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From left: Bruce Johnston, Terry Melcher, Tony Asher, and Brian Wilson at a Pet Sounds recording session in early 1966.
From left: Bruce Johnston, Terry Melcher, Tony Asher, and Brian Wilson at a Pet Sounds recording session in early 1966.
The Smile recording period coincided with the late 1966 Sunset Strip riots (pictured).
The Smile recording period coincided with the late 1966 Sunset Strip riots (pictured).
According to Van Dyke Parks, Smile was partly intended to reclaim popular music from the influence of British acts like the Beatles (pictured in 1964)
According to Van Dyke Parks, Smile was partly intended to reclaim popular music from the influence of British acts like the Beatles (pictured in 1964).
Wilson stated that his understanding of ego and humor drew on the writings of Arthur Koestler (pictured)
Wilson stated that his understanding of ego and humor drew on the writings of Arthur Koestler (pictured)
Pet Sounds
Pet Sounds
The Beach Boys in February 1965. From left: Carl Wilson, Al Jardine, Brian and Dennis Wilson, and Mike Love
The Beach Boys in February 1965. From left: Carl Wilson, Al Jardine, Brian and Dennis Wilson, and Mike Love
Asher and Wilson modeled Pet Sounds after Tin Pan Alley's songwriting craftmanship (pictured in 1948; Rodgers and Hammerstein with Irving Berlin)
Asher and Wilson modeled Pet Sounds after Tin Pan Alley's songwriting craftmanship (pictured in 1948; Rodgers and Hammerstein with Irving Berlin)