1.
Shoshenq III
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King Usermaatre Setepenre/Setepenamun Shoshenq III ruled Egypts 22nd Dynasty for 39 years according to contemporary historical records. Two Apis Bulls were buried in the fourth and 28th years of his reign, little is known of the precise basis for his successful claim to the throne since he was not a son of Osorkon II and Shoshenqs parentage and family ties are unknown. From Shoshenq IIIs eighth regnal year, his reign was marked by the loss of Egypts political unity, henceforth, the kings of the 22nd Dynasty only controlled Lower Egypt. On the basis of Osorkon Bs well known Chronicle, most Egyptologists today accept that Takelot IIs 25th regnal year is equivalent to Shoshenq IIIs 22nd year. Shoshenq III married Djed-Bast-Es-Ankh, the daughter of Takelot, a High Priest of Ptah at Memphis and he had at least 4 sons and 1 daughter, Ankhesen-Shoshenq, Bakennefi A, Pashedbast B, Pimay the Great Chief of the Ma, and Takelot C, a Generalissimo. A certain Padehebenbast may also have another son of Shoshenq III. They all appear to have predeceased their father through his nearly four-decade-long rule, instead, it was an unrelated individual named Shoshenq IV who ultimately succeeded Shoshenq III. Shoshenq III was buried in the looted Royal Tomb NRT V at Tanis
2.
Ra
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Ra or Re is the ancient Egyptian sun god. By the Fifth Dynasty in the 25th and 24th centuries BC, he had become a god in ancient Egyptian religion. In later Egyptian dynastic times, Ra was merged with the god Horus and he was believed to rule in all parts of the created world, the sky, the earth, and the underworld. He was associated with the falcon or hawk, when in the New Kingdom the god Amun rose to prominence he was fused with Ra as Amun-Ra. During the Amarna Period, Akhenaten suppressed the cult of Ra in favor of another deity, the Aten, the deified solar disc. The cult of the Mnevis bull, an embodiment of Ra, had its center in Heliopolis, all forms of life were believed to have been created by Ra, who called each of them into existence by speaking their secret names. Alternatively man was created from Ras tears and sweat, hence the Egyptians call themselves the Cattle of Ra, in the myth of the Celestial Cow it is recounted how mankind plotted against Ra and how he sent his eye as the goddess Sekhmet to punish them. When she became bloodthirsty she was pacified by drinking beer mixed with red dye, to the Egyptians, the sun represented light, warmth, and growth. This made the sun deity very important, as the sun was seen as the ruler of all that he created, the sun disk was either seen as the body or eye of Ra. Ra was the father of Shu and Tefnut, whom he created, Shu was the god of the wind, and Tefnut was the goddess of the rain. Sekhmet was the Eye of Ra and was created by the fire in Ras eye, Ra was thought to travel on the Atet, two solar barks called the Mandjet or morning boat and the Mesektet or evening boat. These boats took him on his journey through the sky and the Duat, while Ra was on the Mesektet, he was in his ram-headed form. When Ra traveled in his sun boat, he was accompanied by other deities including Sia and Hu. Sometimes, members of the Ennead helped him on his journey, including Set, who overcame the serpent Apophis, and Mehen, when Ra was in the underworld, he would visit all of his various forms. Apophis, the god of chaos, was a serpent who attempted to stop the sun boats journey every night by consuming it or by stopping it in its tracks with a hypnotic stare. During the evening, the Egyptians believed that Ra set as Atum or in the form of a ram, the night boat would carry him through the underworld and back towards the east in preparation for his rebirth. When Ra was in the underworld, he merged with Osiris, the god of the dead, Ra was worshipped as the Creator god among some ancient Egyptians, specifically followers of his cult at Heliopolis. It was believed that Ra wept, and from his tears came man and these cult-followers believed that Ra was self-created, while followers of Ptah believed that Ra was created by Ptah
3.
Amun
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Amun was a major Ancient Egyptian deity. He was attested since the Old Kingdom together with his wife Amaunet, with the 11th dynasty, he rose to the position of patron deity of Thebes by replacing Monthu. After the rebellion of Thebes against the Hyksos and with the rule of Ahmose I, Amun acquired national importance, expressed in his fusion with the Sun god, Ra, Amun-Ra retained chief importance in the Egyptian pantheon throughout the New Kingdom. Amun-Ra in this period held the position of transcendental, self-created creator deity par excellence, he was the champion of the poor or troubled and his position as King of Gods developed to the point of virtual monotheism where other gods became manifestations of him. With Osiris, Amun-Ra is the most widely recorded of the Egyptian gods, as the chief deity of the Egyptian Empire, Amun-Ra also came to be worshipped outside of Egypt, according to the testimony of ancient Greek historiographers in Libya and Nubia. As Zeus Ammon he came to be identified with Zeus in Greece, Amun and Amaunet are mentioned in the Old Egyptian Pyramid Texts. The name Amun meant something like the one or invisible. Amun rose to the position of tutelary deity of Thebes after the end of the First Intermediate Period, as the patron of Thebes, his spouse was Mut. In Thebes, Amun as father, Mut as mother and the Moon god Khonsu formed a family or Theban Triad. The history of Amun as the god of Thebes begins in the 20th century BC. The city of Thebes does not appear to have been of great significance before the 11th dynasty, major construction work in the Precinct of Amun-Re took place during the 18th dynasty when Thebes became the capital of the unified ancient Egypt. Construction of the Hypostyle Hall may have begun during the 18th dynasty, though most building was undertaken under Seti I. Merenptah commemorated his victories over the Sea Peoples on the walls of the Cachette Court and this Great Inscription shows the kings campaigns and eventual return with booty and prisoners. Next to this inscription is the Victory Stela, which is largely a copy of the more famous Israel Stela found in the complex of Merenptah on the west bank of the Nile in Thebes. Merenptahs son Seti II added 2 small obelisks in front of the Second Pylon, and this was constructed of sandstone, with a chapel to Amun flanked by those of Mut and Khonsu. The last major change to the Precinct of Amun-Res layout was the addition of the first pylon, the local patron deity of Thebes, Amun, therefore became nationally important. The pharaohs of that new dynasty attributed all their enterprises to Amun. The victory accomplished by pharaohs who worshipped Amun against the rulers, brought him to be seen as a champion of the less fortunate
4.
Bastet
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Bastet was a goddess in ancient Egyptian religion, worshiped as early as the 2nd Dynasty. As Bast, she was the goddess of warfare in Lower Egypt and her name is also translated as Baast, Ubaste, and Baset. In Greek mythology, she is known as Ailuros. The uniting Egyptian cultures had deities that shared similar roles and usually the same imagery, in Upper Egypt, Sekhmet was the parallel warrior lioness deity. Often similar deities merged into one with the unification, but that did not occur with these deities having such strong roots in their cultures, instead, these goddesses began to diverge. During the 22nd Dynasty, Bast had transformed from a lioness deity into a major protector deity represented as a cat. Bastet, the associated with this later identity, is the name commonly used by scholars today to refer to this deity. Bastet, the form of the name which is most commonly adopted by Egyptologists today because of its use in later dynasties, is a modern convention offering one possible reconstruction, in early Egyptian, her name appears to have been bꜣstt. In Egyptian writing, the second t marks a feminine ending, but was not usually pronounced, by the first millennium, then, bꜣstt would have been something like *Ubaste in Egyptian speech, later becoming Coptic Oubaste. During later dynasties, the deity remained, but was assigned a role in the pantheon by bearing the name Bastet. This happened after Thebes became the capital of Ancient Egypt during the 18th Dynasty, diminishing her status, they began referring to the deity with the added suffix, as Bastet, and their use of the new name was well-documented, becoming very familiar to researchers. By the 22nd Dynasty the transition had occurred in all regions, what the name of the goddess means remains uncertain. One recent suggestion by Stephen Quirke explains it as meaning She of the ointment jar and this ties in with the observation that her name was written with the hieroglyph for ointment jar and that she was associated with protective ointments, among other things. The name of the known as alabaster might, through Greek. Bastet was originally a warrior goddess of the sun throughout most of ancient Egyptian history. Greeks occupying ancient Egypt toward the end of its civilization changed her into a goddess of the moon, as protector of Lower Egypt, she was seen as defender of the pharaoh, and consequently of the later chief male deity, Ra. Along with the lioness goddesses, she would occasionally be depicted as the embodiment of the Eye of Ra. She has been depicted as fighting the evil snake named Apep, images of Bastet were often created from alabaster
5.
Ancient Egypt
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Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. It is one of six civilizations to arise independently, Egyptian civilization followed prehistoric Egypt and coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh Narmer. In the aftermath of Alexander the Greats death, one of his generals, Ptolemy Soter and this Greek Ptolemaic Kingdom ruled Egypt until 30 BC, when, under Cleopatra, it fell to the Roman Empire and became a Roman province. The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture, the predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. Its art and architecture were widely copied, and its antiquities carried off to far corners of the world and its monumental ruins have inspired the imaginations of travelers and writers for centuries. The Nile has been the lifeline of its region for much of human history, nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the climate of Northern Africa became increasingly hot and dry. In Predynastic and Early Dynastic times, the Egyptian climate was less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates, foliage and fauna were far more prolific in all environs and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated. The largest of these cultures in upper Egypt was the Badari, which probably originated in the Western Desert, it was known for its high quality ceramics, stone tools. The Badari was followed by the Amratian and Gerzeh cultures, which brought a number of technological improvements, as early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan, establishing a power center at Hierakonpolis, and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the desert to the west. Royal Nubian burials at Qustul produced artifacts bearing the oldest-known examples of Egyptian dynastic symbols, such as the crown of Egypt. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a system of hieroglyphs for writing the ancient Egyptian language. The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia, the third-century BC Egyptian priest Manetho grouped the long line of pharaohs from Menes to his own time into 30 dynasties, a system still used today
6.
Egyptology
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A practitioner of the discipline is an Egyptologist. In Europe, particularly on the Continent, Egyptology is primarily regarded as being a philological discipline, the first explorers were the ancient Egyptians themselves. Thutmose IV restored the Sphinx and had the dream that inspired his restoration carved on the famous Dream Stele, less than two centuries later, Prince Khaemweset, fourth son of Ramesses II, is famed for identifying and restoring historic buildings, tombs and temples including the pyramid. The Ptolemies were much interested in the work of the ancient Egyptians, the Romans too carried out restoration work in this most ancient of lands. A number of their accounts have survived and offer insights as to conditions in their time periods. Abdul Latif al-Baghdadi, a teacher at Cairos Al-Azhar University in the 13th century, similarly, the 15th-century Egyptian historian al-Maqrizi wrote detailed accounts of Egyptian antiquities. In the early 17th century, John Greaves measured the pyramids, having inspected the broken Obelisk of Domitian in Rome, then destined for the Earl of Arundels collection in London. In the late 18th century, with Napoleons scholars recording of Egyptian flora, fauna and history, the British captured Egypt from the French and gained the Rosetta Stone. Modern Egyptology is generally perceived as beginning about 1822, egyptologys modern history begins with the invasion of Egypt by Napoleon Bonaparte. The subsequent publication of Description de lÉgypte between 1809 and 1829 made numerous ancient Egyptian source materials available to Europeans for the first time, jean-François Champollion, Thomas Young and Ippolito Rosellini were some of the first Egyptologists of wide acclaim. The German Karl Richard Lepsius was a participant in the investigations of Egypt, mapping, excavating. Champollion announced his general decipherment of the system of Egyptian hieroglyphics for the first time, the Stones decipherment was a very important development of Egyptology. Egyptology became more professional via work of William Matthew Flinders Petrie, Petrie introduced techniques of field preservation, recording, and excavating. Howard Carters expedition brought much acclaim to the field of Egyptology, a tradition of collecting objets-orientales Egyptologists Electronic Forum, version 64. List shows Egyptology societies and Institutes Egyptology at DMOZ Egyptology Books, the University of Memphis Institute of Egyptian Art and Archaeology. Hawass, Zahi, Brock, Lyla Pinch, eds, Egyptology at the Dawn of the Twenty-First Century Proceedings of the Eighth International Congress of Egyptologists. Rare Books and Special Collections Digital Library Underwood & Underwood Egypt Stereoviews Collection, czech Institute of Egyptology, Faculty of Arts, Charles University in Prague
7.
Osorkon II
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Usermaatre Setepenamun Osorkon II was the fifth pharaoh of the Twenty-second Dynasty of Ancient Egypt and the son of Takelot I and Queen Kapes. He ruled Egypt around 872 BC to 837 BC from Tanis, after succeeding his father, he was faced with the competing rule of his cousin, king Harsiese A, who controlled both Thebes and the Western Oasis of Egypt. This consolidated the authority over Upper Egypt and meant that Osorkon II ruled over a united Egypt. Osorkon IIs reign would be a time of large scale monumental building, according to a recent paper by Karl Jansen-Winkeln, king Harsiese A, and his son were only ordinary Priests of Amun, rather than High Priests of Amun, as was previously assumed. The inscription on the Koptos lid for, Harsiese As son and this demonstrates that the High Priest Harsiese who served as attested in statue CGC42225 – which mentions this High Priest and is dated explicitly under Osorkon II – was, in fact, Harsiese B. The High Priest Harsiese B served Osorkon II in his final 3 years and this statue was dedicated by the Letter Writer to Pharaoh, Hor IX, who was one of the most powerful men in his time. Hor IX later served under both Shoshenq III, Pedubast I and Shoshenq VI and this means that the High Priest Harsiese mentioned on statue CGC42225 must be the second Harsiese, Harsiese B. Despite his astuteness in dealings with matters at home, Osorkon II was forced to be aggressive on the international scene. The growing power of Assyria meant the latters increased meddling in the affairs of Israel, mutemhat was another of his wives. Monumental construction was performed at Thebes, Memphis, Tanis and Leontopolis. Many officials are datable under Osorkon II, ankhkherednefer was inspector of the palace, Paanmeny probably was his chief physician, Djeddjehutyiuefankh was fourth prophet of Amun, Bakenkhons was another prophet of Amun under that king. Osorkon II died around 837 BC and is buried in Tomb NRT I at Tanis and he is now believed to have reigned for more than 30 years, rather than just 25 years. The fact that this kings own grandson, Takelot F, served him as High Priest of Amun at Thebes–as the inscribed Walls of Temple J prove – supports the hypothesis of a reign for Osorkon II. Recently, it has demonstrated that Nile Quay Text No.14 belongs to Osorkon II on palaeographical grounds. This finding suggests that Osorkon II likely did celebrate his first Heb Sed in his 30th Year as was traditionally the case with other Libyan era Pharaohs such as Shoshenq III and Shoshenq V. In addition, a Year 22 Stela from his reign preserves no mention of any Heb Sed celebrations in this year as would be expected, however, these much higher figures are not verified by the current monumental evidence. Gerard Broekman gives Osorkon II a slightly shorter reign of 34 Years, kitchen suggests that Osorkon II would have died shortly after in his Year 31. Osorkon II is known to have had at least three wives, Isetemkheb is known to be the mother of a daughter named Tjesbastperu, who was married to the High Priest of Ptah Takelot B
8.
Stele
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A stele is a stone or wooden slab, generally taller than it is wide, erected in ancient Western culture as a monument. Grave steles were often used for funerary or commemorative purposes, Stelae as slabs of stone would also be used as ancient Greek and Roman government notices or as boundary markers to mark borders or property lines. The surface of the stele usually has text, ornamentation, or both, the ornamentation may be inscribed, carved in relief, or painted. Traditional Western gravestones may technically be considered the equivalent of ancient stelae. The most famous example of an inscribed stela leading to increased understanding is the Rosetta Stone, an informative stele of Tiglath-Pileser III is preserved in the British Museum. Two steles built into the walls of a church are major documents relating to the Etruscan language, unfinished standing stones, set up without inscriptions from Libya in North Africa to Scotland were monuments of pre-literate Megalithic cultures in the Late Stone Age. The Pictish stones of Scotland, often carved, date from between the 6th and 9th centuries. An obelisk is a kind of stele. The Insular high crosses of Ireland and Britain are specialized steles, totem poles of North and South America that are made out of stone may also be considered a specialized type of stele. Gravestones, typically with inscribed name and often with inscribed epitaph, are among the most common types of stele seen in Western culture. Most recently, in the Memorial to the Murdered Jews of Europe in Berlin, the memorial is meant to be read not only as the field, but also as an erasure of data that refer to memory of the Holocaust. Steles have been the medium of stone inscription in China since the Tang dynasty. Chinese steles are generally rectangular stone tablets upon which Chinese characters are carved intaglio with a funerary, commemorative and they can commemorate talented writers and officials, inscribe poems, portraits, or maps, and frequently contain the calligraphy of famous historical figures. During the Han dynasty, tomb inscriptions containing biographical information on deceased people began to be written on stone tablets rather than wooden ones, erecting steles at tombs or temples eventually became a widespread social and religious phenomenon. Emperors found it necessary to promulgate laws, regulating the use of funerary steles by the population, Steles are found at nearly every significant mountain and historical site in China. The First Emperor made five tours of his domain in the 3rd century BC and had Li Si make seven stone inscriptions commemorating and praising his work, of which fragments of two survive. One of the most famous mountain steles is the 13 m high stele at Mount Tai with the calligraphy of Emperor Xuanzong of Tang commemorating his imperial sacrifices there in 725. A number of stone monuments have preserved the origin and history of Chinas minority religious communities
9.
Libu
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The Libu were an Ancient Libyan tribe of an Amazigh origin, from which the name Libya derives. Their occupation of Ancient Libya is first attested in Egyptian language texts from the New Kingdom, the earliest occurrence is in a Ramesses II inscription. There were no vowels in the Egyptian script, the name Libu is written as LBW or RBW in Egyptian hieroglyphs. In the Great Karnak Inscription Merneptah describes how hostilities between Egypt and Libya broke out and how the Libyans were defeated. Ramesses III defeated the Libyans in the 5th year of his reign, Libu appears as an ethnic name on the Merneptah Stele, also known as the Israel Stele. This name Libu was taken over by the Greeks of Cyrenaica, geographically, the name of this tribe was adopted by the Greeks for Cyrenaica as well as for northwestern Africa in general. In the neo-Punic inscriptions, Libu was written as Lby for the masculine noun, the name supposedly was used as an ethnic name in those inscriptions. In the Western Nile Delta, some time during the 22nd Dynasty of Egypt flourished a realm of the Libu led by Great Chiefs of the Libu and those rulers soon formed a dynasty, and they often had local Chiefs of the Ma as their subordinates. Here follows the succession of the known Great Chiefs of the Libu and they used to date their monuments following the regnal years of the contemporary pharaoh of the 22nd Dynasty
10.
Sarcophagus
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A sarcophagus is a box-like funeral receptacle for a corpse, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word sarcophagus comes from the Greek σάρξ sarx meaning flesh, since lithos is Greek for stone, lithos sarcophagos means, flesh-eating stone. The word also came to refer to a kind of limestone that was thought to decompose the flesh of corpses trapped within it. Sarcophagi were most often designed to remain above ground, in Ancient Egypt, a sarcophagus acted like an outer shell. They are made of clay in shades of brown to pink. Added to the basin-like main sarcophagus is a broad, rectangular frame, often covered with a white slip and then painted. The huge Lycian Tomb of Payava, now in the British Museum, is a tomb monument of about 360 BC designed for an open-air placing. However, there are many important Early Christian sarcophagi from the 3rd to 4th centuries, most Roman examples were designed to be placed against a wall and are decorated on three of the sides only. More plain sarcophagi were placed in crypts, of which the most famous include the Habsburg Imperial Crypt in Vienna. The term tends to be often used to describe Medieval, Renaissance. They continued to be popular into the 1950s, at time the popularity of flat memorials made them obsolete. Nonetheless, a 1952 catalog from the industry still included 8 pages of them, broken down into Georgian and Classical detail, a Gothic and Renaissance adaptation. Shown on the right are sarcophagi from the late 19th century located in Laurel Hill Cemetery in Philadelphia, Pennsylvania, the one in the back, the Warner Monument created by Alexander Milne Calder, features the spirit or soul of the deceased being released. In Sulawesi, Indonesia, waruga are a form of sarcophagus. Mont Allen, Sarcophagus, in The Oxford Encyclopedia of Ancient Greece and Rome, edited by Michael Gagarin, R. R. R. Smith, Sculptured for Eternity, Treasures of Hellenistic, Roman, and Byzantine Art from Istanbul Archaeological Museum. Ewald, Living with Myths, The Imagery of Roman Sarcophagi, egyptian sarcophagi sarcaphagi in the Istanbul Archaeological Museum Chisholm, Hugh, ed. Sarcophagus
11.
Canopic jar
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Canopic jars were used by the ancient Egyptians during the mummificaton process to store and preserve the viscera of their owner for the afterlife. They were commonly carved from limestone or were made of pottery. The viscera were not kept in a canopic jar, each jar was reserved for specific organs. The name canopic reflects the association by early Egyptologists with the Greek legend of Canopus. Canopic jars of the Old Kingdom were rarely inscribed, and had a plain lid, in the Middle Kingdom inscriptions became more usual, and the lids were often in the form of human heads. By the Nineteenth dynasty each of the four lids depicted one of the four sons of Horus, as guardians of the organs. The canopic jars were four in number, each for the safekeeping of particular human organs, the stomach, intestines, lungs, and liver, all of which, it was believed, would be needed in the afterlife. There was no jar for the heart, the Egyptians believed it to be the seat of the soul, the design of canopic jars changed over time. The oldest date from the Eleventh or the Twelfth dynasty, and are made of stone or wood, the last jars date from the New Kingdom. In the Old Kingdom the jars had plain lids, though by the First Intermediate Period jars with human heads began to appear, sometimes the covers of the jars were modeled after the head of Anubis, the god of death and embalming. By the late Eighteenth dynasty canopic jars had come to feature the four sons of Horus, many sets of jars survive from this period, in alabaster, aragonite, calcareous stone, and blue or green glazed porcelain. The sons of Horus were also the gods of the compass points. Each god was responsible for protecting a particular organ, and was protected by a companion goddess. Early canopic jars were placed inside a canopic chest and buried in tombs together with the sarcophagus of the dead, later, they were sometimes arranged in rows beneath the bier, or at the four corners of the chamber. After the early periods there were inscriptions on the outsides of the jars, sometimes quite long. The scholar Sir Ernest Budge quoted an inscription from the Saïte or Ptolemaic period that begins, thou livest upon that on which Ra lives. Other inscriptions tell of purification in the afterlife, in the Third Intermediate Period and later, dummy canopic jars were introduced. Improved embalming techniques allowed the viscera to remain in the body, the traditional jars remained a feature of tombs, copious numbers of the jars were produced, and surviving examples of them can be seen in museums around the world
12.
Ka (pharaoh)
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Ka, also Sekhen, was a Predynastic pharaoh of Upper Egypt belonging to Dynasty 0. He probably reigned during the first half of the 32nd century BC, the length of his reign is unknown. The correct reading of Kas name remains uncertain, the second form of that writing indicates a reading as Sekhen rather than Ka. It was also thought to be the name of Narmer. Because the reading of the name is so uncertain, Egyptologists, Ka ruled over Thinis in the first half of 32nd century BC and was buried at Umm el-Qaab. He most likely was the successor to Iry-Hor and was succeeded either by Narmer or by Scorpion II. He is the earliest known Egyptian king with a serekh inscribed on a number of artifacts and this may thus be an innovation of his reign. Ka is one of the best attested predynastic kings with Narmer, the number of artifacts bearing Kas serekh found outside Abydos is much greater than that of his predecessor. This may be the sign of an influence and perhaps conquest of larger portions of Egypt by the Thinite kings. Two underground chambers, B7 and B9, in the Umm el-Qaab necropolis of Abydos are believed to be part of the tomb of King Ka. Each chamber is 1.90 m deep, B.7 is 6.0 ×3.2 m while B.9 is slightly smaller at 5.9 x 3.1 m, Kas tomb was first excavated by Petrie in 1902. The excavations yielded fragments of flint knife and pottery, in the southernmost chamber B7, more than forty inscriptions have been found on tall jars and cylinder vessels as well as a seal impression. The tomb of Ka is close to that of Iry-Hor and Narmer, furthermore, it is located within a sequential order linking the older U cemetery with the First Dynasty tombs, thus suggesting that Ka succeeded Iry-Hor and preceded Narmer on the throne. Wilkinson, Toby AH, Early Dynastic Egypt, London/New York, Routledge, ISBN 0-415-18633-1
