A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. Before sound-on-film technology became viable, soundtracks for films was commonly played live with organs or pianos.
1908 poster advertising Gaumont's sound films. The Chronomégaphone, designed for large halls, employed compressed air to amplify the recorded sound.
Image from The Dickson Experimental Sound Film (1894 or 1895), produced by W.K.L. Dickson as a test of the early version of the Edison Kinetophone, combining the Kinetoscope and phonograph.
Eric M. C. Tigerstedt (1887–1925) was one of the pioneers of sound-on-film technology. Tigerstedt in 1915.
Poster featuring Sarah Bernhardt and giving the names of eighteen other "famous artists" shown in "living visions" at the 1900 Paris Exposition using the Gratioulet-Lioret system.
A silent film is a film without synchronized recorded sound. Though silent films convey narrative and emotion visually, various plot elements or key lines of dialogue may, when necessary, be conveyed by the use of inter-title cards.
Charlie Chaplin, widely acclaimed as one of the most iconic actors of the silent era, c. 1919
Roundhay Garden Scene, which has a running time of just over two seconds, was filmed in 1888. It is believed to be the world's earliest surviving motion-picture film. The elderly lady in black is Sarah Whitley, the mother-in-law of filmmaker Louis Le Prince; she died ten days after this scene was filmed.
Aziza Amir in Laila (1927)