American art from the 19th, 20th. The Academy has been located at several locations over the years, notable among them was a building built during 1863-1865, designed by architect P. B. Wight in Venetian Gothic style, which was modeled on the Doges Palace in Venice, another locale was at West 109th Street and Amsterdam Avenue in Manhattan. Since 1942 the academy has occupied a mansion that was the home of sculptor Anna Hyatt Huntington and Archer Milton Huntington at Fifth Avenue. The original founders of the National Academy of Design were students of the American Academy of the Fine Arts, samuel F. B. Morse and other students set about forming the drawing association to meet several times each week for the study the art of design. Still, the association was viewed as a dependent organization of the American Academy, an attempt was made to reconcile the difference and maintain a single academy by appointing six of the artists from the association as directors of the American Academy. When four of the nominees were not elected, however, the frustrated artists resolved to form a new academy, among the teaching staff were numerous artists, including Will Hicok Low, who taught from 1889 to 1892. The famous American poet William Cullen Bryant also gave lectures, architect Alexander Jackson Davis taught at the Academy. Painter Lemuel Wilmarth was the first full-time instructor Gulian C, verplanck, a Congressman and a man of letters, gave an address at the school in 1824. and Silas Dustin was a curator
