A silhouette is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the silhouette is usually presented on a light background, usually white, or none at all. The silhouette differs from an outline, which depicts the edge of an object in a linear form, while a silhouette appears as a solid shape. Silhouette images may be created in any visual artistic medium, but were first used to describe pieces of cut paper, which were then stuck to a backing in a contrasting colour, and often framed.
A traditional silhouette portrait of the late 18th century
Goethe facing a grave monument, cut paper, 1780
Corinthian black-figure pyxis, 6th century BCE
Attic Greek black-figure Panathenaic prize amphora attributed to the Euphiletos Painter, ca. 530 BCE
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic, is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating in the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style.
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BCE, now in the Munich State Collection of Antiquities.
Athena wearing the aegis, Attic black-figured hydria by the potter Pamphaios (signed) and the Euphiletos Painter, c. 540 BCE. Found in Tuscania, now in the Cabinet des Médailles, BNF, Paris
Scene from a black-figure amphora from Athens, 6th century BCE, now in the Louvre, Paris
Hercules drives Cerberus ahead of him. The beast turns one of its heads back in a threatening manner and raises its snake tail. Faultily fired Attic neck amphora by the Bucci Painter, c. 540 BC, found in Vulci, now in the Munich State Collection of Antiquities