A sound hole is an opening in the body of a stringed musical instrument, usually the upper sound board.
Sound holes have different shapes:Round in flat-top guitars and traditional bowl-back mandolins;
F-holes in instruments from the violin family, archtop mandolins and in archtop guitars;
C-holes in viola da gambas and occasionally double-basses and guitars
Rosettes in lutes and sometimes harpsichords;
D-holes in bowed lyras.
The sound holes of cellos and other instruments of the violin family are known as F-holes and are located on opposing sides of the bridge.
Leaf sound hole in an Ovation Adamas guitar
Many acoustic guitars incorporate rosette patterns around the sound hole.
Maccaferri guitars have D or oval shaped sound holes.
A soundboard is the surface of a string instrument that the strings vibrate against, usually via some sort of bridge. Pianos, guitars, banjos, and many other stringed instruments incorporate soundboards. The resonant properties of the soundboard and the interior of the instrument greatly increase the loudness of the vibrating strings. "The sound board is probably the most important element of a guitar in terms of its influence on the quality of the instrument's tone [timbre]."When the [guitar] top vibrates, it generates sound waves, much like a loudspeaker. As the soundboard moves forward, the air that is in front of it is compressed and it moves away from the guitar. As the soundboard moves back, the pressure on the air in front of the guitar is reduced. This is called a "rarefaction," and air rushes in to fill the rarefied region. Through this process, an alternating series of compression and rarefaction pulses travel away from the soundboard, creating sound waves.
Soundboard of a harpsichord with Chladni patterns
A portion of the soundboard of a Vose & Sons upright piano