1.
Piero della Francesca
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Piero della Francesca was an Italian painter of the Early Renaissance. As testified by Giorgio Vasari in his Lives of the Most Excellent Painters, Sculptors, nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its humanism, its use of geometric forms. His most famous work is the cycle of frescoes The History of the True Cross in the church of San Francesco in the Tuscan town of Arezzo. He was most probably apprenticed to the local painter Antonio di Giovanni dAnghiari, because in documents about payments it is noted that he was working with Antonio in 1432 and May 1438. Besides, he took notice of the work of some of the Sienese artists active in San Sepolcro during his youth. In 1439 Piero received, together with Domenico Veneziano, payments for his work on frescoes for the church of SantEgidio in Florence, in Florence he must have met leading masters like Fra Angelico, Luca della Robbia, Donatello and Brunelleschi. The classicism of Masaccios frescoes and his figures in the Santa Maria del Carmine were for him an important source of inspiration. Dating of Pieros undocumented work is difficult because his style does not seem to have developed over the years, in 1442 he was listed as eligible for the City Council of San Sepolcro. Three years later, he received the commission for the Madonna della Misericordia altarpiece for the church of the Misericordia in Sansepolcro, in 1449 he executed several frescoes in the Castello Estense and the church of SantAndrea of Ferrara, also lost. His influence was strong in the later Ferrarese allegorical works of Cosimo Tura. Two years later he was in Rimini, working for the condottiero Sigismondo Pandolfo Malatesta, in this sojourn he executed in 1451 the famous fresco of St. Sigismund and Sigismondo Pandolfo Malatesta in the Tempio Malatestiano, as well as Sigismondos portrait. Thereafter Piero was active in Ancona, Pesaro and Bologna, in 1454 he signed a contract for the Polyptych of Saint Augustine in the church of SantAgostino in Sansepolcro. The central panel of this polyptic is lost and the four panels of the wings, a few years later, summoned by Pope Nicholas V, he moved to Rome, here he executed frescoes in the Basilica di Santa Maria Maggiore, of which only fragments remain. Two years later he was again in the Papal capital, for frescoes in Vatican Palace which have also been destroyed, the Baptism of Christ, in The National Gallery in London, was executed around 1460 for the high altar of the church of the Priory of S. Other notable works of Piero della Francescas maturity are the frescoes of the Resurrection of Christ in Sansepolcro, in 1452, Piero della Francesca was called to Arezzo to replace Bicci di Lorenzo in painting the frescoes of the basilica of San Francesco. The work was finished before 1466, probably between 1452 and 1456, the cycle of frescoes, depicting the Legend of the True Cross, is generally considered among his masterworks and those of Renaissance painting in general. The story in these frescoes derives from medieval sources as to how timber relics of the True Cross came to be found
2.
Condottieri
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Condottieri were the leaders of the professional military free companies contracted by the Italian city-states and the Papacy from the late Middle Ages and throughout the Renaissance. In Renaissance Italian, condottiero meant contractor, in contemporary Italian, condottiero acquired the broader meaning of military leader, not restricted to mercenaries. In Italian historiography, Renaissance mercenary captains are usually called capitani di ventura, thus, the word Condottiere in the English language has come to denote, in the modern sense, any hired soldier. In the thirteenth and fourteenth centuries, the Italian city-states of Venice, Florence, in the event that foreign powers and envious neighbors attacked, the ruling nobles hired foreign mercenaries to fight for them. From the eleventh to the century, European soldiers led by professional officers fought against the Muslims in the Crusades. These crusading officers provided large-scale warfare combat experience in the Holy Land, on the Crusades’ conclusion, the first masnada appeared in Italy. Given the profession, some masnade were less mercenaries than bandits and these masnada were not Italian, but German, from the Duchy of Brabant, and from Catalonia and Aragon. The latter were Spanish soldiers who had followed King Peter III of Aragon in the War of the Sicilian Vespers in Italy in October 1282, by 1333 other mercenaries had arrived in Italy to fight with John of Bohemia as the Compagnia della Colomba in Perugia’s war against Arezzo. The first well organised mercenaries in Italy were the Ventura Companies of Duke Werner von Urslingen, werner’s company differed from other mercenary companies because its code of military justice imposed discipline and an equal division of the contract’s income. The Ventura Company increased in number until becoming the fearsome “Great Company” of some 3,000 barbute, the first mercenary company with an Italian condottiero as its chief was the Company of St. George formed in 1339 and led by Lodrisio Visconti. This company was defeated and destroyed by Luchino Visconti of Milan in April 1339, later, in 1377, a second Company of St. Once aware of their military power monopoly in Italy, the bands became notorious for their capriciousness. In turn, many condottieri, such as Braccio da Montone and Muzio Sforza, consequently, the condottieri fought by outmanoeuvring the opponent and fighting his ability to wage war, rather than risk uncertain fortune —defeat, capture, death— in battlefield combat. Niccolò Machiavelli even said that condottieri fought each other in grandiose, in 1347, Cola di Rienzo had Werner von Urslingen executed in Rome, and Konrad von Landau assumed command of the Great Company. Towards the end of the century the Italians began to organize armies of the same description and this ended the reign of the purely mercenary company, and began that of the semi-national mercenary army which endured in Europe till replaced by the national standing army system. In 1363, Count von Landau was betrayed by his Hungarian soldiers, strategically, the barbuta was replaced with the three-soldier, mounted lancia, five lance composed a posta, five poste composed a bandiera. If the condotta expired definitively, the condottiere could not declare war against the contracting city-state for two years. In fifteenth-century Italy, the condottieri were masterful lords of war, during the wars in Lombardy, Machiavelli observed, the others being bred to arms from their infancy, were acquainted with no other art, and pursued war for emolument, or to confer honor upon themselves
3.
House of Malatesta
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The House of Malatesta was an Italian family that ruled over Rimini from 1295 until 1500, as well as other lands and towns in Romagna. Malatesta da Verucchio, a Guelph leader, became podestà of Rimini in 1239 and made himself master of the city after the expulsion of the familys Ghibelline rivals. In the fourteenth and fifteenth centuries, the Malatestas ruled over a number of cities in the Romagna, several Malatestas were condottieri at the service of various Italian states. The most famous was Sigismondo Pandolfo Malatesta, who was engaged in conflict with the papacy over territorial claims, 3rd generation, di Ferrantino, Pandolfino Malatestino Novello - imprisoned & prob. Gardner, Dante and Giovanni del Virgilio, Westminster, Archibald Constable, p.249,336 Catholic Encyclopedia article
4.
Rimini
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Rimini is a city of 146,606 inhabitants in the Emilia-Romagna region of northern Italy and capital city of the Province of Rimini. It is located on the Adriatic Sea, on the coast between the rivers Marecchia and Ausa and it is one of the most famous seaside resorts in Europe, thanks to its 15-kilometre-long sandy beach, over 1,000 hotels, and thousands of bars, restaurants and discos. The first bathing establishment opened in 1843, an art city with ancient Roman and Renaissance monuments, Rimini is the hometown of the famous film director Federico Fellini as well. In the 19th century, Rimini was one of the most active cities in the revolutionary front, hosting many of the movements aimed at Italian unification. In the course of World War II, the city was the scene of clashes and bombings, finally, in recent years it has become one of the most important sites for trade fairs and conferences in Italy. The total approximate population of the Rimini urban area is 225,000, in 268 BC at the mouth of the Ariminus, the Roman Republic founded the colonia of Ariminum. The city was involved in the wars but remained faithful to the popular party and to its leaders, firstly Gaius Marius. After crossing the Rubicon, the made his legendary appeal to the legions in the Forum of Rimini. Ariminum was seen as a bastion against invaders from Gaul and also as a springboard for conquering the Padana plain, remains of the amphitheater that could seat 12000 people, and a five-arched bridge of Istrian stone completed by Tiberius are also still visible. Later Galla Placidia built the church of San Stefano, when the Ostrogoths conquered Rimini in 493, Odoacer, besieged in Ravenna, had to capitulate. During the Gothic War, Rimini was taken and retaken many times, in its vicinity the Byzantine general Narses overthrew the Alamanni. Under the Byzantine rule, it belonged to the Pentapolis, part of the Exarchate of Ravenna, in 728, it was taken with many other cities by Liutprand, King of the Lombards but returned to the Byzantines about 735. Pepin the Short gave it to the Holy See, but during the wars of the popes, in the 13th century, it suffered from the discords of the Gambacari and Ansidei families. The city became a municipality in the 14th century and with the arrival of the orders, numerous convents and churches were built. In fact, Giotto inspired the 14th-century School of Rimini, which was the expression of cultural ferment. The House of Malatesta emerged from the struggles between municipal factions with Malatesta da Verucchio, who in 1239 was named podestà of the city, despite interruptions, his family held authority until 1528. In 1312 he was succeeded by Malatestino Malatesta, first signore of the city and Pandolfo I Malatesta, ferrantino, son of Malatesta II, was opposed by his cousin Ramberto and by Cardinal Bertrand du Pouget, legate of Pope John XXII. Malatesta II was also lord of Pesaro and he was succeeded by Malatesta Ungaro and Galeotto I Malatesta, uncle of the former, lord also of Fano, Pesaro, and Cesena
5.
Cesena
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Cesena is a city and comune in the Emilia-Romagna region of northern Italy, south of Ravenna and west of Rimini, on the Savio River, co-chief of the Province of Forlì-Cesena. It is at the foot of the Apennines, and about 15 kilometres from the Adriatic Sea, Cesena was originally an Umbrian or Etruscan town, later known as Caesena. After a brief spell under Gaulish rule, it was taken over by Romans in the 3rd century BC and it was a garrison town of strategic importance which was destroyed in the wars between Gaius Marius and Sulla. Pliny mentions the wines of Cesena as among the best, Cesena was on the border that the Exarchate of Ravenna shared with the Lombards. It was presented to the Papacy by its Frankish conqueror in 754 and passed back and it was then long contested between popes and Holy Roman Emperors. The brief rule by the Forlivese Ordelaffi was crushed in 1357 by Papal troops led by Cardinal Gil de Albornoz, after a long siege heroically endured by Cia degli Ordelaffi, the little comune revolted again in 1377 during the War of the Eight Saints. This time it was recaptured by Breton troops of Giovanni Acuto under the command of Robert, the latter, acting as the legate of Pope Gregory XI, directed the savage murder of between 2,500 and 5,000 civilians. By the laws of war at the time this was regarded as an atrocity that earned the label of the Cesena Bloodbath, the following year what remained of Cesena was assigned by the new pope Urban VI to Galeotto I Malatesta. During the period 1379-1465 the city recovered and prospered under the Malatesta, the Malatestiana Library, built by near the castle by Malatesta Novello, is considered a fine example of a Renaissance library and holds many valuable manuscripts. After Novellos death, Cesena returned to the Papal States, but was seized by a local seignor, Cesare Borgia. The city was elevated to capital of his powerful though short-lived duchy, Cesena subsequently turned into a secondary city of the Papal States. In the 18th and 19th centuries Pope Pius VI and Pope Pius VII were born in the city, during the Napoleonic Wars it was stripped of numerous monasteries and churches. Some of its citizens had notable roles in the unification of Italy, during World War II Cesena was near the Gothic Line, which ran along the Appennini near the city, and suffered heavily from bombing. In 1992 it was elevated to the rank of co-capital of province, on July 30,2015,1000 people gathered at the Parco Ippodromo park in Cesena, and performed Learn to Fly by the Foo Fighters to convince the band to perform there. The group, later known as the Rockin 1000, was organized by Foo Fighters fans who played the guitar, bass, dave Grohl responded with a video where he announced in Italian that the band would visit Cesena and perform there. The show was scheduled for November 3,2015 at the indoor sports arena and concert venue, Carisport. It was completed by the Papal governor Lorenzo Zane in 1480, cathedral of Saint John the Baptist. Pinacoteca Comunale, housed in former Benedictine monastery, art collection of Fondazione Cassa di Risparmio di Cesena, housed in the former Celestine monastery
6.
Republic of Venice
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It was based in the lagoon communities of the historically prosperous city of Venice. It was a leading European economic and trading power during the Middle Ages, the Venetian city state was founded as a safe haven for people escaping persecution in mainland Europe after the fall of the Roman Empire. In its early years, it prospered on the salt trade, in subsequent centuries, the city state established a thalassocracy. It dominated trade on the Mediterranean Sea, including commerce between Asia, Europe and North Africa, the Venetian navy was used in the Crusades. Venice achieved territorial conquests along the Adriatic Sea, the city became home to an extremely wealthy merchant class, who patronized renowned art and architecture along the citys lagoons. Venetian merchants were influential financiers in Europe, the city was also the birthplace of great European explorers, including Marco Polo, as well as the classical music composer Vivaldi. The republic was ruled by the Doge, who was elected by members of the Great Council of Venice, the ruling class was an oligarchy of merchants and aristocrats. Venice and other Italian maritime republics played a key role in fostering capitalism, Venetian citizens generally supported the system of governance. The city-state enforced strict laws and employed ruthless tactics in its prisons, the opening of new trade routes to the Americas and the East Indies via the Atlantic Ocean marked the beginning of Venices decline as a maritime republic. The city state suffered defeats from the navy of the Ottoman Empire, in 1797, the country was colonized by Austria and France, following an invasion by Napoleon Bonaparte. Venice became a part of a unified Italy in the 19th century and it was formally known as the Most Serene Republic of Venice and is often referred to as La Serenissima, in reference to its title as one of the Most Serene Republics. He was the first historical Doge of Venice, whichever the case, the first doges had their power base in Heraclea. Ursuss successor, Deusdedit, moved his seat from Heraclea to Malamocco in the 740s and he was the son of Ursus and represented the attempt of his father to establish a dynasty. Such attempts were more commonplace among the doges of the first few centuries of Venetian history. They desired to remain well-connected to the Empire, another faction, republican in nature, believed in continuing along a course towards practical independence. The other main faction was pro-Frankish, supported mostly by clergy, they looked towards the new Carolingian king of the Franks, Pepin the Short, as the best provider of defence against the Lombards. A minor, pro-Lombard faction was opposed to close ties with any of these further-off powers, the successors of Obelerio inherited a united Venice. By the Pax Nicephori, the two emperors had recognised that Venice belonged to the Byzantine sphere of influence, many centuries later, the Venetians claimed that the treaty had recognised Venetian de facto independence, but the truth of this claim is doubted by modern scholars
7.
Ottoman Empire
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After 1354, the Ottomans crossed into Europe, and with the conquest of the Balkans the Ottoman Beylik was transformed into a transcontinental empire. The Ottomans ended the Byzantine Empire with the 1453 conquest of Constantinople by Mehmed the Conqueror, at the beginning of the 17th century the empire contained 32 provinces and numerous vassal states. Some of these were later absorbed into the Ottoman Empire, while others were granted various types of autonomy during the course of centuries. With Constantinople as its capital and control of lands around the Mediterranean basin, while the empire was once thought to have entered a period of decline following the death of Suleiman the Magnificent, this view is no longer supported by the majority of academic historians. The empire continued to maintain a flexible and strong economy, society, however, during a long period of peace from 1740 to 1768, the Ottoman military system fell behind that of their European rivals, the Habsburg and Russian Empires. While the Empire was able to hold its own during the conflict, it was struggling with internal dissent. Starting before World War I, but growing increasingly common and violent during it, major atrocities were committed by the Ottoman government against the Armenians, Assyrians and Pontic Greeks. The word Ottoman is an anglicisation of the name of Osman I. Osmans name in turn was the Turkish form of the Arabic name ʿUthmān, in Ottoman Turkish, the empire was referred to as Devlet-i ʿAlīye-yi ʿOsmānīye, or alternatively ʿOsmānlı Devleti. In Modern Turkish, it is known as Osmanlı İmparatorluğu or Osmanlı Devleti, the Turkish word for Ottoman originally referred to the tribal followers of Osman in the fourteenth century, and subsequently came to be used to refer to the empires military-administrative elite. In contrast, the term Turk was used to refer to the Anatolian peasant and tribal population, the term Rūmī was also used to refer to Turkish-speakers by the other Muslim peoples of the empire and beyond. In Western Europe, the two names Ottoman Empire and Turkey were often used interchangeably, with Turkey being increasingly favored both in formal and informal situations and this dichotomy was officially ended in 1920–23, when the newly established Ankara-based Turkish government chose Turkey as the sole official name. Most scholarly historians avoid the terms Turkey, Turks, and Turkish when referring to the Ottomans, as the power of the Seljuk Sultanate of Rum declined in the 13th century, Anatolia was divided into a patchwork of independent Turkish principalities known as the Anatolian Beyliks. One of these beyliks, in the region of Bithynia on the frontier of the Byzantine Empire, was led by the Turkish tribal leader Osman, osmans early followers consisted both of Turkish tribal groups and Byzantine renegades, many but not all converts to Islam. Osman extended the control of his principality by conquering Byzantine towns along the Sakarya River and it is not well understood how the early Ottomans came to dominate their neighbours, due to the scarcity of the sources which survive from this period. One school of thought which was popular during the twentieth century argued that the Ottomans achieved success by rallying religious warriors to fight for them in the name of Islam, in the century after the death of Osman I, Ottoman rule began to extend over Anatolia and the Balkans. Osmans son, Orhan, captured the northwestern Anatolian city of Bursa in 1326 and this conquest meant the loss of Byzantine control over northwestern Anatolia. The important city of Thessaloniki was captured from the Venetians in 1387, the Ottoman victory at Kosovo in 1389 effectively marked the end of Serbian power in the region, paving the way for Ottoman expansion into Europe
8.
Brescia
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Brescia is a city and comune in the region of Lombardy in northern Italy. It is situated at the foot of the Alps, a few kilometres from the lakes Garda, with a population of 196,480, it is the second largest city in the region and the fourth of northwest Italy. The urban area of Brescia extends beyond the city limits and has a population of 672,822. The city is the capital of the Province of Brescia, one of the largest in Italy. Founded over 3,200 years ago, Brescia has been an important regional centre since pre-Roman times, Brescia is considered the industrial capital of Italy. The metallurgy and the production of tools and firearms are of particular economic significance, along with mechanical. In addition, Brescia is the setting for most of the action in Alessandro Manzonis 1822 play Adelchi, Brescia and its territory will be the European Region of Gastronomy in 2017. Various myths relate to the founding of Brescia, one assigns it to Hercules while another attributes its foundation as Altilia by a fugitive from the siege of Troy. According to another myth, the founder was the king of the Ligures, Cidnus, colle Cidneo was named after that version, and it is the site of the medieval castle. Others scholars attribute the founding of Brescia to the Etruscans, the Gallic Cenomani, allies of the Insubres, invaded in the 7th century BC, and used the town as their capital. The city became Roman in 225 BC, when the Cenomani submitted to the Romans, during the Carthaginian Wars, Brixia was allied with the Romans. During a Celtic alliance against the city remained fateful to the Romans, with their Roman allies the city remain and attacked and destroyed the Insubres by surprise. Subsequently, the city and the tribe entered the Roman world peacefully as faithful allies, in 89 BC, Brixia was recognized as civitas and in 41 BC, its inhabitants received Roman citizenship. Augustus founded a colony there in 27 BC, and he. Roman Brixia had at least three temples, an aqueduct, a theatre, a forum with another temple built under Vespasianus, when Constantine advanced against Maxentius in 312, an engagement took place at Brixia in which the enemy was forced to retreat as far as Verona. In 402, the city was ravaged by the Visigoths of Alaric I, during the 452 invasion of the Huns under Attila, the city was besieged and sacked. Forty years later, it was one of the first conquests by the Gothic general Theoderic the Great in his war against Odoacer, in 568, Brescia was taken from the Byzantines by the Lombards, who made it the capital of one of their semi-independent duchies. The first duke was Alachis, who died in 573, later dukes included the future kings of the Lombards Rothari and Rodoald, and Alachis II, a fervent anti-Catholic who was killed in battle at Cornate dAdda in 688
9.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
10.
Pesaro
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Pesaro is a town and comune in the Italian region of the Marche, capital of the Pesaro e Urbino province, on the Adriatic. According to the 2011 census, its population was 95,011, making it the second most populous city in the Marche, Pesaro is known as City of Bicycle, thanks to its big net of bicycle paths. The city received this award by Legambiente, the most important ecologist society in Italy, in 2015 and it is also known as City of Music thanks to the bond with Gioacchino Rossini, the famous composer born in Pesaro. For this reason, in 2015, the Italian Government officially candidate Pesaro as Creative City in the group of World Heritage Sites of UNESCO, fishery, furniture industry and tourism are the main strengths of the local economy. The city was founded as Pisaurum by the Romans in 184 BC as colony in the territory of the Picentes, a settlement of the Picentes tribe has been found at Novilara. The northern Picentes were invaded in the 4th century BC by the Gallic Senones, earlier by the Etruscans, within it the Gauls at least were still distinct, as the Romans separated them out and expelled them from the country. Under the Roman administration Pesaro, a hub across the Via Flaminia, became an important center of trading, after the fall of the Western Empire, Pesaro was occupied by the Ostrogoths, and destroyed by Vitigis in the course of the Gothic War. Hastily rebuilt five years later after the Byzantine reconquest, it formed the so-called Pentapolis, after the Lombard and Frankish conquests of that city, Pesaro became part of the Papal States. During the Renaissance it was ruled successively by the houses of Malatesta, Sforza, in 1475, a legendary wedding took place in Pesaro, when Costanzo Sforza and Camilla DAragona married. On 11 September 1860 Piedmontese troops entered the city, and Pesaro was subsequently annexed to the new Kingdom of Italy, rocca Costanza - Massive castle built by Costanzo I Sforza, it has a square plan with four cylindrical corner towers and a wide dry moat. Its sunken court is the precedent for the more famous one at the Roman Villa Giulia. Rooms are frescoed by prominent Mannerist painters Bronzino, Francesco Menzocchi, Girolamo Genga, mura Roveresche - Della Rovere Walls, demolished in the early 20th century), only two gates, Porta del Ponte and Porta Rimini, and a short section remain. Birthplace of Gioacchino Rossini- Now a museum dedicated to the composer and it has a museum with manifestoes, prints, portraits and his spinet. Among the masterpieces is the Pesaro Altarpiece by Giovanni Bellini, oliveriani Museum and Library- Archaeological Collection and Manuscript Library, founded in 1756 by Annibale degli Abati Olivieri. Cathedral of Pesaro Romanesque-Gothic Basilica built over remains of a late Roman edifice, the façade, in Romanesque-Gothic style, is unfinished, it has a simple ogival portal surmounted by a band of small arches. A recent restoration has brought to light floor mosaics, the Baroque Sanctuary of Beata Vergine del Carmelo. Rossini Opera Festival has taken place every summer since 1980 in Pesaro, Pesaro hosts the home games of Victoria Libertas basketball team, better known across Europe as Scavolini Pesaro. Adriatic Arena, third biggest Italian indoor arena behind Mediolanum Forum in Milan, among the town industries is the motocross and enduro brand of TM Racing, a small manufacturer of race-ready motorbikes based in the coastal town since 1978
11.
Benozzo Gozzoli
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Benozzo Gozzoli was an Italian Renaissance painter from Florence. He is best known for a series of murals in the Palazzo Medici-Riccardi depicting festive, vibrant processions with fine attention to detail and he is considered one of the most prolific fresco painters of his generation. While he was active in Tuscany, he also worked in Umbria. He was born Benozzo di Lese in the village of SantIlario a Colombano around 1421 and he moved with his family, including the painters Francesco, Gerolamo, and Alesso di Benozzo, to Florence in 1427. According to the 16th century Italian biographer Giorgio Vasari, Benozzo Gozzoli was in the part of his career a pupil. Some of the works in the convent of San Marco of Florence were executed by Gozzoli after Fra Angelicos designs, between 1444 and 1447 he collaborated with Lorenzo Ghiberti and his workshop on the Paradise Doors of the Battistero di San Giovanni. On May 23,1447 Gozzoli was with Fra Angelico in Rome, later the pair worked until June 1448 in the Cappella Niccolina for Nicholas V. From 1449 dates a banner with Madonna and Child in the church of Santa Maria sopra Minerva, in Rome he executed also, in Santa Maria in Aracoeli, a fresco of St Anthony and Two Angels. Benozzos last collaboration with Angelico is the vault of the Duomo di Orvieto in Umbria, in 1449 he left Angelico, and moved to Umbria. From 1450 is an Annunciation in Narni, signed OPU BENOT DE FLORENT, in the monastery of San Fortunato, near Montefalco, he painted a Madonna and Child with Saints and Angels, and three other works. One of these, the altarpiece representing St Thomas receiving the Girdle of the Virgin, is now in the Lateran Museum and he next painted in the monastery of S. This work was completed in 1452, and is marked by the style of Angelico. In the same church, in the chapel of Saint Jerome, is a fresco by Gozzoli of the Virgin and Saints and he remained at Montefalco probably till 1456, employing Pier Antonio Mezzastris as assistant. Thence he went to Perugia, and painted in a church a Virgin, soon afterwards he returned to his native city Florence, the epicenter of Quattrocento art. Gozzoli incorporated portraits of the Medici family into his fresco The Journey of the Magi, Gozzoli also included his self-portrait in the procession, with his name written around the rim of his cap. His Virgin and Child with Saints of 1461, in the National Gallery, London, in 1464 Gozzoli left Florence for San Gimignano, where he executed some extensive works, in the church of SantAgostino, a composition of St. Here his style combined something of Filippo Lippi with its original elements and he stayed in this city till 1467, and in 1469 began the vast series of mural paintings in the Campo Santo of Pisa with which his name is specially identified. There are twenty-four subjects from the Old Testament, from the Invention of Wine by Noah to the Visit of the Queen of Sheba to Solomon and he contracted to paint three subjects per year for about ten ducats each
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Herbermann, Charles, ed. (1913). "House of Malatesta". Catholic Encyclopedia. New York: Robert Appleton Company.
Herbermann, Charles, ed. (1913). "