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From left: Bruce Johnston, Terry Melcher, Tony Asher, and Brian Wilson at a Pet Sounds recording session in early 1966.
From left: Bruce Johnston, Terry Melcher, Tony Asher, and Brian Wilson at a Pet Sounds recording session in early 1966.
The Smile recording period coincided with the late 1966 Sunset Strip riots (pictured).
The Smile recording period coincided with the late 1966 Sunset Strip riots (pictured).
According to Van Dyke Parks, Smile was partly intended to reclaim popular music from the influence of British acts like the Beatles (pictured in 1964)
According to Van Dyke Parks, Smile was partly intended to reclaim popular music from the influence of British acts like the Beatles (pictured in 1964).
Wilson stated that his understanding of ego and humor drew on the writings of Arthur Koestler (pictured)
Wilson stated that his understanding of ego and humor drew on the writings of Arthur Koestler (pictured)
The Smile performances were commissioned by organizers for the Royal Festival Hall in London (pictured in 2023), which had previously hosted Wilson's
The Smile performances were commissioned by organizers for the Royal Festival Hall in London (pictured in 2023), which had previously hosted Wilson's Pet Sounds shows
Keyboardist Darian Sahanaja was integral to the project's realization
Keyboardist Darian Sahanaja was integral to the project's realization
Parks joining Wilson onstage after debuting Smile at the Royal Festival Hall, February 20, 2004
Parks joining Wilson onstage after debuting Smile at the Royal Festival Hall, February 20, 2004
Parks signing Smile memorabilia after the next day's concert
Parks signing Smile memorabilia after the next day's concert