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From left: Bruce Johnston, Terry Melcher, Tony Asher, and Brian Wilson at a Pet Sounds recording session in early 1966.
From left: Bruce Johnston, Terry Melcher, Tony Asher, and Brian Wilson at a Pet Sounds recording session in early 1966.
The Smile recording period coincided with the late 1966 Sunset Strip riots (pictured).
The Smile recording period coincided with the late 1966 Sunset Strip riots (pictured).
According to Van Dyke Parks, Smile was partly intended to reclaim popular music from the influence of British acts like the Beatles (pictured in 1964)
According to Van Dyke Parks, Smile was partly intended to reclaim popular music from the influence of British acts like the Beatles (pictured in 1964).
Wilson stated that his understanding of ego and humor drew on the writings of Arthur Koestler (pictured)
Wilson stated that his understanding of ego and humor drew on the writings of Arthur Koestler (pictured)
U.S. picture sleeve
U.S. picture sleeve
"Heroes and Villains" was partly inspired by the ballads of singer Marty Robbins (pictured 1957)
"Heroes and Villains" was partly inspired by the ballads of singer Marty Robbins (pictured 1957)
The group at Zuma Beach in Malibu, July 1967
The group at Zuma Beach in Malibu, July 1967
Advertisement for "Heroes and Villains", featured in Cashbox magazine in July 1967
Advertisement for "Heroes and Villains", featured in Cashbox magazine in July 1967