1.
London
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London /ˈlʌndən/ is the capital and most populous city of England and the United Kingdom. Standing on the River Thames in the south east of the island of Great Britain and it was founded by the Romans, who named it Londinium. Londons ancient core, the City of London, largely retains its 1. 12-square-mile medieval boundaries. London is a global city in the arts, commerce, education, entertainment, fashion, finance, healthcare, media, professional services, research and development, tourism. It is crowned as the worlds largest financial centre and has the fifth- or sixth-largest metropolitan area GDP in the world, London is a world cultural capital. It is the worlds most-visited city as measured by international arrivals and has the worlds largest city airport system measured by passenger traffic, London is the worlds leading investment destination, hosting more international retailers and ultra high-net-worth individuals than any other city. Londons universities form the largest concentration of education institutes in Europe. In 2012, London became the first city to have hosted the modern Summer Olympic Games three times, London has a diverse range of people and cultures, and more than 300 languages are spoken in the region. Its estimated mid-2015 municipal population was 8,673,713, the largest of any city in the European Union, Londons urban area is the second most populous in the EU, after Paris, with 9,787,426 inhabitants at the 2011 census. The citys metropolitan area is the most populous in the EU with 13,879,757 inhabitants, the city-region therefore has a similar land area and population to that of the New York metropolitan area. London was the worlds most populous city from around 1831 to 1925, Other famous landmarks include Buckingham Palace, the London Eye, Piccadilly Circus, St Pauls Cathedral, Tower Bridge, Trafalgar Square, and The Shard. The London Underground is the oldest underground railway network in the world, the etymology of London is uncertain. It is an ancient name, found in sources from the 2nd century and it is recorded c.121 as Londinium, which points to Romano-British origin, and hand-written Roman tablets recovered in the city originating from AD 65/70-80 include the word Londinio. The earliest attempted explanation, now disregarded, is attributed to Geoffrey of Monmouth in Historia Regum Britanniae and this had it that the name originated from a supposed King Lud, who had allegedly taken over the city and named it Kaerlud. From 1898, it was accepted that the name was of Celtic origin and meant place belonging to a man called *Londinos. The ultimate difficulty lies in reconciling the Latin form Londinium with the modern Welsh Llundain, which should demand a form *lōndinion, from earlier *loundiniom. The possibility cannot be ruled out that the Welsh name was borrowed back in from English at a later date, and thus cannot be used as a basis from which to reconstruct the original name. Until 1889, the name London officially applied only to the City of London, two recent discoveries indicate probable very early settlements near the Thames in the London area
2.
Music journalism
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Music journalism is media criticism and reporting about popular music topics, including pop music, rock music, and related styles. Journalists began writing music in the eighteenth century, providing commentary on what is now thought of as classical music. An influential English 19th-century music critic, for example, was James William Davison of The Times, the composer Hector Berlioz also wrote reviews and criticisms for the Paris press of the 1830s and 1840s. The 1840s could be considered a point, in that music critics after the 1840s generally were not also practicing musicians. However, counterexamples include Alfred Brendel, Charles Rosen, Paul Hindemith, in the early 1980s, a decline in the quantity of classical criticism began occurring when classical-music criticism visibly started to disappear from the media. Also of concern in classical music journalism was how American reviewers can write about ethnic and folk music from other than their own, such as Indian ragas. The performers be treated as human beings and their music be treated as human activity rather than a mystical or mysterious phenomenon, the review should show an understanding of the musics cultural backgrounds and intentions. A key finding in a 2005 study of journalism in America was that the profile of the average classical music critic is a white, 52-year old male. Demographics indicated that the group was 74% male, 92% white, davis, one of the most respected voices of the craft, said he had been forced out after 26 years. Music writers only started treating pop and rock music seriously in 1964 after the breakthrough of the Beatles, one of the early music magazines in Britain, Melody Maker, complained in 1967 about how newspapers and magazines are continually hammering pop music. Melody Maker magazine advocated the new forms of pop music of the late 1960s, by 1999, the quality press was regularly carrying reviews of popular music gigs and albums, which had a key role in keeping pop in the public eye. As more pop music critics began writing, this had the effect of legitimating pop as an art form, as a result, in the world of pop music criticism, there has tended to be a quick turnover. In the realm of music, as in that of classical music. Frank Zappa declared that, Most rock journalism is people who cant write, interviewing people who cant talk, in the 2000s, online music bloggers began to supplement, and to some degree displace, music journalists in print media. In 2006, Martin Edlund of the New York Sun criticized the trend, arguing that while the Internet has democratized music criticism, slate magazine writer Jody Rosen discussed the 2000s-era trends in pop music criticism in his article The Perils of Poptimism. Rosen noted that much of the debate is centered on a perception that rock critics regard rock as normative … the standard state of popular music … to which everything else is compared. At a 2006 pop critic conference, attendees discussed their guilty pop pleasures, reconsidering musicians and genres which rock critics have dismissed as lightweight. Rosen stated that this new paradigm is called popism — or, more evocatively
3.
Music criticism
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In this sense, it is a branch of musical aesthetics. The musicologist Winton Dean has suggested that music is probably the most difficult of the arts to criticize, like dramatic art, music is recreated at every performance, and criticism may therefore be directed both at the text and the performance. The absence of a clearly evolved or consensual musical aesthetics has also tended to make music criticism a highly subjective issue, there is no counter-check outside the critics own personality. Critical references to music can be found in literature, including, for example, in Platos Laws. According to Richard Taruskin, the concert life of late 18th-century London meant that the role. In France in the 1750s, the Querelle des Bouffons generated essays from Jean-Jacques Rousseau and others, the English composer Charles Avison published the first work on musical criticism in the English language - an Essay on Musical Expression published in 1752. In it, Avison claims that since the time of Palestrina and Raphael, typically until the late eighteenth century music criticism centred on vocal rather than instrumental music - vocal music. Was the apex of aesthetic hierarchy, one knew what music was expressing. The last years of the century reflected both a change of patronage of music from the aristocracy to the rising middle-classes and the rise of Romanticism in the arts. At the same time the proportion of new music to music in concert programming began to decline. This was particularly the case in respect of the rise of Beethovens reputation in his last year and this gave rise both to writings on the value of the canon and also to writings by composers and their supporters defending newer music. M. Schlesinger and edited by A. B, marx, and the Neue Zeitschrift für Musik founded in 1834 in Leipzig by Robert Schumann and Friedrich Wieck, and later edited by Franz Brendel. In 1835 James William Davison began his career as a music critic. Music journalism for reporting on classical and popular music in the media Category, Music critics Avison, bujic, Bojan Criticism of Music in The Oxford Companion to Music, Oxford Music Online, accessed 1 January 2013. Hoffmann as a Writer on Music, in Hoffmann, 1-22, jewry in Music, Entry to the Profession from the Enlightenment to Richard Wagner. FromMendelssohnto Wagner, Memoirs of J. W. Davison, Criticism, in New Grove Dictionary of Music and Musicians vol. London, Macmillan ISBN 0-333-23111-2 Hoffmann, E. T. A. ed. David Charlton. E, ISBN0521235200 Taruskin, Richard. Music in the Seventeenth and Eighteenth Centuries, Oxford, Oxford University Press ISBN 978-0-19-538482-6 Weber, from Miscellany to Homogeneity in Concert Programming, in Poetics 29, 127-34
4.
Author
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An author is narrowly defined as the originator of any written work and can thus also be described as a writer. More broadly defined, an author is the person who originated or gave existence to anything, in the copyright laws of various jurisdictions, there is a necessity for little flexibility regarding what constitutes authorship. The United States Copyright Office, for example, defines copyright as a form of protection provided by the laws of the United States to authors of works of authorship. After a fixed amount of time, the copyright expires on intellectual work and it enters the public domain, however, copyright is merely the legal reassurance that one owns his/her work. Technically, someone owns their work from the time its created, an interesting aspect of authorship emerges with copyright in that, in many jurisdictions, it can be passed down to another upon ones death. The person who inherits the copyright is not the author, questions arise as to the application of copyright law. How does it, for example, apply to the issue of fan fiction. If the media responsible for the authorized production allows material from fans, what is the limit before legal constraints from actors, music. Additionally, how does copyright apply to fan-generated stories for books, what powers do the original authors, as well as the publishers, have in regulating or even stopping the fan fiction. In literary theory, critics find complications in the term author beyond what constitutes authorship in a legal setting, in the wake of postmodern literature, critics such as Roland Barthes and Michel Foucault have examined the role and relevance of authorship to the meaning or interpretation of a text. Barthes challenges the idea that a text can be attributed to any single author and he writes, in his essay Death of the Author, that it is language which speaks, not the author. The words and language of a text itself determine and expose meaning for Barthes, with this, the perspective of the author is removed from the text, and the limits formerly imposed by the idea of one authorial voice, one ultimate and universal meaning, are destroyed. The psyche, culture, fanaticism of an author can be disregarded when interpreting a text, because the words are rich enough themselves with all of the traditions of language. To expose meanings in a work without appealing to the celebrity of an author, their tastes, passions, vices, is, to Barthes, to allow language to speak. Michel Foucault argues in his essay What is an author and that all authors are writers, but not all writers are authors. He states that a letter may have a signatory—it does not have an author. For a reader to assign the title of author upon any written work is to certain standards upon the text which. Foucaults author function is the idea that an author exists only as a function of a work, a part of its structure
5.
Los Angeles
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Los Angeles, officially the City of Los Angeles and often known by its initials L. A. is the cultural, financial, and commercial center of Southern California. With a census-estimated 2015 population of 3,971,883, it is the second-most populous city in the United States, Los Angeles is also the seat of Los Angeles County, the most populated county in the United States. The citys inhabitants are referred to as Angelenos, historically home to the Chumash and Tongva, Los Angeles was claimed by Juan Rodríguez Cabrillo for Spain in 1542 along with the rest of what would become Alta California. The city was founded on September 4,1781, by Spanish governor Felipe de Neve. It became a part of Mexico in 1821 following the Mexican War of Independence, in 1848, at the end of the Mexican–American War, Los Angeles and the rest of California were purchased as part of the Treaty of Guadalupe Hidalgo, thereby becoming part of the United States. Los Angeles was incorporated as a municipality on April 4,1850, the discovery of oil in the 1890s brought rapid growth to the city. The completion of the Los Angeles Aqueduct in 1913, delivering water from Eastern California, nicknamed the City of Angels, Los Angeles is known for its Mediterranean climate, ethnic diversity, and sprawling metropolis. Los Angeles also has an economy in culture, media, fashion, science, sports, technology, education, medicine. A global city, it has been ranked 6th in the Global Cities Index, the city is home to renowned institutions covering a broad range of professional and cultural fields, and is one of the most substantial economic engines within the United States. The Los Angeles combined statistical area has a gross metropolitan product of $831 billion, making it the third-largest in the world, after the Greater Tokyo and New York metropolitan areas. The city has hosted the Summer Olympic Games in 1932 and 1984 and is bidding to host the 2024 Summer Olympics and thus become the second city after London to have hosted the Games three times. The Los Angeles area also hosted the 1994 FIFA mens World Cup final match as well as the 1999 FIFA womens World Cup final match, the mens event was watched on television by over 700 million people worldwide. The Los Angeles coastal area was first settled by the Tongva, a Gabrielino settlement in the area was called iyáangẚ, meaning poison oak place. Gaspar de Portolà and Franciscan missionary Juan Crespí, reached the present site of Los Angeles on August 2,1769, in 1771, Franciscan friar Junípero Serra directed the building of the Mission San Gabriel Arcángel, the first mission in the area. The Queen of the Angels is an honorific of the Virgin Mary, two-thirds of the settlers were mestizo or mulatto with a mixture of African, indigenous and European ancestry. The settlement remained a small town for decades, but by 1820. Today, the pueblo is commemorated in the district of Los Angeles Pueblo Plaza and Olvera Street. New Spain achieved its independence from the Spanish Empire in 1821, during Mexican rule, Governor Pío Pico made Los Angeles Alta Californias regional capital
6.
University of Oxford
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The University of Oxford is a collegiate research university located in Oxford, England. It grew rapidly from 1167 when Henry II banned English students from attending the University of Paris, after disputes between students and Oxford townsfolk in 1209, some academics fled north-east to Cambridge where they established what became the University of Cambridge. The two ancient universities are frequently referred to as Oxbridge. The university is made up of a variety of institutions, including 38 constituent colleges, All the colleges are self-governing institutions within the university, each controlling its own membership and with its own internal structure and activities. Being a city university, it not have a main campus, instead, its buildings. Oxford is the home of the Rhodes Scholarship, one of the worlds oldest and most prestigious scholarships, the university operates the worlds oldest university museum, as well as the largest university press in the world and the largest academic library system in Britain. Oxford has educated many notable alumni, including 28 Nobel laureates,27 Prime Ministers of the United Kingdom, the University of Oxford has no known foundation date. Teaching at Oxford existed in form as early as 1096. It grew quickly in 1167 when English students returned from the University of Paris, the historian Gerald of Wales lectured to such scholars in 1188 and the first known foreign scholar, Emo of Friesland, arrived in 1190. The head of the university had the title of chancellor from at least 1201, the university was granted a royal charter in 1248 during the reign of King Henry III. After disputes between students and Oxford townsfolk in 1209, some academics fled from the violence to Cambridge, the students associated together on the basis of geographical origins, into two nations, representing the North and the South. In later centuries, geographical origins continued to many students affiliations when membership of a college or hall became customary in Oxford. At about the time, private benefactors established colleges as self-contained scholarly communities. Among the earliest such founders were William of Durham, who in 1249 endowed University College, thereafter, an increasing number of students lived in colleges rather than in halls and religious houses. In 1333–34, an attempt by some dissatisfied Oxford scholars to found a new university at Stamford, Lincolnshire was blocked by the universities of Oxford and Cambridge petitioning King Edward III. Thereafter, until the 1820s, no new universities were allowed to be founded in England, even in London, thus, Oxford and Cambridge had a duopoly, the new learning of the Renaissance greatly influenced Oxford from the late 15th century onwards. Among university scholars of the period were William Grocyn, who contributed to the revival of Greek language studies, and John Colet, the noted biblical scholar. With the English Reformation and the breaking of communion with the Roman Catholic Church, recusant scholars from Oxford fled to continental Europe, as a centre of learning and scholarship, Oxfords reputation declined in the Age of Enlightenment, enrolments fell and teaching was neglected
7.
Melody Maker
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Melody Maker was a British weekly pop/rock/disco music newspaper, one of the worlds earliest music weeklies. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright, in 2000 it was merged into long-standing rival New Musical Express. Originally the Melody Maker concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music and it was slow to cover rock and roll and lost ground to the New Musical Express, which had begun in 1952. MM began its Melody Maker LP charts in November 1958, two years after the Record Mirror published the first UK Albums Chart, MM had larger and more specialised advertising, soon-to-be well-known groups would advertise for musicians. It ran pages devoted to minority interests like folk and jazz, a 1968 Melody Maker poll named John Peel best radio DJ, attention which John Walters revealed may have helped Peel keep his job despite concerns at BBC Radio 1 about Peels style and record selection. Melody Maker supported glam rock and progressive rock in the 1970s, Coleman had been insistent that the paper should look like The Daily Telegraph, but Williams wanted the paper to look more contemporary. He commissioned a design, but this was rejected by Coleman. During this period Melody Maker was described as the journal. In January 1972, in a moment for rock journalism. It was during this interview that Bowie claimed, Im gay, OH YOU PRETTY THING ran the headline, and swiftly became part of pop mythology. Bowie later attributed his success to this interview, stating that, Yeah and it was that piece by Mick Watts. During his tenure at the paper, Watts also toured with and interviewed artists including Syd Barrett, Waylon Jennings, Pink Floyd, Bob Dylan, in 1980, after a strike which had taken the paper out of publication for a period, Williams left MM. Several journalists, such as Chris Bohn and Vivien Goldman, moved to NME, Coleman left in 1981, the papers design was updated, but sales and prestige were at a low ebb through the early 1980s, with NME dominant. While MM continued to devote most space to rock and indie music, it covered techno, rap and post rock, two of the papers writers, Push and Ben Turner, went on to launch IPC Medias monthly dance music magazine Muzik. The paper printed harsh criticism of Ocean Colour Scene and Kula Shaker, in 1992, they gave a French rock band called Darlin a negative review calling them a daft punky thrash. Darlin eventually became the music duo Daft Punk. The magazine retained its large classified ads section, and remained the first call for musicians wanting to form a band, Suede formed through ads placed in the paper. In early 1997, Allan Jones left to edit Uncut and he was replaced by Mark Sutherland, formerly of NME and Smash Hits, who thus fulfilled boyhood dream and stayed on to edit the magazine for three years
8.
Freelance writing
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A freelancer or freelance worker is a term commonly used for a person who is self-employed and is not necessarily committed to a particular employer long-term. 20% of freelancers listed their primary skills as design, next on the list was translating, web development, and marketing. Elance, a web platform that connects freelancers with contractors, surveyed its members, depending on the industry, freelance work practices vary and have changed over time. In some industries such as consulting, freelancers may require clients to sign written contracts, while in journalism or writing, freelancers may work for free or do work on spec to build their reputations or a relationship with a publication. Some freelancers may provide written estimates of work and request deposits from clients, payment for freelance work also depends on industry, skills, and experience. Freelancers may charge by the day, hour, a piece rate, instead of a flat rate or fee, some freelancers have adopted a value-based pricing method based on the perceived value of the results to the client. By custom, payment arrangements may be upfront, percentage upfront, for more complex projects, a contract may set a payment schedule based on milestones or outcomes. One of the drawbacks of freelancing is that there is no guaranteed payment, in writing and other artistic fields, freelance and its derivative terms are often reserved for workers who create works on their own initiative and then seek a publisher. They typically retain the copyright to their works and sell the rights to publishers in time-limited contracts, traditionally, works would be submitted to publishers, where they would become part of the slushpile, and would either elicit an offer to buy or a rejection slip. People who create intellectual property under a work for hire situation are sometimes referred to as independent contractors or other similar terms. Creators give up their rights to their works in a made for hire situation. The protection of the property rights that give the creator of the work are considered to have been sold into a work for hire agreement. Of employees, however in a rather than employment relationship. The total number of freelancers in USA is inexact, as the most recent governmental report on independent contractors was published in 2005 by the U. S. Department of Labor Bureau of Labor Statistics. At that time, there were approximately 10.3 million United States workers employed as independent contractors of all sorts, in 2011, Jeffrey Eisenach, an economist at George Mason University, estimated that number of freelancers had grown by one million. The total number of freelancers in UK is also inexact, however and it has been estimated that there are approximately 1.7 million freelancers in the UK, however. Freelancing is a form of work. The 2012 Freelance Industry Report estimates that more than 71% of freelancers are women between the ages of 30 and 50, surveys of other specific areas of freelancing have similar trends
9.
Rave music
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Rave music is usually presented in a DJ mix set, although live performances are not uncommon. The rave scene was associated with illegal club drugs, Rave music is created to accompany recreational drug use, specifically to heighten the effects of ecstasy, the common name for MDMA. In the mid-to-late 1980s, the first raves were born, being the name for House and Techno music parties in Chicago and Detroit, hundreds of smaller promotional groups sprung up across the East Coast, causing a true scene to develop. As the rave scene expanded promoters marketed their events with specialized music aiming to attract adherents of a particular subgenre, in Australia, a trend towards outdoor dance parties or doofs developed. Fusions of house and trance also exist but the drum n bass still remains the most popular form of breakbeat played at rave parties. Hardcore techno refers to any hard dance genre that was influenced by the genre, usually these genres have a distorted kick drum. Happy hardcore blended the Dutch hardcore sound with Eurodance and bubblegum pop, the genre featured pitched-up vocals and a less distorted 4/4 beat. Trancecore also exists and is a less vocal fusion of hardcore with trance music. Industrial is a related genre. While the genre is not usually considered rave music in itself, industrial is the origin of many sounds found in rave music, it is one of the first genres that took the sounds that are now popular in rave music such as acid as its musical backdrop. Industrial music fans are usually considered rivetheads and do not tend to call themselves ravers, Rave has been described as the defining sound of rave music. The style has developed into a series of subgenres including Breakbeat Rave, Techno-Rave, Hard Techno, Acid Rave, Gabber, Speedcore, Happy Rave, Hardcore, the following list of genres are closely associated with raves and can be described as rave music. Breakbeat hardcore — Acen, Altern-8, Keoki, Brainstorm Crew, Bobs and Sounds, The Chemical Brothers, The Prodigy, Shades Of Rhythm, Shut Up and Dance, Crystal Method & uberzone. ETC. Valentino Khan, Sazon Booya Liquid funk — Netsky, High Contrast, Fred V & Grafix, Fox Stevenson, MaxNRG, 2DB, Brookes Brothers, Rudimental & Mediks New rave — Klaxons, Music Scenes, Local, Translocal and Virtual. Nashville, Vanderbilt University Press,2004 Reynolds, Simon, Generation Ecstasy, into the world of techno and rave culture Routledge, lang, Morgan, Futuresound, Techno Music and Mediation University of Washington, Seattle,1996. Dominic Buttitta, electro_DUB-scratch= champaign IL,2010 Media related to Rave at Wikimedia Commons
